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The summer of Travis Kelce: Inside an action-packed offseason as a rising celebrity

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The summer of Travis Kelce: Inside an action-packed offseason as a rising celebrity

ST. JOSEPH, Mo. — In late June, the quietest time on the NFL calendar, Kansas City Chiefs general manager Brett Veach started receiving text message after text message while on a family vacation. Questions raced through his mind.

Was there breaking NFL news? Did a member of the Chiefs organization need his attention? Did something happen to one of the players?

Once he looked at what several people sent him, Veach’s reaction was similar to so many around the world: Travis Kelce was on stage with Taylor Swift.

Across the Atlantic Ocean, at London’s Wembley Stadium, Kelce made a surprise appearance as a performer during one of Swift’s mega concerts. More than 90,000 people screamed, cheered and pointed their smartphones at the stage to record Kelce’s every move alongside Swift, the pop superstar artist he’s been dating for more than a year.

“He’s a showman,” Veach said of Kelce. “He has just a natural gift of being able to perform in front of people. Obviously, we get the most benefit when he’s doing it on Sundays.

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“It’s funny because when you see those clips with him on tour with Taylor, it looks as if he was a part of that show for months. But it was that one day, and he just looks natural. It’s a gift he has.”

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Those few minutes on stage with the world’s biggest pop artist proved to be the apex moment for Kelce’s epic summer, a packed offseason unlike any before during his 12-year career as a Chiefs tight end.

Donning a black tuxedo and top hat, Kelce flashed his charming smile, executed a perfect heel click and carried Swift, who acted asleep, to a red couch. The concert’s transition from one song to “I Can Do It With a Broken Heart,” the hit from Swift’s most recent album “The Tortured Poets Department,” included Kelce, alongside two dancers, waking her up to change into a different costume before performing the song.

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Kelce’s final act was an easy one. He gazed at Swift and provided some comedy by putting a blush brush on his cheeks and doing an uptempo tap dance reminiscent of actor Jim Carrey in the movie “Dumb and Dumber.”

Of course, performing with Swift was Kelce’s idea.

“She found the perfect part of the show for me to come in,” Kelce said in the season finale of “New Heights,” the podcast he hosts with his brother, Jason. “It’s such a fun, playful part of the show. It was the perfect time for me to go up there and just be a ham and have some fun and try to get everybody excited for the rest of the show. It was awesome.

“That moment was pretty jarring. I was just like, ‘Oh s—!’ You don’t realize how big that damn stage is. I didn’t disappoint Taylor. That’s all that really matters.”

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Kelce has many more ideas of what he can do in the entertainment industry once his NFL career ends, too.

This offseason showed that Kelce plans to remain a significant part of American pop culture, perhaps becoming an even bigger celebrity long after he enters the Pro Football Hall of Fame. He gallivanted from one event to the next, from one part-time TV job to the next and remained an encouraging, energizing presence at many stops on Swift’s worldwide “Eras Tour.”

Veach and many others within the Chiefs organization realize Kelce, in perhaps the final phase of his NFL career, is becoming a perfect crossover athlete, following former football stars such as Michael Strahan, Carl Weathers and Dwayne Johnson — also known in pro wrestling circles as The Rock.

“A lot of people tense up around a large group of people with eyes on them, and some people just thrive in that environment,” Veach said. “He’s one of those guys where the more eyes he has on him, the more he lights up. It’s cool and fun to see. He’s just got that gift to relate to people and make people smile.”

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In early June, Kelce needed a few seconds to decide which was his favorite experience away from the football field up to that point. He then thought of his many trips to Los Angeles.

“I would say getting a little more comfortable in front of the camera, doing some things in the acting world,” Kelce said. “That’s been some fun that I’ve had, so look out for that coming up soon.”

