Connect with us

Culture

Were the Paris Olympics the greatest ever? They were on TV and streaming

Published

on

Were the Paris Olympics the greatest ever? They were on TV and streaming

It feels like a lifetime ago, before Léon Marchand had a nation cheering his every stroke at La Défense Arena, before Simone Biles had us out of our seats watching the women’s gymnastics all-around competition, before Steph Curry put the French crowd to sleep at Bercy Arena, and before the U.S. women’s basketball team eked out a thrilling finish for its eighth straight gold medal, there was a looming question that hung over the Paris Games as the world arrived in the City of Light.

Could the Olympics get its groove back?

Prior to Paris, Olympic viewership had tumbled significantly in recent cycles. The COVID-moved Tokyo Olympics averaged 15.6 million viewers per night in 2021 across NBC’s various television and digital platforms. The 2022 Beijing Winter Olympics averaged 11.4 million across all platforms, the least-watched Olympics in the modern era. It was a sharp decline from the 19.8 million average for the 2018 Winter Games in Pyeongchang, South Korea.

But the Olympics bloomed again in France’s capital. Beginning with the opening ceremony through Saturday, NBCUniversal posted a 16-day total audience delivery average of 31.3 million viewers across the combined live Paris Prime (2-5 p.m. ET) and U.S. prime time (8-11 p.m. ET/PT). The final numbers will be in this week. Some of the viewership data was simply extraordinary, including 12.7 million viewers on NBC and Peacock live on a Tuesday afternoon to see Biles and Team USA win gymnastics gold.

As we have noted throughout, there is important context: NBC rolled up its numbers for the Paris Games to include live viewership from 2-5 p.m. ET featuring NBC, Peacock, USA Network, CNBC, E!, Paris Extra 1, Paris Extra 2 and additional NBCU digital platforms, as well as U.S. prime-time viewership on NBC, Peacock and USA Network. (Total audience delivery is based upon live-plus-same day custom fast national figures from Nielsen and digital data from Adobe Analytics.) The network said the revised methodology was a more accurate way to present viewership information for Paris because viewers had never before had the option to watch a live fully produced Olympics on NBC or Peacock in the daytime in addition to the traditional prime time (which was a curated presentation given the competition day had ended in Paris, six hours ahead of Eastern time in the U.S.). That’s how they sold it to advertisers.

Advertisement

“We decided to be progressive in our thinking about how we present the Games,” said Mark Lazarus, the chairman of NBCUniversal Media Group in an interview late last week. “We chose to modernize our production and our presentation of the Games. When we changed our methodology on presentation, we changed the methodology in conjunction with the marketing community.”

I think these have been the best Olympics of my lifetime, and I say that as someone who covered the Olympics on-site in Salt Lake City, Athens, Turin, Beijing, Vancouver, London and Sochi. Unlike covering the Games in person, I experienced these Games via NBC and Peacock, and the combination of being able to process events live on Peacock and elsewhere, and then watch a curated presentation was an excellent experience.

With the Olympic flame over Paris now extinguished, here are 20 media-centric thoughts and reported items on the Paris Games.


1. NBC leaned heavily on celebrity for its presentation, and you should expect this for future Olympics. The opening ceremony featured Kelly Clarkson and Peyton Manning. The closing ceremony featured Jimmy Fallon. You could not go a day without seeing Snoop Dogg. There were endless crowd shots of famous people (hey, John Travolta) in the crowd.

There were times the celebrity-drenched coverage felt too much, but NBC makes no apologies. They see the Olympics as a mix of sport and entertainment, especially when the time difference does not offer live sports in prime time.

Advertisement

“We did research over what’s been going well and what’s not over the last bunch of Games, and we thought about how we could bring up the Q score value of our broadcast,” said Lazarus. “Now Paris did some of that on its own. Some of the people that are here, we had nothing to do with them being here. We’re not dwelling on them, but we’re definitely taking a shot of them in the crowd if it’s relevant to our audiences or interesting to the American public.”

2. NBC’s “Gold Zone” coverage, an “NFL RedZone”-inspired whip-around show that streamed daily from 7 a.m. to 5 p.m. on Peacock, was an addictive and uber-modern way to watch the Games. It ranked in the top five most-watched Olympics titles on Peacock and was a technological success given all the elements at play.

Scott Hanson, who has served as the host of “NFL RedZone” since its inaugural season in 2009 and is also an NFL Network host, was a genius hire, and NBC got a free run of positive press from that move alone. Fellow hosts Matt Iseman, Andrew Siciliano and Jac Collinsworth provided the requisite high-energy metabolism needed for the production. “Gold Zone” was one of the massive successes of these games for NBCU.

