Culture
The Jaguars overestimated themselves. Did they overestimate Trevor Lawrence, too?
The NFL’s biggest surprise teams through Week 4 reside at opposite ends of the standings.
The Minnesota Vikings are 4-0 after losing their highly drafted rookie quarterback and substituting the well-traveled Sam Darnold in his place.
GO DEEPER
Assessing 4-0 teams, from Vikings’ shocking start to Chiefs’ WR setback: Sando’s Pick Six
The Jacksonville Jaguars are 0-4 less than four months after rewarding their quarterback, Trevor Lawrence, with a $275 million extension.
Here’s another surprise: Lawrence’s statistical production through his 54 career starts mirrors the production for Darnold to the same point in his career (Darnold has made starts No. 57-60 this season).
It’s early for a Jaguars autopsy, but so far, Jacksonville fits the profile of a team that overestimated itself, symbolized most resoundingly when paying its quarterback. The team is facing tough questions earlier than anticipated because winnable games slipped away, leaving the Jaguars 0-4 for the second time in four seasons with Lawrence, and for the fourth time in 13 seasons with owner Shad Khan.
The schedule delivers beatable opponents over the next three weeks in the Indianapolis Colts (2-2), Chicago Bears (2-2) and New England Patriots (1-3), but enough has gone wrong through the Jaguars’ first four games to examine the evidence. Including that Darnold-Lawrence comp.
“It will not end well”
The Jaguars are not the only team to invest market-setting dollars in a quarterback carrying question marks long before there was a deadline for making a decision. The Miami Dolphins acted similarly with Tua Tagovailoa, as did the Arizona Cardinals with Kyler Murray. Both Lawrence and Murray signed extensions with two years remaining on their rookie contracts.
Shortly after the Jaguars extended Lawrence’s deal for $55 million annually, 50 coaches and executives voting in my 2024 Quarterback Tiers survey combined to place Lawrence in Tier 3. Lawrence ranked 16th. Tagovailoa was one spot higher. Murray was one spot lower. (Those three quarterbacks’ teams are a combined 2-10 this season.)
GO DEEPER
NFL QB Tiers 2024: Only 2 join Mahomes in Tier 1; Rodgers, Herbert drop out
The deal for Lawrence came after the Jaguars lost five of their final six games last season, with the only victory coming against Carolina, when Lawrence was unavailable because of injury.
“They have a quarterback they think is a superstar, and he is not a superstar,” a QB Tiers voter said over the summer. “Ownership thinks he is a superstar. It will not end well.”
The implication was that Lawrence can be good, but not great, and that he isn’t good enough consistently enough to meet sky-high expectations.
“Make no mistake, this is the best team assembled by the Jacksonville Jaguars, ever,” Khan told fans in late August. “Best players, best coaches. But most importantly, let’s prove it by winning now.”
The Darnold comp
Through 54 starts, Darnold and Lawrence had identical won-lost records (20-34), the same yards per pass attempt (6.7) and nearly the same average air yards per attempt. Their passer ratings lagged. Darnold took more sacks. Lawrence suffered from more dropped passes.
Lawrence had the better expected points added (EPA) per pass play, but in looking at the table below, we would never conclude that one of these quarterbacks deserved a market-setting extension, while the other was an abject failure.
Darnold and Lawrence, first 54 starts
| QB | Darnold | Lawrence |
|---|---|---|
|
W-L |
20-34 (.370) |
20-34 (.370) |
|
Cmp % |
60.2% |
63.1% |
|
Yds/att |
6.7 |
6.7 |
|
TD-INT |
61-53 |
62-40 |
|
Rating |
79.2 |
84.6 |
|
Sack % |
7.4% |
5.4% |
|
Explosive pass % |
15.8% |
14.0% |
|
Rush TD |
12 |
11 |
|
Avg air yds |
8.1 |
8.0 |
|
Fumbles (lost) |
32 (13) |
35 (21) |
|
Passes dropped (%) |
63 (3.7%) |
106 (5.5%) |
|
EPA/pass play |
-0.07 |
-0.01 |
Both players experienced terrible team situations early in their careers — Darnold with the New York Jets in the NFL’s largest media market, Lawrence with Jacksonville in its smallest.