Kelce wants to become a full-fledged actor one day, and his first opportunity to play a character on camera began in the spring. Actress/comedian Niecy Nash-Betts revealed in early May that Kelce would be guest starring alongside her in “Grotesquerie,” an FX horror and drama TV show. Kelce’s role in the show has remained a mystery. In the trailer, Kelce is on screen for less than two seconds, his character wearing a gold wedding ring. The show is set to premiere Sept. 25 ahead of the Chiefs’ third game of the season.

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In April, Kelce began taping episodes of his new game show, “Are You Smarter Than a Celebrity?,” a spinoff of the popular game show “Are You Smarter Than a 5th Grader?” As the show’s host, Kelce was alongside adult contestants who relied on a group of celebrities — instead of fifth-grade students — to help them answer 11 questions on a range of subjects to win a $100,000 prize. The first of the show’s 20 episodes is set to premiere Oct. 16 on Amazon Prime Video.

The TV opportunities for Kelce have increased since last year, when he hosted “Saturday Night Live,” the long-running NBC comedy show he adored as a child. Much of that episode, from the opening monologue to appearing in several sketches, showcased Kelce’s gregarious personality and comedic timing, so much that movie and TV producers were impressed and intrigued.

Kelce also shared on his podcast that he wants to follow former players like Tom Brady, Troy Aikman and Tony Romo in becoming a color commentator for NFL games after he retires.

“I love playing in the NFL,” Kelce said in June. “This will always be my main focus. But outside of that, football ends for everybody, so (I’m) kind of dipping my toes in the water and seeing what (I) like in different areas and different career fields.

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“I think the offseason is the best chance you can get to try and explore that and set yourself up for (life) after football.”

Two days after the NFL Draft, Kelce, who will turn 35 in October, gave the first indication that he could retire after the 2025 season.

He entered the Chiefs training facility and signed a new two-year contract with the team, making him the highest-paid tight end for the first time in his career. Minutes after signing, Kelce became emotional, almost near tears, when he recorded a video thanking fans while informing them of his continued partnership with the Chiefs.

“I really can’t put a timeframe on (retirement),” Kelce said. “Obviously, I know there’s opportunities outside of football for me. You have to keep in perspective that I’m still a little kid when I come into this building, man.

“I love coming to work every single day. I’m going to do it until the wheels fall off. Hopefully, that doesn’t happen anytime soon. I can definitely understand that it’s toward the end of the road (more) than it is the beginning of it.”

Kelce’s offseason essentially began with him in Philadelphia in early March to watch Jason, a six-time All-Pro and future Hall of Famer who helped the Eagles win the franchise’s only Super Bowl in 2018, retire from the NFL. Despite wearing sunglasses, Kelce could be seen crying throughout his brother’s emotional 41-minute speech.

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“We did almost everything together — competed, fought, laughed, cried and learned from each other,” Jason, 36, said of his younger brother. “There is no chance I’d be here without the bond Travis and I share. It made me stronger, tougher, smarter and taught me the values of cooperation, loyalty, patience and understanding.”

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A few weeks later, the brothers hosted a live episode of their podcast at the University of Cincinnati, their alma mater. The event at Fifth Third Arena attracted more than 12,500 fans and ended with a surprise commencement ceremony as the school’s president and athletic director gave each brother his diploma. Kelce accepted his diploma while chugging a beer, which produced roaring cheers.

He did a similar celebration in May, chugging a beer off a replica of the Vince Lombardi Trophy while on stage during Kelce Jam, his annual musical festival in Kansas City that featured hip-hop artists such as Lil Wayne and 2 Chainz.

Another much-anticipated moment for Kelce came when the Chiefs returned to the White House to celebrate their second consecutive Super Bowl victory. The year before, Kelce made the crowd laugh when he approached the lectern, saying just seven words — “So, I’ve been waiting for this moment …” — before he was gently pushed back by quarterback Patrick Mahomes while photographers snapped shots of President Joe Biden with a red No. 46 jersey with his last name stitched on the back.

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This year, though, Biden welcomed Kelce to the microphone for another joke.

