Culture
Week 8’s top 10 college football games: Georgia-Texas, Alabama-Tennessee and much more
On the heels of two of the more riveting weeks of college football in recent memory comes a jam-packed Saturday that features a trio of SEC headliners, including a top-five clash between blue bloods. There’s also multiple rivalry games that feature boots (sort of), and a potential College Football Playoff showcase in Bloomington, Indiana, of all places.
Bless this sport.
Let’s rank the top 10 games of Week 8, starting with honorable mentions and counting down.
Honorable Mention: Oklahoma State at No. 13 BYU, Ohio at Miami (Ohio), Virginia at No. 10 Clemson, Auburn vs No. 19 Missouri, Louisiana at Coastal Carolina, Toledo at NIU, Colorado at Arizona, James Madison at Georgia Southern, UCF at No. 9 Iowa State.
(All point spreads come from BetMGM; click here for live odds. Stream college football on fubo. All kickoff times are Eastern and on Saturday unless otherwise noted.)
Let’s give flowers to two teams that have exceeded expectations in the Big 12. Both were projected to finish near the bottom of the conference, but the winner on Saturday will have played its way into the conference title conversation. Arizona State and wrecking-ball running back Cam Skattebo have been proving the doubters wrong for weeks. But the Sun Devils will be without starting quarterback Sam Leavitt due to a rib injury; fifth-year journeyman Jeff Sims will start in his place. The Bearcats and gunslinging transfer QB Brendan Sorsby will try to take advantage of a depleted ASU crossing two time zones for an early kickoff.
Line: Cincinnati -4.5
9. UNLV (5-1) at Oregon State (4-2), 10 p.m., Fubo, The CW
The Rebels rebounded from an overtime loss to Syracuse by hanging a 50-burger on Utah State last week, keeping pace with Boise State in the Mountain West standings. It sets up a massive game in Las Vegas next week against the Broncos that will have huge implications on the conference race and battle for the Group of 5’s spot in the CFP. But a win this Saturday in Corvallis would add a nice bullet point to UNLV’s resume in the meantime. Oregon State, looking to recover from a surprising loss to Nevada, should eventually make for an instructive common opponent between the two. The Beavs play at Boise State next month.
Line: UNLV -7
8. No. 17 Kansas State (5-1) at West Virginia (3-3), 7:30 p.m., Fubo, Fox
There are intriguing matchups involving the Big 12’s three ranked teams this week, including Oklahoma State at No. 13 BYU and UCF at No. 9 Iowa State. But K-State has the most at stake. It is the only of those three ranked squads going on the road, and the only one with a loss. Of the teams in the top five of the Big 12’s preseason poll, the Wildcats are also the only one that hasn’t been a disappointment thus far. A second defeat, however, would quickly put their conference title and CFP hopes on life support, even in the ever-chaotic Big 12. Kansas State can’t afford to stumble in Morgantown against a streaky but resilient West Virginia, in a face-off of two proficient rushing attacks.
Line: Kansas State -3
7. No. 24 Michigan (4-2) at No. 22 Illinois (5-1), 3:30 p.m., Fubo, CBS
A bit surprising for a ranked matchup to be this low on the list — except for the fact that Michigan has one of the worst offenses in college football (and maybe shouldn’t be ranked?). Illinois just needed overtime to beat a terrible Purdue team that scored 40 points second-half points. Still, hat tip to the Illini, who are 5-1 and playing the first ranked matchup at Memorial Stadium since 2000. Illinois will also honor legendary halfback Red Grange — the Galloping Ghost — a century after his epic 402-yard, six-touchdown game against the Wolverines. The Illini will sport throwback uniforms and hand-painted helmets that took 18 months to create.
