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What happened to Deion Sanders' Colorado castoffs? Revisiting a record-setting exodus

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What happened to Deion Sanders' Colorado castoffs? Revisiting a record-setting exodus

Chase Sowell walked into Colorado’s football facility on the Sunday after the 2023 spring game and saw more than a dozen teammates lined up against a wall.

As each player entered the head coach’s office and emerged within minutes enraged or in tears, the second-year receiver nervously pondered his fate.

“We knew it was going to happen, but we didn’t know it was going to happen that soon,” Sowell said.

Deion Sanders, given his Power 5 head coaching shot in December 2022 after three successful years at Jackson State, had promised to clean house. He vowed talented transfers were on the way to replace anyone unprepared to play for him. And less than 24 hours after the Buffaloes’ ballyhooed ESPN-televised spring showcase, Sanders informed 20 scholarship players they were moving on.

“He didn’t sugarcoat it,” Sowell said. “He was telling me, ‘You’re coming off injury. I don’t think you will be one of the guys we need to start this year. We need guys that are going to be ready to play now.’”

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Sanders didn’t need to use the word “cut.” Sowell understood it was time to pack his bags, enter the transfer portal and find a new home.

First-year coaches running off underperforming players are commonplace in college football. Dumping 20 in one day is not. By the end of the spring, 53 scholarship players transferred out of the program.

Colorado’s extreme roster makeover, unprecedented in modern college football history, yielded 87 newcomers and far more fascination about what Sanders could bring to Boulder. The Buffaloes were a downright phenomenon when they stunned TCU and started 3-0. They backslid hard, losing eight of nine Pac-12 games. Win or lose, Sanders got everyone watching – including his former players.

Where did they go?

 

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Colorado’s castoffs went off on new journeys across college football. Fifteen matriculated to Power 5 programs. Twenty-two ended up on Group of 5 rosters, 11 went FCS or Division II, and two attended junior colleges. Three ex-Buffs went unsigned out of the portal and haven’t played since. And several had to fight the NCAA for the opportunity to keep playing.

Quarterback Owen McCown arrived at Colorado in 2022 with a freshman class desperate to turn around a program that had eight losing seasons over the past decade. The son of Minnesota Vikings assistant Josh McCown started three games as a freshman during the brutal 2022 season. Coach Karl Dorrell was fired after an 0-5 start. The Buffs got blown out almost weekly.

“Going through that rough season made us all close,” McCown said of his class. “And then, obviously, it all went away.”

Sanders walked into his first Colorado team meeting on Dec. 4, Tupac’s “All Eyez on Me” on the speakers, and delivered his first warning.

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“I’m coming to restore, to replace, to re-energize some of y’all that are salvageable,” Sanders said. “I’m not going to lie. Everybody that’s sitting their butt in a seat ain’t going to have a seat when we get back.”

Sowell, a redshirt freshman from Houston, was unfazed.

“I don’t think he was being a d— about it,” Sowell said. “I think he was just being straight up: Prove to me that you can play.”

McCown skipped the team meeting. He was the third Colorado player to enter the transfer portal, going to UTSA, where he could start this fall. Sowell stayed to battle it out, but after season-ending surgery for a torn labrum, it was a tough time to be at his best. He was cleared to practice a week into spring ball.

Every day felt like a tryout. Sowell thought he had to be perfect to gain approval. He wasn’t himself. More stressed, more withdrawn. New coaching staffs can be disorienting for players, because they don’t know whom to trust. Sowell’s father grew up in Florida and revered Sanders, and Sowell didn’t want to disappoint his family by failing.

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There was nowhere to hide. Cameras followed the team around constantly for Sanders’ Amazon documentary series and his son’s Well Off Media YouTube channel.

“It kinda felt like a reality TV show,” Sowell said.

It didn’t take long for returning Colorado players to figure out the narrative. Quarterback Shedeur Sanders, wide receiver/cornerback Travis Hunter and 19 more transfers were brought in for spring practice. They were the stars of the show.

