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Juventus, Man City and the far-reaching impact of a scandal that resulted in relegation

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Juventus, Man City and the far-reaching impact of a scandal that resulted in relegation

Fabio Capello didn’t stick around.

The Calciopoli trial had not yet delivered a verdict but the writing was on the wall. A break clause in his contract with Juventus gave him a get-out and, on July 4, 2006, he exercised it. Capello was recognised as football’s leading coach at the time. He had won eight league titles in 15 years. His past as a player with Juventus did not, however, make him unconditionally loyal.

When the club were relegated to Serie B for the first time in their history, docked an initial 30 points and stripped of the two championships he’d won (2004-05, 2005-06), Capello was already back in Valdebebas, a second spell with Real Madrid underway. Fabio Cannavaro, the World Cup and soon-to-be Ballon d’Or-winning centre-back, followed him to the Bernabeu along with Emerson, the Brazilian twine running through Capello’s last Scudetti at Roma and Juve.

The scandal, which led to lifetime bans for Juventus’ general manager Luciano Moggi and chief executive Antonio Giraudo, was not about match-fixing, but rather a network of power and influence. It remains a bitterly disputed watershed moment in the history of Italian football, a forever war, which brings us to Juventus’ opponents in the Champions League on Wednesday night, Manchester City.

To paraphrase the opening line from Tolstoy’s Anna Karenina (all happy families are alike; each unhappy family is unhappy in its own way), the 115 charges brought by the Premier League against City are different from the allegations the Italian Football Federation made against Juventus and others in 2006.

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City welcomed “the review by an independent commission, to impartially consider the comprehensive body of irrefutable evidence” they claim will exonerate them from charges that include a failure to provide accurate details for player and manager payments, breaches of profit and sustainability rules (PSR) and compliance with UEFA’s FFP regulations.

Nevertheless, in the worst-case scenario for City, the outcome might resemble what Juventus reckoned with almost two decades ago. Pep Guardiola has repeatedly addressed the threat of relegation. “I said when all the clubs accused us of doing something wrong and people say: ‘What if we are relegated?’ I will be here. I don’t know the position they are going to bring us, the Conference? (But) next year we will come up and come up and come back to the Premier League.”


Guardiola has repeatedly addressed the threat of relegation with City (Robbie Jay Barratt – AMA/Getty Images)

Whether Guardiola’s promise is tested by the verdict or not remains to be seen. The Athletic broke the news of his contract extension last month, a testament to his enduring confidence in the club. How the players would react to a still hypothetical relegation is another unknown. As was the case with Capello, who still considers Calciopoli a “comic” injustice. He thought the punishment was “over the top” and continues to recognise the two revoked titles, as the players involved do, as won sul campo (on the pitch). Zlatan Ibrahimovic thought “most of it” was “bullshit”. “Referees giving us preferential treatment?” he sounded off in his book. “Come on! We’d struggled hard out there. We’d risked our necks and didn’t have any damn referees in our pockets — no way!”

Still, it didn’t stop the Swede from wanting out. He looked at Juventus as a “sinking ship” with Lilian Thuram and Gianluca Zambrotta jumping overboard for Barcelona, Cannavaro and Emerson for Real Madrid. “All the rest of us who were still left were ringing our agents, saying: ‘Sell us, sell us. What prospects are out there?’”

Capello’s replacement Didier Deschamps told Ibrahimovic he’d quit if the striker left. “’Okay, pack your bags and I’ll ring for a taxi,’ I said, and he laughed, as if I was joking,” Ibrahimovic recalled. He was 25, a year older than Erling Haaland is now, a player with whom he shared the late Mino Raiola as agent and Ibrahimovic wasn’t prepared to waste one year of his career in the second division and at least two outside the Champions League. “If you offered me €20m (a year — £16.5m/$21.1m at current rates) to stay, I wouldn’t be interested,” Ibrahimovic told Juventus’ incoming CEO Jean-Claude Blanc, who currently sits on the board at Manchester United as part of his remit as head of Sir Jim Ratcliffe’s INEOS Sport.