Line: Michigan -3.5
GO DEEPER
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Expect this one to play out differently than the 55-0 shutout that Notre Dame pitched when these teams last met in 2021. Unfortunately, injuries will be a storyline. The Irish lost All-American cornerback Benjamin Morrison to a season-ending hip injury, and Georgia Tech quarterback Haynes King will be a game-time decision after suffering a knock in last week’s win over North Carolina. If King can’t go, the job will fall to sophomore backup Zach Pyron, who has completed 5 of 7 passes and rushed for four touchdowns in limited action. Either way, the Irish can’t take this one lightly, with a remaining schedule that looks a lot tougher than we all expected, including ranked games against Navy and Army ahead of the regular-season finale at USC.
Line: Notre Dame -12.5
5. Nebraska (5-1) at No. 16 Indiana (6-0), Noon, Fubo, Fox
I have thoroughly enjoyed the Indiana and Curt Cignetti media blitz this week, including this stellar profile of Cignetti by Joe Rexrode. The Hoosiers are basking in the glow of their first 6-0 start since 1967, and rightfully so. They’ve been one of the biggest surprises this season in Year 1 under Cignetti, and have yet to trail through six games. Fox’s Big Noon Kickoff is headed to Bloomington as IU faces Nebraska and freshman quarterback Dylan Raiola, who is acting wise beyond his years. Big-time game featuring a pair of top-10 defenses (and a top-five offense for Indiana). The Huskers, who have lost 25 straight to ranked opponents, will get two cracks in a row at Indiana and then at Ohio State. On the other side, another win for the Hoosiers will shift the chatter from fast start to legit Playoff contender.
Line: Indiana -6.5
4. No. 8 LSU (5-1) at Arkansas (4-2), 7 p.m., Fubo, ESPN
It’s the Battle for the Golden Boot, one of the more underappreciated rivalry names and trophies in college football. LSU has won seven of the last eight matchups, but both teams are coming off mammoth victories.
The Tigers won a classic in overtime against Ole Miss despite never leading until the game’s final play, and Arkansas popped the first leak in Tennessee’s balloon a couple of weeks ago. The Razorbacks are better than anticipated — and Sam Pittman may have saved his job — while LSU has clawed back into the top 10 and CFP picture after the season-opening loss to USC. The Tigers will need more consistency out of Garrett Nussmeier to make some noise in the SEC, but his performance at the end of the Ole Miss victory showed how high his ceiling can be.
Line: LSU -2.5
3. No. 6 Miami (6-0) at Louisville (4-2), Noon, Fubo, ABC
More top-notch rivalry hardware — and footwear: The Schnellenberger Trophy, which was introduced last season and currently resides with the Cardinals. Battle for the Golden Boots???
The Louisville Sports Commission announces Louisville and Miami will play annually for The Schnellenberger Trophy: “Which features the actual western dress boots, now bronzed, worn by Coach Howard Schnellenberger when he led both programs to national prominence.” pic.twitter.com/khBoFZOpHQ
— Mark Ennis (@MarkEnnis) July 24, 2023
This game is flying under the radar thanks to a loaded SEC slate, but it should be a fun, high-scoring barnburner. Miami desperately needed a bye after a pair of close calls against Virginia Tech and Cal, but Heisman hopeful Cam Ward and the Hurricanes remain one of 11 unbeaten teams in college football. Louisville ended a two-game skid last Saturday with a win at Virginia, with a top-15 offense (7.2 yards per play) led by quarterback Tyler Shough. Miami has the top offense in FBS at 8.2 yards per play, and Ward leads all FBS quarterbacks in passing yards per game (369.8).
Line: Miami -5
2. No. 7 Alabama (5-1) at No. 11 Tennessee (5-1), 3:30 p.m., Fubo, ABC
An almost top-10 matchup between two teams that are either national title contenders or complete frauds, depending on which message board thread you read. Either way, the Third Saturday in October should provide some insight, and it’s a critical one as both teams try to avoid a second loss and spiraling fan bases. This is a tough game to handicap: Alabama has a top-10 offense, Tennessee has a top-two defense, but both teams have been mercurial on the field. David Ubben did a nice job digging in on that variability for an anonymous coaching confidential on the game, and Kennington Smith III examined how first-year Alabama head coaches have fared in the Tennessee rivalry.