“We felt like it was us vs. them instead of all of us together,” Sowell said. “That’s the best way I can put it. The new guys were going against the players that had already been there. It wasn’t a good environment to be in. It wasn’t a team environment.”

His freshman class was an inseparable group. The players lived on campus together, dined together and played pickup basketball together. They would return to the dorms at night that spring and talk openly about their predicament: What do we do?

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On the morning of April 23, their group text blew up. Players were called into exit meetings with Sanders and told they couldn’t play at CU. One described the experience as going to see the Grim Reaper. Sowell’s meeting was his first one-on-one conversation with the head coach.

The following morning, Sowell said, players were locked out of Colorado’s football facility. They couldn’t grab their things from the locker room. They couldn’t grab a meal at the training table.

“When you’re gone, you’re gone,” Sowell said.

Sowell wanted to go where he could play as many snaps as possible. He picked ECU. It was a big move across the country for a Texas kid who knew hardly anything about the school. But he connected with receivers coach Dyrell Roberts and felt welcomed in his first team meeting with the Pirates.

They needed him, too. Sowell emerged as ECU’s No. 1 wide receiver, leading the team with 47 receptions for 622 yards and a touchdown.

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Sowell says he’s happier than ever. His mom says he’s back to being his “true self” at ECU. A year later, he remains in touch with his freshman class in the group text.

Jordyn Tyson picked Arizona State. Dylan Dixson chose Missouri State. Grant Page and Simeon Harris are at Utah State. Anthony Hankerson and Van Wells left Colorado this offseason and are now at Oregon State.

Not one member of their 31-man signing class is still playing for Colorado.

Xavier Smith’s sitdown with Sanders was later Sunday. By then, the redshirt freshman safety knew what to expect. His father encouraged him to hope for the best. But he didn’t even get a one-on-one. Defensive coordinator Charles Kelly brought Smith and safety Oakie Salave’a into the office together.

“We sat on the sofa, and he’s talking to us, but he’s not even looking at us,” Smith said. “I’m looking Coach Kelly dead in his eyes. (Sanders) said he felt like I should hit the portal. He didn’t want me to waste a year thinking I could earn a spot.

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“I was actually getting mad, like tears coming to my eyes. Because, bro, you never even tried to get to know me.”

Smith wasn’t shocked he was cut, given his injury history. He’d broken his right leg during his senior season in high school and again in the spring while rehabbing. He played in one game in 2022 but missed the rest of the season with a hamstring injury. Now Smith was finally healthy and, as a young defensive back from Atlanta, eager to learn from his Hall of Fame coach.

Smith assumed Sanders would dump older players and embrace the young talent he inherited. During the team meeting, he told himself: He’s not talking about me. I ain’t leaving.

During the spring, Smith felt more like an extra in the background of the reality show. He tried to make the most of second-team reps and made plays in the spring game but struggled to get Sanders’ attention. So as he sat on that couch and listened to Kelly encourage him to leave, sure, there was frustration.

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“He was destroying guys’ confidence and belief in themselves,” Smith said. “The way he did it, it could’ve been done with a little more compassion.”

For Smith and many of the inexperienced players cut by Colorado, the spring transfer window was unnerving. Schools have limited scholarships available entering the summer, and it’s tougher to earn offers with limited game and practice tape. Among the 30 scholarship players who left the program after the spring game, 20 continued playing at the FBS level but only nine joined Power 5 programs.

Smith regained his confidence at Austin Peay. The FCS program in Clarksville, Tenn., provided an opportunity to play right away, and coach Scottie Walden won him over with his relentless enthusiasm. Smith caught up quickly to earn a starting role and Freshman All-America recognition on a 9-3 team that won its conference.

At the end of the season, Walden landed the head job at UTEP. Smith re-entered the transfer portal and followed him to El Paso.

“It’s rare you meet a head coach who genuinely wants to see every player on his roster succeed,” Smith said.

