Culture
Ledecky sets Olympic record in 1500M freestyle
NANTERRE, France — American swimming star Katie Ledecky cruised to victory in an event that’s become synonymous with her name, earning her first Olympic gold medal of the Paris Games in the women’s 1500-meter freestyle Wednesday.
Ledecky set an Olympic record with a time of 15:30.02.
She has not lost this race in more than 14 years, and she owns the 20 fastest times in world history in the event. It is, for all intents and purposes, only an actual race for silver. France’s Anastasiia Kirpichnikova earned it in 15:40.35, while Germany’s Isabel Gose won bronze in 15:41.16.
Simply the greatest. 🙌
Katie Ledecky adds another gold medal to her legendary career achievements.#ParisOlympics | 📺 NBC and Peacock pic.twitter.com/skbxzj1CAj
— NBC Olympics & Paralympics (@NBCOlympics) July 31, 2024
The Olympic gold medal is Ledecky’s eighth, which ties Jenny Thompson for the most for an American woman. Many would already consider Ledecky the greatest swimmer in the sport’s history, but she’s also making a strong case for the greatest female Olympic athlete ever.
Ledecky needs one more gold to tie Soviet gymnast Larisa Latynina for the most gold medals for any female Olympian.
Ledecky, 27, has won 12 Olympic medals over four Games, and she’ll have a chance to add to that haul later this week with the women’s 800-meter freestyle (in which she is again a heavy favorite) and as part of the women’s 4×200-meter freestyle relay.
The Paris Olympics are only the second Games with the 1500 free as an event for women. Ledecky was vocal earlier in her career about wanting to swim the event — which has long been part of world championship meets — at the Olympics. It is fitting, of course, that she is the only woman to have won it so far. Her name belongs next to that sliver of history.
“It’s often said that distance swimming requires enduring an excruciating, mind-numbing tedium few other athletes experience,” Ledecky wrote in her memoir. “Hour upon hour, day after day, for months, years, decades, distance swimmers stare at the dark line marking the bottom of the pool, tracking and tracing it as we churn back and forth in our muffled bubble of virtual silence, plagued by a loop of our innermost thoughts, our bodies screaming in agony from the stress of pushing ourselves to the limits of exertion. For me, this is any given Saturday.
“I’m kidding, of course. I, for one, have never viewed my chosen sport as a source of pain. For me, swimming has been a pleasure, even when — or perhaps especially when — it tests my limits. That said, I’m not here to argue with the common perception that long-distance swims can brutalize the body and mind. They absolutely can.”
Ledecky has said she plans to swim in Los Angeles at the 2028 Olympic Games, a stance she reiterated Wednesday night.
“I don’t feel like I’m close to being finished in the sport yet,” Ledecky said. “After seeing the kind of support that the French athletes are getting here, I think all us U.S. athletes are thinking about how cool that could be in Los Angeles, having the home crowd. That would be amazing.”
For more on swimming at the Olympics, follow The Athletic’s live blog.
Besides, Ledecky has always loved long-distance swims and will keep swimming them. She trains with coach Anthony Nesty and the male distance swimmers at the University of Florida, and she grew emotional earlier this week after earning a bronze medal in the women’s 400 free and discussing how much that training group has meant to her as both a swimmer and a person.
On Wednesday, though, there were no tears, only smiles and “The Star-Spangled Banner.” Ledecky had won gold in her most dominant event in the most dominant fashion, and all was right in the pool.
Required reading
(Photo: Sarah Stier / Getty Images; Graphic: John Bradford / The Athletic)
Culture
Finding Wisdom in a Poem by Wendy Cope
Where do you turn when you need advice? A chatbot? A life coach? A wise and trusted friend?
How about a poet? Poets may not be famous for making the best life choices, but because they subject the mess of human existence to the discipline of language, they can be as helpful as any therapist or mentor.
Good poets know the rules and when to break them, which is something they can teach the rest of us.
To wit:
Giving advice is a peculiar literary undertaking. It flourishes in certain popular genres — graduation speeches, newspaper columns, country and western songs and poems like this one — but what, in these contexts, is it really for?
I’m thinking of situations when you don’t urgently need help but nonetheless enjoy reading answers to questions you may not have thought to ask. What interests you isn’t the content of the advice — you could get all the life hacks you want from A.I. — so much as the voice of the person dispensing it.
Wendy Cope is an English poet, born in 1945, who has been a fixture of her country’s literary scene since the 1980s. More recently, her short, buoyant poem “The Orange” has been widely memed online, bringing her to the attention of new readers beyond Britain.
Cope favors rhyme, meter, brisk jokes and tart aperçus. She addresses romance, friendship and the petty absurdities of modern life with disarming good humor. The last line of “The Orange” is “I love you. I’m glad I exist.” Somehow she makes it the opposite of cringe.
This isn’t the kind of poetry you would describe as “confessional.” And yet …
Question 1/7
Stop, if the car is going “clunk”
Or if the sun has made you blind.
Don’t answer e–mails when you’re drunk.
