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W.N.B.A. Season Preview: New Talent Is Here, but an Absence Looms

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W.N.B.A. Season Preview: New Talent Is Here, but an Absence Looms

The longest W.N.B.A. season in league historical past will start on Friday. For the primary time, groups will every play 36 regular-season video games as the subsequent step within the league’s plan for incremental progress — a plan stifled for the previous two seasons by the coronavirus pandemic.

Because the league enters its twenty sixth season, new sponsors and a few elevated engagement from crew possession is inspiring some optimism in regards to the state of the W.N.B.A. Development in viewership on the faculty stage means extra buzz for graduating gamers aiming to develop into professionals, whereas new broadcast offers and a heavier emphasis from the league’s major associate, ESPN, have made video games extra accessible.

Looming over all that optimism, although, is the continued absence of one of many league’s finest gamers, Phoenix Mercury middle Brittney Griner, who has been detained in Russia — the place she additionally performs professionally — since February on drug fees. A picture of Griner and her jersey quantity No. 42 can be on every crew’s courtroom all through the season.

“We’re retaining Brittney on the forefront of what we do via the sport of basketball,” W.N.B.A. Commissioner Cathy Engelbert mentioned in a press release.

Right here’s what to anticipate from the 12 W.N.B.A. groups this season.

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It doesn’t matter what occurs, this season will probably mark the top of an period for the Storm and for ladies’s basketball. After considering retirement final season, Sue Hen introduced in January that she would return and with the hashtag #1moreyear advised this season can be her final. When she was drafted No. 1 total by Seattle in 2002, the franchise had performed solely two seasons; 4 championships later, gained partly by Hen’s consistency, the Storm have develop into one of the dominant groups in W.N.B.A. historical past.

The 41-year-old’s farewell tour will inevitably embrace many teary tributes and gaudy spotlight reels, however the Storm will purpose for its remaining cease to be a champions’ parade. The crew is enjoying its first season within the new Local weather Pledge Enviornment, which the Storm are sharing with the N.H.L.’s Kraken. The Storm will nonetheless have Breanna Stewart, who met with the Liberty within the low season earlier than signing a one-year deal, and Jewell Loyd, who additionally met with the Liberty earlier than re-signing for 2 years. Hen, Stewart and Loyd kind the crew’s core, and the chance of enjoying with out them within the close to future makes the crew’s quest for a league-leading fifth title extra pressing than ever.

A number of latest faces crowd the Sparks roster, as Los Angeles appears to be like to reignite this season. The crew struggled final 12 months within the wake of Candace Parker’s departure and the fallout from a authorized battle with Penny Toler, the crew’s former basic supervisor.

The Sparks had a superb season defensively in 2021 however fell in need of the playoffs for the primary time since 2011 due to their woeful offense. This 12 months, they’ve added starpower designed to spice up their scoring with the flashy younger guards Chennedy Carter and Jordin Canada and middle Liz Cambage, who owns the single-game scoring document and is searching for a recent begin after promising seasons in Las Vegas that also ended in need of titles. The query is how all these abilities will match collectively below Coach Derek Fisher: There aren’t many position gamers on this Los Angeles crew, so checking out obligations may show difficult.

These gamers will be part of Nneka Ogwumike, nonetheless the crew’s finest probability at filling that Parker-size gap, in addition to the veterans Brittney Sykes and Kristi Toliver as they chase a brand new form of chemistry befitting the franchise’s storied legacy.

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For the sixth 12 months in a row, the Fever will attempt to return to the playoffs — or at the very least not be the worst crew within the league but once more. And not using a modicum of success to point out for years of excessive draft picks, Indiana was compelled to just about begin from scratch this 12 months. The crew amassed 4 picks within the first spherical alone after reducing Kysre Gondrezick, their prime decide within the 2021 draft at No. 4 total.

A gaggle of rookies, then, will be part of the veterans Danielle Robinson, Bria Hartley, Tiffany Mitchell and Kelsey Mitchell, as Lin Dunn, the interim basic supervisor, tries to proper the ship.

NaLyssa Smith, Indiana’s prime 2022 draft decide at No. 2 total, was dominant at Baylor and enters the W.N.B.A. with one thing to show after an underwhelming senior postseason. She’s been clamoring to compete on the skilled stage and, at 6-foot-4 with spectacular athleticism, Smith may nicely show to be the difference-maker the Fever desperately want.

