Culture
The Antiquarian Book Fair: From Sondheim’s Letters to a Brontë Discovery
The New York Worldwide Antiquarian E-book Truthful, which returns to the Park Avenue Armory this weekend after a two-year pandemic hiatus, is likely one of the world’s main gatherings of the uncommon guide tribe. For extra informal guests, it may also be an expertise of dizzying info overload.
Sure, there are the museum-like shows of positive bindings, illuminated manuscripts and historic paperwork, with dramatic lighting (and eye-popping costs). However the truthful, which runs from Thursday night to Sunday, additionally options cubicles full of pulp paperbacks, previous ads, zines, board video games, maps, images and all method of accessibly priced ephemera that challenges any hidebound notions of “uncommon books.”
Here’s a sampling of choices on the greater than 200 cubicles, from rigorously curated libraries to jotted notes that talk to the facility of pen and paper to cease time and conjure vanished worlds.
After Stephen Sondheim’s demise final November, social media was awash with photographs of the notes he usually despatched to theater colleagues well-known and never, providing reward and encouragement. Schubertiade Music is providing vary of Sondheimiana, together with a group of 70 letters and postcards ($20,000) written over 4 many years to his shut buddy Larry Miller. In a single, Sondheim describes a 1969 journey to Europe: “In Vienna we had been handled with the uncertain pleasure of 1 act of ‘West Aspect Story’ in German. Funnier than the unique, anyway, even whether it is billed as ‘Bernstein’s West Aspect Story.’” Additionally on supply are autographed applications, scores and a mid-Nineteen Thirties class {photograph} ($1,000) exhibiting a younger Sondheim dressed as a clown.
Remembering Stephen Sondheim
The revered and influential composer-lyricist died Nov. 26, 2021. He was 91.
Atomic Daybreak
“Ball or mushroom rose slowly & majestically & ponderously & brilliantly — vibrant purple purple [with] blue rim for a number of seconds. So it towered up with streamers falling vertically within the stem & out of the cap.”
So wrote a member of the Manhattan Mission’s Medical Group on July 16, 1945, after watching the world’s first detonation of a nuclear weapon, within the New Mexican desert, generally known as the Trinity Check. Boston Uncommon Maps and Barry Lawrence Ruderman Vintage Maps are collectively providing a trove of 300 pages of little-seen handwritten diagrams, memos, maps and notes generated by the medical group, which was charged with monitoring well being and security. The paperwork ($1.5 million) — which embody what the sellers say is the primary written use of the time period “mushroom cloud” — had been buried in navy archives at Lowry Air Power Base in Colorado till the Nineteen Sixties, after they had been declassified after which offered to a personal collector through the base’s decommissioning. The fabric displays the tensions between preserving secrecy whereas defending populations downwind from nuclear fallout, in addition to the strain between dispassionate scientific remark and sheer awe.
A Pioneering Black Shakespearean
The London vendor Maggs Bros is providing an autographed lithograph, circa 1857, of Ira Aldridge, the primary actor of African descent recognized to play Othello ($13,500). Born in 1807, Aldridge attended the African Free College of New York Metropolis and acted in William Brown’s African Theater earlier than emigrating to England to hunt higher prospects. At first, he performed African roles, typically written expressly for him. His flip as Othello got here in 1832, when he stepped in after the famend Edmund Kean collapsed onstage and died. Audiences liked it, however the critics had been outraged. Administration closed the theater after two performances, and Aldridge didn’t seem on the mainstream London stage once more for many years. The portrait, created throughout one in all his triumphant excursions of the European continent, “acknowledges his work as an artist reasonably than a mere curiosity,” in keeping with the itemizing.
Tennis, Anybody?