GO DEEPER
Inside Urban Meyer’s disastrous year with Jaguars
“Good players can be in bad situations, bad players can be in good situations and it takes a little while to figure out the true merit sometimes,” a veteran coach said.
Lawrence badly missed two open receivers, Christian Kirk and rookie Brian Thomas Jr., for what would have been long touchdown passes during the Jaguars’ 24-20 defeat at Houston in Week 4.
With those throws presumably in mind, coach Doug Pederson pushed back when asked after the game about possibly taking over play-calling duties from offensive coordinator Press Taylor.
“For what?” Pederson replied. “I thought he called a great game. As coaches, we can’t go out there and make the plays. It’s a two-way street.”
Lawrence missed Thomas along the right sideline for what would have been another big gain. Receivers made diving catches to secure two shorter throws. Other passes were imprecise enough to limit yards after the catch. Most of the misses were overthrows.
“When someone is so consistently spraying the ball and they are a guy who was a No. 1 overall (draft choice), I almost always feel like there is some element of, I don’t want to say the yips, but some sort of mechanical, fundamental thing,” NFL quarterback-turned-analyst J.T. O’Sullivan said while breaking down every Jaguars offensive play from Week 4 for his Patreon subscribers.
O’Sullivan noted that Lawrence in this game hopped backward unnecessarily while throwing. Bad habits can set in when quarterbacks do not trust their pass protection. Lawrence took a punishing hit early in the Houston game as the Texans’ physical defensive front asserted itself.
The Jaguars rank 16th in ESPN’s pass-block win rate metric and 23rd in Pro Football Focus’ pass-block grading, which doesn’t seem so bad. Reviews from within the league have been harsher.
“They play up front like they can’t wait until the play is over — tough to watch,” a personnel executive said before the Houston game. “The quarterback is missing easy throws. There’s bad body language. Just in general, offensively, a downtrodden group.”
Considering a potential Wentz parallel
The Philadelphia Eagles ranked 18th in offensive EPA per play during Pederson’s Super Bowl-winning tenure as their coach from 2016 to 2020. That period encompassed the rise and fall of Carson Wentz. Is Lawrence following a similar arc on a smaller scale?
The chart above compares the cumulative pass EPA for Wentz and Lawrence when both were with Pederson, pegged to career start number. The line for Wentz begins at career start No. 1, while the line for Lawrence begins at career start No. 18. There’s nothing definitive here, but this could be worth revisiting as the 2024 season progresses.
Pederson benched Wentz late in their fifth and final season together. Lawrence remains early in his fourth NFL season and third with Pederson. His five-year contract extension begins in 2026. He’s likely going to be in Jacksonville for years to come, no matter who is coaching.
Nine consecutive defeats for Lawrence
Lawrence’s current nine-game losing streak as a starter moves him one away from matching Carson Palmer (2010) and Jared Goff (2020-21) for the longest such streaks since 2000 for quarterbacks drafted No. 1.
Ten would also match the Jaguars’ franchise record, held by Chad Henne and Blake Bortles.
Darnold has been there before, once losing nine straight with the Jets. But his recent team and individual production far outpaces that of Lawrence, as the table below shows.
Darnold and Lawrence, last 9 starts
| QB | Darnold | Lawrence |
|---|---|---|
|
W-L |
6-3 (.667) |
0-9 (.000) |
|
Cmp % |
63.8% |
58.9% |
|
Yds/att |
8.6 |
6.3 |
|
TD-INT |
17-6 |
13-8 |
|
Rating |
105.1 |
80.7 |
|
Sack % |
8.4% |
6.5% |
|
Explosive pass % |
21.4% |
13.7% |
|
Rush TD |
2 |
1 |
|
Avg air yds |
8.5 |
10.1 |
|
Fumbles (lost) |
11 (4) |
7 (3) |
|
Passes dropped (%) |
5 (2.2%) |
17 (5.4%) |
|
EPA/pass play |
+0.16 |
-0.08 |
The decision to extend Lawrence’s contract at such an expensive price does not stand alone among choices inviting scrutiny for Jacksonville. They used the first pick in the 2022 draft for Travon Walker instead of Aidan Hutchinson. Bigger-picture defensive changes also stand out.
