Culture
Why don’t goalkeepers wear caps anymore?
Brad and Charlie Hart are season-ticket holders at Spurs. Father and son, they always sit near the tunnel at the Tottenham Hotspur Stadium and at full time, after every game, 10-year-old Charlie will rush to try to get the attention of the players as they walk off the pitch.
But earlier this month, after Tottenham had beaten West Ham United 4-1, Charlie realised he had forgotten his trusted marker pen for those autographs he covets so much. Little did he know that he would leave the stadium that Saturday afternoon not with a few squiggles of ink on his shirt or a programme but with a true collector’s item.
During the match, Spurs’ goalkeeper Guglielmo Vicario had put on a baseball cap to keep the lunchtime sun from his eyes, a moment celebrated by nostalgic football purists as a welcome return of a once-prominent piece of goalkeeper kit. “Old school vibes,” said one fan on social media.
Those were the days: a ’keeper in a cap or maybe jogging pants, putting comfort before fashion, looking more suitably dressed to wash the car or take the dog for a Sunday morning walk than play in the world’s top domestic football league. While it was commonplace in the 1990s and early 2000s to see a goalkeeper in a cap — Oliver Kahn for Germany and Bayern Munich springs to mind — it is a more unusual sight now. Long gone are the days of goalkeepers wearing flat caps, like the great Lev Yashin.
“Vicario came out with the goalkeeper coach (Rob Burch), who was holding the cap,” Charlie, from Harpenden, a commuter town north of London, tells The Athletic. “He (Burch) just looked in my eyes and said, ‘Catch’, and then he threw the cap. I caught it in one hand because my dad’s phone was in the other, although I would have happily dropped my dad’s phone to secure the catch.”
Guglielmo Vicario took fans down memory lane when he wore a cap against West Ham (Zac Goodwin/PA Images via Getty Images)
Unlike his father, who remembers goalkeepers in caps as a more familiar sight, it was the first time outside YouTube videos that Charlie had seen a ’keeper wearing one in a game.
In recent years, England internationals Dean Henderson and Jordan Pickford have worn caps for their clubs, Crystal Palace and Everton, but they are in the minority.
So why has the hat-wearing goalkeeper become so rare?
International Football Association Board (IFAB) rules for the 2024-25 season state that caps for goalkeepers are permitted, as are “sports spectacles” and tracksuit bottoms. There are also specific rules on head covers for players, including the need for them to be black or the same main colour as the shirt, but the same directives do not apply to baseball-style caps worn by goalkeepers. If the rules haven’t changed, what has?
Former Liverpool goalkeeper Chris Kirkland became synonymous with cap-wearing during his pro career, which began in the late 1990s. When people meet him now, the 43-year-old says it is still something he is remembered for.
Kirkland, who won one cap for England, started wearing a cap in training when he was a young player at Coventry City’s academy after seeing the senior team’s first-choice goalkeeper, Steve Ogrizovic, use one. Kirkland found it helpful for boosting concentration levels, as much as for keeping the sun’s glare out of his eyes.
Lev Yashin wearing a flat cap when playing for the Soviet Union against England during the 1958 World Cup (Pressens Bild / AFP)
“I always used to wear one in training because I’m not great in the sun,” Kirkland, who joined Liverpool in 2001 aged 20 in a deal that made him the most expensive goalkeeper in Britain, tells The Athletic.
“I burn, so I used to wear caps to keep the sun off my face. But I got used to it and it helped give me better vision. It used to block other things out and I found myself being able to concentrate more because it blocked out distractions. I used to wear it sometimes even when it wasn’t sunny, which I used to get a few strange looks for.
GO DEEPER
Chris Kirkland: ‘I was taking 2,500mg of Tramadol a day. I had it in my goalie bag on the pitch’
“A cap can block the sun out at certain angles, which I used to find helpful. I’m surprised ‘keepers don’t wear them anymore because you see them (when facing the sun). They put their arm up and their hand over their eyes, which is obviously a distraction itself.”
Fans have come to the rescue of squinting goalkeepers plenty of times. When Leeds United goalkeeper Felix Wiedwald was struggling with the sunshine away at Barnsley in 2017, a supporter emerged from the away end to heroically give up his cap. A year later, a West Ham fan threw one onto the pitch for England’s No 1 Joe Hart to wear during an FA Cup third-round tie against Shrewsbury Town.
Kirkland played for Coventry, Liverpool and Wigan Athletic among others (David Davies/PA Images via Getty Images)
“I stuck with the same cap for years,” Kirkland adds. “It was a navy blue Nike one, and the Nike tick eventually fell off because I wore it that much. I did well in the first game and stuck with it. The only time I would wear another is if I had taken it out of my kit bag to wash it. It was rotten by the end, but I kept it for years until the missus made me get rid. She was like, ‘That is absolutely honking and has got to go!’.”
Richard Lee is a former Watford and Brentford goalkeeper known for his caps — but not because he used to wear one.
