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Paralyzed in a crash, Robert Wickens kept on racing, and now he’s adding a new chapter

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Paralyzed in a crash, Robert Wickens kept on racing, and now he’s adding a new chapter

The crash was horrifying.

During a 2018 IndyCar race, the wheels of Robert Wickens’ car clipped those of Ryan Hunter-Reay’s car, launching Wickens airborne and into the fencing surrounding Pocono Raceway. Among the injuries Wickens suffered were a thoracic spinal fracture, a neck fracture, tibia and fibula fractures to both legs, fractures in both hands, four fractured ribs and a pulmonary contusion. He also had a spinal cord injury that left him paralyzed from the waist down.

At the time, Wickens was on the cusp of stardom in one of motorsports’ premier series. That year, he had seven top-five finishes in 14 races, finished ninth in the Indianapolis 500 and won IndyCar’s Rookie of the Year honor. Those injuries cut short a promising IndyCar career and could’ve meant Wickens’ days as a professional race car driver were over. But that thought never crossed the now 36-year-old’s mind.

“I thought I was going to make the first (IndyCar) race in March the following year,” Wickens said. “We were always talking about what (racing) would look like if I used hand controls. It was never a question; it was a question of ‘How? Where?’ I knew it was something that was possible.”

Wickens, who regained some use of his legs but lacks the full capability to use them while driving, returned to competitive racing a little over three years after the accident, using a hand-controlled throttle and braking system to control the cars. He competed in the IMSA Michelin Pilot Challenge, and in 2023, he captured the drivers’ championship.

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And he isn’t done. A new chapter begins this weekend when he moves into an even higher level of racing by competing in the IMSA SportsCar Championship in a race through the streets of Long Beach, Calif. He’ll co-drive a Chevrolet Corvette fielded by DXDT Racing in the highly competitive GTD class, going against Mercedes, Ferrari, Porsche and other top-flight exotic sports cars.

Wickens will be on the grid at Long Beach due in part to an electric hand-controlled throttle and braking system, developed by Bosch and Pratt Miller, that he’s been able to utilize since returning to racing.

Without it, Wickens’ driving career would’ve likely ended in August 2018. However, the system has proven to be an equalizer, allowing him to compete on a mostly level field. And continued technological refinements by Bosch over the past few years have narrowed the performance gap between a car operated by hand controls and one operated by traditional pedals.


Robert Wickens’ custom steering wheel gives him the ability to control his Corvette race car — throttle, brakes and all — entirely by hand. (Courtesy of Chevrolet Racing)

The hand control operates like similar systems that can be installed in road cars, except this one has been more fine-tuned to allow Wickens to drive almost as if he were using the throttle and brake by foot. He can lightly tap the brake while turning and thereby carry greater speed through the corners.

“The best thing about my new system with Bosch is that the tuning can happen in the background because this is an electronic braking system,” Wickens said. “So if I want more brake sensation or less braking sensation, I can either have a button on the steering wheel that I tune out of brake pressure that I get to apply to the brakes.

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“The old system that I was using when I first started, the system was a very mechanical system where there’s a bunch of linkages and levers that just pushed the able-bodied brake pedal down, but I would squeeze something with my hand up by the steering wheel. … The downfall of that is there was a lot of latency in that system and a lot of inconsistency.”

Because Wickens and fellow driver Tommy Milner must trade off driving the Corvette, Bosch had to develop a straightforward way to switch between Milner using pedals and Wickens the hand controls.

“It’s quite impressive,” Milner said. “There’s just one button that either of us has to push to put it in the mode that we want and that switches all the systems over within a second.”

Once Wickens was committed to racing again, the challenge of navigating the expense and lack of accessibility only further complicated the endeavor. Finding sufficient sponsorship is often problematic enough in racing; Wickens also had to convince a team owner to install a hand-control system in their car.

Robert Wickens

“There are people racing all over the world with disabilities,” Robert Wickens said. “I’m just fortunate that I had a platform to show my progress.” (David Rosenblum / Icon Sportswire via Getty Images)

Having gone through the process himself, Wickens would like to see such features more readily available in commercially produced vehicles. Just as manufacturers use auto racing to develop technology that can be applied to passenger vehicles, Wickens wants to see the same principle applied to hand-controlled systems to make it both convenient and cost-effective.

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“I kind of have naive dreams of thinking that there could be a Robert Wickens steering wheel that can just fit into every road car in the world,” he said. “I’m imagining it’s like, ‘Oh, yeah, just plug it in like a USB or something and you’re on your way.’ But I know that that’s just not how it works. …

“The reality is, right now, when I’m driving on the road and I want to make a lane change, for example, I have to consciously over-speed because when I take my hand off the throttle to put on my turn signal, I slow down, and my hand isn’t on the throttle. Then, I have to signal and put my hand back on the throttle, make the lane change, and then take my hand off the throttle to stop your signal. It’s just a lot of extra steps.”

