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The summer of Travis Kelce: Inside an action-packed offseason as a rising celebrity

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The summer of Travis Kelce: Inside an action-packed offseason as a rising celebrity

ST. JOSEPH, Mo. — In late June, the quietest time on the NFL calendar, Kansas City Chiefs general manager Brett Veach started receiving text message after text message while on a family vacation. Questions raced through his mind.

Was there breaking NFL news? Did a member of the Chiefs organization need his attention? Did something happen to one of the players?

Once he looked at what several people sent him, Veach’s reaction was similar to so many around the world: Travis Kelce was on stage with Taylor Swift.

Across the Atlantic Ocean, at London’s Wembley Stadium, Kelce made a surprise appearance as a performer during one of Swift’s mega concerts. More than 90,000 people screamed, cheered and pointed their smartphones at the stage to record Kelce’s every move alongside Swift, the pop superstar artist he’s been dating for more than a year.

“He’s a showman,” Veach said of Kelce. “He has just a natural gift of being able to perform in front of people. Obviously, we get the most benefit when he’s doing it on Sundays.

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“It’s funny because when you see those clips with him on tour with Taylor, it looks as if he was a part of that show for months. But it was that one day, and he just looks natural. It’s a gift he has.”

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Those few minutes on stage with the world’s biggest pop artist proved to be the apex moment for Kelce’s epic summer, a packed offseason unlike any before during his 12-year career as a Chiefs tight end.

Donning a black tuxedo and top hat, Kelce flashed his charming smile, executed a perfect heel click and carried Swift, who acted asleep, to a red couch. The concert’s transition from one song to “I Can Do It With a Broken Heart,” the hit from Swift’s most recent album “The Tortured Poets Department,” included Kelce, alongside two dancers, waking her up to change into a different costume before performing the song.

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Kelce’s final act was an easy one. He gazed at Swift and provided some comedy by putting a blush brush on his cheeks and doing an uptempo tap dance reminiscent of actor Jim Carrey in the movie “Dumb and Dumber.”

Of course, performing with Swift was Kelce’s idea.

“She found the perfect part of the show for me to come in,” Kelce said in the season finale of “New Heights,” the podcast he hosts with his brother, Jason. “It’s such a fun, playful part of the show. It was the perfect time for me to go up there and just be a ham and have some fun and try to get everybody excited for the rest of the show. It was awesome.

“That moment was pretty jarring. I was just like, ‘Oh s—!’ You don’t realize how big that damn stage is. I didn’t disappoint Taylor. That’s all that really matters.”

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Kelce has many more ideas of what he can do in the entertainment industry once his NFL career ends, too.

This offseason showed that Kelce plans to remain a significant part of American pop culture, perhaps becoming an even bigger celebrity long after he enters the Pro Football Hall of Fame. He gallivanted from one event to the next, from one part-time TV job to the next and remained an encouraging, energizing presence at many stops on Swift’s worldwide “Eras Tour.”

Veach and many others within the Chiefs organization realize Kelce, in perhaps the final phase of his NFL career, is becoming a perfect crossover athlete, following former football stars such as Michael Strahan, Carl Weathers and Dwayne Johnson — also known in pro wrestling circles as The Rock.

“A lot of people tense up around a large group of people with eyes on them, and some people just thrive in that environment,” Veach said. “He’s one of those guys where the more eyes he has on him, the more he lights up. It’s cool and fun to see. He’s just got that gift to relate to people and make people smile.”

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In early June, Kelce needed a few seconds to decide which was his favorite experience away from the football field up to that point. He then thought of his many trips to Los Angeles.

“I would say getting a little more comfortable in front of the camera, doing some things in the acting world,” Kelce said. “That’s been some fun that I’ve had, so look out for that coming up soon.”

Kelce wants to become a full-fledged actor one day, and his first opportunity to play a character on camera began in the spring. Actress/comedian Niecy Nash-Betts revealed in early May that Kelce would be guest starring alongside her in “Grotesquerie,” an FX horror and drama TV show. Kelce’s role in the show has remained a mystery. In the trailer, Kelce is on screen for less than two seconds, his character wearing a gold wedding ring. The show is set to premiere Sept. 25 ahead of the Chiefs’ third game of the season.