Last season, the Jaguars ranked 23rd on offense and 11th on defense as measured by EPA per play. They fired defensive coordinator Mike Caldwell and seven defensive assistants.
The offense ranks about the same this season (24th), but the defense ranks much worse (30th) while transitioning to a new style. Under coordinator Ryan Nielsen, Jacksonville is playing man coverage at the second-highest rate (42 percent) after having the third-lowest rate (15 percent) last season.
Darnold, backed by the NFL’s top-ranked defense by EPA per play, has attempted only two passes while trailing this season. The Jaguars’ record and Lawrence’s role in it would likely be footnotes if Jacksonville were getting that kind of production from its defense this season.
The defensive changes could still pay off. Lawrence and the offense could still hit stride.
The Jaguars were close to breaking open their season-opening game at Miami, but running back Travis Etienne fumbled as he neared the goal line. The Dolphins scored an 80-yard touchdown two plays later. Jacksonville led Houston 20-17 late in the third quarter when Tank Bigsby’s 58-yard run gave the Jaguars first-and-goal from the 4. Jacksonville turned over the ball on downs.
The 24-20 defeat to Houston dropped the Jaguars to 1-4 since the start of last season in games decided by four or fewer points. Such things tend to even out. The evening out cannot happen fast enough for a team set to induct its only winning coach, Tom Coughlin, into its Ring of Honor in Week 5.
(Photo of Trevor Lawrence, right, and Doug Pederson: Bryan Bennett / Getty Images)
Free, daily NFL updates direct to your inbox.
Free, daily NFL updates direct to your inbox.
Sign Up
Culture
Video: The A.I. threat to audiobooks
new video loaded: The A.I. threat to audiobooks
By Alexandra Alter, Léo Hamelin and Laura Salaberry
May 20, 2026
Culture
Kennedy Ryan on ‘Score,’ Her TV Deal, and Finding Purpose
At 53, and after more than a decade in the industry, things are happening for the romance writer Kennedy Ryan that were not on her bingo card.
The most recent: a first look deal with Universal Studio Group that will allow her to develop various projects, including a Peacock adaptation of her breakout 2022 novel “Before I Let Go,” the first book in her Skyland trilogy, which considers love and friendship among three Black women in a community inspired by contemporary Atlanta.
With a TV series in development, Ryan — who published her debut novel in 2014 and subsequently self-published — joins Tia Williams and Alanna Bennett at a table with few other Black romance writers.
“What I am most excited about is the opportunity to identify other authors’ work, especially marginalized authors, and to shepherd those projects from book to screen,” said Ryan, a former journalist. (Kennedy Ryan is a pen name.) “We are seeing an explosion in romance adaptations right now, and I want to see more Black, brown and queer authors.”
Her latest novel, “Score,” is set to publish on Tuesday. It’s the second volume in her Hollywood Renaissance series, after “Reel,” about an actress with a chronic illness who falls for her director on the set of a biopic set during the Harlem Renaissance. The new book follows a screenwriter and a musician, once romantically involved, working on the same movie.
In a recent interview (edited and condensed for clarity), Ryan shared the highs and lows of commercial success; her commitment to happy endings; and her north star. Spoiler: It isn’t what readers think of her books on TikTok.
Your work has been categorized as Black romance, but how do you see yourself as a writer?
I see myself as a romance writer. I think the season that I’m in right now, I’m most interested in Black romance, and that’s what I’ve been writing for the last few years. It doesn’t mean that I won’t write anything else, because I don’t close those doors. But the timeline we’re in is one where I really want to promote Black love, Black art and Black history.
What intrigued you about the period of history you capture in the Hollywood Renaissance series?