Final season, the Wings had one of many youngest rosters within the league. Although they appear to have discovered some stability, having made just one non-draft addition, the 6-foot-7 middle Teaira McCowan, there’s nonetheless some uncertainty about how the crew will steadiness all that potential. Dallas has loads of depth however few clear front-runners who can outline the crew’s core.

Arike Ogunbowale is one exception to that rule. The sharpshooting All-Star has been the centerpiece of Dallas’s offense, and he or she signed a multiyear extension within the low season. She had assist from guard Marina Mabrey, her former Notre Dame teammate; they work collectively so nicely they’ve earned the moniker Marike.

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This season, the second-year Wings Coach Vickie Johnson, will attempt to take the crew previous the primary spherical within the playoffs for the primary time since 2015 by discovering consistency within the frontcourt. Ahead Satou Sabally, along with her refined footwork inside and talent to seek out high-percentage pictures, looks like the right steadiness for Ogunbowale’s pull-up-from-anywhere mentality — the Wings simply have to verify she’s touching the ball.

The four-time champion Lynx will lose the ultimate piece of their final two title-winning squads on the finish of this season with the retirement of the 6-foot-6 middle Sylvia Fowles, who was enjoying at a near-M.V.P. stage final season regardless of being 35 years outdated then.

Fowles’s persevering with dominance may push Minnesota again into place to win within the postseason. Nonetheless, she and Coach Cheryl Reeve will face the added problem of competing with out ahead Napheesa Collier, the crew’s main scorer final season, who’s pregnant and prone to miss most or all the season.

The five-time All-Star Angel McCoughtry, who injured her knee final season, will be part of Fowles within the effort to push the Lynx again to the playoffs for the twelfth consecutive 12 months. The veterans Kayla McBride and Aerial Powers spherical out a Lynx roster that might, as soon as once more, outperform expectations, due to Reeve’s constant teaching and the crew’s expertise.

The story of the Aces facilities on one essential low season transfer: the introduction of Becky Hammon because the highest-paid head coach within the W.N.B.A. Mixed with the development of a shiny, new Aces-specific observe facility in Henderson, Nev., Hammon’s hiring was a part of proprietor Mark Davis’s efforts to flaunt his investments within the crew up to now. All that’s left is for the crew to lastly win its first title.

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Hammon will undoubtedly be within the highlight — maybe much more so than her gamers — after returning to the W.N.B.A., the place she first flourished as a participant, and passing up what many noticed as a possible shot to develop into the primary feminine head coach in N.B.A. historical past.

In her first head teaching position, the longtime San Antonio Spurs assistant will attempt to retool the Aces following the departure of middle Liz Cambage and ahead Angel McCoughtry, veteran abilities who accounted for a lot of the crew’s manufacturing. Final season ended with an unpleasant upset loss to the Mercury within the playoffs, one sport away from the championship sequence. This 12 months, Hammon will work with A’ja Wilson, the 2020 M.V.P., to take the gifted crew to the subsequent stage, counting on guards Chelsea Grey and Kelsey Plum to amp up the Aces’ offense.

The Liberty’s 2021 season was a shock: It was Betnijah Laney who took the reins to steer the crew again to the playoffs for the primary time since 2017 and never Natasha Howard, the previous defensive participant of the 12 months who missed a lot of the season with a knee harm or the highly-touted guard Sabrina Ionescu.

This season, they’ve added Stefanie Dolson from the reigning champion Sky and employed a brand new coach, Sandy Brondello, to place all of the items collectively. The crew is stuffed with potential however an entire thriller so far as chemistry. Regardless of shedding 10 of their final 12 video games on the finish of the 2021 common season, the Liberty had been two factors shy of upsetting the Phoenix Mercury within the first spherical of the playoffs — a complicated end result according to their unpredictability final season.

If Brondello, who led the Mercury to a championship in 2014, can discover consistency amongst a gaggle of veterans who’ve discovered loads of success on different groups, the Liberty would possibly be capable of make a deeper run within the playoffs.

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The Mercury start the season below a very massive shadow: the continued detention of their star middle, Brittney Griner, in Russia, the place she has been held since February. Her indefinite absence leaves an enormous gap within the crew and league, on and off the courtroom. Till she returns, the Mercury should work out the right way to play with out one of the dominant facilities in W.N.B.A. historical past for the primary prolonged interval in almost a decade.

