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Rory McIlroy won the Masters, finally. The roars told the story

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Rory McIlroy won the Masters, finally. The roars told the story

AUGUSTA, Ga. — A concoction of sweaty bodies and long-lens cameras was deadlocked in the upper left-hand corner of the No. 15 grandstand at Augusta National as Rory McIlroy’s 7-foot eagle putt slid underneath the cup. At that point in the day, the phoneless Masters Tournament patrons were not unfamiliar with the sound of thousands of simultaneous groans. Hearing and participating in them repeatedly, however, was not getting any easier.

A Green Jacket stood up out of his plastic bleacher seat in a frenzy.

“I can’t take much more of this,” the gentleman uttered. He bee-lined toward the steep downward staircase, his sons close behind, fumbling to button the coat that only a select group can sport on this property.

Until it actually happened, McIlroy’s chase of the career Grand Slam and the end to his 11-year major championship drought felt more like if you took the most nauseating roller coaster on earth and increased its speed tenfold. Or stuck yourself in a blender and turned it to the highest setting, making the table shake.

An opening double bogey, a water ball into Rae’s Creek with a wedge in hand, the first sudden-death playoff in the Masters since 2017 — McIlroy gave Augusta National the show it didn’t know it wanted. The patrons on site still aren’t sure that’s what they would have signed up for. Sunday was a ticketed heart attack.

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“My battle today was with myself. It wasn’t with anyone else,” McIlroy said Sunday evening, a 38 Regular green jacket slung over his shoulders. “You know, at the end there, it was with Justin (Rose), but my battle today was with my mind and staying in the present.

“I’d like to say that I did a better job of it than I did. It was a struggle, but I got it over the line.”

It might have been an internal waging of the wars for McIlroy, but all of Augusta National felt it with him. They leaned with the wayward drives, hustled to catch a glimpse of the gravity-defying escape routes, and hoped — oh, did they hope — every time the putter face made contact with the golf ball it would find a hole. Just this one, Rory.

Rotation by rotation, they held their breath.

Then, a final roar that could only mean one thing: sweet, sweet relief.

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In his 1975 Masters file for Sports Illustrated, the great Dan Jenkins wrote: “There is an old saying that the real Masters doesn’t begin until the back nine on Sunday.” That was 50 Masters ago. It’s still true.

This back nine of the 89th Masters began with a semblance of something that you can never trust at the place: comfort. It is almost always a mirage.

No. 10 crushed McIlroy’s Masters dreams 14 years ago as a naive 21-year-old. Sunday morning, McIlroy opened his locker to a note from Angel Cabrera, the 2009 champion who played with McIlroy that day.


Patrons surrounded Rory McIlroy all day. (Richard Heathcote / Getty Images)

The drive on No. 10 was demonless. The ensuing birdie putt to take a four-shot lead? Electrifying. Patrons surrounded the 10th green and 11th fairway 30 deep, peering through tree branches and shuffling around aimlessly to find a gap where they could see something. Anything. Amen Corner lurked. Lest they all knew, the rug was about to be ripped out from underneath the Northern Irishman.

It all happened in a blur. A bogey on No. 11 — a number that could have been a lot bigger. A par at No. 12. A 3-wood off the tee at No. 13, McIlroy playing it safe with a four-shot lead.

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There’s no tighter part of the property for patrons than Amen Corner, tens of thousands pressed together to watch as McIlroy’s ball flew through the air once, then twice. He stood with a wedge in his hands from 82 yards. If he was going to screw this all up, it wasn’t going to be here, with all of Georgia to the left side of the green. Right?

McIlroy’s ball tumbled into the creek. He bent his spine in half and threw his hands onto his knees. There had been plenty of triumphant patron responses at that point in the day. Here, in Amen Corner’s final chapter, the gasps returned. They did not stop.

First, McIlroy’s red 13 came off the nearby manual leaderboard and was replaced by a somber 11. He paused, waiting an additional moment before heading over the 14th tee, almost as if he knew it was coming. Rose suddenly had his 10 switched out for an 11.