Jonathan Hill Bookseller of New York is providing a uncommon first version of Antonio Scaino’s 1555 treatise on tennis ($45,000), stated to be the primary guide on the sport. By the mid-Sixteenth century, tennis was already a preferred pastime amongst kings and commoners alike, although bitter disputes typically broke out over the principles (plus ça change?). Scaino, a thinker, apparently wrote the guide after a debate along with his patron, the duke of Ferrara (and the proprietor of as many as six courts), over the right way to award some extent. It’s not clear who gained that one, however students at the moment nonetheless debate the validity of Scaino’s arcane concept of the origins of the sport’s odd scoring system.
This Lady’s Life
One of many stars of the truthful is a miniature guide created in 1829 by 13-year-old Charlotte Brontë ($1.25 million), which just lately surfaced after being thought of misplaced for practically a century. However Brontë and her siblings had been hardly the one word-mad British kids of the period. Jarndyce Antiquarian Booksellers of London is providing two volumes of diaries, from 1831-2, by 11-year-old Emily Shore. The precocious Emily, who died at age 19, wrote three volumes of poetry, three novels and several other histories, which went unpublished. She is thought at the moment by means of her diaries, which had been printed by her sisters in 1891 in closely edited type. Right now, solely a handful of the dozen notebooks she stuffed her with tiny, meticulous handwriting are recognized to outlive. The 2 on sale right here supply an unfiltered window into the home lifetime of a interval the place kids, particularly ladies, had been seen however not often heard.
Finish-of-the-World Library?
The London vendor Peter Harrington spent a decade constructing One Hundred Seconds to Midnight, a group of 800 works monitoring greater than 2,000 years of local weather science and environmentalism, from Aristotle’s “Meteorology” and Nineteenth-century climate information to NASA’s iconic “Earthrise” {photograph} and up to date “cli-fi” novels. The vendor’s sales space will function highlights from the gathering ($2.5 million), which tracks “each our recording of information and in addition our emotional response to it,” as a video tour of the gathering places it. A portion of the proceeds might be donated to the World Land Belief.
Punk Lit!
Sort Punch Matrix, a Washington, D.C., bookseller that goals to make accumulating extra accessible and numerous, is thought for edgy inventory that pushes the boundaries of the uncommon books class. Their big-ticket choices this 12 months embody a group of greater than 220 books that after belonged to the singer Amy Winehouse ($135,000), about 50 of which might be on show. (Among the many typically closely annotated titles is a marked-up script of “Little Store of Horrors” from Winehouse’s theater-kid days, and a replica of Mikhail Bulgakov’s “The Grasp and Margarita” described as wanting “prefer it was dropped within the bathtub.”) On a tighter price range? The sellers are additionally providing a pristine copy of Gideon Sams’s “The Punk” (1977), typically stated to be first punk novel, written, the story goes, by a 14-year-old British “closet punk” as a college project, and printed after his mom rescued it from the trash. It comes with the unique mud jacket, that includes an actual safety-pin piercing the nostril of the picture of Johnny Rotten ($500).
New York Worldwide Antiquarian E-book Truthful
April 21-24 on the Park Avenue Armory, Manhattan; nyantiquarianbookfair.com.
Culture
The Books We’re Excited About in Early 2025
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A new year means new books to look forward to, and 2025 already promises a bounty — from the first volume of Bill Gates’s memoirs to a new novel by the reigning Nobel laureate, Han Kang, to a biography of Rosemary Woodruff Leary, the wife and psychedelic collaborator of the counterculture pioneer Timothy Leary.
On this week’s episode, Gilbert Cruz and Joumana Khatib talk about some of the upcoming books they’re most anticipating over the next several months.
Books discussed:
“Stone Yard Devotional,” by Charlotte Wood
“Silence,” by Pico Iyer
“Onyx Storm,” by Rebecca Yarros
“Gliff,” by Ali Smith
“The Dream Hotel,” by Laila Lalami
“The Colony,” by Annika Norlin
“We Do Not Part,” by Han Kang
“Playworld,” by Adam Ross
“Death of the Author,” by Nnedi Okorafor
“The Acid Queen: The Psychedelic Life and Counterculture Rebellion of Rosemary Woodruff Leary,” by Susannah Cahalan
“Tilt,” by Emma Pattee
“Dream Count,” by Chimamanda Ngozi Adichie
“Hope: The Autobiography,” by Pope Francis
“Jesus Wept: Seven Popes and the Battle for the Soul of the Catholic Church,” by Philip Shenon
“The Antidote,” by Karen Russell
“Source Code,” by Bill Gates
“Great Big Beautiful Life,” by Emily Henry
“Sunrise on the Reaping,” by Suzanne Collins
We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to books@nytimes.com.