3. The top broadcast medalists for me were the primary race callers for the track and field competition — NBC’s Leigh Diffey and Rob Walker of the Olympic Broadcasting Service (the world feed). Diffey was phenomenal on his calls, particularly 0n Quincy Hall winning the men’s 400.

Same with Cole Hocker’s win in the men’s 1500.

Yeah, he missed the Noah Lyles call, but I give grace for things like that because he doesn’t have the benefit of a delete key as I do. NBC’s track and field group of Diffey, Sanya Richards-Ross, Ato Boldon, Kara Goucher, Trey Hardee, Paul Swangard and Lewis Johnson were consistently excellent during the meet. Walker’s calls could be heard on Peacock if you watched the coverage, and the Brit really knows how to call a race. Also, Noah Eagle and LaChina Robinson were sensational in calling the Americans’ 67-66 win over France in the women’s basketball gold-medal game on Sunday.

4. Laurie Hernandez showed an innate gift to communicate gymnastics to a broad audience combined with genuine enthusiasm for the success of her former teammates (she and Biles won gold in the team competition at the 2016 Rio Olympics). It made for an exceptional viewing experience if you watched women’s gymnastics live on Peacock.

5. I thought NBC’s swimming coverage went incredibly light on the revelations in recent months about dozens of positive drug tests among Chinese swimmers. It’s a global story and one that was particularly significant on the final day of swimming as China won gold in the men’s 4×100-meter medley relay. It deserved more than the perfunctory coverage we received on NBC during its prime-time rebroadcast of the swimming competition last Sunday night.

6. There will be a significant number of NBA broadcasting jobs open given NBC and Amazon will enter the market in 2025 as media rights-holders. Given his Hall of Fame profile and the reps he undertook in Paris, Dwyane Wade will get a serious look from networks if he’s interested. Wade said he’s worked with both a speech and vocal coach for preparation.

Advertisement

“When I got asked to do this, I looked at this as probably one of the biggest challenges in my 2024 calendar year,” Wade said. “… I decided to dive into it, understanding that it was going to be a lot of things that was going to be learned on the fly. … Being able to sit right next to Noah (Eagle) … I’ve definitely asked him a lot of questions about this world, stuff that I didn’t know. Something as simple as, ‘Hey, bro, what does No. 1 mean? What is a No. 1 team?’ I don’t know those things. I’m not afraid to say what I don’t know. But most importantly just being myself. That’s the one thing that everyone told me, and that’s what I told myself when I signed up to do this. I’m going to bring my brand of basketball to the airwaves, understanding, just like in life, some people are going to love it. Some people will not love it.”

NBC Sports president Rick Cordella said no talent decisions have been made for NBC’s NBA coverage other than Mike Tirico and Eagle will play significant roles as play-by-play voices. (Tirico will be the No. 1.) But NBC now has a relationship with Wade, and that should seriously count should Wade decide he wants to do this. NBC also needs multiple analysts, so Wade would not have to be on the No. 1 team at the start.

“We’ll sit down this fall and talk about talent in the pregame show, talk about talent on our play-by-play analyst positions,” Cordella said. “We’ll need multiple because we have games on three nights a week.”


Dwyane Wade called U.S. men’s basketball games during these Olympics. It could put him in position to land an NBA job if he wants one. (Jesse D. Garrabrant / NBAE via Getty Images)

7. Look for NBC to take the multi-view feature for the Olympics that was part of the Peacock experience and use it for its coverage of the Premier League.

“It makes the most sense when you have a lot of things going on at once and you don’t get that with Big Ten football or one NFL game at a time,” Cordella said. “But for the Premier League with those Saturday morning windows, you could expect to see that. I don’t know if we’ll have that for launch or not, so don’t hold me to that. … But certainly over time you will see that product feature with that sport.”

Advertisement

8. The biggest surprise for NBC as far as viewership was how many people they were able to get during the day parts of their coverage. An educated guess would be part of the reason is the increase in a work-from-home environment in a post-COVID world.

“We were able to aggregate a significant audience,” Cordella said. “For instance, a men’s basketball game at 11:50 in the morning drew 11 million viewers for that game. Peacock often got close to five million streamers a day. So that’s probably the biggest surprise we had.”

