Culture
Jayden Daniels’ growth with VR simulation has Commanders embracing mind games
ASHBURN, Va. — Kliff Kingsbury embraces the virtual reality simulation Jayden Daniels credits with advancing his quarterback skills, even if the technology initially sent him in the wrong direction.
“The first time I put it on, I backed into the wall,” said Kingsbury, the Washington Commanders’ offensive coordinator and former Texas Tech quarterback. “It felt like the (pass) rush was coming.”
The former Arizona Cardinals head coach spent his one-year absence from the pro ranks determined to seek new approaches should he return. Playing in Mike Leach’s “air raid” system with the Red Raiders from 2000 to 2002 meant Kingsbury quarterbacked one of football’s recent offensive evolutions.
He isn’t about to stunt the latest.
“I’m all in on it,” Kingsbury said of the VR platform. “I mean, it’s an unbelievable technology.”
Six weeks into his rookie season, Daniels is the talk of the league and part of nascent MVP conversations. The Commanders, led by a highly efficient offense tied for second at 29.7 points per game, sport a buzzy 4-2 record entering Sunday’s home game against the Carolina Panthers.
Perhaps the only thing quicker than Daniels’ accelerated growth is the speed at which he sets the VR simulation. That would be the highest possible setting.
“It moves faster within the VR than actual human beings,” Daniels said before Washington opened the 2024 season. “Once you get out there, everything slows down. I know this is coming. I’ve seen this before, (and) it moved more than 20 times faster in VR.”
Jayden Daniels works with virtual reality every morning like a “flight simulator for QBs”@tracywolfson has more 🎤 pic.twitter.com/LmScO2SBt4
— NFL on CBS 🏈 (@NFLonCBS) October 13, 2024
The simulation from the German company Cognilize arrived on the LSU campus ahead of Daniels’ final season. The dual-threat quarterback became an immediate disciple of the immersive technology initially designed for top-shelf soccer players to get extra reps beyond practice without additional wear and tear. Fast forward, the quarterback with mid- to late-round draft projections entering 2023 became a star.
Daniels dazzled with 50 touchdowns — 40 passing, 10 rushing — 3,812 passing yards and 4,946 total yards from scrimmage with just four interceptions en route to winning the Heisman Trophy. He had not passed for 3,000 yards or more than 17 touchdowns in any of his previous four seasons at LSU or Arizona State.
When LSU’s staffers lowered the VR’s pace to game speed, “It felt like slow motion,” Daniels said.
That hasn’t changed, as shown by his pinpoint accuracy — Daniels’ 75.3 completion percentage leads the NFL — and Matrix-like movements around defenders. He ranks fourth among quarterbacks in total yards (1,726) and has accounted for 10 touchdowns, six through the air.
GO DEEPER
For Jayden Daniels’ Commanders, a loss in Baltimore, but not a setback
Regardless of results, not every coach grows with his or her sport or accepts new and different approaches. Some, stuck in their ways, are willing to rise and fall with their methods. The Commanders staff under coach Dan Quinn keeps an open mind about innovations, how they can apply to multiple positions and whatever is coming around the bend.
“It’s one of the fun parts of coaching,” Quinn said. “Nothing really stays the same, and there’s things that evolve and move forward.”
Washington targeted Daniels early in the pre-draft cycle, meaning Kingsbury had time to start formulating a plan for the Commanders’ next quarterback hope. Early meetings after the draft, where Washington made Daniels the No. 2 pick, led the coordinator to make the VR simulation a “huge component” of his weekly process.
“It’s a unique technology, and it’s definitely for the quarterbacks,” Kingsbury said. “I think it is more effective than them just watching the film. They’re going through their reads, they’re going through their progressions, they’re seeing it.”
Daniels is also simultaneously hearing Kingsbury. The coordinator tweaked his daily schedule to spend 45 to 60 minutes narrating the weekly plays into a recorder. Kingsbury’s voice is the soundtrack for those VR sessions.
“(Pilots) don’t go get trained in real planes. They do their flight simulators. … (Jayden) has that thing on all the time. He can see our reads and routes and hears my voice in it. It’s as real as you can (get to) getting game reps, and your mind doesn’t know the difference,” Kingsbury said. “Your mind thinks you’re doing it.”
Soon after the draft, the organization purchased the VR simulation for its quarterbacks. Marcus Mariota, the Commanders’ backup and a former NFL starter, finds the modern application “amazing” in helping quarterbacks develop comfort within an offense and recognize patterns.
“I believe defenses are patterns,” Mariota said. “Recognizing them quickly is important, and (the VR) seems to help Jayden with that.”
GO DEEPER
How a ‘flight simulator’ for QBs made Jayden Daniels even scarier on field
Confidence throwing into coverage and “having a feel for space” is part of Daniels’ college-to-NFL adjustment and another way the simulation aids improvement.
“You got to throw some guys open,” Daniels said. “There’s (defenders) that have played in this league a long time that are very savvy and know what’s coming, all the patterning and stuff like that. You got to make some tight-window throws. So that’s what you got to do in this league.”
The experience isn’t only about after the snap. Simulations allow the quarterback to move in the pocket and use the entire field. Details of road stadiums, including the location of play clocks, enable the user to experience the whole scene before stepping inside.
Less sophisticated versions of the VR product existed in the past. Mariota received a sneak peek at a simulator run by Stanford years ago. The 2014 Heisman winner recalled the process using clips from game tape that couldn’t come close to replicating gamelike situations.
Nine-year veteran Jeff Driskel “played around” with VR tech as a rookie. As a “visual learner,” Washington’s emergency third-string quarterback recognizes the massive improvements from then to now. It’s personalized each game “based on what we think they’ll do on defense and what we’ll do on offense.”
