Culture
The Texans have Super Bowl aspirations. C.J. Stroud is the reason: ‘He’s got some dog in him’
At first, his screams were met with silence. Stunned silence, really.
This rookie was standing there, two weeks into his NFL career, moments after a humiliating loss at home, and he was calling out … the entire team?
“Where my leaders at?!?” C.J. Stroud shouted, grabbing the attention of everyone inside the home locker room at NRG Stadium. “I need some leaders! Right now! Where they at? Speak up!”
The Texans were 0-2. They’d just been routed at home by the Colts. They hadn’t won more than four games in three years. “We got waxed that day,” remembers tight end Brevin Jordan, “and we all had the same question, like, ‘Are we gonna have one those seasons again?’”
Stroud was livid, not merely at the loss but at the fact that he was the only one willing to step up and say something about it.
This was last September, six weeks before Stroud would throw for more passing yards in a game than any rookie ever, four months before he’d become the youngest quarterback in NFL history to win a playoff game. This was before belief in Houston really started to build, before the rest of the league started to realize this team wasn’t just coming — it was coming fast.
GO DEEPER
Quick Outs: Josh Allen tossed a gem in Week 1, but is post-injury Kirk Cousins washed?
Few inside the building saw a turnaround happening this quickly or this dramatically. But the margins are painfully small in the NFL, and sometimes seasons come down to little moments, like when a rookie punctures the silence of a somber locker room and changes how his teammates see him — and themselves.
“Some people needed to be called out. The captains needed to be called out,” says defensive end Will Anderson Jr., like Stroud a rookie captain at the time.
Jimmie Ward, a veteran safety who’d come over from San Francisco that spring, sat at his stall that afternoon and watched from across the room. He was injured and didn’t play in the loss; in his mind, it didn’t feel right to rip into his new teammates, not with him in street clothes and them in shoulder pads.
When Stroud was finished, Ward walked up to him.
“You’re a rookie,” he told him, “and that took some balls.”
The Texans were learning the kid who oozed California cool also had what Ward calls “this asshole side to him.” They won their next two games by 44 points.
It’s early August. On a high school field outside of Cleveland, a half hour after a training camp practice has wrapped and two days before the Texans face the Steelers in a preseason game, Nico Collins is wearing out the JUGS machine. Most of his teammates have boarded the bus and headed back to the hotel. A few linger on the sideline. Collins works alone.
The fourth-year wideout is eight feet from the machine, jogging in place, waiting for a football to be fired. Snap. He snares it with one hand. These are coming out hot. Snap. He grabs another, then taps his feet down, like he’s inches from the sideline. He adds to the total in his head. He’s nearing 20 without a drop. Snap.
What looks ridiculously difficult — what is ridiculously difficult — Collins wants to turn into second nature.
“Man,” he says a few moments later, shaking his head, “C.J. was on us today.”
It was a sloppy practice. The offense looked awful. Stroud missed throws and threw picks. Receivers broke off some routes early, others too late. The defense dominated, then gloated. At one point, after he was intercepted along the sideline, Stroud slammed his towel to the ground in disgust. Then he called his unit together.
“Slow it down!” Collins remembers Stroud screaming in the huddle. “How many times have we run this play? How many times?
“Now lock in.”
That’s the side to the young quarterback teammates hadn’t seen until his eruption after the early-season loss to the Colts last year. Stroud’s soft-spoken, laid-back persona belies an edge he’s always played with — and now leads with. He doesn’t unleash it often, preferring to pick his spots. But when he does, teammates feel the fire. Quarterbacks don’t get far in this league being polite.
“Oh, he’ll snap at us,” Collins says. “Way more than you think.”
“At practice you see glimpses of it,” new Texans receiver Stefon Diggs says of C.J. Stroud. “But come game time, he’s the real deal.” (Justin Casterline / Getty Images)
Stroud made it a point last summer to work quietly and earn the locker room’s respect. He was a rookie. He knew his place. Then the Texans stumbled to 0-2, and what irritated Stroud most during that loss to the Colts was how quiet the huddles were. When the team gathered before kickoff, he was the only one who said anything. When they did so again after halftime, same thing. So after coach DeMeco Ryans finished in the locker room, Stroud unloaded on them.
He knew he couldn’t be the only voice.
“Look, C.J.’s a great dude, all the guys like him, but there’s just enough prick to him, you know what I mean? He’s got some dog in him,” says Texans defensive coordinator Matt Burke. “We’ve all been on teams where the quarterback is separate from the rest of the group — he sorta does his own thing, and when he gets on guys, no one really listens, right? But when you’ve got a guy who’s got some s— about him, the team responds.”