“I’ve got a bit more of an association with caps because I went on Dragons’ Den (a British business-based game show) back in the day and it was for a cap company, but I never wore one in a game,” Lee, now a football agent with a long list of goalkeeper clients, tells The Athletic.
“Wearing a cap was good when the sun is out of your eyes, but the moment a cross comes in, or a ball is played over the top, and you get that sudden glare, you look up and the sun hits you. So, I’d almost prefer to have the sun there the whole time and you knew where it was.”
Style could be another reason for goalkeepers opting out of wearing caps. It could simply be a fashion choice.
“You look at the goalkeepers now and they realise they’ve got a certain brand and look, and that does play a part,” Lee adds. “When you go out (onto the pitch) you want to feel a certain way and present yourself a certain way, whether that’s to the fans, the scouts or your team-mates.”
More on the world of sport and fashion…
Elite goalkeepers choosing not to wear caps influences the next generation, too. “The younger ones will copy what the current Premier League goalkeepers are doing,” Lee says. “You’re seeing it less and less at younger age groups too.”
Towards the end of her career, former Everton and England goalkeeper Rachel Brown-Finnis found “a better alternative” to wearing a cap.
“For a while, Nike produced sunglasses-like soft contact lenses. They were bright orange and when you put them in they looked a bit ‘Halloween’,” Brown-Finnis tells The Athletic. “They were by far the most effective thing. I hated wearing caps because they were fine if the ball was on the ground, but as soon as the ball came up in the air, you had to tilt your angle and vision — you were looking into the sun.”
Brown-Finnis said sunshine is a problem for goalkeepers and increases the importance of the pre-game coin toss for an afternoon game. A goalkeeper, she said, would want their counterpart to be facing the sun in the first half in the hope the strength of the sun’s rays died down in the second.
“Clearly that being seen as an advantage for your team to not be in the sun in the first half, it does affect the goalkeeper and players. It’s interesting that there’s not a standard intervention for that,” she said.
Jacob Widell Zetterstrom of Derby County, in the second-tier Championship, is one of the few goalkeepers across the professional game in England who wears headgear. The Sweden international wears a protective scrum cap, something The Athletic’s goalkeeping analyst Matt Pyzdrowski is familiar with.
Zetterstrom of Derby during a match in August (Nathan Stirk/Getty Images)
During the final seven years of his career, spent playing in Sweden, where he still resides as head of academy for his former club Angelholms, Pyzdrowski wore a protective head guard, similar to the one popularised by former Chelsea goalkeeper Petr Cech, who returned to the sport wearing the rugby-style cap in January 2007, three months after a collision with Reading’s Stephen Hunt fractured his skull.
“It was too many concussions in a short period,” Pyzdrowski says. “I remember the specialist I met told me, ‘Matt, you have got to be careful, because we don’t know how much this is going to impact you. If you want to have a good life in the future, you need to start thinking about the risk versus reward of 1) playing and 2) protecting yourself’.
“When you put that into perspective, I was like, ‘I have to wear a helmet’. For the rest of my career, I had a rugby helmet on. Every single training session, every single match, it became part of my outfit.
“It took some time to get used to heading the ball, as well as learning how to control it, but the big benefit was how it made me feel secure. When you come back from a head injury, you become timid, even if you were an aggressive goalkeeper before that. It took me a while to feel safe again, even when I had the helmet.”
Charlie Hart received a memorable memento at Spurs’ home match against West Ham this month (Brad Hart)
Pyzdrowski said protective headgear is becoming more prevalent in Sweden, with a few top-flight goalkeepers wearing them. “As a goalkeeper, you are very vulnerable. You have to be brave and put yourself in very difficult and unsafe situations. When I think about it, and about the safety of goalkeepers, it really should become a priority,” he says.
As for Charlie, after taking Vicario’s cap to school to show his classmates, he is hoping to get it signed by the player himself at one of Tottenham’s upcoming home games. It will then be put in a display case — a reminder of the special family day that sparked a nostalgic outpouring within the football world.
(Top photos: Getty Images; design: Eamonn Dalton)
Culture
Video: 250 Years of Jane Austen, in Objects
new video loaded: 250 Years of Jane Austen, in Objects
By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega
December 18, 2025
Culture
Try This Quiz and See How Much You Know About Jane Austen
“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.
Culture
Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday
On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.
Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”
With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”
How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.
By ‘A Lady’
Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)
Where the Magic Happened
Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.
An Iconic Accessory
Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.
Austen Onscreen
Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.
Jane Goes X-Rated
The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.
A Lady Unmasked
Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”
Wearable Tributes
It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.
The Austen Literary Universe
On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)
A Botanical Homage
Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.
Aunt Jane
Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.
Cultural Currency
In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.
In the Trenches
During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”
Baby Janes
You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.
The Austen Industrial Complex
Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.
Around the Globe
Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.
Playable Persuasions
In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.
#SoJaneAusten
The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.
Bonnets Fit for a Bennett
For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.
Most Ardently, Jane
Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”
Stage and Sensibility
Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.
Austen 101
Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”
W.W.J.D.
When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?
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