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In April, Kelce began taping episodes of his new game show, “Are You Smarter Than a Celebrity?,” a spinoff of the popular game show “Are You Smarter Than a 5th Grader?” As the show’s host, Kelce was alongside adult contestants who relied on a group of celebrities — instead of fifth-grade students — to help them answer 11 questions on a range of subjects to win a $100,000 prize. The first of the show’s 20 episodes is set to premiere Oct. 16 on Amazon Prime Video.

The TV opportunities for Kelce have increased since last year, when he hosted “Saturday Night Live,” the long-running NBC comedy show he adored as a child. Much of that episode, from the opening monologue to appearing in several sketches, showcased Kelce’s gregarious personality and comedic timing, so much that movie and TV producers were impressed and intrigued.

Kelce also shared on his podcast that he wants to follow former players like Tom Brady, Troy Aikman and Tony Romo in becoming a color commentator for NFL games after he retires.

“I love playing in the NFL,” Kelce said in June. “This will always be my main focus. But outside of that, football ends for everybody, so (I’m) kind of dipping my toes in the water and seeing what (I) like in different areas and different career fields.

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“I think the offseason is the best chance you can get to try and explore that and set yourself up for (life) after football.”

Two days after the NFL Draft, Kelce, who will turn 35 in October, gave the first indication that he could retire after the 2025 season.

He entered the Chiefs training facility and signed a new two-year contract with the team, making him the highest-paid tight end for the first time in his career. Minutes after signing, Kelce became emotional, almost near tears, when he recorded a video thanking fans while informing them of his continued partnership with the Chiefs.

“I really can’t put a timeframe on (retirement),” Kelce said. “Obviously, I know there’s opportunities outside of football for me. You have to keep in perspective that I’m still a little kid when I come into this building, man.

“I love coming to work every single day. I’m going to do it until the wheels fall off. Hopefully, that doesn’t happen anytime soon. I can definitely understand that it’s toward the end of the road (more) than it is the beginning of it.”

Kelce’s offseason essentially began with him in Philadelphia in early March to watch Jason, a six-time All-Pro and future Hall of Famer who helped the Eagles win the franchise’s only Super Bowl in 2018, retire from the NFL. Despite wearing sunglasses, Kelce could be seen crying throughout his brother’s emotional 41-minute speech.

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“We did almost everything together — competed, fought, laughed, cried and learned from each other,” Jason, 36, said of his younger brother. “There is no chance I’d be here without the bond Travis and I share. It made me stronger, tougher, smarter and taught me the values of cooperation, loyalty, patience and understanding.”

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A few weeks later, the brothers hosted a live episode of their podcast at the University of Cincinnati, their alma mater. The event at Fifth Third Arena attracted more than 12,500 fans and ended with a surprise commencement ceremony as the school’s president and athletic director gave each brother his diploma. Kelce accepted his diploma while chugging a beer, which produced roaring cheers.

He did a similar celebration in May, chugging a beer off a replica of the Vince Lombardi Trophy while on stage during Kelce Jam, his annual musical festival in Kansas City that featured hip-hop artists such as Lil Wayne and 2 Chainz.

Another much-anticipated moment for Kelce came when the Chiefs returned to the White House to celebrate their second consecutive Super Bowl victory. The year before, Kelce made the crowd laugh when he approached the lectern, saying just seven words — “So, I’ve been waiting for this moment …” — before he was gently pushed back by quarterback Patrick Mahomes while photographers snapped shots of President Joe Biden with a red No. 46 jersey with his last name stitched on the back.

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This year, though, Biden welcomed Kelce to the microphone for another joke.

“My fellow Americans … it’s nice to see you all yet again,” Kelce started, leading everyone in the crowd to laugh, including Biden. “I’m not going to lie, President Biden. They told me if I came up here, I’d get tased, so I’m gonna go back to my spot, all right?”

The 10-minute ceremony ended with the team presenting Biden with the gift of a Chiefs helmet, which Kelce encouraged him to put on. Biden obliged, much to the surprise of the players, who responded with loud cheers and laughter.

A week later, Kelce was back in the Cleveland area, his hometown, winning the home run derby, hitting 11 dingers, in a celebrity softball game hosted by Cleveland Browns tight end David Njoku. Afterward, Njoku called Kelce one of the nicest people he’s ever met.