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Jake Wiley did not get cut. But he wasn’t looking to stay.

The offensive tackle from Aurora, Colo., spent four years with the Buffaloes and saw it all. He committed to Mike MacIntyre in 2018, redshirted during Mel Tucker’s lone season, became a two-year starter under Dorrell and had five different offensive line coaches.

“That’s not a normal number,” Wiley said.

He stayed for the spring to finish his degree and to see if he fit with the new staff. On cut day, Wiley received an ominous text.

“In our O-line group chat, one of the offensive line coaches texted the group and said, ‘Good luck fellas,’” Wiley said, “and then he just removed all of them. It said these five people were removed from the chat. We were like, ‘Huh? What happened?’”

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Two days after they entered the portal, Wiley joined them. He said players who survived the cut still felt unwanted and expendable. He was one of seven returning starters who departed that spring along with running back Deion Smith (BYU), receiver Montana Lemonious-Craig (Arizona), defensive linemen Jalen Sami (Michigan State) and Na’im Rodman (Washington State), cornerback Nikko Reed (Oregon) and safety Tyrin Taylor (Memphis).

“Let me tell you this, because this is something you may not know,” Sanders said last November on “The Dan Patrick Show.” “Maybe 20 kids we may have sat down with and said, ‘We may head in a different direction; I don’t know if this is gonna work out.’ Everybody else quit. They quit. You can’t hold me responsible.”

Wiley was overwhelmed by the number of calls he received upon entering the portal and narrowed his list to UCLA, Duke and Purdue. He flew to Los Angeles to watch a spring practice and was told the Bruins needed a tackle. Wiley loved the campus and liked staying in the Pac-12. It was an easy decision.

He didn’t learn he was moving to guard until the day before preseason camp. That’s a lot of new technique to learn in addition to a new offensive scheme. Wiley rotated in at right guard in UCLA’s first four games but then saw his playing time drop off considerably.

For many of his fellow ex-Buffs, this was a common issue. Among the 37 transfers who departed after Sanders was hired and landed at FBS schools, 23 did not start a game last season. Three former teammates – running back Jayle Stacks, receiver Maurice Bell and cornerback Nigel Bethel Jr. – went unsigned and didn’t play last season. Bell is now a trainer and working in real estate back home in California.

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Going from playing to watching wasn’t fun, and Wiley admits he might’ve handled the letdown poorly if he were younger. He tried to respond with maturity.

“I wasn’t going to be that guy that was really complaining a lot or pouting and being negative,” he said. “If I wasn’t going to play, I wasn’t going to sit there and be a drain on the team.”

Wiley re-entered the portal in late November and relocated to Houston, where he’s once again playing tackle and helping a new coaching staff set a standard.

Wiley says he’ll always be a Colorado alum and fan, and he couldn’t help but marvel at the spectacle Sanders created.

“I never would’ve ever thought that Lil Wayne would be running the CU Buffs out of the tunnel,” Wiley said.

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While his new Miami (Ohio) teammates enjoyed a day at Universal Studios in Orlando, Fla., Maddox Kopp testified via Zoom in a U.S. District Court hearing in West Virginia.

At the conclusion of the Dec. 13 hearing, District Judge John P. Bailey issued a 14-day temporary restraining order against the NCAA, granting immediate eligibility to college athletes who’ve transferred multiple times. The TRO halted the organization’s attempts to enforce a one-time transfer rule. And it was a former Colorado quarterback who helped make history.

Kopp was required to sit out the 2023 season as a two-time transfer. So were defensive back Tayvion Beasley (San Diego State), tight end Seydou Traore (Mississippi State) and offensive linemen Yousef Mugharbil (NC State) and Noah Fenske (Southern Illinois). Beasley, Traore and Mugharbil came to Colorado as transfers with Sanders and were gone by the end of the spring.

Kopp was sitting in the front row when Sanders arrived. He’d trained with Shedeur Sanders and knew what came next. In his first visit with the QBs, Sanders told them Shedeur was on the way and their job was to make him better.

