Culture
Pulitzer Prizes 2025: A Guide to the Winning Books and Finalists
Nineteen books were recognized as winners or finalists for the Pulitzer Prize on Monday, in the categories of memoir, poetry, general nonfiction, fiction, biography and history, which had two winners.
Fiction
Winner
James, by Percival Everett
Everett’s reimagining of “Huckleberry Finn” is a subversive homage to Mark Twain’s classic novel, as narrated by the enslaved man who accompanies Huck down the Mississippi. In “James,” Everett endows his title character (known as Jim in Twain’s book) with a rich intellectual life, deep curiosity and world-weariness that comes from trying to stay alive in the South. There are episodes of soul-deadening brutality, absurd satire and even philosophical treatises, but “James” reads with the fleetness of an adventure story. One of the most decorated releases of 2024, it also won the National Book Award for fiction and earned a place on the Book Review’s 10 Best Books of the year list.
Doubleday
Finalist: Headshot, by Rita Bullwinkel
This debut novel zeros in on eight female boxing contestants who converge in Reno, Nev., for a teenage national championship. Bullwinkel follows them well after the events of the tournament, tracing the eventual course of their lives. Our critic Dwight Garner made clear his admiration for the author, writing in his review: “Make room, American fiction, for a meaningful new voice.”
Viking
Finalist: Mice, 1961, by Stacey Levine
The story of two orphaned sisters in Cold-War-era America, Jody and Mice (nicknamed so for her unusual appearance and mannerisms), is told by their housekeeper, as their neighborhood prepares for an all-out bash.
Verse Chorus Press
Finalist: The Unicorn Woman, by Gayl Jones
A World War II veteran falls helplessly in love with a Black woman he spies at a carnival, where she is among the sideshow attractions owing to the regal, spiraled horn sprouting from her forehead. Jones is among the most influential Black authors writing today, whose work helps reframe questions of identity, race and sexuality. Her 2021 novel “Palmares” — her first in 22 years — was also a finalist for the Pulitzer.
Beacon Press
History
Winner
Native Nations: A Millennium in North America, by Kathleen DuVal
The author, a professor at the University of North Carolina at Chapel Hill, draws on oral and written records to tell the stories of hundreds of Indigenous nations that live in what is now the United States. “Native Nations” also received the Bancroft Prize, among the most distinguished awards for works examining American history.
Random House
Winner
Combee: Harriet Tubman, the Combahee River Raid, and Black Freedom During the Civil War, by Edda L. Fields-Black
In her account of the Combahee River Raid, Fields-Black examines a lesser-known chapter of Harriet Tubman’s life, as a leader in a military operation that liberated some 730 enslaved people from plantations in 1863. Fields-Black — a descendant of a formerly enslaved man who fought in the raid — draws on extensive documents, among them Tubman’s U.S. Civil War pension file, to reveal how Tubman commanded a group of scouts and spies to lead military expeditions during the war.
Oxford University Press
Finalist: Plantation Goods: A Material History of American Slavery, by Seth Rockman
The concept of the agrarian South and industrialist North is an oversimplification, argues Rockman, a historian at Brown University. Looking at the objects integral to the practice of slavery — whips, shoes, shovels, hats — that were manufactured in the North before making their way to the South, he examines how the American economy was organized around enslavement.
University of Chicago Press
In his sweeping narrative of intellectual and scientific rivalry, Roberts explores the intertwined legacies of Carl Linnaeus, the Swedish biologist and physician who is known as the founding father of taxonomy, and Georges-Louis Leclerc, Comte de Buffon, an aristocratic French naturalist, mathematician, and cosmologist. Both men set out to catalog and define life on earth, but had wildly different approaches and philosophies. Roberts makes the case that Buffon, while less well-known than Linnaeus, had greater and more lasting insights, among them his beliefs that racial differences are superficial and that living creatures are shaped by their environments.
Random House
Finalist: John Lewis: A Life, by David Greenberg
Greenberg, a professor of history at Rutgers University, traces the life of the Civil Rights icon John Lewis from his childhood in rural Alabama to his ascent to the halls of Congress, where he became a powerful advocate for racial and economic equality. Greenberg draws on extensive interviews with 275 people who knew Lewis, as well as previously unseen documents, including F.B.I. files, to create what a New York Times review called a “panoramic and richly insightful biography.”
Simon & Schuster
Finalist: The World She Edited: Katharine S. White at The New Yorker, by Amy Reading
In her meticulously researched biography, Reading paints a portrait of the influential and trailblazing New Yorker editor Katharine White. She joined the magazine in 1925 and helped transform it during her 36 years at the publication, cultivating the careers of women writers like Mary McCarthy, Elizabeth Bishop, Jean Stafford and Nadine Gordimer.
Mariner Books
Winner
Feeding Ghosts: A Graphic Memoir, by Tessa Hulls
To better understand three generations of women in her Chinese American family, the author embarked on a book project despite never having drawn comics and not speaking Chinese. As Hulls dove into the lives of her grandmother — a journalist who fled Shanghai for Hong Kong and wrote a best-selling memoir Hulls couldn’t read — and her mother, who attended boarding school in Hong Kong before coming to the United States in 1970, she could appreciate both her immense curiosity and feelings of alienation.
MCD Books
Finalist: Fi: A Memoir of My Son, by Alexandra Fuller
This devastating account details the death of Fuller’s 21-year-old son, named Fi, and the grief that sent her into a tailspin. Despite its frankness about the heartbreak of mourning an adult child, a vivid picture of a “smart, hilarious, earnest, self-aware” young man emerges.