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Ibrahimovic played for Juventus between 2004 and 2006 (PATRICK HERTZOG/AFP via Getty Images)

The rush to judgment on Juventus — the FIGC (Italian Football Federation) took just two months and 12 days to bring proceedings to a close — remains a sore point. By contrast, it is almost two years since the Premier League announced that its investigation into City had escalated into 115 charges. “Timing and rules were not respected,” Capello said in an interview with Corriere della Sera. “Sporting justice wasn’t given the chance to operate correctly.” In a later legal claim, Giraudo felt Article 6 of the European Convention on Human Rights had been violated as he and his lawyers were given only seven days to prepare their defences, an insufficient time for reading a dossier of more than 7,000 pages.

Capello thought Guido Rossi, the special commissioner appointed by the FIGC to lead the case, “acted too hastily”. For a summer, Guido became the most famous Rossi in Italy, only far more controversial than Paolo, the 1982 World Cup winner. He still is on the internet forums and threads that won’t move on from Calciopoli.

Rossi’s suitability for the role of special commissioner, given his past on Inter’s board between 1995 and 1999, was debated at the time and has been ever since. It has nourished conspiracy theories. In what felt like the latest in an ever-increasing series of echoes of mid-2000s Serie A in contemporary Premier League life, English football got a slight taste for the kind of frenzy this produced when City fans found out that Murray Rosen KC, the lawyer overseeing the Premier League panel looking into the club’s alleged breaches, is an Arsenal supporter.


Del Piero celebrates after Juventus won Serie A in 2004-2005, a trophy that was later stripped from them (Giuseppe Cacace/Getty Images)

Amid signalling from UEFA that they would like everything wrapped up by July 28 so the governing body and competition promoter knew the identity of the Italian teams participating in their competitions the following season, Juventus’ initial relegation and 30-point deduction was confirmed earlier that week, only the penalty was reduced, on appeal, to 17 points and would, in October, be commuted to nine.

More poisonous was the decision to leave one of Juventus’ two revoked titles unassigned and award the other from 2005-06 to Inter. “A lot of time has passed since Calciopoli,” Giorgio Chiellini reflected in his memoir. “I can only reiterate that those two titles were won on the pitch, simply because we were better, even if laying claim to them now is a losing battle. I am convinced that not even Inter, who finished third that (2005-06) season, feel it as one of their own; it was a mistake to assign it over the table, it would have been better not to give it to anyone.”

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That the Italian sporting justice system did so set a precedent. Jose Mourinho has had two spells in Italy; one with Inter, the other with Roma. He likes to hit a nerve. Upon inheriting an Inter team that found its principal rivals defanged by Calciopoli, Mourinho brought up the scandal when it suited him and joked that the penalty area was bigger for Juventus than everyone else in Italy. One of the most iconic moments in Inter’s treble-winning season in 2010 came when he made a famous handcuff gesture during a 0-0 draw with Samp to suggest the establishment was doing everything — his team were down to nine men at the time — to stop them.


Mourinho’s handcuff gesture during a game against Sampdoria in 2010 (Valerio Pennicino/Getty Images)

It has hardly come as a surprise, then, to hear Mourinho bring up City’s 115 charges, as he did, in defence of his record at Man United when his old club travelled to Istanbul to play his latest team, Fenerbahce, during the autumn. “As you know, we won the Europa League (in 2017) and we finished second in the Premier League (in 2018),” Mourinho said. “I think we still have a chance to win that league because maybe they punish Man City with points and maybe we win that league and then they have to pay me the bonus and give me the medal.”

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Only last week, Mourinho couldn’t resist another comment on the back of City losing to Liverpool at Anfield, the chants of sacked in the morning and Guardiola gesturing six to signify the number of Premier Leagues he has won in England. “Guardiola won six trophies and I won three, but I won fairly and cleanly. If I lost, I want to congratulate my opponent for being better than me. I don’t want to win by dealing with 150 lawsuits.” Whether this is the continued Mourinho-ification of the Premier League discourse from afar or something new — the Serie A-fication of it — is blurry.


Upon relegation in 2006, Juventus fell from third in the Deloitte Money League (where they narrowly trailed Real Madrid and Barcelona) to 12th. Revenue fell by €106million (42 per cent) as commercial partners like Nike renegotiated their contracts to reflect Juventus’ fall in status. Never outside the top five in Deloitte’s rankings up until then, Juventus have never been back.