Long Beach is the first of five events in 2025 in which Wickens will drive the DXDT Racing Corvette entry. Plans beyond this season are still being determined. He is open to securing a full-time ride in the IMSA SportsCar Championship if the opportunity arises. He’d also like to race again in the Indianapolis 500.

Wickens downplays the idea that he is an inspiration, but those who know him marvel at how he’s refused to let go of his dream of being a professional driver when he had every reason to quit. He also wants to help others facing a similar situation.

“I personally don’t feel like I’m an inspiration to anybody, but I’m always kind of humbled when people tell me that I am,” Wickens said. “After I was paralyzed and out of my medical-induced coma, I was trying to understand what life I had. I was just working hard to try getting myself and my wife the best quality of life possible.

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“There are people racing all over the world with disabilities. I’m just fortunate that I had a platform to show my progress where others might not.”

(Top photo of Robert Wickens: Courtesy of Chevrolet Racing)

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Try This Quiz on Oscar-Winning Adaptations of Popular Books

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Try This Quiz on Oscar-Winning Adaptations of Popular Books

Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about works that have gone on to find new life as movies, television shows, theatrical productions — or even books. With the Academy Award nominations announced last week, this week’s challenge celebrates past Oscar-winning films that were based on books. Just tap or click your answers to the five questions below. And scroll down after you finish the last question for links to the books and their filmed versions.

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What Kind of Lover Are You? This William Blake Poem Might Have the Answer.

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What Kind of Lover Are You? This William Blake Poem Might Have the Answer.

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Not every poem about love is a love poem. This one, from William Blake’s “Songs of Innocence and of Experience,” first published in 1794, is more analytical than romantic. Instead of roses and violets, it offers us dirt and rocks.

William Blake (1757-1827), obscure in his own time and a hero to later generations of poets and spiritual seekers, made his living as an engraver and illustrator. He conceived and executed many of his poetic projects as works of visual as well as literary art, etching his verses and images onto copper plates and printing them in vivid color — a style designed to blur the boundary between word and picture.

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From a 1795 copy of William Blake’s “Songs of Innocence and of Experience.”

The Trustees of the British Museum

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“The Clod & the Pebble” is set in a rustic tableau populated by wild and domesticated animals. In the print, we can’t quite see the main characters, who are presumably somewhere beneath the hooves and the ripples. But the cows and sheep, the frogs and the duck, are nonetheless connected to the poem’s meaning.

The two sections of “Songs of Innocence and of Experience” are meant to illustrate “the contrary states of the human soul” — the purity and wonder associated with early childhood and the harder knowledge that inevitably follows.

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“The Clod & the Pebble” recapitulates this fall from sweetness into disillusionment, and the plate suggests it in contrasting ways. The wild animals down below symbolize a natural condition of innocence, while the livestock above live in confinement, bound to another’s use. At the same time, though, the cows and sheep are peaceful ruminants, while the frogs and the duck are predators.

In the poem, the Clod is an avatar of innocence. As it happens, this is a recurring character in the Blakean poetic universe. In “The Book of Thel,” a fantastical meditation composed a few years before the publication of “Songs of Innocence and of Experience,” the Clod appears as a maternal figure selflessly nursing a baby worm:

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The Clod of Clay heard the Worms voice, & raisd her pitying head; 

She bowd over the weeping infant, and her life exhald 

In milky fondness 

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“We live not for ourselves,” she tells the poem’s heroine, a young girl named Thel. But in Blake’s system self-sacrifice can never be the last word. There is no innocence without the fall into experience, and no experience without the memory of innocence. Giving gives way to wanting.

Want to learn this poem by heart? We’ll help.

Get to know the poem better by filling in the missing words below.

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Question 1/6

First, the Clod’s perspective.

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Love seeketh not Itself to please, 

Nor for itself hath any care; 

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Tap a word above to fill in the highlighted blank.

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Try This Quiz on Myths and Stories That Inspired Recent Books

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Try This Quiz on Myths and Stories That Inspired Recent Books

Welcome to Lit Trivia, the Book Review’s regular quiz about books, authors and literary culture. This week’s challenge tests your memory of 21st-century books that were inspired by ancient myths, legends and folk tales. In the five multiple-choice questions below, tap or click on the answer you think is correct. After the last question, you’ll find links to the books if you’d like to do further reading.

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