Culture
WNBA players say the troubling side of its rise is racism and threats
As the WNBA has reached wildly successful highs this season in viewership and attendance, players say the boom long coveted throughout women’s basketball has come with unfortunate consequences. During these playoffs, athletes who would normally be focused on winning have instead shared a swell of complaints of being targeted with racist, misogynistic, homophobic and threatening attacks.
The rise in harassment, players say, has taken a mental toll. Some question how the league has considered their well-being as it has managed an influx of attention that followed the college stardom of Caitlin Clark and Angel Reese into the pros.
A few players have made more drastic moves, deactivating some of their social media accounts or heavily limiting their engagement, despite the clear and often critical income potential that comes from marketing directly to fans.
Phoenix Mercury center Brittney Griner said fans have voiced racist taunts at her and others. Reese said AI-generated nude images of her have circulated online.
Connecticut Sun guard DiJonai Carrington shared on Instagram a graphic email sent to her with threats of violence and a racist slur, following a moment during the first game of the playoffs in which Carrington inadvertently poked one of Clark’s eyes. Carrington’s partner, NaLyssa Smith, who plays with Clark on the Indiana Fever, wrote on X that Carrington has even been followed.
Alyssa Thomas said she and her Sun teammates had faced the most intense racist bullying she has encountered in 11 WNBA seasons as they faced the Fever and ended Clark’s rookie season.
“With more exposure, we’re seeing more of those people come out and say their words online,” Sky forward Brianna Turner said. “They talk their talk, but I highly doubt they’re watching any games or any content. They’re just there to spread hate and be messy online when they couldn’t care less about what happens in the WNBA or about any players, either.”
Yall can clown me all you want im never gonna stop advocating for respecting players. Respectfully, feel free mute or block if that’s a trigger for you. Please protect your peace
— Brianna Turner (@_Breezy_Briii) September 22, 2024
The troubling messages have been at odds with the welcoming environment the league and its players — the majority of whom are Black and many in the LGBTQ+ community — sought to create over the past three decades. As it fought for financial stability and credibility with media and fans since its 1996 inception, the WNBA has increasingly considered itself a haven for inclusivity.
Some players say that environment has been stained by new factions of fans bringing toxicity to the sport, treating the WNBA and its players as fodder for culture-war arguments during a polarizing period in American society.
“I appreciate the new eyes,” Sky forward Isabelle Harrison said. “But if this comes with hate and bigotry and racism and even people who look like me bashing me, keep it offline because it’s so hurtful, and you don’t know how that affects people.”
That dimension has added a complexity to the developing play and rivalry of Clark, who is White, and Reese, who is Black. Clark won Rookie of the Year honors and guided the Fever to the playoffs. Reese’s season ended in early September with a wrist injury, but not until she had already set WNBA records for consecutive double-doubles and rebounds in a season.
Fever forward Aliyah Boston said some people are simply being opportunistic. “It’s easy to attach yourself to the Fever because we have a lot of attention around us right now, and it’s so easy to say, ‘Well, I’m a Fever fan, I’m an A.B. fan, I’m a Caitlin fan and just (spew) hate off of that — and that’s never OK,” she said.
Tension bubbled early this season as some fans and sports commentators accused veteran WNBA players of feeling jealous of Clark’s stardom and claimed she was being targeted in games. Even though that notion was widely dismissed by players, fouls on Clark quickly became hot topics to debate — with conversations devolving into personal insults or worse.
A Chicago Tribune op-ed likened a hard foul on Clark by Sky guard Chennedy Carter to “assault,” and an Indiana congressman wrote an open letter to the WNBA commissioner airing his grievances about the foul. Charles Barkley lambasted WNBA players for being “petty” and “jealous” of Clark’s popularity, while Sheryl Swoopes, on multiple occasions, seemed to downplay Clark’s accolades. ESPN personality Pat McAfee apologized for calling Clark a “White b—-” on his show during a segment in which he mused about her stardom and her race.
“It is discouraging that we’re losing the conversation around the skill of these players and it’s being overshadowed by the politicized nature of their presence,” said Ajhanai Keaton, an assistant professor of sports management at UMass Amherst.
The scrutiny of Clark throughout the season frequently went beyond her play and her comments about games.
Her social media presence is mostly limited to retweets of Iowa and Fever posts, with some sharing of content from her commercial sponsors. She recently created a buzz by liking a Taylor Swift Instagram post that endorsed Kamala Harris for president, although Clark did not formally endorse Harris herself and simply encouraged voting in the November presidential election when asked to explain her action.
She denounced the use of her name to push divisive agendas online, calling it “disappointing” and “unacceptable.” “Those aren’t fans,” she said Friday. “Those are trolls, and it’s a real disservice to the people in our league, the organization, the WNBA.”