Culture
Grand Slam prize money is enormous. The economics of tennis tournaments is complicated
Four times a year, one of the biggest and most important tennis tournaments in the world sends out an announcement full of dollar signs and zeroes with the words “record prize money” scattered liberally.
The four Grand Slams, the first of which begins Sunday in Melbourne, are the high points of the tennis calendar. Players at the 2025 Australian Open will compete for $59million (£47m) this year — over $6.2m more than last year. In 2024, the four tournaments paid out over $250m between them, while their leaders spent the year aligning themselves with the players who make their events unmissable, whose gravity pulls in the broadcast deals and sponsorships, with their own dollar signs and zeroes.
Led by Australian Open chief Craig Tiley, the Grand Slams led the movement for a so-called premium tour which would pare down the overloaded tennis calendar and guarantee top players always being in the same events, let alone time zones. It would also lock swaths of the globe out of the worldwide spectacle that tennis represents.
The great irony is that despite the largesse and the cozy relationship, the players get a smaller cut of the money at the Grand Slams than they do in most of the rest of the rest of that hectic, endless season — and a fraction of what the best athletes in other sports collect from their events. The Australian Open’s prize pool amounts to about a 15-20 percent cut of the overall revenues of Tennis Australia, the organization that owns and stages the tournament, which accounts for nearly all of its annual revenue. The exact numbers at the French Open, Wimbledon and U.S. Open vary, but that essential split is roughly a constant. The 2023 U.S. Open had a prize pool of $65m against earned revenue from the tournament that came out at just over $514m, putting the cut at about 12 percent. The U.S. Open accounted for just under 90 percent of USTA revenues that year.
The explanations from the Grand Slams, which collectively generate over $1.5bn (£1.2bn) a year, run the gamut. They need to dedicate hundreds of millions of dollars each year to fund junior tennis development and other, less profitable tournaments in their respective nations — an obligation pro sports leagues don’t have. There is a constant need to upgrade their facilities, in the silent race for prestige and primacy of which the constant prize money one-upmanship is just one element.
That dynamic is not lost on players — least of all Novak Djokovic, the top men’s player of the modern era and a co-founder of the five-year-old Professional Tennis Players Association (PTPA).
“I’m just going to state a fact,” Djokovic said during a post-match news conference in Brisbane last week. “The pie split between the governing bodies in major sports, all major American sports, like NFL, NBA, baseball, NHL, is 50 percent. Maybe more, maybe less, but around 50 percent.
“Ours is way lower than that.”
Since 1968, the first year in which the four majors offered prize money as part of the Open Era’s embrace of professional tennis players, the purses have only grown. The 1968 French Open was the first to offer prize money, with Ken Rosewall earning just over $3,000 for beating Rod Laver in the final. The women’s singles champion, Nancy Richey, was still an amateur player, so could not claim her $1,000 prize. By 1973, lobbying from Billie Jean King helped convince the U.S. Open to make prize money equal for men and women through the draws; it took another 28 years for the Australian Open to do so year in, year out. Venus Williams’ intervention helped force the French Open and Wimbledon to follow suit in 2007.
GO DEEPER
‘I think we deserve better’: How and why tennis lets women down
Fifty years after Rosewall’s triumph in Paris, the 2018 men’s champion Rafael Nadal took home $2.35million, an increase of over 73,000 percent. The year-on-year increases at each major are more modest, usually between 10 and 12 percent, but that percentage of tournament revenue remains steadfast, if not entirely immovable.
