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Ancient Roman masterpieces emerge from a London demolition pit

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Ancient Roman masterpieces emerge from a London demolition pit

Museum of London Archaeology specialist Han Li lays out plaster fragments found in London from a Roman building that was demolished some time before A.D. 200.

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LONDON — A remarkable archaeological endeavor in the heart of the British capital has brought to light one of the most extensive collections of painted Roman wall plaster ever unearthed in the city.

Thousands of vibrant fragments, which once adorned a high-status Roman building, offer an unprecedented glimpse into the artistic sophistication and daily life of ancient Londinium, and their rearrangement is showcasing artworks that have remained hidden for over 1,800 years.

The discovery, made at “The Liberty” development site in the city’s Southwark neighborhood, builds upon previous significant finds in the area, including intricate mosaics and a rare Roman mausoleum.

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The sheer volume of the plaster fragments, however, was not immediately apparent to archaeologists.

The material was found discarded in a sizable pit, shattered as a consequence of Roman-era demolition activities that occurred before A.D. 200.

The painstaking process of reassembling these fragments has been a monumental undertaking, experts say, akin to solving an immense historical puzzle.

Leading this intricate reconstruction effort was the Museum of London Archaeology (MOLA) where Han Li, the senior building material specialist, spent three months meticulously laying out and piecing together the fragments.

The result is a stunning restoration that allows these ancient frescoes to be viewed in their original splendor for the first time in nearly two millennia.

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“This has been a ‘once in a lifetime’ moment, so I felt a mix of excitement and nervousness when I started to lay the plaster out,” Li said in a MOLA press release.

Sections of floral decoration are seen on the Liberty wall plaster. The recovered artworks depict bright yellow panel designs interspersed with black sections, exquisitely decorated with motifs of birds, fruit, flowers and lyres.

Sections of floral decoration are seen on the Liberty wall plaster. The recovered artworks depict bright yellow panel designs interspersed with black sections, exquisitely decorated with motifs of birds, fruit, flowers and lyres.

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“Many of the fragments were very delicate and pieces from different walls had been jumbled together when the building was demolished,” well before the Romans had abandoned Britain as their empire began to recede, he said. “The result was seeing wall paintings that even individuals of the late Roman period in London would not have seen.”

The recovered artworks depict bright yellow panel designs interspersed with black sections, exquisitely decorated with motifs of birds, fruit, flowers and lyres.

Such panel designs were a common feature in Roman wall decoration, according to MOLA, but the prevalence of yellow panels was unusual. Similar designs have been identified at only a handful of sites across Britain, including the opulent Fishbourne Roman Palace, about 60 miles to the southwest of this site.

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Beyond their aesthetic appeal, the fragments offer unique insights into Roman artistry and literacy. Among the more than 120 boxes of painted plaster, archaeologists uncovered what appears to be the first known example of a painter’s signature in Roman Britain.

Framed by a tabula ansata — a decorative tablet that’s typically used to sign artworks — an inscription includes the Latin word 'FECIT,' meaning "has made [this]."

Framed by a tabula ansata — a decorative tablet that’s typically used to sign artworks — an inscription includes the Latin word ‘FECIT,’ meaning “has made [this].”

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Framed by a tabula ansata — a decorative tablet that’s typically used to sign artworks — the inscription includes the Latin word ‘FECIT,’ meaning “has made [this].” But the section bearing the artist’s name is missing, leaving their identity a mystery.

Further intriguing details include ancient graffiti left by the building’s occupants or visitors. One fragment features a nearly complete ancient Greek alphabet, the only known instance of such an inscription from Roman Britain.

The precise scoring of the letters suggests a skilled hand, indicating it was not merely writing practice but possibly served a practical purpose, such as a checklist or reference. Another piece reveals the face of a weeping woman, depicted with a hairstyle characteristic of the Flavian period, which dated from A.D. 69-96.

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The artistic influences evident in these frescoes extend beyond Britain, drawing inspiration from wall decorations found in other parts of the Roman Empire, such as Xanten and Cologne in Germany, and Lyon in France. Some fragments even mimic high-status wall tiles, such as red Egyptian porphyry and African giallo antico marble, styles also seen in Londinium north of the River Thames, the southern English town of Colchester, and Pompeii in Italy.

London was originally founded as a city — Londinium — soon after the Roman invasion in A.D. 43, and has consistently yielded significant archaeological treasures. In recent years, numerous excavations have unearthed remnants of Roman roads, buildings and artifacts, continuously reshaping historians’ understanding of this ancient metropolis.