An esteemed group of veterans can even be combating for one more title. Skylar Diggins-Smith and Diana Taurasi had been joined by Tina Charles within the low season, sparking a lot dialogue about so-called superteams within the W.N.B.A. Coach Vanessa Nygaard, in her first 12 months, has been charged with getting the crew into form to attempt to declare the franchise’s fourth championship. Phoenix made it to final season’s championship sequence earlier than shedding in 4 video games to the underdog Chicago Sky.

Taurasi, who will flip 40 years outdated in June, insists that she’s not planning on retiring anytime quickly. However she — the league’s profession main scorer — has had nagging accidents over the previous few seasons, making the Mercury’s pursuit of one other deep postseason run much more urgent than ordinary.

The Solar have been nothing if not constant over the previous few seasons, each of their common season dominance and of their lack of ability to lastly safe the franchise’s first championship. In the event that they had been ever in win-now mode, although, this could be the time, having re-signed Jonquel Jones, final season’s M.V.P., within the low season.

Jones rejoins Alyssa Thomas, Jasmine Thomas, DeWanna Bonner and Brionna Jones — one of many league’s most constant core teams. Whereas different groups across the league are understanding their rotations, the Solar and their longtime coach, Curt Miller, will look to refine a long-established dynamic. Even their largest transfer of the low season — securing the return of guard Courtney Williams — was to deliver a crew veteran again into the fold after her temporary stint with the Atlanta Dream.

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Connecticut can almost take as a right the truth that this group will reprise one of many higher defenses within the W.N.B.A., with its veterans who appear to summon unfathomable vitality to stifle opponents 12 months after 12 months. The difficulty comes when the pictures cease falling for the bodily crew. Williams, and maybe some offense-minded younger gamers coming off the bench, should shut that hole.

The Dream look like they’ve been in rebuilding mode for a number of seasons now, successful single-digit video games in every of their previous three seasons and dealing with turnover on the teaching and possession tiers.

However this season, Atlanta will try to truly begin recent, with the first-year head coach, Tanisha Wright, and a slew of younger expertise becoming a member of Tiffany Hayes and Monique Billings, who’ve caught with the Dream via all these losses. Aari McDonald, whom the Dream drafted with the third total decide final 12 months, can be joined by the No. 1 decide within the 2022 draft, Rhyne Howard — whom Atlanta traded as much as snag — and Kristy Wallace, who spent the previous few years honing her abilities in an Australian skilled league. The veterans Erica Wheeler and Nia Coffey, each of whom final performed for the Sparks, spherical out the upstart group, which can purpose to outperform expectations and make it to the playoffs for the primary time since 2018.

After successful their first championship as underdogs in 2021, the Sky return as contenders to develop into the primary W.N.B.A. crew to win repeat titles in twenty years. Many core members of final season’s crew are again, together with Candace Parker; Kahleah Copper, final 12 months’s finals M.V.P.; and the veteran guards Allie Quigley and Courtney Vandersloot. The crew added middle Emma Meesseman, who was the finals M.V.P. when the Mystics gained the 2019 championship.

The Sky will need to have been sure that this group can be sufficient once they traded away all of their 2022 draft picks, relying as a substitute on their veteran squad and the abilities of Coach James Wade to make them one other deep postseason run. Copper particularly, who stuffed her 2021 finals spotlight reels with circus pictures and hard layups, will look to proceed her breakout run this season.

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Since successful the W.N.B.A. championship in 2019, the Mystics’ destiny has revolved round one variable: whether or not Elena Delle Donne, who has performed simply three video games prior to now two seasons, can get and keep wholesome. Delle Donne sustained a again harm within the 2019 W.N.B.A. finals that required a number of surgical procedures, left her with lingering again points and has taken in depth remedy and conditioning work to beat.

If Delle Donne and Alysha Clark, who missed final season with a foot harm, can keep on the courtroom, Washington’s roster all of a sudden appears to be like much more strong. Ariel Atkins, Natasha Cloud and Myisha Hines-Allen are all settled nicely into Coach Mike Thibault’s system, and Elizabeth Williams, a brand new addition, can present help within the put up if Delle Donne isn’t able to go.