The Grand Slams argue that there are plenty of hungry mouths at their table, many more than just the 128 players that enter each singles draw each year.
“Tennis Australia is a not-for-profit and a business model built on significant investment into delivering the event and promoting the sport to drive momentum on revenue and deliver consistently increasing prize money,” Darren Pearce, the organization’s chief spokesperson, said in a statement this week.
Money from the Australian Open also helps fund tournaments in Brisbane, Adelaide and Hobart, as well as the United Cup, the combined men’s and women’s event in Perth and Sydney. Pearce said the prize money increases outpace the revenue growth.
The Grand Slams also point to the millions of dollars they spend on player travel, housing, transportation and meals during tournaments, though team sport athletes receive those as well. Eloise Tyson, a spokesperson for the All England Lawn Tennis Club, which stages Wimbledon, noted that overall Grand Slam prize money had risen from $209million in 2022 to $254m last year, a 22 percent increase.
“Alongside increasing our player compensation year-on-year, we continue to make significant investment into the facilities and services available for players and their teams at The Championships,” Tyson wrote in an email.
Officials with France’s tennis federation, the FFT, which owns the French Open, did not respond to a request for comment.
Brendan McIntyre, a spokesman for the United States Tennis Association, which owns the U.S. Open, released a statement this week touting the USTA’s pride in its leadership on player compensation, including offering equal prize money and the largest combined purse in tennis history at the 2024 US Open. A first-round exit earned $100,000, up 72 percent from 2019. Just making the qualifying draw was good for $25,000.
“As the national governing body for tennis in the U.S, we have a broader financial obligation to the sport as a whole,” the organization said.
“The USTA’s mission is to grow tennis at all levels, both in the U.S. and globally, and to make the sport accessible to all individuals in order to inspire healthier people and communities.”
None of the organizations outlined a specific formula for determining the amount of prize money they offered each year, which is roughly the same as a percentage of their parent organizations overall revenues. That may be a coincidence, though the Grand Slams also have the benefit of not facing any threat to their primacy.
The USTA’s statement gestures at how the structure of tennis contributes to this financial irony. In soccer, countries and cities bid to host the Champions League and World Cup finals; the Olympics changes every four years and even the Super Bowl in the NFL moves around the United States, with cities and franchises trying to one-up one another.
The four Grand Slams, though, are the four Grand Slams. There are good reasons for this beyond prestige: the infrastructure, both physical and learned, required to host a two- or three-week event at the scale of a major year in, year out is available to a vanishingly small number of tennis facilities around the world. There is no opportunity for another organization or event to bid to replace one of the Grand Slams by offering a richer purse or other amenities.
GO DEEPER
A year ago, tennis was broken. It’s more broken now
This dynamic has been in place for years and has become more important in recent months. The PTPA has hired a group of antitrust lawyers to evaluate the structure of tennis. The lawyers are compiling a report on whether the the sport includes elements that are anti-competitive, preparing for a possible litigation with the potential to remake the sport.
The ATP and WTA Tours, which sanction 250-, 500- and 1000-level events as well as the end-of-season Tour Finals, give players a larger share of revenue. There is some disagreement between players and officials over how much it is and the methods of accounting; some player estimates hover around 25 percent, while tour estimates can be in the range of 40 percent. Both remain short of the team equivalents in the United States.
On the ATP Tour, the nine 1000-level tournaments have a profit-sharing agreement that, in addition to prize money, gives players 50 percent of the profits under an agreed-upon accounting formula that sets aside certain revenues and subtracts certain costs, including investments the tournaments make in their facilities. The WTA does not have such an agreement. It outlines a complex prize money formula in its rule book with pages of exceptions, not based on a guaranteed share of overall tour revenues.
The tours have argued that because media rights payments constitute a lower percentage of revenues than at the Grand Slams, and because the costs of putting on tournaments are so high, a 50-50 revenue share would simply turn some tournaments into loss-making entities and make tennis unsustainable as a sport.