“I was just sitting there thinking, it is what it is,” Kopp said. “I need to find a new home and a place that wants me.”

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Kopp was starting over again after one year at Houston and one at Colorado. He transferred to Miami (Ohio) and built his case for an eligibility waiver.

The NCAA significantly altered its waiver criteria in January 2023. Getting run off by a school was no longer a valid justification. Kopp needed to provide a documented medical or safety-related reason for leaving. His attorney argued Colorado did not make accommodations for learning disabilities Kopp has dealt with since elementary school. The NCAA denied his waiver and then denied his appeal in August.

Fenske went through the same ordeal. The offensive lineman left Iowa in 2021 for mental health reasons and was a backup with the Buffaloes for two seasons. He didn’t like what he heard in Sanders’ team meeting.

Fenske rode back from the meeting with lineman Alex Harkey and said he was entering the portal. Harkey told him he was overreacting. Harkey was cut after the spring game and is now at Texas State.

“There’s not one person that watches that video – even the people who love him – and says he’s not gonna sh–can everybody,” Fenske said.

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Fenske transferred to FCS Southern Illinois and was set to be the Salukis’ starting left tackle last fall. He submitted his waiver request in July and waited 70 days for a rejection in September, three games into the season. He kept preparing to play, believing he’d win on appeal. The final denial from the NCAA came Oct. 17, days before Southern Illinois faced No. 1 South Dakota State. Fenske broke down in tears in coach Nick Hill’s office upon learning the news.

“It didn’t matter if we had letters of recommendation from (Colorado athletic director) Rick George and (Colorado interim coach) Mike Sanford,” he said. “It didn’t matter if we had proof that I was seeking counseling and wasn’t getting it. They decided that my mental health was not dangerous enough to myself that I needed to leave there.”

The eligibility cases of North Carolina’s Tez Walker and several men’s basketball players generated national attention and political pressure. Ohio Attorney General Dave Yost led a seven-state antitrust suit filed in December.

Though Kopp was eligible to play in the Cure Bowl against Appalachian State since the school semester had ended, he was eager to push for reform and help athletes avoid the NCAA’s complicated waiver process. Xavier Smith was able to transfer to UTEP after the TRO and said he’s thankful Kopp went the extra mile.

“It takes the power out of their hands,” Kopp said of the NCAA. “If they’re gonna make these rules, I just want them to be consistent.”

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Empowered by the court ruling and the NCAA’s subsequent adoptions of new rules permitting unlimited transfers, more college football players are entering the portal than ever before. At Colorado, more than 30 Buffs are moving on, including 18 transfers Sanders brought in to replace those he cut.

Their exits have not brought the same shock-and-awe fanfare of last spring’s purge, but the motivations are similar: Sanders retooling with eyes on dramatic improvement while his departing players seek better situations. The head coach joked on a podcast this month that the portal is akin to room service.

“I can order what I want,” Sanders said.

For the Colorado players he didn’t want, those 53 transfers whose locations and lives changed over the past 12 months, the bitterness is beginning to wear off.

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“My experience with Deion wasn’t one where I’m going to go bash him,” Sowell said. “There were things I agreed with that he did and things I didn’t agree with that he did. But that’s like any head coach. When he came in and made his decisions, I trusted God and I said everything happens for a reason.

“And I got to meet Deion Sanders, so I can’t really complain. I got to meet one of the best to ever do it.”

(Illustration: John Bradford / The Athletic; photo: Ryan King / Getty Images)

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What Happens When We Die? This Wallace Stevens Poem Has Thoughts.

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What Happens When We Die? This Wallace Stevens Poem Has Thoughts.

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Whatever you do, don’t think of a bird.

Now: What kind of bird are you not thinking about? A pigeon? A bald eagle? Something more poetic, like a skylark or a nightingale? In any case, would you say that this bird you aren’t thinking about is real?