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Culture

The Books We’re Excited About in Early 2025

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The Books We’re Excited About in Early 2025

A new year means new books to look forward to, and 2025 already promises a bounty — from the first volume of Bill Gates’s memoirs to a new novel by the reigning Nobel laureate, Han Kang, to a biography of Rosemary Woodruff Leary, the wife and psychedelic collaborator of the counterculture pioneer Timothy Leary.

On this week’s episode, Gilbert Cruz and Joumana Khatib talk about some of the upcoming books they’re most anticipating over the next several months.

Books discussed:

“Stone Yard Devotional,” by Charlotte Wood

“Silence,” by Pico Iyer

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“Onyx Storm,” by Rebecca Yarros

“Gliff,” by Ali Smith

“The Dream Hotel,” by Laila Lalami

“The Colony,” by Annika Norlin

“We Do Not Part,” by Han Kang

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“Playworld,” by Adam Ross

“Death of the Author,” by Nnedi Okorafor

“The Acid Queen: The Psychedelic Life and Counterculture Rebellion of Rosemary Woodruff Leary,” by Susannah Cahalan

“Tilt,” by Emma Pattee

“Dream Count,” by Chimamanda Ngozi Adichie

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“Hope: The Autobiography,” by Pope Francis

“Jesus Wept: Seven Popes and the Battle for the Soul of the Catholic Church,” by Philip Shenon

“The Antidote,” by Karen Russell

“Source Code,” by Bill Gates

“Great Big Beautiful Life,” by Emily Henry

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“Sunrise on the Reaping,” by Suzanne Collins

We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to books@nytimes.com.

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Grand Slam prize money is enormous. The economics of tennis tournaments is complicated

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Grand Slam prize money is enormous. The economics of tennis tournaments is complicated

Four times a year, one of the biggest and most important tennis tournaments in the world sends out an announcement full of dollar signs and zeroes with the words “record prize money” scattered liberally.

The four Grand Slams, the first of which begins Sunday in Melbourne, are the high points of the tennis calendar. Players at the 2025 Australian Open will compete for $59million (£47m) this year — over $6.2m more than last year. In 2024, the four tournaments paid out over $250m between them, while their leaders spent the year aligning themselves with the players who make their events unmissable, whose gravity pulls in the broadcast deals and sponsorships, with their own dollar signs and zeroes.

Led by Australian Open chief Craig Tiley, the Grand Slams led the movement for a so-called premium tour which would pare down the overloaded tennis calendar and guarantee top players always being in the same events, let alone time zones. It would also lock swaths of the globe out of the worldwide spectacle that tennis represents.

The great irony is that despite the largesse and the cozy relationship, the players get a smaller cut of the money at the Grand Slams than they do in most of the rest of the rest of that hectic, endless season — and a fraction of what the best athletes in other sports collect from their events. The Australian Open’s prize pool amounts to about a 15-20 percent cut of the overall revenues of Tennis Australia, the organization that owns and stages the tournament, which accounts for nearly all of its annual revenue. The exact numbers at the French Open, Wimbledon and U.S. Open vary, but that essential split is roughly a constant. The 2023 U.S. Open had a prize pool of $65m against earned revenue from the tournament that came out at just over $514m, putting the cut at about 12 percent. The U.S. Open accounted for just under 90 percent of USTA revenues that year.

The explanations from the Grand Slams, which collectively generate over $1.5bn (£1.2bn) a year, run the gamut. They need to dedicate hundreds of millions of dollars each year to fund junior tennis development and other, less profitable tournaments in their respective nations — an obligation pro sports leagues don’t have. There is a constant need to upgrade their facilities, in the silent race for prestige and primacy of which the constant prize money one-upmanship is just one element.

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Aryna Sabalenka with her winner’s check at the 2024 U.S. Open. (Emaz / Corbis via Getty Images)

That dynamic is not lost on players — least of all Novak Djokovic, the top men’s player of the modern era and a co-founder of the five-year-old Professional Tennis Players Association (PTPA).

“I’m just going to state a fact,” Djokovic said during a post-match news conference in Brisbane last week.  “The pie split between the governing bodies in major sports, all major American sports, like NFL, NBA, baseball, NHL, is 50 percent. Maybe more, maybe less, but around 50 percent.

“Ours is way lower than that.”


