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The Liberty Are Reinventing Themselves

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The Liberty Are Reinventing Themselves

The Liberty will not be positive what the total identification of their revamped group must be. However they’re sure about one facet of it.

“I would like groups to sort of be fearful of us after they must be on offense,” stated ahead Natasha Howard, who gained the W.N.B.A.’s Defensive Participant of the Yr Award in 2019, when she was with the Seattle Storm.

This might be Howard’s second season with the Liberty, however in some ways, and for a lot of causes, it appears unlikely to be very similar to her first. The group has a brand new head coach (Sandy Brondello), a brand new veteran middle (Stefanie Dolson) and, gamers stated, a brand new dedication to turning into a championship contender as soon as the season begins Could 6.

“There’s a way of urgency,” guard Sabrina Ionescu stated throughout the Liberty’s media day on Thursday. She added that the group didn’t wish to wait years to turn out to be higher, and had a “Why not us?” mentality.

The Liberty completed final season with a 12-20 document and slid into the playoffs because the eighth seed. They misplaced to the fifth-seeded Phoenix Mercury in a first-round single-elimination sport. The group had harm woes all season: Jocelyn Willoughby tore an Achilles’ tendon in a preseason scrimmage; Howard missed 15 video games due to a knee harm; Ionescu handled a lingering ankle harm.

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All three are again and stated they’re feeling good.

“I’m approach forward of the place I was,” Willoughby stated.

One other returner is guard Asia Durr, who goes by AD. Durr, the second general draft choose in 2019, missed the previous two seasons as they recovered from Covid-19. On Thursday, Durr stated they have been nonetheless coping with confusion and mind fog however that Liberty teammates had been useful.

“It’s fairly difficult to remain affected person each single day,” Durr stated, punctuating the final three phrases.

Like Howard and a number of other others, Durr talked about protection as the main focus of this 12 months’s group. Brondello, who coached the Mercury to the finals final season in her eighth 12 months with the group, stated she needed the Liberty to have an “aggressive mentality.”

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Extra factors within the paint. Fewer turnovers. Not settling for outdoor photographs. Drawing extra fouls.

“We’re making an attempt to develop a tricky group,” Brondello stated.

On the core of the group are gamers like Ionescu; Howard; Betnijah Laney, who was named to her first All-Star group final season; and Michaela Onyenwere, the 2021 W.N.B.A. rookie of the 12 months. “I’m at all times trying to develop,” Laney stated, including that she’s surrounded by nice gamers.

Becoming a member of them is Dolson, who gained a championship with the Chicago Sky final 12 months.

Dolson, a 6-foot-5 middle getting into her ninth season, stated she likes to publish up — despite the fact that folks don’t assume she does — and that will probably be tough for groups to face off in opposition to her and the 6-foot-2 Howard.

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“It’s arduous to scout when each publish gamers can sort of do all the things,” she stated.

Dolson averaged 7.5 factors and three.5 rebounds per sport final season, and shot 40.4 p.c from 3-point vary. Howard averaged 16.2 factors and seven.2 rebounds in 13 video games final season.

Veterans like Howard and Dolson might be key to the Liberty’s success, however so will the youthful gamers, who spoke on Thursday about how they’ve grown and what they nonetheless want to enhance.

“I used to be so misplaced final 12 months,” stated DiDi Richards, a second-year guard-forward.

Richards stated she typically was in her personal head whereas on the court docket, as a substitute of being vocal, however she is engaged on altering that as coaches ask her to tackle an even bigger management position. “I’m prepared for it,” she stated.

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Onyenwere spoke confidently about protection — “not likely a ability; it’s all effort” — but additionally stated she needed to enhance on offense after capturing simply 32.7 p.c from 3-point vary final season.

Guard Sami Whitcomb, who went 42.5 p.c from 3-point vary final 12 months, is the group’s most prolific and finest long-range shooter. She got here to the Liberty final 12 months after 4 seasons in Seattle, and she or he stated she was enthusiastic about serving to the group create a brand new identification. However, she stated, it gained’t occur “in a single day.”

Some issues do occur rapidly in sports activities, although — like going from W.N.B.A. prospect to Liberty rookie.

The Liberty traded with the Storm to get the 18th choose within the draft on April 11 and used it to pick out Lorela Cubaj, a 6-foot-4 ahead from Georgia Tech. 4 days later, she signed a rookie contract with the group. Three days after that, coaching camp started.