The singular most remarkable afternoon viewership number came on Saturday when NBC and Peacock averaged 19.5 million viewers for the U.S. men’s basketball team’s thrilling 98-87 victory over France. It was the most-watched gold-medal game since the 1996 Olympics in Atlanta. The game peaked at 22.7 million viewers from 5-5:15 p.m. ET in the final quarter of the game.

9. How did NBC executives view those who had an issue with parts of the opening ceremony?

“In 7,000 hours, you’re gonna have people who don’t like something, and I understand and respect that,” Lazarus said. “As it relates to the opening ceremonies, we have an outline of what’s going to happen, but there were things we didn’t know were going to happen. I think the way I look at it is we document the proceedings. We didn’t comment on those things that were somewhat controversial. As long as we are taking the role as the group that is just showing the proceedings that are being shown by the organizing committee, and we’re not making commentary about them, I don’t feel we’ve done anything to create a controversy for ourselves.”

Advertisement

10. I asked followers on X to offer thoughts on what they thought of NBC/Peacock’s coverage of the Paris Games. Some really interesting replies here.

11. As I reported last week after talking to NBC Sports brass, I would be stunned if Snoop Dogg is not back for future Olympics.

Snoop Dogg

Snoop Dogg became his own storyline at these Paris Olympics. Except NBC to welcome back for future Games. (Christian Petersen / Getty Images)

12. NBC is always going to have U.S.-centric viewing — and that’s understandable. But they short-changed viewers significantly when it came to the prime-time coverage of the final day of the women’s heptathlon. Belgium’s Nafissatou Thiam won her third successive Olympic women’s heptathlon gold medal — an otherworldly achievement in the sport — but that was barely touched on as the coverage focused heavily on American Anna Hall.

Hall is a phenomenal athlete, she has a great story, and she was a big part of NBC’s marketing promotion heading into the Games. She’s going to be a star in L.A. four years from now. So this isn’t about the coverage she received, there simply had to be a way to give viewers more on Thiam in prime time given this is a once-in-a-century athlete in her event.

13. The point person for NBC’s Olympics production is Molly Solomon, the executive producer and president of NBC Olympics production. She’s the first woman to hold that position. Since covering the Olympics, I’m not sure I have seen NBCU receive better overall social media feedback than they had in Paris, and that matters along with the traditional viewership metrics.

Advertisement

Some of that is, of course, related to how the competition played out (it was a great Olympics for the U.S.), but it’s also related to how the audience perceived the production including how friendly it was for viewers. Solomon sets herself up as the person to lead NBCU on what will be its biggest Olympics and most-anticipated production ever — the Los Angeles Games — four years from now.

14. Will people stay with Peacock after the Games end? The data will come in a couple of months. Cordella said that 70 percent of those who signed up for the NFL wild-card game in January were with Peacock two months after that game.

“We do have some good data on (people) coming in for sports and staying,” he said. “We’re also lucky that this is now mid-August and we’re heading into football season with Big Ten games, NFL games on Peacock, and the exclusive NFL game on Friday of opening weekend in Brazil (Eagles-Packers).”

15. I was very mixed on how NBC presented the opening ceremony, and I would love to see a little more traditional sports or news people be part of it as opposed to the heavy celebrity. (I do not think NBC will follow my wishes here for Italy in 2026 and L.A.)

go-deeper

GO DEEPER

At the Olympic opening ceremony, a force of nature upset the plan but not the point

Advertisement

16. Lazarus said the Olympics will make money for NBCU. “It will exceed our revenue goals, and be more revenue than we’ve ever had before in an Olympics,” he said. “We’ll make a nice profit, and I’m sure at some point, we’ll talk about it on an earnings call.”

17. Lewis Johnson has served as an Olympics reporter for NBC since the Sydney Games — his primary focus for Summer Games is track and field — and he consistently delivers for viewers by asking pertinent questions about why things happened. He also frequently does what someone in his position should do — he takes advantage of his role as a member of the host broadcasting team and uses that access to unearth details for the audience, as he did with Noah Lyles in Paris. Every Olympics I find myself thinking: This guy does an excellent job.

18. Rowdy Gaines said the 2028 Olympics will be his last as an Olympics commentator. NBC has used Michael Phelps as a roving correspondent of sorts for the Paris Games, but when he’s been specifically assigned as a swimming commentator, he has been tremendous for the audience. NBC should really push to get Phelps as the replacement for Gaines, and both should be on swimming in L.A.

19. The live closing ceremony was where NBC’s celebrity push was brutal for Olympic viewers. Ask yourself what Jimmy Fallon added here for viewers? The dude asked Katie Ledecky, “When do you fly home or are you going to swim home?” It’s cross-promotion over value for the audience.