“I’d like to say my father (Ed) would slap me silly if I was any other way,” Kelce said, grinning. “Sometimes you’ve got to straighten up and do the right things. Over the course of my life, I’ve found that being kind and being genuine is the right way to live. My mom (Donna) and dad are the reason I’m always just a friendly guy.”

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Any new details about Kelce’s relationship with Swift are significant for fans of both. Kelce, understandably, has not revealed very much to protect their privacy.

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But even Kelce knows most people these days are eager to talk to him about Swift as much as his football exploits. In June, after one of the Chiefs’ minicamp practices, a reporter asked a follow-up question — “What do you like cooking together?” — after Swift posted a short video of them together in the kitchen.

“That’s a good question,” Kelce said, smiling. After a brief pause, he continued: “You know, I respect that question. But I’m going to keep that one to myself because I thoroughly enjoy cooking with her. It’s something I’d rather just keep personal.”

Four minutes later, once his news conference ended, Kelce answered the reporter’s question, doing so in a comedic fashion just before he left the podium.

“Taylor makes a great pop tart and cinnamon roll,” he said.

Kelce traveled more than he ever had before. He promoted and was filmed in national commercial (Subway) after national commercial (Garage Beer) after national commercial (Accelerator Active Energy). He and Jason appeared in Lake Tahoe to compete in the American Century Championship celebrity golf tournament with fans flocking to their group.

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Kelce also flew to Europe several times — London, Dublin and many other cities — to attend as many of Swift’s concerts as possible, each time being more stunned by the number of people wearing his Chiefs jersey.

Kelce danced and sang along to Swift’s songs next to celebrities, including Tom Cruise, Julia Roberts, Paul McCartney, Stevie Nicks and Hugh Grant.

“I think it’s great for him,” Chiefs coach Andy Reid said of Kelce on the first episode of “Scoop City,” The Athletic’s podcast. “He can handle it. He probably loves it, up to a point. I think there’s a great escape for him. I said that about Taylor, too. She comes to the game and she can kind of escape having to be the show. Travis can do that. When he goes to her concerts, she’s the star.

“He’s an outgoing guy. He comes into a room, he’s gonna light that room up. Everybody’s his best friend. Until you prove him wrong, everybody’s a friend. It’s not something that he can’t handle.”

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A byproduct of Kelce’s crammed itinerary was changing his usual training routine. Wherever Kelce was, one of his three personal trainers — Alex Skacel, Andrew Spruill and Laurence Justin Ng — usually was with him.

“I’m doing some things different,” Kelce said, although he and his trainers declined to share details. “I’ve got guys all over the place.”

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Last season was the first time since 2015 that Kelce didn’t finish with at least 1,000 receiving yards. Part of the reason was he played through two nagging injuries, a hyperextended right knee and a low ankle sprain. His production declined over the second half of the season as his ability to evade defenders or break tackles decreased.

But in the Chiefs’ four-game postseason run, after a week of rest in the regular-season finale, Kelce elevated his game, making 32 receptions for 355 yards and three touchdowns.

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“The biggest thing was getting my body right,” Kelce said of working with his trainers this offseason. “Last year was pretty taxing. I’ve had more snaps than a lot of guys, if not every (tight end) in the NFL over the past five, six years. I’m very (proud) of that, but I know it has taken a toll on my body.

“It was just making sure my body was getting that rest and that ability to train harder and be able to withstand an entire 17- to 20-game season.”

Swift has supported Kelce by sometimes training alongside him. One of Kelce’s favorite moments from the offseason came in July, days before training camp began, when he and Swift went on a double date in Amsterdam with Mahomes and his wife, Brittany.

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“Honestly, to me, he’s the same guy,” Mahomes said of Kelce. “It’s a huge platform and everyone in the world can see it, deservedly so because of how great Taylor is, but it’s still Travis. I think that’s what makes it so cool, even though it’s such a big thing for the world.

“We were just having fun and enjoying a dinner just like anyone else would. That’s what makes it so great. We don’t make it more than what it is; it’s just friendship, fellowship and enjoying everyone’s success.”

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One part of Kelce’s summer remained the same, though: It ended with him returning to Missouri Western State in St. Joseph, Mo., to report to Chiefs training camp, another month living in a dormitory inside Scanlon Hall, which houses first-year students during the school year.

“This is my sanctuary, baby; St. Joe, Year 12,” Kelce said with a smile. “That means I’ve spent just about an entire year in my life up here in the dorms, man. Everybody may see that as pretty grueling, but I enjoy it, man.”