Before you answer, read this poem, which is quite literally about not thinking of a bird.

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Human consciousness is full of riddles. Neuroscientists, philosophers and dorm-room stoners argue continually about what it is and whether it even exists. For Wallace Stevens, the experience of having a mind was a perpetual source of wonder, puzzlement and delight — perfectly ordinary and utterly transcendent at the same time. He explored the mysteries and pleasures of consciousness in countless poems over the course of his long poetic career. It was arguably his great theme.

Stevens was born in 1879 and published his first book, “Harmonium,” in 1923, making him something of a late bloomer among American modernists. For much of his adult life, he worked as an executive for the Hartford Accident and Indemnity Company, rising to the rank of vice president. He viewed insurance less as a day job to support his poetry than as a parallel vocation. He pursued both activities with quiet diligence, spending his days at the office and composing poems in his head as he walked to and from work.

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Wallace Stevens in 1950.

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Walter Sanders/The LIFE Picture Collection, via Shutterstock

As a young man, Stevens dreamed of traveling to Europe, though he never crossed the Atlantic. In middle age he made regular trips to Florida, and his poems are frequently infused with ideas of Paris and Rome and memories of Key West. Others partake of the stringent beauty of New England. But the landscapes he explores, wintry or tropical, provincial or cosmopolitan, are above all mental landscapes, created by and in the imagination.

Are those worlds real?

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Let’s return to the palm tree and its avian inhabitant, in that tranquil Key West sunset of the mind.

Until then, we find consolation in fangles.

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Wil Wheaton Discusses ‘Stand By Me’ and Narrating ‘The Body’ Audiobook

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Wil Wheaton Discusses ‘Stand By Me’ and Narrating ‘The Body’ Audiobook

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When the director Rob Reiner cast his leads in the 1986 film “Stand by Me,” he looked for young actors who were as close as possible to the personalities of the four children they’d be playing. There was the wise beyond his years kid from a rough family (River Phoenix), the slightly dim worrywart (Jerry O’Connell), the cutup with a temper (Corey Feldman) and the sensitive, bookish boy.

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Wil Wheaton was perfect for that last one, Gordie Lachance, a doe-eyed child who is ignored by his family in favor of his late older brother. Now, 40 years later, he’s traveling the country to attend anniversary screenings of the film, alongside O’Connell and Feldman, which has thrown him back into the turmoil that he felt as an adolescent.

Wheaton has channeled those emotions and his on-set memories into his latest project: narrating a new audiobook version of “The Body,” the 1982 Stephen King novella on which the film was based.

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“I like there to be a freshness, a discovery and an immediacy to my narration,” Wheaton said. He recorded “The Body” in his home studio in California. Alex Welsh for The New York Times

A few years ago, Wheaton started to float the idea of returning to the story that gave him his big break — that of a quartet of boys in 1959 Oregon, in their last days before high school, setting out to find a classmate’s dead body. “I’ve been telling the story of ‘Stand By Me’ since I was 12 years old,” he said.

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But this time was different. Wheaton, who has narrated dozens of audiobooks, including Andy Weir’s “The Martian” and Ernest Cline’s “Ready Player One,” says he has come to enjoy narration more than screen acting. “I’m safe, I’m in the booth, nobody’s looking at me and I can just tell you a story.”

The fact that he, an older man looking back on his younger years, is narrating a story about an older man looking back on his younger years, is not lost on Wheaton. King’s original story is bathed in nostalgia. Coming to terms with death and loss is one of its primary themes.

Two days after appearing on stage at the Academy Awards as part of a tribute to Reiner — who was murdered in 2025 alongside his wife, Michele — Wheaton got on the phone to talk about recording the audiobook, reliving his favorite scenes from the film and reexamining a quintessential story of childhood loss through the lens of his own.

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This interview has been edited and condensed.

“I felt really close to him, and my memory of him.”

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Wheaton on channeling a co-star’s performance.