Terry Gannon, Tara Lipinski, Johnny Weir and Tirico were more than good enough for this. Also, on Tirico: This is how you quickly and definitively acknowledge an error.

Advertisement

20. Getty Images photographer Hector Vivas, take a bow. You too, Ezra Shaw. And check out these photos as well.

go-deeper

GO DEEPER

Paris Olympics in pictures: 32 captivating photos from each event of the Summer Games

(Top photo of NBC correspondent Snoop Dogg: Carl Recine / Getty Images)

Advertisement

Culture

Why Is Everyone Obsessed With Bogs?

Published

on

Why Is Everyone Obsessed With Bogs?

In prehistoric northern Europe, peatlands — areas of waterlogged soil rich with decaying plant matter — were considered spiritual sites. Since then, swords, jewelry and even human bodies have been found fossilized in their sludgy depths. More recently, however, many of these bogs have been depleted by overharvesting, neglect and development. But as awareness of their important role in removing carbon dioxide from the atmosphere grows, more wetlands are being restored, while also serving as unlikely creative inspiration. Here’s how bogs are showing up in the culture.

At fall 2026 Paris Fashion Week, several houses — including Louis Vuitton (above left) and Hermès — staged shows amid mossy sets featuring spongy green structures and mounds of vegetation. And the Danish fashion brand Solitude Studios is distressing its eerie, grungy looks (above right) by submerging them in a local peat bog.

For her exhibition at California’s San José Museum of Art, on view through October, the Chalon Nation artist Christine Howard Sandoval is presenting sculptures, drawings and plant-dyed works (above) exploring how the state’s wetlands were once sites of Indigenous resistance and community. This month, at Storm King Art Center in New York’s Hudson Valley, the conceptual artist Anicka Yi will unveil an outdoor installation featuring six-foot-tall transparent columns holding algae-rich ecosystems cultivated from nearby pond water and soil.

The Bog Bothy (above), a mobile design project by the Dublin-based architecture practice 12th Field in collaboration with the Irish Architecture Foundation, was inspired by the makeshift huts once used by peat cutters who harvested the material for fuel. After debuting in the Irish Midlands last year, it’ll tour the region again this summer. In Edinburgh, the designer Oisín Gallagher is making doorstops from subfossilized bog-oak scraps carbon-dated to 3300 B.C.

At La Grenouillère on France’s north coast, the chef Alexandre Gauthier reflects the restaurant’s reedy, frog-filled river valley landscape with dishes like a “marsh bubble” of herbs encased in hardened sugar. This spring, Aponiente — the chef Ángel León’s restaurant inside a 19th-century tidal mill on Spain’s Bay of Cádiz — added an outdoor dining area on a pier above the neighboring marshland, serving local sea grasses and salt marsh flowers alongside seafood (above) from the estuary.

Advertisement
Credit…Penguin Random House

The Irish British writer Maggie O’Farrell’s forthcoming novel, “Land,” about an Irish cartographer and his son surveying the island in 1865 after the Great Famine, depicts haunting encounters with the verdant landscape, including its plentiful oozing bogs.

Continue Reading

Culture

Book Review: ‘Selling Opportunity,’ by Mary Lisa Gavenas

Published

on

Book Review: ‘Selling Opportunity,’ by Mary Lisa Gavenas

SELLING OPPORTUNITY: The Story of Mary Kay, by Mary Lisa Gavenas


Mary Kay, the cosmetics company whose multilevel marketing included sales parties and whose biggest earners were awarded pink Cadillacs, was really in the business of selling second chances. Or, at least, that’s what Mary Lisa Gavenas argues in “Selling Opportunity,” a dual biography of the brand and the woman behind it.

Mary Kathlyn Wagner, who would become Mary Kay Ash, “the most famous saleswoman in the world” and “maybe the most famous ever,” in Gavenas’s extravagant words, was born in 1918 to a poor family and raised mostly in Houston. Although a good student, she eloped at 16 with a slightly older boy. The young couple had two babies in quick succession.

Mary Kay’s creation was a combination of timing and good luck. Door-to-door sales was a thriving industry — but, traditionally, a man’s world: Lugging heavy samples was not considered feminine, and entering the homes of strangers, unsafe. But things began to change during the Great Depression, Gavenas suggests, thanks to a convergence of factors — financial pressures and the rise of the aspirational prosperity gospel espoused by Dale Carnegie’s self-help manuals.