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Some of that is systemic. Domestic TV rights in Italy went from being negotiated on an individual basis, guaranteeing the big clubs huge chunks of broadcast revenue, to a collective bargaining process. The league wasn’t as commercially-minded as the Premier League and didn’t sell itself abroad as aggressively, which is one of the explanations for the wealth chasm between England and not only Italy but the rest of Europe.

Things would have been worse for Juventus had Blanc not followed through on existing plans to build a new stadium on the site of the old Stadio Delle Alpi, which became a major revenue driver in the context of Italian football where the infrastructures of Juventus’ rivals are old and council-owned. That they came back shouldn’t be taken for granted.


Juventus’ Allianz Stadium (Daniele Badolato – Juventus FC/Juventus FC via Getty Images)

It took time (and the rise of Andrea Agnelli to the chairmanship) for the Bianconeri to reassert themselves as Italy’s most successful domestic team. Once they did, the sense of revenge within an Old Lady scorned was so strong it gives a sense to the relentless drive behind a record nine consecutive league titles. Juventus were making up for seasons and titles lost. 

Returning to the subject of a hypothetical relegation, Guardiola recently said: “Seventy-five per cent of the (Premier League) clubs want it, because I know what they do behind the scenes and this sort of stuff.” Were it to come to pass, it would interesting to see how City’s global and regional partners might react bearing in mind, as detailed in this special report by The Athletic in 2022, the extent to which the club are still dependent on sponsors with business links to the country of their principal owners, Abu Dhabi. Juventus’ majority shareholders, EXOR, the holding company of the Agnelli family, has broad shoulders with a market cap of more than €20billion. Often likened to Italy’s Kennedys, the Agnellis are not, however, a royal family running a gulf state.  

The decision of the independent panel, when it comes, will be pored over and scrutinised like no other in Premier League history. Bouncing back from relegation at the first attempt and returning to the Champions League after their first season in Serie A did not mean bygones were bygones. When Andrea Agnelli, the cousin of EXOR chairman and family scion John Elkann, became president of Juventus in 2010, he left the distinct impression the club hadn’t defended itself hard enough during the Calciopoli hearings. He proudly recognised the two revoked titles in their roll of honour and in displays at the Allianz Stadium.

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Agnelli

Former Juventus chairman Andrea Agnelli (Daniele Badolato – Juventus FC/Getty Images)

As anyone who studied Juventus’ accounts, specifically item 54 (the ‘Relevant Pending Disputes’ section) during Agnelli’s 12-year tenure knows, Juventus filed an appeal in November 2011 before the Lazio Regional Administrative Court requesting that the (FIGC) be ordered to pay compensation for “the damage suffered due to the illegitimate exercise of administrative activity and the failure to exercise mandatory activity, in relation to the administrative measures adopted by the FIGC relating to the awarding of the title “Italian Champion” to F.C. Internazionale Milano S.p.A. for the 2005/2006 football championship.”

Juventus wanted Inter stripped of the 2005-06 title, the Scudetto from that year to go unassigned like the 2004-05 one, and “the equivalent of the payment of €443,725,200.00, plus legal interest from the date of the claim up until the final balance” in damages. That pursuit only ended, under a new Juventus board, in October 2023.

By that time, Agnelli had left the club. He formalised his resignation at a shareholders assembly in spring 2023 (he and the entire board had announced they would step down in late 2022), amid an investigation into cross-party-transactions (player trading commonly regarded as swap deals) and the way the club structured wage payments during the Covid-19 pandemic.

The federal prosecutor of the Italian Football Federation (FIGC) had lost an initial case into player trading and failed in an appeal but then, in early 2023, it got the appeal revoked on the grounds of new evidence gathered in a separate criminal case into the financial affairs of a club listed on the Milan stock exchange. Juventus denied any wrongdoing but were deducted 15 points, which was later suspended and then reduced to 10 in May 2023, resulting in them finishing seventh in Serie A that season. Agnelli was given a two-year ban from Italian football, and there was a 30-month ban for Fabio Paratici, the club’s former sporting director, who at that point was managing director of football at Tottenham. The hearings into the criminal case that sparked the re-opening of the sporting case have only now started to get underway in Rome.

At the assembly in which Agnelli left his position (in early 2023), the former general manager Moggi sensationally appeared waving a USB stick. “If it’s true they have reopened the plusvalenze case because they think they have found new elements,” he said, “it is equally true that we should reopen Calciopoli, a wound that still does not heal for either us or Juventus.”