Tie score.

No Masters champion has ever won the green jacket with four double bogeys. Is that the kind of history McIlroy was going to make?

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Every time it looked as though McIlroy had thrown away the golf tournament for good, he followed it with a shot, a moment, even a bounce in his step that added up to the opposite. He looked like he was in cruise control until the emergency brakes hit. The patrons’ fists in the air were coupled with sunburned faces buried in hands. More new red numbers caused a stir. McIlroy threw another dart. Birdie-par-birdie. Triumph? No. Closing bogey. There it was. All of it would come down to this. A sudden-death playoff against his Ryder Cup teammate, Rose.

Harry Diamond, McIlroy’s caddie and best friend since age 7, looked at his player as they headed to the golf cart that would bring the pair back to the 18th tee box once again.

“Well, pal, we would have taken this on Monday morning,” he said.

The jostled Augusta National audience did not agree. The anguish was becoming unbearable, borderline exhausting, but also the best Masters of the modern era. Either way, it needed to end. McIlroy needed to put himself — and everyone else — out of their misery.


Walk through the white and gold doors of the Augusta National clubhouse, up a winding staircase and through a quaint but decadent dining room, and you’ll find yourself on a porch. It overlooks the giant oak tree, the iconic rows of green and white umbrellas, and in the distance, if you crane your neck just enough, No. 18 green.

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But today that view was clouded by a sea of anxious bodies. On the ground, some proposed starting a game of “telephone” to communicate the play-by-play on the green.

Up on the porch, you can rotate 180 degrees and you’re facing a row of white window panes. They lead to a 35-inch television, the only piece of modern technology in a 100-yard radius. A strange combination of Green Jacket wearers, off-duty broadcasters and confused writers gathered around to watch the playoff. Patrick Reed dipped in to order an Azalea cocktail. The incoming USGA president showed up. Everyone was too nervous to utter a word. No one did.

A sound of this force cannot be tape-delayed.  All of Augusta National felt McIlroy’s energy release after that 4-foot birdie putt dropped. And by the look of him — collapsing onto his knees and convulsing with sobs — he felt it, too.

One of the most chaotic final rounds of recent memory ended with pure emotion, a release appropriate for the sixth man to complete the career Grand Slam, and McIlroy shut down a narrative he wondered whether he’d ever escape.

“It was all relief. There wasn’t much joy in that reaction. It was all relief,” McIlroy said after the round, laughing. “And then, you know, the joy came pretty soon after that. But that was — I’ve been coming here 17 years, and it was a decade-plus of emotion that came out of me there.”

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We know, Rory. We know.

(Top photo: Harry How / Getty Images)

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Video: 250 Years of Jane Austen, in Objects

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Video: 250 Years of Jane Austen, in Objects

new video loaded: 250 Years of Jane Austen, in Objects

To capture Jane Austen’s brief life and enormous impact, editors at The New York Times Book Review assembled a sampling of the wealth, wonder and weirdness she has brought to our lives.

By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega

December 18, 2025

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Try This Quiz and See How Much You Know About Jane Austen

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Try This Quiz and See How Much You Know About Jane Austen

“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

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With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

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By ‘A Lady’

Jane Austen’s House, Chawton, England

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Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

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Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

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An Iconic Accessory

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Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

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Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

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Tony Cenicola/The New York Times

The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

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A Lady Unmasked

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Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

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Tony Cenicola/The New York Times

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It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

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Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

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A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

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Aunt Jane

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Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

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Steve Parsons/Associated Press

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In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

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During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

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Tony Cenicola/The New York Times

You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

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The Austen Industrial Complex

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Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

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Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

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Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

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Tony Cenicola/The New York Times

In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

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#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

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Peter Flude for The New York Times

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For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

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The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

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Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

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Austen 101

Tony Cenicola/The New York Times

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Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”

W.W.J.D.

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Tony Cenicola/The New York Times

When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?

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