“My fellow Americans … it’s nice to see you all yet again,” Kelce started, leading everyone in the crowd to laugh, including Biden. “I’m not going to lie, President Biden. They told me if I came up here, I’d get tased, so I’m gonna go back to my spot, all right?”

The 10-minute ceremony ended with the team presenting Biden with the gift of a Chiefs helmet, which Kelce encouraged him to put on. Biden obliged, much to the surprise of the players, who responded with loud cheers and laughter.

A week later, Kelce was back in the Cleveland area, his hometown, winning the home run derby, hitting 11 dingers, in a celebrity softball game hosted by Cleveland Browns tight end David Njoku. Afterward, Njoku called Kelce one of the nicest people he’s ever met.

“I’d like to say my father (Ed) would slap me silly if I was any other way,” Kelce said, grinning. “Sometimes you’ve got to straighten up and do the right things. Over the course of my life, I’ve found that being kind and being genuine is the right way to live. My mom (Donna) and dad are the reason I’m always just a friendly guy.”

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Any new details about Kelce’s relationship with Swift are significant for fans of both. Kelce, understandably, has not revealed very much to protect their privacy.

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But even Kelce knows most people these days are eager to talk to him about Swift as much as his football exploits. In June, after one of the Chiefs’ minicamp practices, a reporter asked a follow-up question — “What do you like cooking together?” — after Swift posted a short video of them together in the kitchen.

“That’s a good question,” Kelce said, smiling. After a brief pause, he continued: “You know, I respect that question. But I’m going to keep that one to myself because I thoroughly enjoy cooking with her. It’s something I’d rather just keep personal.”

Four minutes later, once his news conference ended, Kelce answered the reporter’s question, doing so in a comedic fashion just before he left the podium.

“Taylor makes a great pop tart and cinnamon roll,” he said.

Kelce traveled more than he ever had before. He promoted and was filmed in national commercial (Subway) after national commercial (Garage Beer) after national commercial (Accelerator Active Energy). He and Jason appeared in Lake Tahoe to compete in the American Century Championship celebrity golf tournament with fans flocking to their group.

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Kelce also flew to Europe several times — London, Dublin and many other cities — to attend as many of Swift’s concerts as possible, each time being more stunned by the number of people wearing his Chiefs jersey.

Kelce danced and sang along to Swift’s songs next to celebrities, including Tom Cruise, Julia Roberts, Paul McCartney, Stevie Nicks and Hugh Grant.

“I think it’s great for him,” Chiefs coach Andy Reid said of Kelce on the first episode of “Scoop City,” The Athletic’s podcast. “He can handle it. He probably loves it, up to a point. I think there’s a great escape for him. I said that about Taylor, too. She comes to the game and she can kind of escape having to be the show. Travis can do that. When he goes to her concerts, she’s the star.

“He’s an outgoing guy. He comes into a room, he’s gonna light that room up. Everybody’s his best friend. Until you prove him wrong, everybody’s a friend. It’s not something that he can’t handle.”

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A byproduct of Kelce’s crammed itinerary was changing his usual training routine. Wherever Kelce was, one of his three personal trainers — Alex Skacel, Andrew Spruill and Laurence Justin Ng — usually was with him.

“I’m doing some things different,” Kelce said, although he and his trainers declined to share details. “I’ve got guys all over the place.”

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Last season was the first time since 2015 that Kelce didn’t finish with at least 1,000 receiving yards. Part of the reason was he played through two nagging injuries, a hyperextended right knee and a low ankle sprain. His production declined over the second half of the season as his ability to evade defenders or break tackles decreased.

But in the Chiefs’ four-game postseason run, after a week of rest in the regular-season finale, Kelce elevated his game, making 32 receptions for 355 yards and three touchdowns.

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“The biggest thing was getting my body right,” Kelce said of working with his trainers this offseason. “Last year was pretty taxing. I’ve had more snaps than a lot of guys, if not every (tight end) in the NFL over the past five, six years. I’m very (proud) of that, but I know it has taken a toll on my body.