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Moggi’s gift — he wrapped the USB up and stuck a bow on it — came while Giraudo, another member of the triad of executives who ran Juventus between 1994 and 2006 (the other member was Roberto Bettega) was going from the European Court of Human Rights to the Lazio Regional Administrative Court to challenge the Italian sporting justice system’s status and compatibility with EU law (that was deemed inadmissible due to lack of jurisdiction).

The hatchet, if buried, is never in anything other than a shallow grave when it comes to Calciopoli. Closure has been fleeting, illusory. The Premier League and City must hope, whatever the independent panel decides, that this is nipped in the bud once and for all and doesn’t have a similarly long and poisonous tail.

(Photos: Getty Images; design: Eamonn Dalton)

Culture

What Happens When We Die? This Wallace Stevens Poem Has Thoughts.

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What Happens When We Die? This Wallace Stevens Poem Has Thoughts.

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Whatever you do, don’t think of a bird.

Now: What kind of bird are you not thinking about? A pigeon? A bald eagle? Something more poetic, like a skylark or a nightingale? In any case, would you say that this bird you aren’t thinking about is real?

Before you answer, read this poem, which is quite literally about not thinking of a bird.

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Human consciousness is full of riddles. Neuroscientists, philosophers and dorm-room stoners argue continually about what it is and whether it even exists. For Wallace Stevens, the experience of having a mind was a perpetual source of wonder, puzzlement and delight — perfectly ordinary and utterly transcendent at the same time. He explored the mysteries and pleasures of consciousness in countless poems over the course of his long poetic career. It was arguably his great theme.

Stevens was born in 1879 and published his first book, “Harmonium,” in 1923, making him something of a late bloomer among American modernists. For much of his adult life, he worked as an executive for the Hartford Accident and Indemnity Company, rising to the rank of vice president. He viewed insurance less as a day job to support his poetry than as a parallel vocation. He pursued both activities with quiet diligence, spending his days at the office and composing poems in his head as he walked to and from work.

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Wallace Stevens in 1950.

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Walter Sanders/The LIFE Picture Collection, via Shutterstock

As a young man, Stevens dreamed of traveling to Europe, though he never crossed the Atlantic. In middle age he made regular trips to Florida, and his poems are frequently infused with ideas of Paris and Rome and memories of Key West. Others partake of the stringent beauty of New England. But the landscapes he explores, wintry or tropical, provincial or cosmopolitan, are above all mental landscapes, created by and in the imagination.

Are those worlds real?

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Let’s return to the palm tree and its avian inhabitant, in that tranquil Key West sunset of the mind.

Until then, we find consolation in fangles.

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Wil Wheaton Discusses ‘Stand By Me’ and Narrating ‘The Body’ Audiobook

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Wil Wheaton Discusses ‘Stand By Me’ and Narrating ‘The Body’ Audiobook

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When the director Rob Reiner cast his leads in the 1986 film “Stand by Me,” he looked for young actors who were as close as possible to the personalities of the four children they’d be playing. There was the wise beyond his years kid from a rough family (River Phoenix), the slightly dim worrywart (Jerry O’Connell), the cutup with a temper (Corey Feldman) and the sensitive, bookish boy.

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Wil Wheaton was perfect for that last one, Gordie Lachance, a doe-eyed child who is ignored by his family in favor of his late older brother. Now, 40 years later, he’s traveling the country to attend anniversary screenings of the film, alongside O’Connell and Feldman, which has thrown him back into the turmoil that he felt as an adolescent.

Wheaton has channeled those emotions and his on-set memories into his latest project: narrating a new audiobook version of “The Body,” the 1982 Stephen King novella on which the film was based.

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“I like there to be a freshness, a discovery and an immediacy to my narration,” Wheaton said. He recorded “The Body” in his home studio in California. Alex Welsh for The New York Times

A few years ago, Wheaton started to float the idea of returning to the story that gave him his big break — that of a quartet of boys in 1959 Oregon, in their last days before high school, setting out to find a classmate’s dead body. “I’ve been telling the story of ‘Stand By Me’ since I was 12 years old,” he said.

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But this time was different. Wheaton, who has narrated dozens of audiobooks, including Andy Weir’s “The Martian” and Ernest Cline’s “Ready Player One,” says he has come to enjoy narration more than screen acting. “I’m safe, I’m in the booth, nobody’s looking at me and I can just tell you a story.”