On Thursday, she stated that she had developed as a facilitator whereas at Georgia Tech and hoped to make use of that ability with the Liberty. “I simply wish to put my teammates in the very best place to attain,” she stated.

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One factor she needs to depart in Georgia: the meals. Cubaj, who’s from Italy, joked that she wouldn’t miss the pizza from Atlanta now that she is in New York.

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The Books We’re Excited About in Early 2025

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The Books We’re Excited About in Early 2025

A new year means new books to look forward to, and 2025 already promises a bounty — from the first volume of Bill Gates’s memoirs to a new novel by the reigning Nobel laureate, Han Kang, to a biography of Rosemary Woodruff Leary, the wife and psychedelic collaborator of the counterculture pioneer Timothy Leary.

On this week’s episode, Gilbert Cruz and Joumana Khatib talk about some of the upcoming books they’re most anticipating over the next several months.

Books discussed:

“Stone Yard Devotional,” by Charlotte Wood

“Silence,” by Pico Iyer

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“Onyx Storm,” by Rebecca Yarros

“Gliff,” by Ali Smith

“The Dream Hotel,” by Laila Lalami

“The Colony,” by Annika Norlin

“We Do Not Part,” by Han Kang

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“Playworld,” by Adam Ross

“Death of the Author,” by Nnedi Okorafor

“The Acid Queen: The Psychedelic Life and Counterculture Rebellion of Rosemary Woodruff Leary,” by Susannah Cahalan

“Tilt,” by Emma Pattee

“Dream Count,” by Chimamanda Ngozi Adichie

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“Hope: The Autobiography,” by Pope Francis

“Jesus Wept: Seven Popes and the Battle for the Soul of the Catholic Church,” by Philip Shenon

“The Antidote,” by Karen Russell

“Source Code,” by Bill Gates

“Great Big Beautiful Life,” by Emily Henry

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“Sunrise on the Reaping,” by Suzanne Collins

We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to books@nytimes.com.

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Grand Slam prize money is enormous. The economics of tennis tournaments is complicated

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Grand Slam prize money is enormous. The economics of tennis tournaments is complicated

Four times a year, one of the biggest and most important tennis tournaments in the world sends out an announcement full of dollar signs and zeroes with the words “record prize money” scattered liberally.

The four Grand Slams, the first of which begins Sunday in Melbourne, are the high points of the tennis calendar. Players at the 2025 Australian Open will compete for $59million (£47m) this year — over $6.2m more than last year. In 2024, the four tournaments paid out over $250m between them, while their leaders spent the year aligning themselves with the players who make their events unmissable, whose gravity pulls in the broadcast deals and sponsorships, with their own dollar signs and zeroes.

Led by Australian Open chief Craig Tiley, the Grand Slams led the movement for a so-called premium tour which would pare down the overloaded tennis calendar and guarantee top players always being in the same events, let alone time zones. It would also lock swaths of the globe out of the worldwide spectacle that tennis represents.

The great irony is that despite the largesse and the cozy relationship, the players get a smaller cut of the money at the Grand Slams than they do in most of the rest of the rest of that hectic, endless season — and a fraction of what the best athletes in other sports collect from their events. The Australian Open’s prize pool amounts to about a 15-20 percent cut of the overall revenues of Tennis Australia, the organization that owns and stages the tournament, which accounts for nearly all of its annual revenue. The exact numbers at the French Open, Wimbledon and U.S. Open vary, but that essential split is roughly a constant. The 2023 U.S. Open had a prize pool of $65m against earned revenue from the tournament that came out at just over $514m, putting the cut at about 12 percent. The U.S. Open accounted for just under 90 percent of USTA revenues that year.

The explanations from the Grand Slams, which collectively generate over $1.5bn (£1.2bn) a year, run the gamut. They need to dedicate hundreds of millions of dollars each year to fund junior tennis development and other, less profitable tournaments in their respective nations — an obligation pro sports leagues don’t have. There is a constant need to upgrade their facilities, in the silent race for prestige and primacy of which the constant prize money one-upmanship is just one element.

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Aryna Sabalenka with her winner’s check at the 2024 U.S. Open. (Emaz / Corbis via Getty Images)

That dynamic is not lost on players — least of all Novak Djokovic, the top men’s player of the modern era and a co-founder of the five-year-old Professional Tennis Players Association (PTPA).

“I’m just going to state a fact,” Djokovic said during a post-match news conference in Brisbane last week.  “The pie split between the governing bodies in major sports, all major American sports, like NFL, NBA, baseball, NHL, is 50 percent. Maybe more, maybe less, but around 50 percent.