“It was just making sure my body was getting that rest and that ability to train harder and be able to withstand an entire 17- to 20-game season.”

Swift has supported Kelce by sometimes training alongside him. One of Kelce’s favorite moments from the offseason came in July, days before training camp began, when he and Swift went on a double date in Amsterdam with Mahomes and his wife, Brittany.

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“Honestly, to me, he’s the same guy,” Mahomes said of Kelce. “It’s a huge platform and everyone in the world can see it, deservedly so because of how great Taylor is, but it’s still Travis. I think that’s what makes it so cool, even though it’s such a big thing for the world.

“We were just having fun and enjoying a dinner just like anyone else would. That’s what makes it so great. We don’t make it more than what it is; it’s just friendship, fellowship and enjoying everyone’s success.”

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One part of Kelce’s summer remained the same, though: It ended with him returning to Missouri Western State in St. Joseph, Mo., to report to Chiefs training camp, another month living in a dormitory inside Scanlon Hall, which houses first-year students during the school year.

“This is my sanctuary, baby; St. Joe, Year 12,” Kelce said with a smile. “That means I’ve spent just about an entire year in my life up here in the dorms, man. Everybody may see that as pretty grueling, but I enjoy it, man.”

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In the past month, Kelce has reminded everyone on the team why he is the league’s best tight end and did his best to quash any suggestion that his offseason activities would be a distraction to the Chiefs. He never missed a practice during camp in hopes of ensuring he has a more productive season than in 2023. Whether in one-on-one drills or the fast-paced team periods, Kelce demonstrated his skills as one of the league’s smoothest route runners and pass catchers.

After each practice, Kelce spent an extra few minutes working on his blocking techniques against a blocking sled. When backup players went through their repetitions, Kelce often spent time talking plays over with Mahomes or sharing his insight with rookie tight end Jared Wiley. When emotions among some players became overheated, Kelce showed his leadership skills, including correctly criticizing defensive end George Karlaftis for de-cleating receiver Kadarius Toney during a non-padded practice.

“He has a unique way of leading and still having that kid quality on the field where he can joke with guys,” Reid said of Kelce. “He gets when to be a goofball and when to crank it up and be serious.”

At the start of camp, Kelce continued one of his traditions. He shaved off his beard, leaving just a thick, walrus-like mustache to resemble Reid. But Mahomes shared that Kelce’s haircut was not the same as last year. Instead of a buzzcut, Kelce has let his hair grow throughout camp because of a request from Swift.

This summer, Kelce made one concession to Reid: He agreed to take fewer repetitions in practice during camp to help ensure he wouldn’t be overworked before Sept. 5, the Chiefs’ season opener against the Baltimore Ravens. Even with fewer reps, Kelce still found time to display his joyful, creative playstyle. Sometimes the ball didn’t stay in his hands long after he made a reception, instead pitching a perfect lateral to a teammate, such as wide receiver Marquise Brown, running back Isiah Pacheco or fellow tight end Noah Gray.

Each practice for Kelce ended the same, with him smiling, his body and red jersey drenched in sweat.

“He actually gets mad when (the coaches) take him out,” Mahomes said of Kelce. “He has all the right in the world to kind of be on the sideline because he knows all the (plays). He doesn’t necessarily need the reps, but he loves working.

“It makes my job easier as a leader to push other guys because I can just say, ‘Look at the Hall of Famer who’s out here practicing harder than anybody.’ He enjoys the process of being great.”

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(Illustration: Dan Goldfarb / The Athletic; photos: Gareth Cattermole / TAS24, Courtney Culbreath, Andrew Harnik / Getty Images)

Culture

What Happens When We Die? This Wallace Stevens Poem Has Thoughts.

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What Happens When We Die? This Wallace Stevens Poem Has Thoughts.

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Whatever you do, don’t think of a bird.

Now: What kind of bird are you not thinking about? A pigeon? A bald eagle? Something more poetic, like a skylark or a nightingale? In any case, would you say that this bird you aren’t thinking about is real?