The fact that he, an older man looking back on his younger years, is narrating a story about an older man looking back on his younger years, is not lost on Wheaton. King’s original story is bathed in nostalgia. Coming to terms with death and loss is one of its primary themes.

Two days after appearing on stage at the Academy Awards as part of a tribute to Reiner — who was murdered in 2025 alongside his wife, Michele — Wheaton got on the phone to talk about recording the audiobook, reliving his favorite scenes from the film and reexamining a quintessential story of childhood loss through the lens of his own.

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This interview has been edited and condensed.

“I felt really close to him, and my memory of him.”

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Wheaton on channeling a co-star’s performance.

There’s this wonderful scene in “Stand By Me.” Gordie and Chris are walking down the tracks talking about junior high. Chris is telling Gordie, “I wish to hell I was your dad, because I care about you, and he obviously doesn’t.”

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It’s just so honest and direct, in a way that kids talk to each other that adults don’t. And I think that one of the reasons that really sticks with people, and that piece really lands on a lot of audiences, and has for 40 years, is, just too many people have been Gordie in that scene.

That scene is virtually word for word taken from the text of the book. And when I was narrating that, I made a deliberate choice to do my best to recreate what River did in that scene.

“The Body” Read by Wil Wheaton

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“You’re just a kid,

Gordie–”

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“I wish to fuck

I was your father!”

he said angrily.

“You wouldn’t go around

talking about takin those stupid shop courses

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if I was!

It’s like

God gave you something,

all those stories

you can make up,

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and He said:

This is what we got for you, kid.

Try not to lose it.

But kids lose everything

unless somebody looks out for them

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and if your folks

are too fucked up to do it

then maybe I ought to.”

I watched that scene a couple of times because I really wanted — I don’t know why it was so important to me to — well, I know: because I loved him, and I miss him. And I wanted to bring him into this as best as I could, right?

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So I was reading that scene, and the words are identical to the script. And I had this very powerful flashback to being on the train tracks that day in Cottage Grove, Oregon. And I could see River standing next to them. They’re shooting my side of the scene and there’s River, right next to the camera, doing his off-camera dialogue, and there’s the sound guy, and there’s the boom operator. There’s my key light.

I could hear and feel it. It was the weirdest thing. It’s like I was right back there.

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I was able to really take in the emotional memory of being Gordie in all of those scenes. So when I was narrating him and I’m me and I’m old with all of this experience, I just drew on what I remembered from being that little boy and what I remember of those friendships and what they meant to me and what they mean to me today.

“Rob gave me a gift. Rob gave me a career.”

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Wheaton recalls the “Stand By Me” director’s way with kids on set, as well as his recent Oscars tribute.

Rob really encouraged us to be kids.

Jerry tells the most amazing story about that scene, where we were all sitting around, and doing our bit, and he improvised. He was just goofing around — we were just playing — and he said something about spitting water at the fat kid.

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We get to the end of the scene, and he hears Rob. Rob comes around from behind the thing, and he goes, “Jerry!” And Jerry thinks, “Oh no, I’m in trouble. I’m in trouble because I improvised, and I’m not supposed to improvise.”

The context for Jerry is that he had been told by the adults in his life, “Sit on your hands and shut up. Stop trying to be a cutup. Stop trying to be funny. Stop disrupting people. Just be quiet.” And Jerry thinks, “Oh my God. I didn’t shut up. I’m in trouble. I’m gonna get fired.”

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Rob leans in to all of us, and Rob says, “Hey, guys, do you see that? More of that. Do that!”

Rob Reiner in 1985, directing the child actors of “Stand By Me,” including Wil Wheaton, at left. Columbia/Kobal, via Shutterstock

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The whole time when you’re a kid actor, you’re just around all these adults who are constantly telling you to grow up. They’re mad that you’re being a kid. Rob just created an environment where not only was it supported that we would be kids — and have fun, and follow those kid instincts and do what was natural — it was expected. It was encouraged. We were supposed to do it.

“The Body” Read by Wil Wheaton

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They chanted together:

“I don’t shut up,

I grow up.

And when I look at you

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I throw up.”

“Then your mother goes around the corner

and licks it up,”

I said,

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and hauled ass out of there,

giving them the finger over my shoulder as I went.

