Culture
What teams think of the 2025 Club World Cup: Opportunity, concerns and financial benefits
The expanded Club World Cup begins in 100 days, with the 32-team tournament taking place in the United States from June 14.
It is the first time the club edition of the World Cup will mirror the national team version of the tournament. There have been worries about the additional workload on players — FIFPro and the World Leagues Association threatened legal action in May last year. There are also concerns over high ticket prices.
FIFA announced there will be $1billion (£775m) in prize money for the Club World Cup, which will be distributed among all 32 clubs. FIFA president Gianni Infantino said, “All revenue generated by the tournament will be distributed to the participating clubs and via club solidarity across the world, as FIFA will not keep a single dollar.”
So how do the clubs themselves feel about the tournament? The Athletic has approached teams and senior figures at clubs for their perspective on the competition. Fifteen of the teams involved responded to our enquiries. Unless otherwise noted, those spoken to did so under the condition of anonymity as they did not have permission to speak.
Here, we share their perspectives on the Club World Cup.
Chelsea (England)
Chelsea have been taking the tournament seriously for a long time.
The first indication was the decision to part ways last May with head coach Mauricio Pochettino because they did not want any uncertainty over the role going into the Club World Cup. Pochettino was given only a two-year deal with an option for another 12 months in 2023. His replacement, Enzo Maresca, was handed a five-year deal.
Senior players who departed on loan in the January window, including Joao Felix and Renato Veiga, have clauses that mean they can return before it begins (loan agreements normally last until June 30), giving Chelsea the strongest squad possible.
Chelsea have not agreed a front-of-shirt sponsor for this season but believe being on display in America can help their bargaining position in ongoing talks with interested parties. They also see it as a genuinely good opportunity to win some silverware.
Simon Johnson
Seattle Sounders (U.S.)
The Sounders look at the Club World Cup as a “generational” opportunity. After playing in the 2022 Club World Cup in Morocco, Seattle see this tournament as a showcase for the city, the fanbase and the club.
With a chance to play in front of their home supporters against Atletico Madrid and Paris Saint-Germain, the Sounders believe it’s a rare opportunity to showcase themselves as a marquee franchise in MLS and one of the top clubs in the Americas.
Seattle will also host several games at the 2026 World Cup, including a U.S. men’s national team group-stage game, and believe the tournaments are a chance to advertise the city’s support for soccer across the globe. In a way, it’s putting the Sounders in the shop window for potential players and new fans.
Paul Tenorio
Al Ahly (Egypt)
Al Ahly are looking forward to the tournament and want to present themselves to a wider audience, especially considering they will open the tournament against Inter Miami.
The record 12-time CAF Champions League winners want to face the best teams in the world and view the Club World Cup as an opportunity to test themselves against different opponents on the global stage — similar to the previous versions of the competition where they finished in third place on four occasions. It’s also a learning experience off the field as the tournament will allow the club to interact and connect with teams from around the world.
Al Ahly celebrate winning the CAF Champions League (Fadel Senna/AFP via Getty Images)
Participating in the Club World Cup is viewed as a crowning of Al Ahly’s domestic and continental achievements in the past couple of years.
Even if their chances of winning the whole thing are slim, they are heading to the U.S. to do their best.
Ahmed Walid
Wydad AC (Morocco)
For Wydad, the Club World Cup represents an opportunity in many ways. The first and most obvious is money: last year, 30 per cent of their revenue came from participating in the CAF Champions League, but this year they didn’t qualify, so a financial gap needed to be filled. The roughly $50million (£39m) they will earn just for participating in the Club World Cup will plug that gap and then some.
That money will, they hope, allow them to close the gap slightly with European teams on player trading. If they negotiate with a potential signing and a European team made any kind of offer, they simply couldn’t compete. With this additional income, they hope this will change. They look to the basketball arm of their club, which can attract American players because there is less of a financial disparity between them and some European clubs.
Interestingly, they could also parlay their appearance at the Club World Cup into a conversation about being part of a multi-club ownership group. To this point, European-based models, such as Red Bull or City Football Group, have mostly shown little interest in acquiring an African club for a variety of reasons — sporting, economic, organisational — but the hope is that a decent showing at this tournament might make them more attractive as a takeover target.
Nick Miller
Mamelodi Sundowns (South Africa)
When Sundowns goalkeeper Ronwen Williams was nominated for the Yashin Award at the Ballon d’Or ceremony in 2024, he told The Athletic that the Club World Cup “…can help people realise the gap isn’t quite as big as it seems”.