There’s this wonderful scene in “Stand By Me.” Gordie and Chris are walking down the tracks talking about junior high. Chris is telling Gordie, “I wish to hell I was your dad, because I care about you, and he obviously doesn’t.”

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It’s just so honest and direct, in a way that kids talk to each other that adults don’t. And I think that one of the reasons that really sticks with people, and that piece really lands on a lot of audiences, and has for 40 years, is, just too many people have been Gordie in that scene.

That scene is virtually word for word taken from the text of the book. And when I was narrating that, I made a deliberate choice to do my best to recreate what River did in that scene.

“The Body” Read by Wil Wheaton

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“You’re just a kid,

Gordie–”

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“I wish to fuck

I was your father!”

he said angrily.

“You wouldn’t go around

talking about takin those stupid shop courses

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if I was!

It’s like

God gave you something,

all those stories

you can make up,

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and He said:

This is what we got for you, kid.

Try not to lose it.

But kids lose everything

unless somebody looks out for them

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and if your folks

are too fucked up to do it

then maybe I ought to.”

I watched that scene a couple of times because I really wanted — I don’t know why it was so important to me to — well, I know: because I loved him, and I miss him. And I wanted to bring him into this as best as I could, right?

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So I was reading that scene, and the words are identical to the script. And I had this very powerful flashback to being on the train tracks that day in Cottage Grove, Oregon. And I could see River standing next to them. They’re shooting my side of the scene and there’s River, right next to the camera, doing his off-camera dialogue, and there’s the sound guy, and there’s the boom operator. There’s my key light.

I could hear and feel it. It was the weirdest thing. It’s like I was right back there.

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I was able to really take in the emotional memory of being Gordie in all of those scenes. So when I was narrating him and I’m me and I’m old with all of this experience, I just drew on what I remembered from being that little boy and what I remember of those friendships and what they meant to me and what they mean to me today.

“Rob gave me a gift. Rob gave me a career.”

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Wheaton recalls the “Stand By Me” director’s way with kids on set, as well as his recent Oscars tribute.

Rob really encouraged us to be kids.

Jerry tells the most amazing story about that scene, where we were all sitting around, and doing our bit, and he improvised. He was just goofing around — we were just playing — and he said something about spitting water at the fat kid.

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We get to the end of the scene, and he hears Rob. Rob comes around from behind the thing, and he goes, “Jerry!” And Jerry thinks, “Oh no, I’m in trouble. I’m in trouble because I improvised, and I’m not supposed to improvise.”

The context for Jerry is that he had been told by the adults in his life, “Sit on your hands and shut up. Stop trying to be a cutup. Stop trying to be funny. Stop disrupting people. Just be quiet.” And Jerry thinks, “Oh my God. I didn’t shut up. I’m in trouble. I’m gonna get fired.”

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Rob leans in to all of us, and Rob says, “Hey, guys, do you see that? More of that. Do that!”

Rob Reiner in 1985, directing the child actors of “Stand By Me,” including Wil Wheaton, at left. Columbia/Kobal, via Shutterstock

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The whole time when you’re a kid actor, you’re just around all these adults who are constantly telling you to grow up. They’re mad that you’re being a kid. Rob just created an environment where not only was it supported that we would be kids — and have fun, and follow those kid instincts and do what was natural — it was expected. It was encouraged. We were supposed to do it.

“The Body” Read by Wil Wheaton

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They chanted together:

“I don’t shut up,

I grow up.

And when I look at you

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I throw up.”

“Then your mother goes around the corner

and licks it up,”

I said,

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and hauled ass out of there,

giving them the finger over my shoulder as I went.

I never had any friends later on

like the ones I had when I was twelve.

Jesus,

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did you?

When we were at the Oscars, I looked at Jerry. And we looked at this remarkable assemblage of the most amazingly talented, beautiful artists and storytellers. We looked around, and Jerry leans down, and he said, “We all got our start with Rob Reiner. He trusted every single one of us.”