Before you answer, read this poem, which is quite literally about not thinking of a bird.

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Human consciousness is full of riddles. Neuroscientists, philosophers and dorm-room stoners argue continually about what it is and whether it even exists. For Wallace Stevens, the experience of having a mind was a perpetual source of wonder, puzzlement and delight — perfectly ordinary and utterly transcendent at the same time. He explored the mysteries and pleasures of consciousness in countless poems over the course of his long poetic career. It was arguably his great theme.

Stevens was born in 1879 and published his first book, “Harmonium,” in 1923, making him something of a late bloomer among American modernists. For much of his adult life, he worked as an executive for the Hartford Accident and Indemnity Company, rising to the rank of vice president. He viewed insurance less as a day job to support his poetry than as a parallel vocation. He pursued both activities with quiet diligence, spending his days at the office and composing poems in his head as he walked to and from work.

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Wallace Stevens in 1950.

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Walter Sanders/The LIFE Picture Collection, via Shutterstock

As a young man, Stevens dreamed of traveling to Europe, though he never crossed the Atlantic. In middle age he made regular trips to Florida, and his poems are frequently infused with ideas of Paris and Rome and memories of Key West. Others partake of the stringent beauty of New England. But the landscapes he explores, wintry or tropical, provincial or cosmopolitan, are above all mental landscapes, created by and in the imagination.

Are those worlds real?

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Let’s return to the palm tree and its avian inhabitant, in that tranquil Key West sunset of the mind.

Until then, we find consolation in fangles.

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Wil Wheaton Discusses ‘Stand By Me’ and Narrating ‘The Body’ Audiobook

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Wil Wheaton Discusses ‘Stand By Me’ and Narrating ‘The Body’ Audiobook

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When the director Rob Reiner cast his leads in the 1986 film “Stand by Me,” he looked for young actors who were as close as possible to the personalities of the four children they’d be playing. There was the wise beyond his years kid from a rough family (River Phoenix), the slightly dim worrywart (Jerry O’Connell), the cutup with a temper (Corey Feldman) and the sensitive, bookish boy.

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Wil Wheaton was perfect for that last one, Gordie Lachance, a doe-eyed child who is ignored by his family in favor of his late older brother. Now, 40 years later, he’s traveling the country to attend anniversary screenings of the film, alongside O’Connell and Feldman, which has thrown him back into the turmoil that he felt as an adolescent.

Wheaton has channeled those emotions and his on-set memories into his latest project: narrating a new audiobook version of “The Body,” the 1982 Stephen King novella on which the film was based.

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“I like there to be a freshness, a discovery and an immediacy to my narration,” Wheaton said. He recorded “The Body” in his home studio in California. Alex Welsh for The New York Times

A few years ago, Wheaton started to float the idea of returning to the story that gave him his big break — that of a quartet of boys in 1959 Oregon, in their last days before high school, setting out to find a classmate’s dead body. “I’ve been telling the story of ‘Stand By Me’ since I was 12 years old,” he said.

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But this time was different. Wheaton, who has narrated dozens of audiobooks, including Andy Weir’s “The Martian” and Ernest Cline’s “Ready Player One,” says he has come to enjoy narration more than screen acting. “I’m safe, I’m in the booth, nobody’s looking at me and I can just tell you a story.”

The fact that he, an older man looking back on his younger years, is narrating a story about an older man looking back on his younger years, is not lost on Wheaton. King’s original story is bathed in nostalgia. Coming to terms with death and loss is one of its primary themes.

Two days after appearing on stage at the Academy Awards as part of a tribute to Reiner — who was murdered in 2025 alongside his wife, Michele — Wheaton got on the phone to talk about recording the audiobook, reliving his favorite scenes from the film and reexamining a quintessential story of childhood loss through the lens of his own.

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This interview has been edited and condensed.

“I felt really close to him, and my memory of him.”

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Wheaton on channeling a co-star’s performance.