Still, much of the conversation carries on regardless of her participation.
“She’s trying to get her bearings and develop her game and take her game to the next level and be on this bigger stage,” New York Liberty forward Jonquel Jones said earlier this season. “And she’s really handling it well. It’s the fan base that’s going crazy and making it a race war and all this other stuff.”
The league released a statement last week condemning online harassment of players. But commissioner Cathy Engelbert previously faced criticism, including from the players association, for lauding the league’s rivalries when asked in a CNBC interview about “menacing” comments players receive.
“The league should have taken a stance a long time ago, and not waited for it to get this kind of deep, and this far on what’s tolerated and what’s not,” Liberty guard Sabrina Ionescu said.
Sun guard DiJonai Carrington said she’s been targeted with threatening messages this season. (Elsa / Getty)
Las Vegas Aces guard Chelsea Gray, when asked how the league could have protected players throughout the season, said: “Probably make a statement earlier than what they did.”
The WNBA’s recent statement mentioned involving law enforcement when necessary to protect players. The league monitors online threats and works with teams and arenas on safety issues, and with local law enforcement, when necessary. It employs security in each market to help players. All 12 teams also have dedicated security who travel with them to games.
The Chicago Sky introduced a partnership this season with an app company that uses AI to shield players from directly seeing negative posts about them on their phones. Before the start of the season, the WNBA provided information and resources to players about mental health as part of a routine annual meeting.
Liberty forward Breanna Stewart, who said she has reported some messages to team officials, wants the league to host more sessions focused on dealing with internet harassment. “There could be probably more training,” she said. “What should you do if you get those messages?”
Some players said they have removed social media apps — especially X — to avoid attacks, but that can come at a cost. Endorsement deals often hinge on engagement with fans online. A robust following on social media can become a key source of income. That’s especially important in a league with a mean player salary of about $110,000 this season, according to HerHoopStats — a figure well below what most male professional athletes make in top North American leagues.
Sparks guard Zia Cooke said she deactivated her X account earlier this season to avoid negative comments but remained on TikTok and Instagram because of potential additional earnings. “If it were really up to me, I would deactivate all of my accounts just because I’m trying to stay mentally locked in as far as basketball and finding my way in this game,” she said.
Boston said she deleted some of her social media accounts to avoid vitriolic criticism as the Fever got off to a 1-8 start this season.
The spread of legalized sports betting in the United States has also become a prompt for fans sending angry messages to WNBA players. Dream wing Rhyne Howard said she has received threatening messages about her “messing up random parlays” after poor performances, a complaint similarly heard in men’s leagues.
But often, WNBA players said, attacks against them feel much more personal, focused on their racial and sexual identities rather than their basketball abilities.
“Our world is so polarized based on race,” said professor Ketra Armstrong, the University of Michigan’s director of the Center for Race and Ethnicity in Sport. “When people talk about race, oftentimes it privileges whiteness, and when they talk about gender, it privileges maleness. This is not unique to sport, this is not unique to Caitlin Clark. It’s the way of the world and it’s been that way in every domain, be it in politics, be it in business, be it in social movements and civil rights.”
Reese, who has more than 4 million followers on Instagram and more than 600,000 on X, has kept a steady stream of engagement even as she has been frequently criticized. She said she occasionally needs to take breaks from social media to avoid vitriol and that she leans on robust support from people around her.
“We’re still human,” Reese said, adding: “Sometimes we do have to take some time away.”
— The Athletic’s Grace Raynor and Sabreena Merchant contributed to this report.
(Illustration: Dan Goldfarb / The Athletic; Photo: iStock)
Culture
Video: 250 Years of Jane Austen, in Objects
new video loaded: 250 Years of Jane Austen, in Objects
By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega
December 18, 2025
Culture
Try This Quiz and See How Much You Know About Jane Austen
“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.
Culture
Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday
On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.
Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”
With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”
How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.
By ‘A Lady’
Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)
Where the Magic Happened
Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.
An Iconic Accessory
Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.
Austen Onscreen
Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.
Jane Goes X-Rated
The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.
A Lady Unmasked
Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”
Wearable Tributes
It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.
The Austen Literary Universe
On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)
A Botanical Homage
Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.
Aunt Jane
Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.
Cultural Currency
In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.
In the Trenches
During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”
Baby Janes
You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.
The Austen Industrial Complex
Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.
Around the Globe
Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.
Playable Persuasions
In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.
#SoJaneAusten
The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.
Bonnets Fit for a Bennett
For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.
Most Ardently, Jane
Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”
Stage and Sensibility
Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.
Austen 101
Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”
W.W.J.D.
When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?
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