He wasn’t referring to non-Africans. Instead, he believes the competition can help players from his continent realise how talented they are.
To say Williams is excited about travelling to the United States is an understatement. “We can’t wait to be a part of it, to try to open doors for African football,” he said.
Sundowns have become one of the most talked-about clubs in Africa over the past decade due to investment from mining tycoon Patrice Motsepe, who is also the president of the Confederation of African Football (CAF). While the club have won nine of the last 11 South African Premiership titles, they have only lifted one CAF Champions League trophy, back in 2016.
The Club World Cup has been high on their agenda for some time, with weekly meetings centred on media engagement and ticketing.
The U.S. gives Sundowns the opportunity to globalise their brand in new markets. With a significant African diaspora in the U.S., Sundowns hope to engage new fans who can identify with the club’s story as well as the abilities of their players.
Simon Hughes
Palmeiras (Brazil)
Palmeiras are still waiting on clarity for certain elements of the tournament — like how the prize money will be distributed. But they are understanding, given it is the first edition of the tournament, and they have been impressed by how quickly FIFA have responded to their other queries.
The club view it as an important tournament both in sporting and marketing terms, given the global visibility. They are aiming to make the most of the opportunity commercially and have worked on their squad in a bid to go far in the tournament.
Mario Cortegana
Fluminense (Brazil)
Fluminense lost 4-0 against Manchester City in the final of the Club World Cup in 2023 but are animated by the opportunity to test themselves against other global heavyweights.
The club do not expect a huge surge in sponsorship income — there are strict rules governing the number of brand logos visible on shirts, for instance — but expect to reap more indirect benefits from increased international brand recognition.
Fluminense will be competing in the tournament (Buda Mendes/Getty Images)
The prospect of a showpiece match against Borussia Dortmund, plus the realistic possibility that Fluminense will progress from a fairly weak group (Sundowns and South Korean side Ulsan are their other opponents), also proved to be a big draw with transfer targets in the last Brazilian off-season.
Jack Lang
Botafogo (Brazil)
“It has been many years since Botafogo have competed on a global stage,” John Textor, the majority owner and chairman of Eagle Football Holdings Limited, Botafogo’s leading shareholder, tells The Athletic. “So the chance to play the best teams in the world, in the biggest media market in the world, is incredibly important as we try to reestablish our reputation among the world’s greatest clubs.
“Our fans are excited, too, for these very same reasons. Our club is known as ‘the most traditional’ and ‘the glorious’ based on its historic reputation as a ‘grandfather’ of Brazilian football, so they have yearned for the return of our club to a position of global prominence. We are just starting to rebuild that reputation, forgotten for many years, and this opportunity in the United States is the first step. Truth be told, our fans will expect much more. They expect us to win.
“It’s a huge story in Brazil. Four big clubs, all participating against the best in the world… it’s been many years since Brazil has seen such an opportunity.”
Matt Slater
Flamengo (Brazil)
Jose Boto, Flamengo’s director of football, told The Athletic: “Flamengo views the creation of the new Club World Cup with great enthusiasm and congratulates FIFA for this initiative, which is a milestone in the evolution of global football. Bringing together the best clubs in the world in an innovative format is a great step towards further strengthening club football and providing a unique experience for players and fans.
“For us, it is an honour and a privilege to have the opportunity to represent Brazil and South American football at this event. We are confident that the United States, with its world-class sporting infrastructure, will offer modern and optimal facilities for the competition, providing all the necessary conditions for a tournament of the highest level.
“The history of hosting major events, such as the 1994 World Cup and various editions of the Olympic Games, is a benchmark of attendance and public enthusiasm on U.S. soil. In addition, the proximity of the 2026 World Cup further reinforces the interest and growth of football in the region.
“We believe this edition of the Club World Cup will be an absolute success, both in terms of infrastructure and audience, further consolidating football as a truly global phenomenon.”
Mario Cortegana
Manchester City (England)
City are embracing the revamped format and the chance to add a new trophy to their collection.
Although more games seem to be the last thing they need this season, the money involved appeals to the more financially minded members of the hierarchy, while Guardiola’s stance is similar to his outlook on pre-season tours: he and his players will go wherever the club need them to.
Once they’re there, they’ll try to win.