There’s this wonderful scene in “Stand By Me.” Gordie and Chris are walking down the tracks talking about junior high. Chris is telling Gordie, “I wish to hell I was your dad, because I care about you, and he obviously doesn’t.”

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It’s just so honest and direct, in a way that kids talk to each other that adults don’t. And I think that one of the reasons that really sticks with people, and that piece really lands on a lot of audiences, and has for 40 years, is, just too many people have been Gordie in that scene.

That scene is virtually word for word taken from the text of the book. And when I was narrating that, I made a deliberate choice to do my best to recreate what River did in that scene.

“The Body” Read by Wil Wheaton

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“You’re just a kid,

Gordie–”

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“I wish to fuck

I was your father!”

he said angrily.

“You wouldn’t go around

talking about takin those stupid shop courses

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if I was!

It’s like

God gave you something,

all those stories

you can make up,

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and He said:

This is what we got for you, kid.

Try not to lose it.

But kids lose everything

unless somebody looks out for them

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and if your folks

are too fucked up to do it

then maybe I ought to.”

I watched that scene a couple of times because I really wanted — I don’t know why it was so important to me to — well, I know: because I loved him, and I miss him. And I wanted to bring him into this as best as I could, right?

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So I was reading that scene, and the words are identical to the script. And I had this very powerful flashback to being on the train tracks that day in Cottage Grove, Oregon. And I could see River standing next to them. They’re shooting my side of the scene and there’s River, right next to the camera, doing his off-camera dialogue, and there’s the sound guy, and there’s the boom operator. There’s my key light.

I could hear and feel it. It was the weirdest thing. It’s like I was right back there.

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I was able to really take in the emotional memory of being Gordie in all of those scenes. So when I was narrating him and I’m me and I’m old with all of this experience, I just drew on what I remembered from being that little boy and what I remember of those friendships and what they meant to me and what they mean to me today.

“Rob gave me a gift. Rob gave me a career.”

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Wheaton recalls the “Stand By Me” director’s way with kids on set, as well as his recent Oscars tribute.

Rob really encouraged us to be kids.

Jerry tells the most amazing story about that scene, where we were all sitting around, and doing our bit, and he improvised. He was just goofing around — we were just playing — and he said something about spitting water at the fat kid.

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We get to the end of the scene, and he hears Rob. Rob comes around from behind the thing, and he goes, “Jerry!” And Jerry thinks, “Oh no, I’m in trouble. I’m in trouble because I improvised, and I’m not supposed to improvise.”

The context for Jerry is that he had been told by the adults in his life, “Sit on your hands and shut up. Stop trying to be a cutup. Stop trying to be funny. Stop disrupting people. Just be quiet.” And Jerry thinks, “Oh my God. I didn’t shut up. I’m in trouble. I’m gonna get fired.”

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Rob leans in to all of us, and Rob says, “Hey, guys, do you see that? More of that. Do that!”

Rob Reiner in 1985, directing the child actors of “Stand By Me,” including Wil Wheaton, at left. Columbia/Kobal, via Shutterstock

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The whole time when you’re a kid actor, you’re just around all these adults who are constantly telling you to grow up. They’re mad that you’re being a kid. Rob just created an environment where not only was it supported that we would be kids — and have fun, and follow those kid instincts and do what was natural — it was expected. It was encouraged. We were supposed to do it.

“The Body” Read by Wil Wheaton

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They chanted together:

“I don’t shut up,

I grow up.

And when I look at you

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I throw up.”

“Then your mother goes around the corner

and licks it up,”

I said,

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and hauled ass out of there,

giving them the finger over my shoulder as I went.

I never had any friends later on

like the ones I had when I was twelve.

Jesus,

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did you?

When we were at the Oscars, I looked at Jerry. And we looked at this remarkable assemblage of the most amazingly talented, beautiful artists and storytellers. We looked around, and Jerry leans down, and he said, “We all got our start with Rob Reiner. He trusted every single one of us.”