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In the past month, Kelce has reminded everyone on the team why he is the league’s best tight end and did his best to quash any suggestion that his offseason activities would be a distraction to the Chiefs. He never missed a practice during camp in hopes of ensuring he has a more productive season than in 2023. Whether in one-on-one drills or the fast-paced team periods, Kelce demonstrated his skills as one of the league’s smoothest route runners and pass catchers.

After each practice, Kelce spent an extra few minutes working on his blocking techniques against a blocking sled. When backup players went through their repetitions, Kelce often spent time talking plays over with Mahomes or sharing his insight with rookie tight end Jared Wiley. When emotions among some players became overheated, Kelce showed his leadership skills, including correctly criticizing defensive end George Karlaftis for de-cleating receiver Kadarius Toney during a non-padded practice.

“He has a unique way of leading and still having that kid quality on the field where he can joke with guys,” Reid said of Kelce. “He gets when to be a goofball and when to crank it up and be serious.”

At the start of camp, Kelce continued one of his traditions. He shaved off his beard, leaving just a thick, walrus-like mustache to resemble Reid. But Mahomes shared that Kelce’s haircut was not the same as last year. Instead of a buzzcut, Kelce has let his hair grow throughout camp because of a request from Swift.

This summer, Kelce made one concession to Reid: He agreed to take fewer repetitions in practice during camp to help ensure he wouldn’t be overworked before Sept. 5, the Chiefs’ season opener against the Baltimore Ravens. Even with fewer reps, Kelce still found time to display his joyful, creative playstyle. Sometimes the ball didn’t stay in his hands long after he made a reception, instead pitching a perfect lateral to a teammate, such as wide receiver Marquise Brown, running back Isiah Pacheco or fellow tight end Noah Gray.

Each practice for Kelce ended the same, with him smiling, his body and red jersey drenched in sweat.

“He actually gets mad when (the coaches) take him out,” Mahomes said of Kelce. “He has all the right in the world to kind of be on the sideline because he knows all the (plays). He doesn’t necessarily need the reps, but he loves working.

“It makes my job easier as a leader to push other guys because I can just say, ‘Look at the Hall of Famer who’s out here practicing harder than anybody.’ He enjoys the process of being great.”

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(Illustration: Dan Goldfarb / The Athletic; photos: Gareth Cattermole / TAS24, Courtney Culbreath, Andrew Harnik / Getty Images)

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Whit Merrifield rages over dangerous fastballs: ‘That was my life on the line’

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Whit Merrifield rages over dangerous fastballs: ‘That was my life on the line’

ATLANTA — Whit Merrifield has had enough of control-challenged pitchers hitting batters with pitches.

The veteran infielder became the latest in a string of Atlanta Braves players hit by fastballs when he was plunked in the back of his head Tuesday by Colorado Rockies rookie Jeff Criswell, and Merrifield said Major League Baseball needs to do something about the situation before someone is seriously injured — or worse.

“Where the game’s at right now, it’s just ridiculous,” said Merrifield, who was hit by a 94.5 mph pitch in the seventh inning of the Braves’ 3-0 win, leaving a welt just behind his left ear at the top of his neck. “I hate where the game’s at right now with that.”

Merrifield, a player rep on the MLB Competition Committee, shouted at Criswell while being attended to on the field, and again as he was walking off with a Braves trainer. Merrifield passed concussion protocol tests but was on his way to a CT scan after the game to rule out internal injuries.

He was hit by a 1-0 fastball after Criswell missed way inside with a first-pitch slider.

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Braves Travis d’Arnaud and Austin Riley were hit by up-and-in fastballs in consecutive games Aug. 18-19 against the Los Angeles Angels. D’Arnaud missed five games with a forearm contusion and Riley landed on the injured list with a broken hand that’s expected to sideline him for six to eight weeks.

Michael Harris II left an Aug. 25 game after being hit in the hand by a fastball from Nationals rookie DJ Herz leading off the first inning and left the game a few innings later. X-rays and an MRI showed no fracture and he returned to the lineup two days later.

“We lost Riley, we almost lost Mike, we almost lost d’Arnaud in a span of two or three weeks,” Merrifield said. “The way pitchers are throwing now, there’s no regard for throwing up and in. The guys are throwing as hard as they can, they don’t care where the ball goes. And it’s just … it’s bulls—-.”