At the same time, female-run beauty lines like Annie Turnbo Malone’s Poro and Madam C.J. Walker’s were finding great success in Black communities. And, coincidentally or otherwise, the California Perfume Company changed its name to Avon Products in 1939.

Advertisement

Ash began by selling books door to door, moving on to Stanley Home Products in the 1940s. She was talented, but direct sales was a rough gig. Every party to show off wares was supposed to beget two more bookings; these led to sales that resulted in new recruits. But there was no real security or stability: no salary, no medical benefits, no vacations. “Stop selling and you would end up right back where you started. Or worse,” the author writes.

Gavenas, a onetime beauty editor who wrote “Color Stories,” takes her time unspooling Mary Kay’s tale, with a great deal of evident research. We learn about direct sales, women’s rights and Texas history.

But, be warned: Readers must really enjoy both this woman and this world to take pleasure in “Selling Opportunity.” Mary Kay the person keeps marrying, getting divorced or widowed and working her way through various sales jobs (it’s hard to keep track of the myriad companies and last names). Gavenas seems to leave no detail out. Thus, the 1963 founding of the eponymous beauty company doesn’t come until almost 200 pages in.

Beauty by Mary Kay included a Cleansing Cream, a Magic Masque and a Nite Cream (which containined ammoniated mercury, later banned by the F.D.A.). The full line of products — which was how Mary Kay strongly encouraged customers to buy them — ran to a steep $175 in today’s money. (To fail to acquire the whole set, Ash said, was “like giving you my recipe for chocolate cake but leaving out an important ingredient.”)

Potential clients attended gatherings at acquaintances’ homes — no undignified doorbell-ringing here — where they received a mini facial, then an application of cosmetics like foundation, lip color and cream rouge — and a wig. The company made $198,514 in sales its first year.

Advertisement

Although Ash may have seemed a pioneer, in many ways Mary Kay was a traditionalist company, whose philosophy was “God first, family second, career third.” Saleswomen, official literature dictated, were working to provide themselves with treats rather than necessities so as not to threaten their breadwinner husbands.

And yet, they were also encouraged to sell sell sell. Golden Goblet pendants were awarded for major orders. After the company started using custom pink Peterbilt trucks for shipping, it began commissioning those Cadillacs for top consultants. (Mary Kay preferred gifts to cash bonuses, lest women save the money to spend on practical things rather than the licensed frivolities.) The Cadillacs, always driven on company leases, would become industry legend and part of American pop culture lore. “Never to be run-down, repainted or resold, the cars would double as shining pink advertisements for her selling opportunity,” Gavenas writes.

The woman herself was iconic, too. While Ash was a product of the Depression, she was also undeniably over-the-top. She wore white suits with leopard trim, lived in a custom Frank L. Meier house and brought her poodle to the office.

Mary Kay went public in 1968, making her the first woman to chair a company on the New York Stock Exchange. By the 1990s, the Mary Kay headquarters near Dallas was almost 600,000 square feet. They commissioned a hagiographic company biopic; there was a Mary Kay consultant Barbie; they were making $1 billion in wholesale. When she died, in 2001, Ash was worth $98 million.

And yet, Gavenas cites that at the company’s height, in 1992, sales reps made on average just $2,400 per year.

Advertisement

Instead of so much time in the pink fantasia of Mary Kay, it would have been nice for a few detours showing how infrequently the opportunities the company sold were truly realized.

SELLING OPPORTUNITY: The Story of Mary Kay | By Mary Lisa Gavenas | Viking | 435 pp. | $35

Continue Reading

Culture

Historical Fiction Books That Illustrate the Bonds Between Mother and Child

Published

on

Historical Fiction Books That Illustrate the Bonds Between Mother and Child

We often think of the past as if it were another world — and in some ways, it is. The politics, religion and social customs of other eras can be vastly different from our own. But one thing historians and historical fiction writers alike often notice is the constancy of human emotion. The righteous anger of a customer complaining about a Mesopotamian copper merchant in 1750 B.C. feels familiar. Tributes to beloved household pets from ancient Romans and Egyptians make us smile. And we are captivated by stories of love, betrayal and sacrifice from Homer to Shakespeare and beyond.

In literature, letters, tablets and even on coins, we find overwhelming evidence that people in the past felt the same emotions we do. Love, hate, fear, grief, joy: These feelings were as much a part of their lives as they are of our own. And they resonate especially acutely in the bond between mother and child. Here are eight historical novels that explore the meaning of motherhood across the centuries.

Continue Reading
Advertisement

Trending