Sam Lee
Real Madrid (Spain)
The board at Real Madrid are generally in favour of the Club World Cup, but president Florentino Perez, head coach Carlo Ancelotti and some players have highlighted their concerns over the calendar. They were also surprised by how late the dates were confirmed, along with venues and who they would face.
However, they issued a statement in June last year after Ancelotti expressed his doubts in an interview: “At no time has Real Madrid questioned its participation in the new Club World Cup to be organised by FIFA. Our club will play, as planned, this official competition that we face with pride to make our millions of fans around the world dream again with a new title.”
Madrid are the Champions League holders (Thomas Coex/AFP via Getty Images)
Despite their doubts, they consider the tournament to be very important for marketing and finances. If they win the final, it could be worth around €100million (£84m; $108m) to them. Madrid also have a good relationship with FIFA.
Since the pandemic, all of Real’s pre-seasons have taken place in the U.S. and it is undoubtedly the market that attracts and interests them the most.
Mario Cortegana
Bayern Munich (Germany)
Bayern are really popular in the U.S. and are looking forward to spending time directly with their fans and fan groups over there — they have offices in America, so there’s a big opportunity to show their best face in a competitive environment. Given German football’s restrictions and the staging of competitive games abroad being a non-starter, this is a rare chance to do something different.
There is some trepidation about the tournament’s popularity and a bit of bewilderment over the timing of their games — a couple of them kick off at 3am CEST, which hardly suits their domestic fans. There have already been murmurs of discontent from ultra groups in response to that scheduling as well as some of the exorbitant ticket prices being charged.
Bayern are braced for tension. Playing in front of long-distance fans is one thing, but taking competitive matches away from season ticket holders and pricing them out of attending is a new issue for German football and one that will not be resolved quietly.
Sebastian Stafford-Bloor
Paris Saint-Germain (France)
Sources close to the hierarchy at Paris Saint-Germain admit the organisation behind the Club World Cup has not been perfect, but they think it is a positive for football’s ecosystem. There is also a belief that it would be the wrong tournament to target over workload concerns. The Club World Cup already exists — it is only being revamped — and it is only going to run every four years.
There is also positivity over the deal with DAZN and the addition of new commercial partners — and the potential redistribution of money from the tournament. For PSG, the income will be significantly higher than what would be generated from a pre-season tour.
However, there are concerns over filling the stadiums in the U.S. Sources at PSG hope there will be a significant push — possibly even involving President Donald Trump — to shift tickets before the tournament kicks off. In all, it is viewed by those close to the hierarchy as a potential cherry on the cake for the season.
Mario Cortegana
Borussia Dortmund (Germany)
Financially, the Club World Cup comes at a convenient time for Dortmund. They sit 10th in the Bundesliga and only have an outside hope of playing Champions League football — and benefiting from its riches — next season. The payday FIFA is promising the participating clubs will be invaluable, then, particularly with the squad due to undergo a major rebuild in the summer
Socially, it’s an opportunity. Dortmund are among a group of clubs at the top of German football who believe that the domestic game should be doing more to grow itself and that other teams in the division should be spending more time in fertile markets, including the United States. And, given there is no hope at all of ever playing Bundesliga games outside Germany — fan power makes that impossible — this will be as close as the club gets to being able to export an authentic version of themselves.
How successful will the tournament be? The club are not sure. Kick-off times are inconvenient for German supporters and it’s unclear what kind of traction the competition will have with U.S. supporters.
One strange technical detail to add: Chelsea midfielder Carney Chukwuemeka is on loan at Dortmund, but that deal — provided it is not made permanent — will expire between the end of the Bundesliga season and the start of this tournament. He has started promisingly in Germany, with a few exciting cameos, but that may not be relevant in Dortmund by the summer.
Sebastian Stafford-Bloor
Atletico Madrid (Spain)
The Club World Cup is seen as a big opportunity — on lots of different levels.
Senior figures at Atletico were very proud to have qualified, especially qualifying ahead of Barcelona as one of the two clubs involved from La Liga, and believe it demonstrates the club is part of the European elite.
Atletico see the Club World Cup as a big opportunity (Denis Doyle/Getty Images)
Last summer’s €200million investment in new players — including €75m for Argentine World Cup winner Julian Alvarez and €42m on England international Conor Gallagher — was also made knowing that a deep squad would be required for what was going to be a very long season for Diego Simeone’s side.
Club CEO Miguel Angel Gil Marin and president Enrique Cerezo attended December’s draw in Miami and Atletico are very keen to promote the club brand in the U.S., having visited in pre-season regularly in recent summers.