Line: Alabama -3
GO DEEPER
What’s going on with Alabama and Tennessee? Coaches who faced them weigh in
1. No. 5 Georgia (5-1) at No. 1 Texas (6-0), 7:30 p.m., Fubo, ABC
Praise be: It’s our third top-five showdown of the season. The first two — Georgia vs Alabama and Ohio State vs Oregon — resulted in two of the best games of the year to this point. This is the sixth all-time meeting between Georgia and Texas and first since the 2019 Sugar Bowl.
The Dawgs are underdogs for the first time in the last 50 games (!), and might need a road win over the top-ranked team in the country to preserve their CFP hopes. Texas, meanwhile, has been stellar on both sides of the ball and is arguably in a class of its own right now, though it has yet to face an opponent as good as Georgia. Quinn Ewers did look a tad rusty in his return from injury against Oklahoma last week, so we’ll see if that lingers. But coaches we spoke with for our coaching confidential on the game see Texas having the upper hand.
Another win for the Longhorns would cement them as the clear national title favorite. But if the chaos timeline of this college football season continues, we’ll see a slightly diminished Georgia take down the Horns in Austin, and the top of the sport will officially look as vulnerable as it has in years.
Line: Texas -4.5
GO DEEPER
Coaching confidential: Texas has the edge against Georgia in SEC showdown
Photo: Kevin C. Cox / Getty Images
Whatever you do, don’t think of a bird.
Now: What kind of bird are you not thinking about? A pigeon? A bald eagle? Something more poetic, like a skylark or a nightingale? In any case, would you say that this bird you aren’t thinking about is real?
Before you answer, read this poem, which is quite literally about not thinking of a bird.
Human consciousness is full of riddles. Neuroscientists, philosophers and dorm-room stoners argue continually about what it is and whether it even exists. For Wallace Stevens, the experience of having a mind was a perpetual source of wonder, puzzlement and delight — perfectly ordinary and utterly transcendent at the same time. He explored the mysteries and pleasures of consciousness in countless poems over the course of his long poetic career. It was arguably his great theme.
Stevens was born in 1879 and published his first book, “Harmonium,” in 1923, making him something of a late bloomer among American modernists. For much of his adult life, he worked as an executive for the Hartford Accident and Indemnity Company, rising to the rank of vice president. He viewed insurance less as a day job to support his poetry than as a parallel vocation. He pursued both activities with quiet diligence, spending his days at the office and composing poems in his head as he walked to and from work.
As a young man, Stevens dreamed of traveling to Europe, though he never crossed the Atlantic. In middle age he made regular trips to Florida, and his poems are frequently infused with ideas of Paris and Rome and memories of Key West. Others partake of the stringent beauty of New England. But the landscapes he explores, wintry or tropical, provincial or cosmopolitan, are above all mental landscapes, created by and in the imagination.
Are those worlds real?
Let’s return to the palm tree and its avian inhabitant, in that tranquil Key West sunset of the mind.
Until then, we find consolation in fangles.
When the director Rob Reiner cast his leads in the 1986 film “Stand by Me,” he looked for young actors who were as close as possible to the personalities of the four children they’d be playing. There was the wise beyond his years kid from a rough family (River Phoenix), the slightly dim worrywart (Jerry O’Connell), the cutup with a temper (Corey Feldman) and the sensitive, bookish boy.
Wil Wheaton was perfect for that last one, Gordie Lachance, a doe-eyed child who is ignored by his family in favor of his late older brother. Now, 40 years later, he’s traveling the country to attend anniversary screenings of the film, alongside O’Connell and Feldman, which has thrown him back into the turmoil that he felt as an adolescent.
Wheaton has channeled those emotions and his on-set memories into his latest project: narrating a new audiobook version of “The Body,” the 1982 Stephen King novella on which the film was based.
A few years ago, Wheaton started to float the idea of returning to the story that gave him his big break — that of a quartet of boys in 1959 Oregon, in their last days before high school, setting out to find a classmate’s dead body. “I’ve been telling the story of ‘Stand By Me’ since I was 12 years old,” he said.