Wideout Stefon Diggs, the team’s marquee offseason acquisition, felt it during Sunday’s season opener in Indianapolis. “At practice you see glimpses of it,” Diggs said after catching two touchdowns. “He’ll sprinkle a little emotion on you, he’ll get on you a little bit. But come game time, he’s the real deal.”
That intensity, Diggs said, is essential. Everyone on the offense knows what the expectation is, full stop. Stroud demands it.
“He makes it easy to be a receiver,” Diggs added.
Diggs’ arrival this spring via trade with the Bills, plus the additions of running back Joe Mixon and defensive end Danielle Hunter, made it clear: the Texans are going for it. Last season’s 10-7 regular season and surprise run to the divisional round of the playoffs was enough to scrap the slog of a long rebuild.
The window had opened. They weren’t going to wait. With Stroud still on his rookie contract, Houston wants to take its shot in the crowded AFC.
The QB opened training camp in late July welcoming the hype, mindful that the spotlight shines most on the teams that matter. “Pressure is a privilege,” Stroud likes to say, and it’s something he learned from his time at Ohio State. The Buckeyes would get every team’s best shot every single week. He knows Houston isn’t sneaking up on anyone in 2024.
And with that comes the burden of expectation, something that’s buried teams before them, teams that thought they were ready to contend only to find out the hard way they weren’t even close. “We have that big red target on our back,” Stroud says. “That’s something we didn’t have last year.”
Last season, Houston didn’t have a single regular-season game scheduled for a national television window; this year the Texans are slated for five, including a marquee Christmas Day matchup with the Ravens, the team that bounced them from the playoffs in January. Season tickets sold out by July, a first for the franchise in five years. Entering Week 1, only five teams had better Super Bowl odds. Stroud currently has the fourth-shortest odds for MVP.
So much has changed for this city, this franchise and this quarterback in 12 short months.
“It’s not going to be easy. It’s going to be harder,” Stroud says. “That’s how you should want it.”
It started Sunday in Indianapolis. The Colts were desperate to steal this one — they haven’t won a Week 1 game since 2013 and haven’t won an AFC South title since 2014. At the moment, Houston remains Indy’s biggest roadblock.
In the first quarter, the Colts’ Anthony Richardson made the throw of the game, maybe the year.
With two minutes left in the fourth, Stroud made the throw that won it.
A false start turned a third-and-6 into a third-and-11. Leading by two, the Texans needed a conversion to prevent Richardson from getting another chance. After the snap, Collins peeled toward the sideline, blanketed by Colts’ corner Jaylon Jones.
If there was a window, Stroud might’ve been the only person inside Lucas Oil Stadium to see it. The coverage was superb.
Stroud fired. Jones got a finger on it. Collins kept his concentration — the byproduct of all those reps on the JUGS machine — and somehow snagged it. Then he got a foot down. Then a knee. The ridiculously difficult had become second nature.
One Mixon run later, it was over. After the 29-27 win, Stroud was asked about the completion to Collins. How in the world did he fit it in there?
He smiled. Then he repeated an old quote Peyton Manning used to say all the time.
“There’s no defense for the perfect throw.”
Nico Collins’ third-down sideline catch all but sealed the Texans’ victory over the Colts. (Christine Tannous / USA Today Network via Imagn Images)
Nine months ago, after their divisional playoff game in Baltimore, Stroud stood before a lectern on the bottom floor of M&T Bank Stadium, wearing a sweatsuit, beanie and Asics running shoes. It was his first lesson about how punishing postseason football can be. A tie game at the half had ballooned into a 34-10 Ravens’ triumph.
One minute, the game’s tight. The next, you’re getting steamrolled out of the stadium.
“It’s tough getting embarrassed like that,” Stroud said.
His face told the story. He was drained.
“I’ve been going hard since I was like 12 years old,” he said. “AAU tournaments. Baseball. Football. 7-on-7. High school. It’s been a blessing. It’s been a ball. I’m 22 years old, and this is my first time ever having freedom away from school, away from college.”
The climb was so quick, so consuming, that he’d never taken a minute to breathe. That cramped apartment 40 miles east of Los Angeles that Stroud lived in with his mom and siblings, where he cried after getting his first Division 1 offer, still feels like yesterday. Then came Ohio State. The draft. The S2 drama. Training camp. The season. And now, at just 22 years old, he was already one of the young faces of the league, the quarterback some were starting to think might be good enough to do what Josh Allen and Lamar Jackson so far haven’t. That is, beat Patrick Mahomes in the playoffs.
But first, before the rest of his career could start, Stroud needed to get away. So he did. He played in the Pro Bowl. He swung by media row at the Super Bowl and broke down his own film. He hopped on podcasts. He taught football to high schoolers in China as part of an Asian tour with Cowboys edge rusher Micah Parsons, threw out the first pitch before a baseball game in Japan, then trained with — well, sort of trained with — sumo wrestlers.