Gil Marin and Cerezo will probably sell their majority stake within the next five years. Atletico are part-owned by U.S. investment manager Ares Management Corporation, which increased its share last summer. Winning a prestigious international tournament on American soil would make the club even more valuable to interested buyers.
Dermot Corrigan
Red Bull Salzburg (Austria)
The club’s individual approach might be better reflected through the prism of the Red Bull network as a whole, for whom the U.S. is a big footballing focus.
Last summer, RB Leipzig were delighted with the reception they received around their games in New York and Miami, where they played Aston Villa and Wolverhampton Wanderers and held a range of coaching seminars and activation events. It was the first time the club had toured outside Europe and given the ideological opposition and cynicism they face domestically, the U.S. sports culture — combined with Red Bull’s existing presence in MLS and across international sport — is an easier environment in which to operate.
Expect Salzburg to embrace those opportunities in much the same way. They have not had an easy season and might not be much of a factor in the tournament itself — a group with Al Hilal, Pachuca and Real Madrid looks tough — but there’s plenty of enthusiasm about exporting the brand.
Sebastian Stafford-Bloor
Inter Miami (United States)
Since signing Lionel Messi, owner Jorge Mas has spoken about the club’s ambition to become a global brand. The worldwide proliferation of pink Inter Miami jerseys is a testament to the progress made.
The Club World Cup offers a chance to put the actual soccer product on a stage for the world to see.
“It’s a difficult group that presents challenges, but I am very hopeful to compete,” Mas said last year. “A good tournament for the team would be to make it out of the group stage and compete. Our first objective is to make it out of the group stage and then compete with those who qualify to the next round.”
Messi acknowledged the value of the tournament for a league and a team that are still trying to gain respect in the eyes of the world.
“This is very important for the club, especially, to participate for the first time in a World Cup that will take place in the country and for MLS to have two teams is a wonderful thing,” Messi said in an interview with Apple Music. “Everything that’s happening creates an opportunity for MLS to keep growing in football, as a league, and for other players to have the opportunity to come and keep growing.
“Football is different from the sports they are accustomed to watching in the U.S. and it should be managed differently. It’s a different sport and this is an opportunity to change the chip, to shift, and for MLS to continue maturing.”
Paul Tenorio
(Top photo: Brennan Asplen/Getty Images)
Culture
What Happens When We Die? This Wallace Stevens Poem Has Thoughts.
Whatever you do, don’t think of a bird.
Now: What kind of bird are you not thinking about? A pigeon? A bald eagle? Something more poetic, like a skylark or a nightingale? In any case, would you say that this bird you aren’t thinking about is real?
Before you answer, read this poem, which is quite literally about not thinking of a bird.
Human consciousness is full of riddles. Neuroscientists, philosophers and dorm-room stoners argue continually about what it is and whether it even exists. For Wallace Stevens, the experience of having a mind was a perpetual source of wonder, puzzlement and delight — perfectly ordinary and utterly transcendent at the same time. He explored the mysteries and pleasures of consciousness in countless poems over the course of his long poetic career. It was arguably his great theme.
Stevens was born in 1879 and published his first book, “Harmonium,” in 1923, making him something of a late bloomer among American modernists. For much of his adult life, he worked as an executive for the Hartford Accident and Indemnity Company, rising to the rank of vice president. He viewed insurance less as a day job to support his poetry than as a parallel vocation. He pursued both activities with quiet diligence, spending his days at the office and composing poems in his head as he walked to and from work.
As a young man, Stevens dreamed of traveling to Europe, though he never crossed the Atlantic. In middle age he made regular trips to Florida, and his poems are frequently infused with ideas of Paris and Rome and memories of Key West. Others partake of the stringent beauty of New England. But the landscapes he explores, wintry or tropical, provincial or cosmopolitan, are above all mental landscapes, created by and in the imagination.
Are those worlds real?
Let’s return to the palm tree and its avian inhabitant, in that tranquil Key West sunset of the mind.
Until then, we find consolation in fangles.
Culture
Wil Wheaton Discusses ‘Stand By Me’ and Narrating ‘The Body’ Audiobook
When the director Rob Reiner cast his leads in the 1986 film “Stand by Me,” he looked for young actors who were as close as possible to the personalities of the four children they’d be playing. There was the wise beyond his years kid from a rough family (River Phoenix), the slightly dim worrywart (Jerry O’Connell), the cutup with a temper (Corey Feldman) and the sensitive, bookish boy.