But this time was different. Wheaton, who has narrated dozens of audiobooks, including Andy Weir’s “The Martian” and Ernest Cline’s “Ready Player One,” says he has come to enjoy narration more than screen acting. “I’m safe, I’m in the booth, nobody’s looking at me and I can just tell you a story.”
The fact that he, an older man looking back on his younger years, is narrating a story about an older man looking back on his younger years, is not lost on Wheaton. King’s original story is bathed in nostalgia. Coming to terms with death and loss is one of its primary themes.
Two days after appearing on stage at the Academy Awards as part of a tribute to Reiner — who was murdered in 2025 alongside his wife, Michele — Wheaton got on the phone to talk about recording the audiobook, reliving his favorite scenes from the film and reexamining a quintessential story of childhood loss through the lens of his own.
This interview has been edited and condensed.
“I felt really close to him, and my memory of him.”
Wheaton on channeling a co-star’s performance.
There’s this wonderful scene in “Stand By Me.” Gordie and Chris are walking down the tracks talking about junior high. Chris is telling Gordie, “I wish to hell I was your dad, because I care about you, and he obviously doesn’t.”
It’s just so honest and direct, in a way that kids talk to each other that adults don’t. And I think that one of the reasons that really sticks with people, and that piece really lands on a lot of audiences, and has for 40 years, is, just too many people have been Gordie in that scene.
That scene is virtually word for word taken from the text of the book. And when I was narrating that, I made a deliberate choice to do my best to recreate what River did in that scene.
“You’re just a kid,
Gordie–”
“I wish to fuck
I was your father!”
he said angrily.
“You wouldn’t go around
talking about takin those stupid shop courses if I was!
It’s like
God gave you something,
all those stories
you can make up, and He said:
This is what we got for you, kid.
Try not to lose it.
But kids lose everything
unless somebody looks out for them and if your folks
are too fucked up to do it
then maybe I ought to.”
I watched that scene a couple of times because I really wanted — I don’t know why it was so important to me to — well, I know: because I loved him, and I miss him. And I wanted to bring him into this as best as I could, right?
So I was reading that scene, and the words are identical to the script. And I had this very powerful flashback to being on the train tracks that day in Cottage Grove, Oregon. And I could see River standing next to them. They’re shooting my side of the scene and there’s River, right next to the camera, doing his off-camera dialogue, and there’s the sound guy, and there’s the boom operator. There’s my key light.
I could hear and feel it. It was the weirdest thing. It’s like I was right back there.
I was able to really take in the emotional memory of being Gordie in all of those scenes. So when I was narrating him and I’m me and I’m old with all of this experience, I just drew on what I remembered from being that little boy and what I remember of those friendships and what they meant to me and what they mean to me today.
“Rob gave me a gift. Rob gave me a career.”
Wheaton recalls the “Stand By Me” director’s way with kids on set, as well as his recent Oscars tribute.
Rob really encouraged us to be kids.
Jerry tells the most amazing story about that scene, where we were all sitting around, and doing our bit, and he improvised. He was just goofing around — we were just playing — and he said something about spitting water at the fat kid.
We get to the end of the scene, and he hears Rob. Rob comes around from behind the thing, and he goes, “Jerry!” And Jerry thinks, “Oh no, I’m in trouble. I’m in trouble because I improvised, and I’m not supposed to improvise.”
The context for Jerry is that he had been told by the adults in his life, “Sit on your hands and shut up. Stop trying to be a cutup. Stop trying to be funny. Stop disrupting people. Just be quiet.” And Jerry thinks, “Oh my God. I didn’t shut up. I’m in trouble. I’m gonna get fired.”
Rob leans in to all of us, and Rob says, “Hey, guys, do you see that? More of that. Do that!”
The whole time when you’re a kid actor, you’re just around all these adults who are constantly telling you to grow up. They’re mad that you’re being a kid. Rob just created an environment where not only was it supported that we would be kids — and have fun, and follow those kid instincts and do what was natural — it was expected. It was encouraged. We were supposed to do it.