I’ve always been fascinated by the Harlem Renaissance and the years immediately following. It felt like a natural era to explore when I was examining overlooked accomplishments by Black creatives. I loved the art as agitation and resistance seen in the lives of people like James Baldwin or Zora Neale Hurston, but also figures like Josephine Baker, Lena Horne and Dorothy Dandridge, who people may not think of as “revolutionary.” The fact that they were even in those spaces was its own act of rebellion.
What about that period feels resonant now?
The series celebrates Black art and Black history and love at a time when I see all three under attack. Our art is being diminished and our history is being erased before our very eyes. I don’t hold back on the relationship between what I see going on in the world and the books I write.
How does this moment in your career feel?
I didn’t get my first book deal until I was in my 40s, so I think this is the best job I’ve ever had. I’m wanting to make the most of it, not just for myself, but for other people, and I think the temptation is to believe that it will all go away because that’s my default.
Why would it all go away?
Part of it is because we — my family, my husband and I — have had some really hard times, especially early in our marriage when my son was diagnosed with autism, my husband lost his job, and we experienced hard times financially. I’ll never forget that.
When I say it could all go away, I mean things change, the industry changes, what people respond to changes, what people buy and want to consume changes. So I don’t assume that what I am doing is always going to be something that people want.
Why are you so firmly committed to defending the “happy ending” in romance novels?
It is integral to the definition of the genre that it ends happily. Some people will say it’s just predictable every one ends happily. I am fine with that, living in a world that is constantly bombarding us with difficulty, with hurt, with challenge.
I write books that are deeply curious about the human condition. In “Score,” the heroine has bipolar disorder, she’s bisexual, there’s all of this intersectionality. For me, there is no safer genre landscape to unpack these issues and these conditions because I know there is guaranteed joy at the end.
You have a pretty active TikTok account. How do you engage with reviews and commentary on the platform about you or the genre?
First of all, I believe that reader spaces are sacred. Sometimes I see authors get embroiled with readers who have criticized them. I never ever comment on critical reviews. I definitely do see the negative. It’s impossible for me not to, but I just kind of ignore it. I let it roll off.
How does this apply to being a very visible Black author in romance?
I am very cognizant of this space that I’m in right now, which is a blessing, and I don’t take it for granted. I see a lot of discourse online where people are like, “Kennedy’s not the only one,” “Why Kennedy?,” “There should be more Black authors.” And I’m like, Oh my God, I know that. I am constantly looking for ways to amplify other Black authors. I want to hold the door open and pull them along.
How do you define success for yourself at this point?
I have a little bit of a mission statement: I want to write stories that will crater in people’s hearts and create transformational moments. Whether it’s television or publishing, am I sticking true to what I feel like is one of the things I was put on this earth to do? I’m a P.K., or preacher’s kid. We’re always thinking about purpose. And for me, how do I fit into this genre? What is my lane? What is my legacy? Which sounds so obnoxious, you know, but legacy is very important to me.
Culture
How Many of These Books and Their Screen Versions Do You Know?
Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about printed works that have gone on to find new life as movies, television shows, theatrical productions and more. This week’s challenge highlights the screen adaptations of popular books for middle-grade and young adult readers. Just tap or click your answers to the five questions below. Scroll down after you finish the last question for links to the books and their screen versions.
-
News15 minutes agoWhat will Trump do next with Iran?
-
New York2 hours agoHow Stars From ‘The Morning Show’ and ‘The League’ Keep Their Love Alive
-
Los Angeles, Ca2 hours agoLos Angeles man charged in Southern California catalytic converter theft spree
-
Detroit, MI2 hours agoRain-soaked Detroit job seekers show skills, grit at Comerica Park hiring event
-
San Francisco, CA2 hours agoNine runs? NINE runs! White Sox down Giants with one huge inning
-
Dallas, TX3 hours ago11 Dallas neighbors declared best places to live and more top stories
-
Miami, FL3 hours agoDolphins 90 in 90: Tight end Greg Dulcich looking to build in 2026
-
Boston, MA3 hours agoRed Sox’s Trade Market Desires Reported By Boston Insider