Wil Wheaton was perfect for that last one, Gordie Lachance, a doe-eyed child who is ignored by his family in favor of his late older brother. Now, 40 years later, he’s traveling the country to attend anniversary screenings of the film, alongside O’Connell and Feldman, which has thrown him back into the turmoil that he felt as an adolescent.
Wheaton has channeled those emotions and his on-set memories into his latest project: narrating a new audiobook version of “The Body,” the 1982 Stephen King novella on which the film was based.
A few years ago, Wheaton started to float the idea of returning to the story that gave him his big break — that of a quartet of boys in 1959 Oregon, in their last days before high school, setting out to find a classmate’s dead body. “I’ve been telling the story of ‘Stand By Me’ since I was 12 years old,” he said.
But this time was different. Wheaton, who has narrated dozens of audiobooks, including Andy Weir’s “The Martian” and Ernest Cline’s “Ready Player One,” says he has come to enjoy narration more than screen acting. “I’m safe, I’m in the booth, nobody’s looking at me and I can just tell you a story.”
The fact that he, an older man looking back on his younger years, is narrating a story about an older man looking back on his younger years, is not lost on Wheaton. King’s original story is bathed in nostalgia. Coming to terms with death and loss is one of its primary themes.
Two days after appearing on stage at the Academy Awards as part of a tribute to Reiner — who was murdered in 2025 alongside his wife, Michele — Wheaton got on the phone to talk about recording the audiobook, reliving his favorite scenes from the film and reexamining a quintessential story of childhood loss through the lens of his own.
This interview has been edited and condensed.
“I felt really close to him, and my memory of him.”
Wheaton on channeling a co-star’s performance.
There’s this wonderful scene in “Stand By Me.” Gordie and Chris are walking down the tracks talking about junior high. Chris is telling Gordie, “I wish to hell I was your dad, because I care about you, and he obviously doesn’t.”
It’s just so honest and direct, in a way that kids talk to each other that adults don’t. And I think that one of the reasons that really sticks with people, and that piece really lands on a lot of audiences, and has for 40 years, is, just too many people have been Gordie in that scene.
That scene is virtually word for word taken from the text of the book. And when I was narrating that, I made a deliberate choice to do my best to recreate what River did in that scene.
“You’re just a kid,
Gordie–”
“I wish to fuck
I was your father!”
he said angrily.
“You wouldn’t go around
talking about takin those stupid shop courses if I was!
It’s like
God gave you something,
all those stories
you can make up, and He said:
This is what we got for you, kid.
Try not to lose it.
But kids lose everything
unless somebody looks out for them and if your folks
are too fucked up to do it
then maybe I ought to.”
I watched that scene a couple of times because I really wanted — I don’t know why it was so important to me to — well, I know: because I loved him, and I miss him. And I wanted to bring him into this as best as I could, right?
So I was reading that scene, and the words are identical to the script. And I had this very powerful flashback to being on the train tracks that day in Cottage Grove, Oregon. And I could see River standing next to them. They’re shooting my side of the scene and there’s River, right next to the camera, doing his off-camera dialogue, and there’s the sound guy, and there’s the boom operator. There’s my key light.
I could hear and feel it. It was the weirdest thing. It’s like I was right back there.
I was able to really take in the emotional memory of being Gordie in all of those scenes. So when I was narrating him and I’m me and I’m old with all of this experience, I just drew on what I remembered from being that little boy and what I remember of those friendships and what they meant to me and what they mean to me today.
“Rob gave me a gift. Rob gave me a career.”
Wheaton recalls the “Stand By Me” director’s way with kids on set, as well as his recent Oscars tribute.
Rob really encouraged us to be kids.
Jerry tells the most amazing story about that scene, where we were all sitting around, and doing our bit, and he improvised. He was just goofing around — we were just playing — and he said something about spitting water at the fat kid.
We get to the end of the scene, and he hears Rob. Rob comes around from behind the thing, and he goes, “Jerry!” And Jerry thinks, “Oh no, I’m in trouble. I’m in trouble because I improvised, and I’m not supposed to improvise.”
The context for Jerry is that he had been told by the adults in his life, “Sit on your hands and shut up. Stop trying to be a cutup. Stop trying to be funny. Stop disrupting people. Just be quiet.” And Jerry thinks, “Oh my God. I didn’t shut up. I’m in trouble. I’m gonna get fired.”