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Jerry O’Connell and Wheaton joined more than a dozen actors from Reiner’s films to honor the slain director at the Academy Awards on March 15, 2026. Kevin Winter/Getty Images

And to stand there for him, when I really thought that I would be standing with him to talk about this stuff — it was a lot.

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“I was really really really excited — like jumping up and down.”

The scene Wheaton was most looking forward to narrating: the tale of Lard Ass Hogan.

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I was so excited to narrate it. It’s a great story! It’s a funny story. It’s such a lovely break — it’s an emotional and tonal shift from what’s happening in the movie.

I know this as a writer: You work to increase and release tension throughout a narrative, and Stephen King uses humor really effectively to release that tension. But it also raises the stakes, because we have these moments of joy and these moments of things being very silly in the midst of a lot of intensity. ​​

That’s why the story of Lard Ass Hogan is so fun for me to tell. Because in the middle of that, we stop to do something that’s very, very fun, and very silly and very celebratory.

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“The Body” Read by Wil Wheaton

“Will you shut up

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and let him tell it?”

Teddy hollered.

Vern blinked.

“Sure.

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Yeah.

Okay.”

“Go on, Gordie,”

Chris said.

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“It’s not really much—”

“Naw,

we don’t expect much

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from a wet end like you,”

Teddy said,

“but tell it anyway.”

I cleared my throat.

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“So anyway.

It’s Pioneer Days,

and on the last night

they have these three big events.

There’s an egg-roll for the little kids

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and a sack-race for kids that are like eight or nine,

and then there’s the pie-eating contest.

And the main guy of the story

is this fat kid nobody likes

named Davie Hogan.”

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When I narrate this story — whenever there is a moment of levity or humor, whenever there are those brief little moments that are the seasoning of the meal that makes it all so real and relatable — yes, it was very important to me to capture those moments.

I’m shifting in my chair, so I can feel each of those characters. It’s something that doesn’t exist in live action. It doesn’t exist in any other media.

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“I feel the loss.”

Wheaton remembers River Phoenix.

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The novella “The Body” is very much about Gordie remembering Chris. It’s darker, and it’s more painful, than the movie is.

I’ve been watching the movie on this tour and seeing River a lot. I remember him as a 14- and 15-year-old kid who just seemed so much older, and so much more experienced and so much wiser than me, and I’m only a year younger than him.

What hurts me now, and what I really felt when I was narrating this, is knowing what River was going through then. We didn’t know. I still don’t know the extent of how he was mistreated, but I know that he was. I know that adults failed him. That he should have been protected in every way that matters. And he just wasn’t.

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And I, like Gordie, remember a boy who was loving. So loving, and generous and cared deeply about everyone around him, all the time. Who deserved to live a full life. Who had so much to offer the world. And it’s so unfair that he’s gone and taken from us. I had to go through a decades-long grieving process to come to terms with him dying.

“The Body” Read by Wil Wheaton

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Near the end

of 1971,

Chris

went into a Chicken Delight

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in Portland

to get a three-piece Snack Bucket.

Just ahead of him,

two men started arguing

about which one had been first in line.

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One of them pulled a knife.

Chris,

who had always been the best of us

at making peace,

stepped between them

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and was stabbed in the throat.

The man with the knife had spent time in four different institutions;

he had been released from Shawshank State Prison

only the week before.

Chris died almost instantly.

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It is a privilege that I was allowed to tell this story. I get to tell Gordie Lachance’s story as originally imagined by Stephen King, with all of the experience of having lived my whole adult life with the memory of spending three months in Gordie Lachance’s skin.

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Do You Know the Comics That Inspired These TV Adventures?

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Do You Know the Comics That Inspired These TV Adventures?

Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about printed works that have gone on to find new life as movies, television shows, theatrical productions and more. This week’s challenge highlights offbeat television shows that began as comic books. Just tap or click your answers to the five questions below. And scroll down after you finish the last question for links to the comics and their screen versions.

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