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‘The Interview’: Ocean Vuong was Ready to Kill. A Moment of Grace Changed His Life.

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‘The Interview’: Ocean Vuong was Ready to Kill. A Moment of Grace Changed His Life.

Situations where you exhibited cruelty? I don’t know if it would be cruelty, but anger, rage, certain desires that would have never exhibited in my brother. There was a moment when I was 15 — I’ve been trying to articulate this for so long, and your question is putting me down the slippery slope. I’ve been trying to articulate it, because it’s important, but I’ve been ashamed. People ask me, why did you become a writer? I give the answer that makes sense: I went to Pace University, I tried business school because I wanted to help my mother. I couldn’t do it, and I went to Brooklyn College and to an English department, and then I became a writer. That’s not untrue, although I don’t know if it’s honest, and your question is now bringing me to this idea of cruelty and goodness. There was this one event when I was 15 that I think altered the course of my life, although at that time it was not an epiphanic moment. But the desire to be a writer probably started with the desire to commit myself to understanding suffering.

What was the moment? I’m trying to be eloquent. I don’t know if I will be. I’ll say it first, then describe it. When I was 15, I decided to kill somebody.

Oh, my God. I didn’t do it. Ah, my God. [Long pause.] I was working on the tobacco farm, and I rode my bike every day. It was five miles out. You wake up at 6 in the morning. I rode my bike, and I went to work mostly with migrant farmers. You’d get paid under the table, and if you show up every day, you get a $1,000 bonus at the end of the season. It was this hot July evening. I was in my room and I look out the window and see that someone has stolen my bike. It was someone I knew in our neighborhood. He was a drug dealer. You would put your bike outside on the stoop when you’re running in and out, and this guy was known to grab your bike, and there’s nothing you could do about it. But I snapped that day. I saw him, and I was so angry, because I knew: I’m not going to get this back, I’m going to lose my $1,000. For context: My mom made $13,000. I go outside and say, “Give me back my bike.” And essentially he said, “Eff off.” I lost it. I went across the street to my friend Big Joe’s house. I knocked on his window. I remember putting both of my hands on the windowsill. I have no shirt on. I’m sweating, I’m so angry, and I said, “Please let me borrow your gun.” [Vuong begins to cry.] I’m so sorry.

Can I give you a hug? [Vuong and I embrace.] I appreciate that you’re being honest, but if it’s too much, we can stop. OK? I think what I’m trying to get at is that I didn’t become an author to have a photo in the back of a book. Writing became a medium for me to try to understand what goodness is. Because when I was begging my friend, “Please give me your gun,” he said: “Ocean, I’m not going to do that. You need to go home.” What was so touching to me is that I was not responsible for that. Someone else’s better sense saved me. In Buddhism, we have this idea called satori.

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From NYT’s 10 Best Books of 2025: A.O. Scott on Kiran Desai’s New Novel

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From NYT’s 10 Best Books of 2025: A.O. Scott on Kiran Desai’s New Novel

Inge Morath/Magnum Photos

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When a writer is praised for having a sense of place, it usually means one specific place — a postage stamp of familiar ground rendered in loving, knowing detail. But Kiran Desai, in her latest novel, “The Loneliness of Sonia and Sunny,” has a sense of places.

This 670-page book, about the star-crossed lovers of the title and several dozen of their friends, relatives, exes and servants (there’s a chart in the front to help you keep track), does anything but stay put. If “The Loneliness of Sonia and Sunny” were an old-fashioned steamer trunk, it would be papered with shipping labels: from Allahabad (now known as Prayagraj), Goa and Delhi; from Queens, Kansas and Vermont; from Mexico City and, perhaps most delightfully, from Venice.

There, in Marco Polo’s hometown, the titular travelers alight for two chapters, enduring one of several crises in their passionate, complicated, on-again, off-again relationship. One of Venice’s nicknames is La Serenissima — “the most serene” — but in Desai’s hands it’s the opposite: a gloriously hectic backdrop for Sonia and Sunny’s romantic confusion.

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Their first impressions fill a nearly page-long paragraph. Here’s how it begins.

Sonia is a (struggling) fiction writer. Sunny is a (struggling) journalist. It’s notable that, of the two of them, it is she who is better able to perceive the immediate reality of things, while he tends to read facts through screens of theory and ideology, finding sociological meaning in everyday occurrences. He isn’t exactly wrong, and Desai is hardly oblivious to the larger narratives that shape the fates of Sunny, Sonia and their families — including the economic and political changes affecting young Indians of their generation.

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But “The Loneliness of Sonia and Sunny” is about more than that. It’s a defense of the very idea of more, and thus a rebuke to the austerity that defines so much recent literary fiction. Many of Desai’s peers favor careful, restricted third-person narration, or else a measured, low-affect “I.” The bookstores are full of skinny novels about the emotional and psychological thinness of contemporary life. This book is an antidote: thick, sloppy, fleshy, all over the place.

It also takes exception to the postmodern dogma that we only know reality through representations of it, through pre-existing concepts of the kind to which intellectuals like Sunny are attached. The point of fiction is to assert that the world is true, and to remind us that it is vast, strange and astonishing.

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See the full list of the 10 Best Books of 2025 here.

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Video: The 10 Best Books of 2025

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Video: The 10 Best Books of 2025
After a year of deliberation, the editors at The New York Times Book Review have picked their 10 best books of 2025. Three editors share their favorites.

By MJ Franklin, Joumana Khatib, Elisabeth Egan, Claire Hogan, Laura Salaberry, Gabriel Blanco and Karen Hanley

December 2, 2025

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Video: 3 Cozy Books We Love

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Video: 3 Cozy Books We Love

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Pick up a mug of tea, grab a blanket and settle down to read. Jennifer Harlan, an editor at The New York Times Book Review, recommends three books that are perfect for cozy fall reading.

By Jennifer Harlan, Karen Hanley, Claire Hogan and Laura Salaberry

November 27, 2025

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