The sheer scale and detail of the Southwark plaster collection provide an unparalleled opportunity, according to MOLA, to study Roman domestic art and the lives of its inhabitants.

Research into each plaster piece is ongoing, with Han Li and his MOLA colleagues continuing to analyze the work of these ancient painters. Their efforts will involve comparing the Liberty wall paintings with other examples from Britain and the broader Roman world.

The findings will be published, and the fragments archived for future academic study, with plans for eventual public display, allowing contemporary audiences to witness these extraordinary artistic legacies from a bygone era.

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Can you say no to a friend’s wedding? : It’s Been a Minute

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Can you say no to a friend’s wedding? : It’s Been a Minute

Can you say no to a friend’s wedding?

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Are we spending too much on other people’s weddings?

Going to a friend’s weddings can be so fun and meaningful… but it can also really hurt your wallet. A survey by LendingTree found that 31% of people who had been to a wedding in the past five years had accrued debt to attend. So what’s driving up the cost of weddings for guests? And what makes it so hard to say no to these expenses?

Brittany breaks it down with Allyson Rees, senior analyst at trend forecasting firm WGSN, and Annie Joy Williams, assistant editor at The Atlantic.

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This episode was produced by Liam McBain, with additional support from Corey Antonio Rose. It was edited by Neena Pathak. Our Supervising Producer is Cher Vincent. Our Executive Producer is Barton Girdwood. Our VP of Programming is Yolanda Sangweni.

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Is it safe to eat from your garden after the Boyle Heights warehouse fire?

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Is it safe to eat from your garden after the Boyle Heights warehouse fire?

After the eight-day-long fire in a 500,000-square-foot Boyle Heights warehouse, eastern Los Angeles residents are contending with putrid smells, soot and potentially hazardous airborne chemicals after heavy plumes of smoke spread throughout the city. But those who grow food in nearby neighborhoods may also be wondering: How will the fires affect the plants and produce in my garden?

The Boyle Heights warehouse, owned by Lineage — a global temperature-controlled storage facility operator — housed 85 million pounds of frozen food and other products. In the days since the fire, local emergency visits for smoke inhalation and throat pain spiked while agencies still scramble to measure the amount of PM 2.5 — harmful fine particles — and heavy metals, like lead and arsenic, in the air.

According to researchers, any toxic airborne chemicals would likely stem from the charred foam insulation, metal exterior, burned solar panels and any lithium batteries that might have been present inside the warehouse.

After a fire, heavy metal particles can spread through ash and smoke over gardens and inhibit growth, said Olukayode Jegede, an agricultural toxicologist and assistant professor at UC Davis. Since the warehouse fire is so recent and cleanup has just begun, Jegede said the precise impact on gardens can’t be measured until comprehensive soil tests are conducted in the area.

While the L.A. city government hasn’t announced plans for soil testing, the Contaminant Level Evaluation and Analysis for Neighborhoods project at USC is offering free contaminant testing for Boyle Heights and East L.A. residents. Residents can collect soil samples and deliver them to Boyle Heights City Hall and other locations for an evaluation of lead, arsenic, chromium and mercury levels.

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The good news is produce, plants and roots can still be preserved. According to Jegede, many of the soil tests conducted last year in the Altadena area after the Eaton fire showed that gardens and poultry were not as contaminated as one might expect.

“Quite a number of the soils we tested [in Altadena] were not really contaminated,” Jegede said. “We weren’t seeing many soils with concerning elevated levels of metal, so gardeners should not be too alarmed when these things happen.”

Nevertheless, there are several measures that gardeners can take to keep themselves, their children, plants and produce safe from potentially harmful contaminants stemming from the fire. Researchers, gardening experts and horticulturists offered some guidance on the handling, recultivation and cleanup that can keep you and your garden in good health.

How do I remove ash and contaminants from my garden?

Altadena horticulturist Leigh Adams said Boyle Heights plants and produce already live in a difficult environment, surrounded by industrial warehouses that spread contaminants daily.

“That area has been used industrially for 100 years, and the soil is impacted by many, many, many things,” Adams said. “Low-income neighborhoods and gardens usually don’t have a lot of resistance against dominant manufacturing.”

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This means that the contamination of gardens in eastern L.A. won’t be as catastrophic as compared with those in Altadena, a more suburban environment, Adams said. But fallen ash still poses major health risks if ingested or inhaled.

An advisory from University of California Agricultural and Natural Resources last year recommended suiting up in an N95/KN95 mask, long sleeves, pants, close-toed shoes and gloves before attempting to deal with ash in the garden to limit exposure to potentially toxic contaminants. The advisory added that individuals should make sure all of this gear is cleaned thoroughly before bringing it back inside.