I never had any friends later on

like the ones I had when I was twelve.

Jesus,

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did you?

When we were at the Oscars, I looked at Jerry. And we looked at this remarkable assemblage of the most amazingly talented, beautiful artists and storytellers. We looked around, and Jerry leans down, and he said, “We all got our start with Rob Reiner. He trusted every single one of us.”

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Jerry O’Connell and Wheaton joined more than a dozen actors from Reiner’s films to honor the slain director at the Academy Awards on March 15, 2026. Kevin Winter/Getty Images

And to stand there for him, when I really thought that I would be standing with him to talk about this stuff — it was a lot.

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“I was really really really excited — like jumping up and down.”

The scene Wheaton was most looking forward to narrating: the tale of Lard Ass Hogan.

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I was so excited to narrate it. It’s a great story! It’s a funny story. It’s such a lovely break — it’s an emotional and tonal shift from what’s happening in the movie.

I know this as a writer: You work to increase and release tension throughout a narrative, and Stephen King uses humor really effectively to release that tension. But it also raises the stakes, because we have these moments of joy and these moments of things being very silly in the midst of a lot of intensity. ​​

That’s why the story of Lard Ass Hogan is so fun for me to tell. Because in the middle of that, we stop to do something that’s very, very fun, and very silly and very celebratory.

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“The Body” Read by Wil Wheaton

“Will you shut up

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and let him tell it?”

Teddy hollered.

Vern blinked.

“Sure.

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Yeah.

Okay.”

“Go on, Gordie,”

Chris said.

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“It’s not really much—”

“Naw,

we don’t expect much

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from a wet end like you,”

Teddy said,

“but tell it anyway.”

I cleared my throat.

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“So anyway.

It’s Pioneer Days,

and on the last night

they have these three big events.

There’s an egg-roll for the little kids

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and a sack-race for kids that are like eight or nine,

and then there’s the pie-eating contest.

And the main guy of the story

is this fat kid nobody likes

named Davie Hogan.”

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When I narrate this story — whenever there is a moment of levity or humor, whenever there are those brief little moments that are the seasoning of the meal that makes it all so real and relatable — yes, it was very important to me to capture those moments.

I’m shifting in my chair, so I can feel each of those characters. It’s something that doesn’t exist in live action. It doesn’t exist in any other media.

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“I feel the loss.”

Wheaton remembers River Phoenix.

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The novella “The Body” is very much about Gordie remembering Chris. It’s darker, and it’s more painful, than the movie is.

I’ve been watching the movie on this tour and seeing River a lot. I remember him as a 14- and 15-year-old kid who just seemed so much older, and so much more experienced and so much wiser than me, and I’m only a year younger than him.

What hurts me now, and what I really felt when I was narrating this, is knowing what River was going through then. We didn’t know. I still don’t know the extent of how he was mistreated, but I know that he was. I know that adults failed him. That he should have been protected in every way that matters. And he just wasn’t.

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And I, like Gordie, remember a boy who was loving. So loving, and generous and cared deeply about everyone around him, all the time. Who deserved to live a full life. Who had so much to offer the world. And it’s so unfair that he’s gone and taken from us. I had to go through a decades-long grieving process to come to terms with him dying.

“The Body” Read by Wil Wheaton

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Near the end

of 1971,

Chris

went into a Chicken Delight

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in Portland

to get a three-piece Snack Bucket.

Just ahead of him,

two men started arguing

about which one had been first in line.

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One of them pulled a knife.

Chris,

who had always been the best of us

at making peace,

stepped between them

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and was stabbed in the throat.

The man with the knife had spent time in four different institutions;

he had been released from Shawshank State Prison

only the week before.

Chris died almost instantly.

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It is a privilege that I was allowed to tell this story. I get to tell Gordie Lachance’s story as originally imagined by Stephen King, with all of the experience of having lived my whole adult life with the memory of spending three months in Gordie Lachance’s skin.

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Do You Know the Comics That Inspired These TV Adventures?

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Do You Know the Comics That Inspired These TV Adventures?

Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about printed works that have gone on to find new life as movies, television shows, theatrical productions and more. This week’s challenge highlights offbeat television shows that began as comic books. Just tap or click your answers to the five questions below. And scroll down after you finish the last question for links to the comics and their screen versions.

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