Merrifield wasn’t done venting.

Not even close.

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“You can’t hit a guy anymore (in retaliation),” he said. “There’s no fear that, ‘Oh, if I hit this guy, our guy’s going to get hit.’ That’s not in the game anymore. Pitchers don’t have to hit anymore, so they don’t have to stand in the box. And the teams are bringing pitchers up that don’t know where the hell the ball is going. They throw 100 miles an hour, so it’s, ‘Alright, we’ll see if he can get the guys out. Just set up down the middle and throw as hard as you can.’ And it’s bulls—, and it’s driving me nuts.”

He said something needs to be done, and he will do what he can to help get the situation addressed.

“I’m on the Rules Committee, and we’ve got a call (Wednesday),” he said, “and it’s going to be a long conversation on what we’ve got to do to make pitchers think about … I just took 95 right off the head. I’m very lucky that it got me in a good spot, and I’ve got to go get a CAT scan. I’m out of the game, he gets to stay in to pitch, I’m probably not going to be able to play tomorrow.”

Criswell, 25, was making his seventh MLB relief appearance. He pitched 1 2/3 innings Tuesday and was charged with one hit, one run and three walks with one strikeout. He threw just 23 strikes in 41 pitches.

“No repercussion on his part, and I mean, without being overly dramatic, that was my life on the line right there,” Merrifield said. “So, I’m sick of it, it’s happening way too much. I watched Taylor Ward get hit in the face last year and have to get reconstructive surgery. Justin Turner got hit in the face last year. It’s happening at an exponential rate. Guys are getting hit in the hand, Mookie Betts broke a bone in his hand this year. It’s just ridiculous, and it has to be fixed. Or, God forbid, something terrible’s going to happen.

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“If this hits me in a different spot, I mean … it’s just pathetic. It’s frankly pathetic, that some of the pitchers that we’re running out there don’t know where the ball’s going, at the major-league level. It’s got to be fixed. It just pisses me off to no end.”

(Photo: Todd Kirkland / Getty Images)

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Ten Hag’s ‘two trophies’ line is true – but it’s not the only measure of progress

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Ten Hag’s ‘two trophies’ line is true – but it’s not the only measure of progress

It was about as close as an FA Cup-winning manager has come to a mic drop.

In a room of journalists who had spent the previous few days reporting on his bosses’ plan to replace him, a bruised, embattled but belligerent Erik ten Hag defended his record as manager of Manchester United.

“Two trophies in two years is not bad,” he said. “Three finals in two years is not bad. If they don’t want me, then I go somewhere else to win trophies because that is what I do.”

It was a good line, worth repeating, which he did. After Ten Hag’s contract was extended and his future settled, he sat down with MUTV in July and reiterated his “two trophies” point.

Then he said it again a few days later in Trondheim after United’s first pre-season friendly, adding: “Apart from (Manchester) City, that’s more than any other club in English football.”

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He repeated it again after the friendly against Rangers in Edinburgh.

Then again on the tour of the United States.

That was just pre-season. Since the start of the campaign proper, Ten Hag has referenced his two domestic cup wins in six exchanges with journalists during pre- and post-match press conferences, to say nothing of interviews with broadcasters.

The latest instance, after Sunday’s 3-0 defeat to Liverpool, came amid a tense exchange with one journalist who Ten Hag invited to name the “mistakes” his team were accused of making. After the journalist rattled off a long list of repeated errors, Ten Hag retreated to his old faithful.

“I have a different vision. I think we won, after City, the most trophies in English football,” he said. “I am sorry for you.”

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He’s right, of course. It is as true now as it was at Wembley. But three games into a new season, an argument with which he neatly skewered his critics in May is fast becoming a crutch to fall back on.

On Friday, having just repeated his favourite point, Ten Hag added: “There’s only one thing in football and that’s at the end of the season if you win prizes, trophies, or not.” But as others have noted, that view is in stark contrast to that of his predecessor Ole Gunnar Solskjaer.

“Any cup competition can give you a trophy but sometimes it’s more of an ego thing from other managers and clubs to finally win something,” Solskjaer said in March 2021.