Once in the proper gear, Adams recommends removing the top two inches of topsoil from gardens, where the highest concentration of contaminants will settle after a fire. Using a plastic bag to collect the soil and disposing of it in the garbage — not green yard waste bins — will help to reduce the spread of airborne chemicals.

Gardeners with raised beds are advised to remove approximately six inches of soil, because excess ash can raise the pH level and prevent nutrients from soaking into the soil bed.

After this, watering the garden gently but plentifully will help to promote soil health and get rid of most of the ash present on plant leaves and stems. Adams said replacing the top two inches of soil with store-bought mulch or straw will help to contain any remaining ash and prevent it from spreading any further.

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Experts say to avoid using leaf blowers if ash is present in the garden because they can send particles airborne. Doing so will increase the likelihood of heavy metal particles, which can carry lung irritants and carcinogens, being spread and inhaled.

A Boyle Heights resident keep a watchful eye on the fire at the 5,000-square-foot commercial building, which stores 85 million pounds of frozen food.

(Genaro Molina / Los Angeles Times)

Is it safe for me to eat produce from my garden?

Several studies, including one from the UC Cooperative Extension of Sonoma County, have shown that consuming produce in a fire-affected area poses minimal health risks.

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Jegede said most root vegetables like potatoes and carrots, along with any fruit that has an outer layer, can be washed to remove potential contaminants, even if they were covered in ash. Peeling the outer layer of your produce can also help to reduce potential risks, he said.

Lettuce and other leafy foods with multiple layers pose a higher risk of contamination, but with a vigorous wash and peeling the outer layers, even the greens can be saved. The County of Los Angeles Department of Public Health recommends soaking leafy produce and fuzzy fruits like peaches in a 10% white vinegar and 90% water mixture.

Jegede said if the leaves or fruit are too delicate to wash or ash is still visible, it would be best to dispose of the produce.

How can I tell if my soil is contaminated?

After ridding your garden of visible ash, you might wonder how to tell if your plants will still thrive in the soil.

At-home soil tests that measure for alkaline, fertility and pH levels are widely available and can be purchased for $15 to $100 (for more detailed results) online. But Jegede said these tests can’t tell the full story of soil health.

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Comprehensive soil testing is “something you can’t do properly at home,” Jegede said. “In labs, we are testing for metals like lithium and zinc, stuff that an at-home test will not show … If it comes to the point that you’re worried about your soil, I would just send it out to a lab.”

Wallace Laboratories in El Segundo, Babcock Laboratories in Riverside, Waypoint Analytical in Anaheim and other labs offer more detailed soil tests that measure heavy metal particles in addition to other fertility factors. Prices at Wallace Laboratories can range from $115 to $295 for a complete compost test.

The soil below two inches should be unharmed, Adams said, so long as new compost is set and plants are watered plentifully, which will promote natural biological cycles.

“What you’re doing is capping the soil, so that moisture stays in there, and instead of being dirt, it’s a living system called soil,” Adams said. “The more carbon we can get into our soil, the better.”

What can I do to help my soil recover?

For the last 12 years, Adams has been working with Metabolic Studio, a Los Angeles-based art and research hub focused on environmentalism, on methods for bioremediation, the practice of using additional fungi, plants and compost to decontaminate ash and break down contaminants.

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Adams said straw, mushrooms, corn, rye and sunflowers are great bioremediators that can help to repair damage to soils. She said certain samples she’s worked on with Metabolic Studio have gone from testing at high heavy metal levels to nearly contaminant-free.

But for a more immediate fix, wash your produce, water your plants and have a little patience during ash cleanups. Your garden should look better in no time, Adams and Jegede said.

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Why Gen Z is movie-maxxing : Pop Culture Happy Hour

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Why Gen Z is movie-maxxing : Pop Culture Happy Hour

Inde Navarrette and Michael Johnston in Obsession.

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Two big horror films, Obsession and Backrooms, just smashed all box office expectations. So much of their success has been driven by Gen Z, which is now the biggest moviegoing demographic. But what makes a movie a Gen Z movie? Today we’re bringing you an episode of NPR’s It’s Been a Minute. Host Brittany Luse talks about this trend with Sam Adams and Reanna Cruz. 

If you want to hear more about these movies, check out these episodes: 

In ‘Obsession,’ love hurts. It really, really, really hurts.

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‘Backrooms’ brings YouTube horror to the big screen

Zendaya brings ‘The Drama,’ we bring the spoilers

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