James Quinn, one of the antitrust lawyers hired by the PTPA, said he saw serious problems with the model, describing a structure that prevents competition from rival tournaments.
Some events outside the 52-week program of tournaments — which see players earn ranking points as well as money — have official status (the Laver Cup is sanctioned by the ATP). But the remainder, such as the Six Kings Slam in Riyadh, which debuted this year and offered record prize money of over $6million to the winner, are not sanctioned, for now providing only a peripheral form of competition to ruling bodies’ control of the sport.
The Grand Slams, ATP and WTA insist this is for the best. They see themselves as caretakers of global sport trying to bring some order where chaos might otherwise reign.
Djokovic doesn’t totally disagree. He understands tennis is different from the NBA. He’s led the Player Council at the ATP, which represents male professionals, and he has seen how the sausage gets made and how complicated it is with so many tournaments of all shapes and sizes in so many countries. At the end of the day, he still thinks players deserve more than a 20-percent cut, especially since the Grand Slams don’t make the kinds of contributions to player pension plans or end-of-the-year bonus pools that the ATP does, nor do they provide the year-round support of the WTA.
“It’s not easy to get everybody in the same room and say, ‘OK, let’s agree on a certain percentage,’” he said of the leaders of tournaments.
“We want more money, (but) they maybe don’t want to give us as much money when we talk about the prize money. There are so many different layers of the prize money that you have to look into. It’s not that simple.”
(Photos: Kelly Delfina / Getty Images, Steven / PA via Getty Images; design: Dan Goldfarb)
Culture
6 New Books We Recommend This Week
Our recommended books this week tilt heavily toward European culture and history, with a new history of the Vikings, a group biography of the Tudor queens’ ladies-in-waiting, a collection of letters from the Romanian-born French poet Paul Celan and a biography of the great German writer Johann Wolfgang von Goethe. We also recommend a fascinating true-crime memoir (written by the criminal in question) and, in fiction, Rebecca Kauffman’s warmhearted new novel about a complicated family. Happy reading. — Gregory Cowles
One of Europe’s most important postwar poets, Celan remains as intriguing as he is perplexing more than 50 years after his death. The autobiographical underpinnings of his work were beyond the reach of general readers until the 1990s, when the thousands of pages of Celan’s letters began to appear. The scholar Bertrand Badiou compiled the poet’s correspondence with his wife, the French graphic artist Gisèle Lestrange-Celan, and that collection is now available for the first time in English, translated by Jason Kavett.
NYRB Poets | Paperback, $28
Wilson’s biography of the German polymath Johann Wolfgang von Goethe (1749-1832) approaches its subject through his masterpiece and life’s work, the verse drama “Faust” — widely considered perhaps the single greatest work of German literature, stuffed to its limits with philosophical and earthy meditations on human existence.
Bloomsbury Continuum | $35
Through a series of vignettes, Kauffman’s fifth novel centers on a woman determined to spend Christmas with her extended family, including her future grandchild and ex-husband, and swivels to take in the perspectives of each family member in turn.
People love the blood-soaked sagas that chronicle the deeds of Viking raiders. But Barraclough, a British historian and broadcaster, looks beyond those soap-opera stories to uncover lesser-known details of Old Norse civilization beginning in A.D. 750 or so.
Norton | $29
Fifteen years ago, Ferrell gained a dubious fame after The New York Observer identified her as the “hipster grifter” who had prowled the Brooklyn bar scene scamming unsuspecting men even as she was wanted in Utah on felony fraud charges. Now older, wiser and released from jail, Ferrell emerges in this captivating, sharp and very funny memoir to detail her path from internet notoriety to self-knowledge.
St. Martin’s | $29
In her lively and vivid group biography of the women who served Henry VIII’s queens, Clarke, a British author and historian, finds a compelling side entrance into the Tudor industrial complex, showing that behind all the grandeur the royal court was human-size and small.
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