“Ours is way lower than that.”


Since 1968, the first year in which the four majors offered prize money as part of the Open Era’s embrace of professional tennis players, the purses have only grown. The 1968 French Open was the first to offer prize money, with Ken Rosewall earning just over $3,000 for beating Rod Laver in the final. The women’s singles champion, Nancy Richey, was still an amateur player, so could not claim her $1,000 prize. By 1973, lobbying from Billie Jean King helped convince the U.S. Open to make prize money equal for men and women through the draws; it took another 28 years for the Australian Open to do so year in, year out. Venus Williams’ intervention helped force the French Open and Wimbledon to follow suit in 2007.

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Fifty years after Rosewall’s triumph in Paris, the 2018 men’s champion Rafael Nadal took home $2.35million, an increase of over 73,000 percent. The year-on-year increases at each major are more modest, usually between 10 and 12 percent, but that percentage of tournament revenue remains steadfast, if not entirely immovable.

The Grand Slams argue that there are plenty of hungry mouths at their table, many more than just the 128 players that enter each singles draw each year.

Tennis Australia is a not-for-profit and a business model built on significant investment into delivering the event and promoting the sport to drive momentum on revenue and deliver consistently increasing prize money,” Darren Pearce, the organization’s chief spokesperson, said in a statement this week.

Money from the Australian Open also helps fund tournaments in Brisbane, Adelaide and Hobart, as well as the United Cup, the combined men’s and women’s event in Perth and Sydney. Pearce said the prize money increases outpace the revenue growth.

The Grand Slams also point to the millions of dollars they spend on player travel, housing, transportation and meals during tournaments, though team sport athletes receive those as well. Eloise Tyson, a spokesperson for the All England Lawn Tennis Club, which stages Wimbledon, noted that overall Grand Slam prize money had risen from $209million in 2022 to $254m last year, a 22 percent increase.

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“Alongside increasing our player compensation year-on-year, we continue to make significant investment into the facilities and services available for players and their teams at The Championships,” Tyson wrote in an email.

Officials with France’s tennis federation, the FFT, which owns the French Open, did not respond to a request for comment.

Brendan McIntyre, a spokesman for the United States Tennis Association, which owns the U.S. Open, released a statement this week touting the USTA’s pride in its leadership on player compensation, including offering equal prize money and the largest combined purse in tennis history at the 2024 US Open. A first-round exit earned $100,000, up 72 percent from 2019. Just making the qualifying draw was good for $25,000.

“As the national governing body for tennis in the U.S, we have a broader financial obligation to the sport as a whole,” the organization said.

“The USTA’s mission is to grow tennis at all levels, both in the U.S. and globally, and to make the sport accessible to all individuals in order to inspire healthier people and communities.”

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The infrastructure required to stage a Grand Slam tournament is vast — on and off the court. (Glen Davis / Getty Images)

None of the organizations outlined a specific formula for determining the amount of prize money they offered each year, which is roughly the same as a percentage of their parent organizations overall revenues. That may be a coincidence, though the Grand Slams also have the benefit of not facing any threat to their primacy.

The USTA’s statement gestures at how the structure of tennis contributes to this financial irony. In soccer, countries and cities bid to host the Champions League and World Cup finals; the Olympics changes every four years and even the Super Bowl in the NFL moves around the United States, with cities and franchises trying to one-up one another.

The four Grand Slams, though, are the four Grand Slams. There are good reasons for this beyond prestige: the infrastructure, both physical and learned, required to host a two- or three-week event at the scale of a major year in, year out is available to a vanishingly small number of tennis facilities around the world. There is no opportunity for another organization or event to bid to replace one of the Grand Slams by offering a richer purse or other amenities.

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This dynamic has been in place for years and has become more important in recent months. The PTPA has hired a group of antitrust lawyers to evaluate the structure of tennis. The lawyers are compiling a report on whether the the sport includes elements that are anti-competitive, preparing for a possible litigation with the potential to remake the sport.

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The ATP and WTA Tours, which sanction 250-, 500- and 1000-level events as well as the end-of-season Tour Finals, give players a larger share of revenue. There is some disagreement between players and officials over how much it is and the methods of accounting; some player estimates hover around 25 percent, while tour estimates can be in the range of 40 percent. Both remain short of the team equivalents in the United States.