GO DEEPER
Troy Aikman ‘never lost at anything.’ He’s just now starting to enjoy it.
By the spring, Stroud couldn’t help himself: he was lighting up the text thread again, the same one he used to send teammates film clips last season. Pretty soon, the Texans’ skill position players, including Diggs, were meeting up for throwing sessions. In Los Angeles. In Miami. Finally, in Houston.
“Come on, you know who planned those,” says receiver Tank Dell. “Of course 7 did.”
Burke, the Texans’ DC, felt Stroud’s urgency and inquisitiveness after all of one practice last year. After Stroud threw his first pick, he hunted down Burke after the workout and asked him to explain how he’d disguised the coverage. The QB didn’t wanna get beat on that play again. Burke was floored. “I was like, ‘Are you kidding?’” he says. “You love that. That piece of it, that desire to learn that stuff, that’s so important.”
Free, daily NFL updates direct to your inbox.
Free, daily NFL updates direct to your inbox.
Sign Up
Hunter, the veteran defensive end who arrived via free agency this spring, has spent nine seasons chasing quarterbacks in this league. What struck him during training camp was Stroud’s unflappability in the pocket. He’d tick through his reads without hurrying, without letting panic — a weakness game-wreckers like Hunter prey on — set in.
“He just doesn’t fold under pressure, when guys are coming,” Hunter says. “If it’s not there, he doesn’t try to do Superman stuff. You know how big that is for a guy his age?”
Thing is: Stroud can do Superman stuff. He won Offensive Rookie of the Year doing Superman stuff. Richardson’s stunning 60-yard bomb on Sunday overshadowed a 55-yard second-quarter beauty from Stroud to Collins that, per Next Gen Stats, was the most improbable completion of Stroud’s young career. Two Colts defenders were within a yard of Collins when the ball arrived.
CJ STROUD DEEP TO NICO COLLINS FOR 55 YARDS.
📺: #HOUvsIND on CBS/Paramount+
📱: https://t.co/waVpO909ge pic.twitter.com/pIG9hzf0CD— NFL (@NFL) September 8, 2024
Stroud found the window. Somehow. When it comes to deep balls, few QBs in the league are better.
“It just seems so natural, so easy for him,” Collins says of his quarterback.
“It may seem easy, but it’s not,” Stroud says.
And it won’t be anytime soon. Stroud knows the innocence of his rookie season is gone. Now he needs to win. The Texans’ first primetime game of 2024 arrives Sunday night against the Bears, and with it, another test to see if they’re ready to meet the moment. The quarterback, too.
Stroud seems to relish it, always returning to that word of his: pressure. He refuses to see it as a negative. His story tells us he never has.
“We love that pressure, and we want that pressure,” he says. “There’s no real reward if there’s no pressure.”
(Illustration: Dan Goldfarb / The Athletic; photo: Tim Warner / Getty Images)
Culture
Try This Quiz and See How Much You Know About Jane Austen
“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.
Culture
Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday
On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.
Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”
With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”
How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.
By ‘A Lady’
Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)
Where the Magic Happened
Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.
An Iconic Accessory
Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.
Austen Onscreen
Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.
Jane Goes X-Rated
The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.
A Lady Unmasked
Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”
Wearable Tributes
It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.
The Austen Literary Universe
On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)
A Botanical Homage
Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.
Aunt Jane
Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.
Cultural Currency
In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.
In the Trenches
During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”
Baby Janes
You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.
The Austen Industrial Complex
Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.
Around the Globe
Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.
Playable Persuasions
In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.
#SoJaneAusten
The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.
Bonnets Fit for a Bennett
For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.
Most Ardently, Jane
Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”
Stage and Sensibility
Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.
Austen 101
Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”
W.W.J.D.
When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?
Culture
I Think This Poem Is Kind of Into You
A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.
The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.
And then it bursts into flame.
“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.
Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.
We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.
To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.
But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”
That’s the kind of poem she wrote.
“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.
Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.
What happens next? That’s up to you.
-
Iowa2 days agoAddy Brown motivated to step up in Audi Crooks’ absence vs. UNI
-
Washington1 week agoLIVE UPDATES: Mudslide, road closures across Western Washington
-
Iowa1 week agoMatt Campbell reportedly bringing longtime Iowa State staffer to Penn State as 1st hire
-
Iowa4 days agoHow much snow did Iowa get? See Iowa’s latest snowfall totals
-
Cleveland, OH1 week agoMan shot, killed at downtown Cleveland nightclub: EMS
-
World1 week ago
Chiefs’ offensive line woes deepen as Wanya Morris exits with knee injury against Texans
-
Maine17 hours agoElementary-aged student killed in school bus crash in southern Maine
-
Technology6 days agoThe Game Awards are losing their luster