Rob leans in to all of us, and Rob says, “Hey, guys, do you see that? More of that. Do that!”
The whole time when you’re a kid actor, you’re just around all these adults who are constantly telling you to grow up. They’re mad that you’re being a kid. Rob just created an environment where not only was it supported that we would be kids — and have fun, and follow those kid instincts and do what was natural — it was expected. It was encouraged. We were supposed to do it.
They chanted together:
“I don’t shut up,
I grow up.
And when I look at you I throw up.”
“Then your mother goes around the corner
and licks it up,”
I said, and hauled ass out of there,
giving them the finger over my shoulder as I went.
I never had any friends later on
like the ones I had when I was twelve.
Jesus, did you?
When we were at the Oscars, I looked at Jerry. And we looked at this remarkable assemblage of the most amazingly talented, beautiful artists and storytellers. We looked around, and Jerry leans down, and he said, “We all got our start with Rob Reiner. He trusted every single one of us.”
And to stand there for him, when I really thought that I would be standing with him to talk about this stuff — it was a lot.
“I was really really really excited — like jumping up and down.”
The scene Wheaton was most looking forward to narrating: the tale of Lard Ass Hogan.
I was so excited to narrate it. It’s a great story! It’s a funny story. It’s such a lovely break — it’s an emotional and tonal shift from what’s happening in the movie.
I know this as a writer: You work to increase and release tension throughout a narrative, and Stephen King uses humor really effectively to release that tension. But it also raises the stakes, because we have these moments of joy and these moments of things being very silly in the midst of a lot of intensity.
That’s why the story of Lard Ass Hogan is so fun for me to tell. Because in the middle of that, we stop to do something that’s very, very fun, and very silly and very celebratory.
“Will you shut up and let him tell it?”
Teddy hollered.
Vern blinked.
“Sure. Yeah.
Okay.”
“Go on, Gordie,”
Chris said. “It’s not really much—”
“Naw,
we don’t expect much from a wet end like you,”
Teddy said,
“but tell it anyway.”
I cleared my throat. “So anyway.
It’s Pioneer Days,
and on the last night
they have these three big events.
There’s an egg-roll for the little kids and a sack-race for kids that are like eight or nine,
and then there’s the pie-eating contest.
And the main guy of the story
is this fat kid nobody likes
named Davie Hogan.”
When I narrate this story — whenever there is a moment of levity or humor, whenever there are those brief little moments that are the seasoning of the meal that makes it all so real and relatable — yes, it was very important to me to capture those moments.
I’m shifting in my chair, so I can feel each of those characters. It’s something that doesn’t exist in live action. It doesn’t exist in any other media.
“I feel the loss.”
Wheaton remembers River Phoenix.
The novella “The Body” is very much about Gordie remembering Chris. It’s darker, and it’s more painful, than the movie is.
I’ve been watching the movie on this tour and seeing River a lot. I remember him as a 14- and 15-year-old kid who just seemed so much older, and so much more experienced and so much wiser than me, and I’m only a year younger than him.
What hurts me now, and what I really felt when I was narrating this, is knowing what River was going through then. We didn’t know. I still don’t know the extent of how he was mistreated, but I know that he was. I know that adults failed him. That he should have been protected in every way that matters. And he just wasn’t.
And I, like Gordie, remember a boy who was loving. So loving, and generous and cared deeply about everyone around him, all the time. Who deserved to live a full life. Who had so much to offer the world. And it’s so unfair that he’s gone and taken from us. I had to go through a decades-long grieving process to come to terms with him dying.
Near the end
of 1971,
Chris
went into a Chicken Delight in Portland
to get a three-piece Snack Bucket.
Just ahead of him,
two men started arguing
about which one had been first in line. One of them pulled a knife.
Chris,
who had always been the best of us
at making peace,
stepped between them and was stabbed in the throat.
The man with the knife had spent time in four different institutions;
he had been released from Shawshank State Prison
only the week before.
Chris died almost instantly.
It is a privilege that I was allowed to tell this story. I get to tell Gordie Lachance’s story as originally imagined by Stephen King, with all of the experience of having lived my whole adult life with the memory of spending three months in Gordie Lachance’s skin.
Culture
Do You Know the Comics That Inspired These TV Adventures?
Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about printed works that have gone on to find new life as movies, television shows, theatrical productions and more. This week’s challenge highlights offbeat television shows that began as comic books. Just tap or click your answers to the five questions below. And scroll down after you finish the last question for links to the comics and their screen versions.
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