On the ATP Tour, the nine 1000-level tournaments have a profit-sharing agreement that, in addition to prize money, gives players 50 percent of the profits under an agreed-upon accounting formula that sets aside certain revenues and subtracts certain costs, including investments the tournaments make in their facilities. The WTA does not have such an agreement. It outlines a complex prize money formula in its rule book with pages of exceptions, not based on a guaranteed share of overall tour revenues.

The tours have argued that because media rights payments constitute a lower percentage of revenues than at the Grand Slams, and because the costs of putting on tournaments are so high, a 50-50 revenue share would simply turn some tournaments into loss-making entities and make tennis unsustainable as a sport.

James Quinn, one of the antitrust lawyers hired by the PTPA, said he saw serious problems with the model, describing a structure that prevents competition from rival tournaments.

Some events outside the 52-week program of tournaments — which see players earn ranking points as well as money — have official status (the Laver Cup is sanctioned by the ATP). But the remainder, such as the Six Kings Slam in Riyadh, which debuted this year and offered record prize money of over $6million to the winner, are not sanctioned, for now providing only a peripheral form of competition to ruling bodies’ control of the sport.

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Jannik Sinner took home the money at the inaugural Six Kings Slam in Riyadh. (Richard Pelham / Getty Images)

The Grand Slams, ATP and WTA insist this is for the best. They see themselves as caretakers of global sport trying to bring some order where chaos might otherwise reign.

Djokovic doesn’t totally disagree. He understands tennis is different from the NBA. He’s led the Player Council at the ATP, which represents male professionals, and he has seen how the sausage gets made and how complicated it is with so many tournaments of all shapes and sizes in so many countries. At the end of the day, he still thinks players deserve more than a 20-percent cut, especially since the Grand Slams don’t make the kinds of contributions to player pension plans or end-of-the-year bonus pools that the ATP does, nor do they provide the year-round support of the WTA.

“It’s not easy to get everybody in the same room and say, ‘OK, let’s agree on a certain percentage,’” he said of the leaders of tournaments.

“We want more money, (but) they maybe don’t want to give us as much money when we talk about the prize money. There are so many different layers of the prize money that you have to look into. It’s not that simple.”

(Photos: Kelly Delfina / Getty Images, Steven / PA via Getty Images; design: Dan Goldfarb)

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6 New Books We Recommend This Week

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6 New Books We Recommend This Week

Our recommended books this week tilt heavily toward European culture and history, with a new history of the Vikings, a group biography of the Tudor queens’ ladies-in-waiting, a collection of letters from the Romanian-born French poet Paul Celan and a biography of the great German writer Johann Wolfgang von Goethe. We also recommend a fascinating true-crime memoir (written by the criminal in question) and, in fiction, Rebecca Kauffman’s warmhearted new novel about a complicated family. Happy reading. — Gregory Cowles

One of Europe’s most important postwar poets, Celan remains as intriguing as he is perplexing more than 50 years after his death. The autobiographical underpinnings of his work were beyond the reach of general readers until the 1990s, when the thousands of pages of Celan’s letters began to appear. The scholar Bertrand Badiou compiled the poet’s correspondence with his wife, the French graphic artist Gisèle Lestrange-Celan, and that collection is now available for the first time in English, translated by Jason Kavett.

NYRB Poets | Paperback, $28


Wilson’s biography of the German polymath Johann Wolfgang von Goethe (1749-1832) approaches its subject through his masterpiece and life’s work, the verse drama “Faust” — widely considered perhaps the single greatest work of German literature, stuffed to its limits with philosophical and earthy meditations on human existence.

Bloomsbury Continuum | $35

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Through a series of vignettes, Kauffman’s fifth novel centers on a woman determined to spend Christmas with her extended family, including her future grandchild and ex-husband, and swivels to take in the perspectives of each family member in turn.


People love the blood-soaked sagas that chronicle the deeds of Viking raiders. But Barraclough, a British historian and broadcaster, looks beyond those soap-opera stories to uncover lesser-known details of Old Norse civilization beginning in A.D. 750 or so.

Norton | $29


Fifteen years ago, Ferrell gained a dubious fame after The New York Observer identified her as the “hipster grifter” who had prowled the Brooklyn bar scene scamming unsuspecting men even as she was wanted in Utah on felony fraud charges. Now older, wiser and released from jail, Ferrell emerges in this captivating, sharp and very funny memoir to detail her path from internet notoriety to self-knowledge.

St. Martin’s | $29

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In her lively and vivid group biography of the women who served Henry VIII’s queens, Clarke, a British author and historian, finds a compelling side entrance into the Tudor industrial complex, showing that behind all the grandeur the royal court was human-size and small.

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