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Jerry O’Connell and Wheaton joined more than a dozen actors from Reiner’s films to honor the slain director at the Academy Awards on March 15, 2026. Kevin Winter/Getty Images

And to stand there for him, when I really thought that I would be standing with him to talk about this stuff — it was a lot.

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“I was really really really excited — like jumping up and down.”

The scene Wheaton was most looking forward to narrating: the tale of Lard Ass Hogan.

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I was so excited to narrate it. It’s a great story! It’s a funny story. It’s such a lovely break — it’s an emotional and tonal shift from what’s happening in the movie.

I know this as a writer: You work to increase and release tension throughout a narrative, and Stephen King uses humor really effectively to release that tension. But it also raises the stakes, because we have these moments of joy and these moments of things being very silly in the midst of a lot of intensity. ​​

That’s why the story of Lard Ass Hogan is so fun for me to tell. Because in the middle of that, we stop to do something that’s very, very fun, and very silly and very celebratory.

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“The Body” Read by Wil Wheaton

“Will you shut up

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and let him tell it?”

Teddy hollered.

Vern blinked.

“Sure.

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Yeah.

Okay.”

“Go on, Gordie,”

Chris said.

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“It’s not really much—”

“Naw,

we don’t expect much

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from a wet end like you,”

Teddy said,

“but tell it anyway.”

I cleared my throat.

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“So anyway.

It’s Pioneer Days,

and on the last night

they have these three big events.

There’s an egg-roll for the little kids

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and a sack-race for kids that are like eight or nine,

and then there’s the pie-eating contest.

And the main guy of the story

is this fat kid nobody likes

named Davie Hogan.”

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When I narrate this story — whenever there is a moment of levity or humor, whenever there are those brief little moments that are the seasoning of the meal that makes it all so real and relatable — yes, it was very important to me to capture those moments.

I’m shifting in my chair, so I can feel each of those characters. It’s something that doesn’t exist in live action. It doesn’t exist in any other media.

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“I feel the loss.”

Wheaton remembers River Phoenix.

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The novella “The Body” is very much about Gordie remembering Chris. It’s darker, and it’s more painful, than the movie is.

I’ve been watching the movie on this tour and seeing River a lot. I remember him as a 14- and 15-year-old kid who just seemed so much older, and so much more experienced and so much wiser than me, and I’m only a year younger than him.

What hurts me now, and what I really felt when I was narrating this, is knowing what River was going through then. We didn’t know. I still don’t know the extent of how he was mistreated, but I know that he was. I know that adults failed him. That he should have been protected in every way that matters. And he just wasn’t.

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And I, like Gordie, remember a boy who was loving. So loving, and generous and cared deeply about everyone around him, all the time. Who deserved to live a full life. Who had so much to offer the world. And it’s so unfair that he’s gone and taken from us. I had to go through a decades-long grieving process to come to terms with him dying.

“The Body” Read by Wil Wheaton

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Near the end

of 1971,

Chris

went into a Chicken Delight

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in Portland

to get a three-piece Snack Bucket.

Just ahead of him,

two men started arguing

about which one had been first in line.

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One of them pulled a knife.

Chris,

who had always been the best of us

at making peace,

stepped between them

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and was stabbed in the throat.

The man with the knife had spent time in four different institutions;

he had been released from Shawshank State Prison

only the week before.

Chris died almost instantly.

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It is a privilege that I was allowed to tell this story. I get to tell Gordie Lachance’s story as originally imagined by Stephen King, with all of the experience of having lived my whole adult life with the memory of spending three months in Gordie Lachance’s skin.

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Do You Know the Comics That Inspired These TV Adventures?

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Do You Know the Comics That Inspired These TV Adventures?

Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about printed works that have gone on to find new life as movies, television shows, theatrical productions and more. This week’s challenge highlights offbeat television shows that began as comic books. Just tap or click your answers to the five questions below. And scroll down after you finish the last question for links to the comics and their screen versions.

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