Since 1968, the first year in which the four majors offered prize money as part of the Open Era’s embrace of professional tennis players, the purses have only grown. The 1968 French Open was the first to offer prize money, with Ken Rosewall earning just over $3,000 for beating Rod Laver in the final. The women’s singles champion, Nancy Richey, was still an amateur player, so could not claim her $1,000 prize. By 1973, lobbying from Billie Jean King helped convince the U.S. Open to make prize money equal for men and women through the draws; it took another 28 years for the Australian Open to do so year in, year out. Venus Williams’ intervention helped force the French Open and Wimbledon to follow suit in 2007.

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Fifty years after Rosewall’s triumph in Paris, the 2018 men’s champion Rafael Nadal took home $2.35million, an increase of over 73,000 percent. The year-on-year increases at each major are more modest, usually between 10 and 12 percent, but that percentage of tournament revenue remains steadfast, if not entirely immovable.

The Grand Slams argue that there are plenty of hungry mouths at their table, many more than just the 128 players that enter each singles draw each year.

Tennis Australia is a not-for-profit and a business model built on significant investment into delivering the event and promoting the sport to drive momentum on revenue and deliver consistently increasing prize money,” Darren Pearce, the organization’s chief spokesperson, said in a statement this week.

Money from the Australian Open also helps fund tournaments in Brisbane, Adelaide and Hobart, as well as the United Cup, the combined men’s and women’s event in Perth and Sydney. Pearce said the prize money increases outpace the revenue growth.

The Grand Slams also point to the millions of dollars they spend on player travel, housing, transportation and meals during tournaments, though team sport athletes receive those as well. Eloise Tyson, a spokesperson for the All England Lawn Tennis Club, which stages Wimbledon, noted that overall Grand Slam prize money had risen from $209million in 2022 to $254m last year, a 22 percent increase.

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“Alongside increasing our player compensation year-on-year, we continue to make significant investment into the facilities and services available for players and their teams at The Championships,” Tyson wrote in an email.

Officials with France’s tennis federation, the FFT, which owns the French Open, did not respond to a request for comment.

Brendan McIntyre, a spokesman for the United States Tennis Association, which owns the U.S. Open, released a statement this week touting the USTA’s pride in its leadership on player compensation, including offering equal prize money and the largest combined purse in tennis history at the 2024 US Open. A first-round exit earned $100,000, up 72 percent from 2019. Just making the qualifying draw was good for $25,000.

“As the national governing body for tennis in the U.S, we have a broader financial obligation to the sport as a whole,” the organization said.

“The USTA’s mission is to grow tennis at all levels, both in the U.S. and globally, and to make the sport accessible to all individuals in order to inspire healthier people and communities.”

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The infrastructure required to stage a Grand Slam tournament is vast — on and off the court. (Glen Davis / Getty Images)

None of the organizations outlined a specific formula for determining the amount of prize money they offered each year, which is roughly the same as a percentage of their parent organizations overall revenues. That may be a coincidence, though the Grand Slams also have the benefit of not facing any threat to their primacy.

The USTA’s statement gestures at how the structure of tennis contributes to this financial irony. In soccer, countries and cities bid to host the Champions League and World Cup finals; the Olympics changes every four years and even the Super Bowl in the NFL moves around the United States, with cities and franchises trying to one-up one another.

The four Grand Slams, though, are the four Grand Slams. There are good reasons for this beyond prestige: the infrastructure, both physical and learned, required to host a two- or three-week event at the scale of a major year in, year out is available to a vanishingly small number of tennis facilities around the world. There is no opportunity for another organization or event to bid to replace one of the Grand Slams by offering a richer purse or other amenities.

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A year ago, tennis was broken. It’s more broken now


This dynamic has been in place for years and has become more important in recent months. The PTPA has hired a group of antitrust lawyers to evaluate the structure of tennis. The lawyers are compiling a report on whether the the sport includes elements that are anti-competitive, preparing for a possible litigation with the potential to remake the sport.

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The ATP and WTA Tours, which sanction 250-, 500- and 1000-level events as well as the end-of-season Tour Finals, give players a larger share of revenue. There is some disagreement between players and officials over how much it is and the methods of accounting; some player estimates hover around 25 percent, while tour estimates can be in the range of 40 percent. Both remain short of the team equivalents in the United States.

On the ATP Tour, the nine 1000-level tournaments have a profit-sharing agreement that, in addition to prize money, gives players 50 percent of the profits under an agreed-upon accounting formula that sets aside certain revenues and subtracts certain costs, including investments the tournaments make in their facilities. The WTA does not have such an agreement. It outlines a complex prize money formula in its rule book with pages of exceptions, not based on a guaranteed share of overall tour revenues.