“It’s not like a trophy will say, ‘We’re back’. It’s the gradual progression of being in and around the top of the league and the consistency and the odd trophies. Sometimes a cup competition can hide the fact you’re still struggling a little bit.”

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Solskjaer’s words are those of a manager who had the opposite problem to Ten Hag. Under the Norwegian, United’s league finishes steadily improved — from sixth to third to second — but the trophy cabinet was bare.

Solskjaer was defending his record by claiming that the league is a true barometer of progress, just as Ten Hag is defending his record by pointing to silverware. As to which view is correct, opinions will vary.


Ten Hag with his other trophy, the Carabao Cup (Julian Finney/Getty Images)

As critical as it was for Solskjaer’s United to qualify for the Champions League on the final weekend of the 2019-20 campaign, do you remember who they beat that day? Do you remember the score? Maybe you do, but that 2-0 win behind closed doors at Leicester City is hardly a result that will echo through the ages.

Similarly, memories are not made by being runners-up in the league. Solskjaer’s side finished 12 points adrift of champions Manchester City the year they finished second, in 2021, having not topped the table from late January.

The only trophy United came close to winning that year was the Europa League. Speaking before the final in Gdansk, Solskjaer maintained that silverware sometimes “hides other facts”. But after United lost to Villarreal in a penalty shootout, he admitted he could not consider the season a success having failed to deliver silverware.

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Ask some who have known the inner workings of Old Trafford over the years and they would say you cannot survive as United manager without winning trophies. Solskjaer’s spell in charge is arguably evidence of that, while Ten Hag’s proves the inverse: deliver a trophy plus the greatest day of United’s post-Sir Alex Ferguson era and you can survive anything, even the worst-ever Premier League finish.

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There was also the 4-3 quarter-final win over Liverpool, of course — one of Old Trafford’s best games and atmospheres this century. Add the Carabao Cup victory on top, and the past two years have given supporters indelible memories, highs to balance out the lows.

But Solskjaer’s view is much closer to how performance is coldly assessed at the elite level in modern football. A league campaign over 38 games home and away is undeniably a truer gauge of a side’s quality, as well as typically the gateway to lucrative Champions League qualification, which affects budgets in a way the FA Cup cannot.

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United may be the second-most successful side in English football over the past two years, as Ten Hag points out, but nobody would sincerely argue that they have been the second-best team.

Nor would anybody suggest United are closer to challenging City for major honours than Arsenal, despite Mikel Arteta only adding a Community Shield to his honours list since Ten Hag’s appointment.

That is the reality. In a quieter moment, outside the adversarial nature and pitched battles of a press conference, even Ten Hag would agree that trophies are not enough. You need both pots and points.

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United’s decade-plus of underachievement will only have ended when the club are regularly competing for Premier League titles and reaching the latter stages of the Champions League again.

There were mitigating factors last season — injuries, off-field turmoil, takeover uncertainty, the absence of an established left-back — but United were below standard in the competitions that matter most.

That, despite domestic cup success, is why their manager is under pressure to prove progress has and can still be made, and why he will only be able to point to his two trophies for so long. When not staring down a room of journalists and television cameras, even Ten Hag would accept that.

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Analysing Ashworth and Berrada’s Man Utd transfer briefing – ‘Erik has our full backing’

(Top photo: Erik ten Hag with the FA Cup; by Alex Pantling via Getty Images )

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The goals that show that Erling Haaland is an artist and not a robot

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The goals that show that Erling Haaland is an artist and not a robot

Erling Haaland is frequently portrayed as a lethal Scandinavian footballing machine whose sole purpose is to compute the most effective way to score goals.

It is a tempting way to describe a 6ft 4in (194cm) Norwegian whose goalscoring records are on another level — it’s now 97 goals in 102 appearances for Manchester City if you were wondering.

Most of Haaland’s goals for City are one-touch finishes inside the penalty area — a result of being in the right place at the right time. His exquisite off-ball movement means that he is usually in the correct position, and that is complemented by constant scanning of his surroundings.

They are the type of goals that present Haaland as an inevitable cyborg — but that’s not entirely fair. Looking past his clinical strikes opens up a rich seam of technique and artistry in Haaland’s finishing.


With seven goals in three Premier League games this season, Erling Haaland is… inevitable (James Gill – Danehouse/Getty Images)

In his first season with City, Haaland scored only once from outside the penalty area, away to Wolverhampton Wanderers in September 2022. That’s not the significance of the goal though, because what he does is more important than where he does it.