They chanted together:
“I don’t shut up,
I grow up.
And when I look at you I throw up.”
“Then your mother goes around the corner
and licks it up,”
I said, and hauled ass out of there,
giving them the finger over my shoulder as I went.
I never had any friends later on
like the ones I had when I was twelve.
Jesus, did you?
When we were at the Oscars, I looked at Jerry. And we looked at this remarkable assemblage of the most amazingly talented, beautiful artists and storytellers. We looked around, and Jerry leans down, and he said, “We all got our start with Rob Reiner. He trusted every single one of us.”
And to stand there for him, when I really thought that I would be standing with him to talk about this stuff — it was a lot.
“I was really really really excited — like jumping up and down.”
The scene Wheaton was most looking forward to narrating: the tale of Lard Ass Hogan.
I was so excited to narrate it. It’s a great story! It’s a funny story. It’s such a lovely break — it’s an emotional and tonal shift from what’s happening in the movie.
I know this as a writer: You work to increase and release tension throughout a narrative, and Stephen King uses humor really effectively to release that tension. But it also raises the stakes, because we have these moments of joy and these moments of things being very silly in the midst of a lot of intensity.
That’s why the story of Lard Ass Hogan is so fun for me to tell. Because in the middle of that, we stop to do something that’s very, very fun, and very silly and very celebratory.
“Will you shut up and let him tell it?”
Teddy hollered.
Vern blinked.
“Sure. Yeah.
Okay.”
“Go on, Gordie,”
Chris said. “It’s not really much—”
“Naw,
we don’t expect much from a wet end like you,”
Teddy said,
“but tell it anyway.”
I cleared my throat. “So anyway.
It’s Pioneer Days,
and on the last night
they have these three big events.
There’s an egg-roll for the little kids and a sack-race for kids that are like eight or nine,
and then there’s the pie-eating contest.
And the main guy of the story
is this fat kid nobody likes
named Davie Hogan.”
When I narrate this story — whenever there is a moment of levity or humor, whenever there are those brief little moments that are the seasoning of the meal that makes it all so real and relatable — yes, it was very important to me to capture those moments.
I’m shifting in my chair, so I can feel each of those characters. It’s something that doesn’t exist in live action. It doesn’t exist in any other media.
“I feel the loss.”
Wheaton remembers River Phoenix.
The novella “The Body” is very much about Gordie remembering Chris. It’s darker, and it’s more painful, than the movie is.
I’ve been watching the movie on this tour and seeing River a lot. I remember him as a 14- and 15-year-old kid who just seemed so much older, and so much more experienced and so much wiser than me, and I’m only a year younger than him.
What hurts me now, and what I really felt when I was narrating this, is knowing what River was going through then. We didn’t know. I still don’t know the extent of how he was mistreated, but I know that he was. I know that adults failed him. That he should have been protected in every way that matters. And he just wasn’t.
And I, like Gordie, remember a boy who was loving. So loving, and generous and cared deeply about everyone around him, all the time. Who deserved to live a full life. Who had so much to offer the world. And it’s so unfair that he’s gone and taken from us. I had to go through a decades-long grieving process to come to terms with him dying.
Near the end
of 1971,
Chris
went into a Chicken Delight in Portland
to get a three-piece Snack Bucket.
Just ahead of him,
two men started arguing
about which one had been first in line. One of them pulled a knife.
Chris,
who had always been the best of us
at making peace,
stepped between them and was stabbed in the throat.
The man with the knife had spent time in four different institutions;
he had been released from Shawshank State Prison
only the week before.
Chris died almost instantly.
It is a privilege that I was allowed to tell this story. I get to tell Gordie Lachance’s story as originally imagined by Stephen King, with all of the experience of having lived my whole adult life with the memory of spending three months in Gordie Lachance’s skin.
Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about printed works that have gone on to find new life as movies, television shows, theatrical productions and more. This week’s challenge highlights offbeat television shows that began as comic books. Just tap or click your answers to the five questions below. And scroll down after you finish the last question for links to the comics and their screen versions.
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