The tours have argued that because media rights payments constitute a lower percentage of revenues than at the Grand Slams, and because the costs of putting on tournaments are so high, a 50-50 revenue share would simply turn some tournaments into loss-making entities and make tennis unsustainable as a sport.

James Quinn, one of the antitrust lawyers hired by the PTPA, said he saw serious problems with the model, describing a structure that prevents competition from rival tournaments.

Some events outside the 52-week program of tournaments — which see players earn ranking points as well as money — have official status (the Laver Cup is sanctioned by the ATP). But the remainder, such as the Six Kings Slam in Riyadh, which debuted this year and offered record prize money of over $6million to the winner, are not sanctioned, for now providing only a peripheral form of competition to ruling bodies’ control of the sport.

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Jannik Sinner took home the money at the inaugural Six Kings Slam in Riyadh. (Richard Pelham / Getty Images)

The Grand Slams, ATP and WTA insist this is for the best. They see themselves as caretakers of global sport trying to bring some order where chaos might otherwise reign.

Djokovic doesn’t totally disagree. He understands tennis is different from the NBA. He’s led the Player Council at the ATP, which represents male professionals, and he has seen how the sausage gets made and how complicated it is with so many tournaments of all shapes and sizes in so many countries. At the end of the day, he still thinks players deserve more than a 20-percent cut, especially since the Grand Slams don’t make the kinds of contributions to player pension plans or end-of-the-year bonus pools that the ATP does, nor do they provide the year-round support of the WTA.

“It’s not easy to get everybody in the same room and say, ‘OK, let’s agree on a certain percentage,’” he said of the leaders of tournaments.

“We want more money, (but) they maybe don’t want to give us as much money when we talk about the prize money. There are so many different layers of the prize money that you have to look into. It’s not that simple.”

(Photos: Kelly Delfina / Getty Images, Steven / PA via Getty Images; design: Dan Goldfarb)

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6 New Books We Recommend This Week

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6 New Books We Recommend This Week

Our recommended books this week tilt heavily toward European culture and history, with a new history of the Vikings, a group biography of the Tudor queens’ ladies-in-waiting, a collection of letters from the Romanian-born French poet Paul Celan and a biography of the great German writer Johann Wolfgang von Goethe. We also recommend a fascinating true-crime memoir (written by the criminal in question) and, in fiction, Rebecca Kauffman’s warmhearted new novel about a complicated family. Happy reading. — Gregory Cowles

One of Europe’s most important postwar poets, Celan remains as intriguing as he is perplexing more than 50 years after his death. The autobiographical underpinnings of his work were beyond the reach of general readers until the 1990s, when the thousands of pages of Celan’s letters began to appear. The scholar Bertrand Badiou compiled the poet’s correspondence with his wife, the French graphic artist Gisèle Lestrange-Celan, and that collection is now available for the first time in English, translated by Jason Kavett.

NYRB Poets | Paperback, $28


Wilson’s biography of the German polymath Johann Wolfgang von Goethe (1749-1832) approaches its subject through his masterpiece and life’s work, the verse drama “Faust” — widely considered perhaps the single greatest work of German literature, stuffed to its limits with philosophical and earthy meditations on human existence.

Bloomsbury Continuum | $35

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Through a series of vignettes, Kauffman’s fifth novel centers on a woman determined to spend Christmas with her extended family, including her future grandchild and ex-husband, and swivels to take in the perspectives of each family member in turn.


People love the blood-soaked sagas that chronicle the deeds of Viking raiders. But Barraclough, a British historian and broadcaster, looks beyond those soap-opera stories to uncover lesser-known details of Old Norse civilization beginning in A.D. 750 or so.

Norton | $29


Fifteen years ago, Ferrell gained a dubious fame after The New York Observer identified her as the “hipster grifter” who had prowled the Brooklyn bar scene scamming unsuspecting men even as she was wanted in Utah on felony fraud charges. Now older, wiser and released from jail, Ferrell emerges in this captivating, sharp and very funny memoir to detail her path from internet notoriety to self-knowledge.

St. Martin’s | $29

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In her lively and vivid group biography of the women who served Henry VIII’s queens, Clarke, a British author and historian, finds a compelling side entrance into the Tudor industrial complex, showing that behind all the grandeur the royal court was human-size and small.

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