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Here, Haaland receives the ball with his left foot and it’s Maximilian Kilman up against him…

Kilman is expecting Haaland to shift the ball onto his stronger left foot, which is clear from the centre-back’s body shape. However, the City striker dummies a move towards his left foot…

… and then pushes the ball towards his right, which forces Kilman to change his body orientation by rotating clockwise…

… and losing sight of the ball for a moment.

That fraction of a second is enough for Haaland to strike the ball into the bottom corner.

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Interestingly, he shoots towards the side from which Kilman has just rotated away. That makes the shot harder to block because the defender’s torque is moving him in the other direction.

Another feature of Haaland’s game that is often overlooked is his ability to use both feet to create the best shooting angle and finish chances quickly.

In this example, against Nottingham Forest last April, Kevin De Bruyne finds Haaland near the penalty area, and Murillo positions himself in a way that forces Haaland to go onto his weaker right foot. The City striker uses his left foot to dribble into space…

… but then quickly shoots with his right before Forest’s goalkeeper can close down the angle. In this instance, Haaland’s ability to use his left and right foot in conjunction allows him a less-than-a-second advantage compared to dribbling with his left and then shooting with the same foot.

In a much more recent example, against West Ham United last Saturday, Haaland is waiting to receive Rico Lewis’ pass inside the penalty area with Emerson Palmieri the closest defender to the City striker. Lewis plays the pass to Haaland…

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… and Emerson moves towards him, but the Norwegian controls the ball with his right foot against the direction of the left-back’s movement…

… and curls it into the top of the net. Again, by receiving with his right and immediately shooting with his left Haaland saves a fraction of a second compared to only using his left foot.

Another key point here is that his first touch moves the ball against the direction of Emerson’s movement, which makes it harder to block the shot because the left-back’s body weight is residing on his left foot and he is trying to block with an unbalanced right.

Haaland takes a risk by controlling the ball back towards the centre, where there is less space, rather than letting the ball roll across him, because the first option provides a better shooting angle. And it works because he takes Emerson out by setting up the shot in the opposite direction of the left-back’s movement, in addition to the speed of the execution as a result of using both feet.

Whether Haaland controls the ball with his left or right foot depends on the situation and where he wants to shoot from. In this example, against Leicester City in April 2023, De Bruyne plays the ball into the path of Haaland on an attacking transition.

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Against an unorganised defence, Haaland pushes the ball into space with his first touch by using his left foot to keep it away from Leicester’s central centre-back, Harry Souttar, and the goalkeeper…

… before dinking it over the latter to score yet another goal. The difference is minimal, but if Haaland uses his right foot to push the ball forward, there is a higher probability of it being closer to Souttar and the goalkeeper when he is taking the shot.

In another example, from the 1-1 draw against Liverpool in November, Haaland is positioned between Virgil van Dijk (No 4) and Joel Matip (No 32) when Nathan Ake plays the ball to him.

First, Haaland is positioned outside the goalposts when he receives the ball, which means that pushing it away from Van Dijk and Alisson with his left foot is a non-starter because the shooting angle is already narrow.

Instead, Haaland controls the ball with his right rather than his left to distance it from Matip and allow him to quickly use his left on the following action…

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… in which he sets up the shot…

… and puts the ball into the far bottom corner.

The final example is from City’s 2-0 victory against Chelsea last month. Here, Bernardo Silva flicks the ball to Haaland inside the penalty area…

… and the Norwegian controls it with his right…

… but dribbles with his left instead of shooting…

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… then uses his right again to be able to quickly shoot with his left…

… which he eventually does when he chips the ball into the back of the net.

The reason behind the delayed shot was that Haaland predicted that Robert Sanchez would stay on his line.

“Last year, Sanchez had a great save on me because he stays a lot on the line,” Haaland told Sky Sports after the game. “That’s why I took a couple of extra touches, then he was rushing out and I knew exactly what to do.”

More often than not, Haaland will score with a one-touch finish because he is in the ideal position and that’s all he needs to do. However, there will be other situations where more work is required and the City striker knows precisely what to do there, too.

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Sometimes Haaland’s finishing might look robotic, but look a little closer and the artistry becomes clear.

(Top photo: Henry Nicholls/AFP via Getty Images)

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