Tap a word above to fill in the highlighted blank.Want to learn this poem by heart? We’ll help.
Fill in the missing words below. You can always refer to the reading by A.O. Scott and full
text above.Let’s start with the first stanza.
Culture
Can You Match the Places These Authors Lived With Settings in Their Books?
A strong sense of place can deeply influence a story, and in some cases, the setting can even feel like a character itself. This week’s literary geography quiz highlights places where authors were born (or lived) that later became locations in their books. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the works if you’d like to do further reading.
Culture
Book Review: ‘America, U.S.A.,’ by Eddie S. Glaude Jr.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries, by Eddie S. Glaude Jr.
For those of us in the national memory-keeping business, anniversaries hold near-totemic power. Satisfyingly round units of time, ideally bearing fancy, Latin-derived names, serve as the overburdened pegs on which to hang think pieces and museum exhibits, revisionist documentaries and maudlin public ceremonies. The arbitrary nature of such occasions is precisely what gives them their charge, inviting us to set aside complacency and submit to a comprehensive check-in.
In his new book, “America, U.S.A.,” Eddie S. Glaude Jr. presents an intriguing variation on the genre, seeing the country’s 250th birthday as an anniversary of anniversaries: 50 years since the malaise-ridden, schlock-heavy Bicentennial. A century since the subdued Prohibition-era Sesquicentennial. A century and a half since telegraphed reports of George Armstrong Custer’s defeat by the Lakota and Cheyenne at Little Bighorn rudely interrupted the Gilded Age Republic’s 100th birthday party.
If an anniversary offers a snapshot of a moment, the core of Glaude’s book is an old-timey photo album, a collection of notable episodes from earlier national reckonings, long-ago glances in the mirror. An estimable scholar of Black history, politics and religion at Princeton — best known for “Begin Again,” his 2020 meditation on James Baldwin’s relevance for our times — Glaude focuses, as his subtitle puts it, on “how race shadows the nation’s anniversaries.”
Such celebrations, he contends, have never really been the moments for honest self-reflection they are often advertised to be. Instead, the nation usually shatters the mirror, refusing to accept what it prefers not to see. “American anniversaries are often moments to turn a blind eye to the evils of the past and the present,” Glaude writes, “to suppress the fact of America’s divided soul.”
It’s a clever concept, and, needless to say, perfectly timed. Last year, Glaude notes, the Trump administration executed a hostile takeover of the government’s studiously bipartisan 250th anniversary planning. It is now preparing a program that is certain to conceal more than it reveals about the country ostensibly being celebrated.
Glaude, in no mood for celebration, argues that such omissions and evasions also defined commemorations in the past. In 1875, Frederick Douglass predicted “one grand Centennial hosannah of peace and good will to all the white race of this country.” He was right: The nation reached 100 years old at a crucial moment in the post-Civil War fight over racial equality, with white Northerners ready to give up on Southern Reconstruction. The occasion would help the once-warring sections to reunite around a shared commitment to white supremacy. On May 10, 1876, at the opening of the Centennial Exposition in Philadelphia, the police tried to bar Douglass from the grandstand, until a white politician vouched for him.
The 150th anniversary came soon after a resurgent Ku Klux Klan successfully pushed for a restrictive immigration law aimed at keeping America a “Nordic” nation. At the lavishly funded, lightly attended celebrations in Philadelphia, Black veterans of World War I were excluded from marching in the opening parade. A writer with The Associated Negro Press wondered “what was in the breast of those black men who fought to make America safe for Democracy and on Monday stood on the sidelines, forgotten, as the Nordic strode by in all his vain pride.”
By 1976, when the nation marked its Bicentennial, the violence of the ’60s had destroyed any semblance of consensus. Vietnam and Watergate had eroded trust in the government. The commission initially tasked with organizing the anniversary was disbanded amid reports of corruption. Corporations filled the vacuum, Glaude explains, with “star-spangled whoopee cushions; patriotic toilet seats; Liberty hamburgers; red, white and blue beer cans.” The author, around 8 years old at the time, dimly remembers donning a pair of tricolor trousers.
A half-century later, Glaude is refreshingly honest about the depths of his despair. “I do not love America, and never have, especially now,” he writes in one of the more startling opening sentences I’ve read in some time. He dismisses this year’s Semiquincentennial as reaching back “to a storybook America that requires either the banishment of Black people from view or the reduction of our role in the country’s history, so as to affirm America’s ongoing quest to be a more perfect union.”
Undoubtedly true. But Trump doesn’t own the country, at least not yet, nor the 250th anniversary of one of the most radically liberatory and confusingly contradictory events in world history — an inspiration, as Glaude shows, even to critical observers of the American experiment, like Douglass. Far from the revanchist MAGA-palooza in Washington, I suspect this summer’s unasked-for invitation to national soul-searching may surprise us yet.
Despite his despair, Glaude concludes that “the past still offers resources for us to freedom-dream.” So, too, does this book.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries | By Eddie S. Glaude Jr. | Crown | 270 pp. | $31
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