Grove Press
Finalist: I Heard Her Call My Name: A Memoir of Transition, by Lucy Sante
In her 60s, the author, a longtime cultural critic and writer, decided to transition genders: an attempt to seize the “parallel life” she feared was passing her by. As she recounts her story, the book doubles as a study of a bygone 1970s New York. The Book Review named this memoir one of the 10 Best Books of 2024.
Penguin Press
General Nonfiction
To write this exhaustive account based on two decades of research, Nathans, a historian at the University of Pennsylvania, combed through K.G.B. case files, unpublished diaries and private correspondence. While many have dated the dissolution of Soviet totalitarianism to the 1980s, he makes the case that opposition to Soviet oppression began decades earlier.
Princeton University Press
Finalist: Until I Find You: Disappeared Children and Coercive Adoptions in Guatemala, by Rachel Nolan
Over several decades, tens of thousands of Guatemalan children were forcefully and illegally taken from their families and put up for adoption. Many of those children were from Indigenous families and many of them ended up in the United States. Nolan, a professor at Boston University, digs deep into a tragic outgrowth of the almost 40-year Guatemalan civil war.
Harvard University Press
Finalist: I Am on the Hit List: A Journalist’s Murder and the Rise of Autocracy in India, by Rollo Romig
In 2017, Gauri Lankesh, a journalist and outspoken critic of India’s Hindu nationalist ruling party, was assassinated outside her home in Bangalore. Romig, who wrote about the crime for The New York Times Magazine in 2019, has expanded the story into a book that, among other things, “paints a full picture of the social and professional world that convulsed in the wake of Gauri’s death,” according to our reviewer.
Penguin Books
Poetry
Winner
New and Selected Poems, by Marie Howe
Culling work from Howe’s four earlier books into a generous selection of 111 poems, this career retrospective highlights her gift, from her 1987 debut all the way through to the new material here, for mixing the mundane and the transcendent. In “What the Living Do,” addressed to a dead brother, the speaker recites a litany of everyday hassles — a clogged sink, a dropped bag of groceries — and connects it to “What you called that yearning./What you finally gave up.” Even the numerous biblically themed poems are grounded in concrete detail: “Magdalene — The Seen Devils,” for instance, combines a checklist of common gripes (“The laundry was never finally done”) with the devastating losses we daily bear: “the way my mother looked when she was dying/the sound she made.” This overview seems sure to seal Howe’s reputation as one of the major poets of her generation.
Norton
Finalist: Bluff, by Danez Smith
Smith’s poetry balances a delight in the possibilities of language with an innate skepticism about its use in the world; here is a poet who nurses the tension between art and action and exhorts readers to acknowledge injustice while appreciating the chaotic nature of human existence. “In these searching, stunning poems,” our reviewer wrote, “Smith metaphorizes city into body politic, showing us the interstate running through all our hearts; demonstrating that we all contain protest and police, cowardice and commitment, money and kindness, looting and food drives.”
Graywolf Press
An Authentic Life, by Jennifer Chang
True to her title, Chang uses the poems in “An Authentic Life” to hold her experiences against various received wisdoms, as a way to challenge convention and insist on authenticity. The topics range widely — war, religion, patriarchy, literary criticism — but the methods are the same: Chang cites some snippet she has learned or heard (“my father turns philosophical again/which is to say wandering away from any self”), then wanders freely to debunk it, deploying her arguments with flashes of brilliant wit, flights of vivid imagery and rigorous self-questioning.
Copper Canyon Press
Culture
Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday
On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.
Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”
With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”
How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.
By ‘A Lady’
Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)
Where the Magic Happened
Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.
An Iconic Accessory
Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.
Austen Onscreen
Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.
Jane Goes X-Rated
The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.
A Lady Unmasked
Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”
Wearable Tributes
It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.
The Austen Literary Universe
On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)
A Botanical Homage
Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.
Aunt Jane
Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.
Cultural Currency
In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.
In the Trenches
During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”
Baby Janes
You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.
The Austen Industrial Complex
Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.
Around the Globe
Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.
Playable Persuasions
In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.
#SoJaneAusten
The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.
Bonnets Fit for a Bennett
For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.
Most Ardently, Jane
Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”
Stage and Sensibility
Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.
Austen 101
Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”
W.W.J.D.
When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?
Culture
I Think This Poem Is Kind of Into You
A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.
The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.
And then it bursts into flame.
“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.
Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.
We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.
To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.
But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”
That’s the kind of poem she wrote.
“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.
Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.
What happens next? That’s up to you.
Culture
Can You Identify Where the Winter Scenes in These Novels Took Place?
Cold weather can serve as a plot point or emphasize the mood of a scene, and this week’s literary geography quiz highlights the locations of recent novels that work winter conditions right into the story. Even if you aren’t familiar with the book, the questions offer an additional hint about the setting. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.
-
Washington1 week agoLIVE UPDATES: Mudslide, road closures across Western Washington
-
Iowa2 days agoAddy Brown motivated to step up in Audi Crooks’ absence vs. UNI
-
Iowa1 week agoMatt Campbell reportedly bringing longtime Iowa State staffer to Penn State as 1st hire
-
Iowa3 days agoHow much snow did Iowa get? See Iowa’s latest snowfall totals
-
Miami, FL1 week agoUrban Meyer, Brady Quinn get in heated exchange during Alabama, Notre Dame, Miami CFP discussion
-
Cleveland, OH1 week agoMan shot, killed at downtown Cleveland nightclub: EMS
-
World1 week ago
Chiefs’ offensive line woes deepen as Wanya Morris exits with knee injury against Texans
-
Minnesota1 week agoTwo Minnesota carriers shut down, idling 200 drivers