Quinn, 54, leans into the teaching aspect of his job and assembled his staff accordingly. Seeing this advancement of technology lights up the “lifelong learner.” Now backup quarterbacks such as rookie Sam Hartman, who rarely gets significant practice time within the team’s offense, have a tool to help them learn.
“Reps are always few and far between for everybody, especially at the level and pace we’re going,” Hartman said. “The goal for quarterbacks is getting reps and seeing every play a million times. (VR) really helps.”
Free, daily NFL updates direct to your inbox.
Free, daily NFL updates direct to your inbox.
Sign Up
Hartman, a member of Washington’s practice squad, has played video games wearing the Oculus headset but gets motion sickness with all the actual movement. The football simulation does not require running around.
“If I had Jayden’s speed, I’d run around a little more,” cracked Hartman, an undrafted free agent out of Notre Dame.
Mariota and Driskel said there is no telling how much assistance Daniels receives from the simulation or how he would execute under center without VR. They know that more reps lead to honing instincts. When instincts take over in real games, success often follows.
Daniels suffered a concussion in practice last year the week before LSU faced SEC-rival Florida. The injury kept him from the physical but not the mental parts of practice. He then delivered the signature performance of his college career with 372 passing yards, 234 rushing and five combined touchdowns in the 52-35 victory.
“That’s where the VR helped a lot,” Daniels said.
For now, only Washington’s quarterbacks have access to the groundbreaking technology. When simulations are available for others to trick their minds, the Commanders coaches won’t be afraid to embrace whatever scenarios come their way. The one with Daniels has created quite a nice reality.
(Illustration: Meech Robinson / The Athletic; photos: Patrick Smith, Michael Reaves, Michael Zagaris / Getty Images)
Culture
Video: The A.I. threat to audiobooks
new video loaded: The A.I. threat to audiobooks
By Alexandra Alter, Léo Hamelin and Laura Salaberry
May 20, 2026
Culture
Kennedy Ryan on ‘Score,’ Her TV Deal, and Finding Purpose
At 53, and after more than a decade in the industry, things are happening for the romance writer Kennedy Ryan that were not on her bingo card.
The most recent: a first look deal with Universal Studio Group that will allow her to develop various projects, including a Peacock adaptation of her breakout 2022 novel “Before I Let Go,” the first book in her Skyland trilogy, which considers love and friendship among three Black women in a community inspired by contemporary Atlanta.
With a TV series in development, Ryan — who published her debut novel in 2014 and subsequently self-published — joins Tia Williams and Alanna Bennett at a table with few other Black romance writers.
“What I am most excited about is the opportunity to identify other authors’ work, especially marginalized authors, and to shepherd those projects from book to screen,” said Ryan, a former journalist. (Kennedy Ryan is a pen name.) “We are seeing an explosion in romance adaptations right now, and I want to see more Black, brown and queer authors.”
Her latest novel, “Score,” is set to publish on Tuesday. It’s the second volume in her Hollywood Renaissance series, after “Reel,” about an actress with a chronic illness who falls for her director on the set of a biopic set during the Harlem Renaissance. The new book follows a screenwriter and a musician, once romantically involved, working on the same movie.
In a recent interview (edited and condensed for clarity), Ryan shared the highs and lows of commercial success; her commitment to happy endings; and her north star. Spoiler: It isn’t what readers think of her books on TikTok.
Your work has been categorized as Black romance, but how do you see yourself as a writer?
I see myself as a romance writer. I think the season that I’m in right now, I’m most interested in Black romance, and that’s what I’ve been writing for the last few years. It doesn’t mean that I won’t write anything else, because I don’t close those doors. But the timeline we’re in is one where I really want to promote Black love, Black art and Black history.
What intrigued you about the period of history you capture in the Hollywood Renaissance series?
I’ve always been fascinated by the Harlem Renaissance and the years immediately following. It felt like a natural era to explore when I was examining overlooked accomplishments by Black creatives. I loved the art as agitation and resistance seen in the lives of people like James Baldwin or Zora Neale Hurston, but also figures like Josephine Baker, Lena Horne and Dorothy Dandridge, who people may not think of as “revolutionary.” The fact that they were even in those spaces was its own act of rebellion.
What about that period feels resonant now?
The series celebrates Black art and Black history and love at a time when I see all three under attack. Our art is being diminished and our history is being erased before our very eyes. I don’t hold back on the relationship between what I see going on in the world and the books I write.
How does this moment in your career feel?
I didn’t get my first book deal until I was in my 40s, so I think this is the best job I’ve ever had. I’m wanting to make the most of it, not just for myself, but for other people, and I think the temptation is to believe that it will all go away because that’s my default.
Why would it all go away?
Part of it is because we — my family, my husband and I — have had some really hard times, especially early in our marriage when my son was diagnosed with autism, my husband lost his job, and we experienced hard times financially. I’ll never forget that.
When I say it could all go away, I mean things change, the industry changes, what people respond to changes, what people buy and want to consume changes. So I don’t assume that what I am doing is always going to be something that people want.
Why are you so firmly committed to defending the “happy ending” in romance novels?
It is integral to the definition of the genre that it ends happily. Some people will say it’s just predictable every one ends happily. I am fine with that, living in a world that is constantly bombarding us with difficulty, with hurt, with challenge.
I write books that are deeply curious about the human condition. In “Score,” the heroine has bipolar disorder, she’s bisexual, there’s all of this intersectionality. For me, there is no safer genre landscape to unpack these issues and these conditions because I know there is guaranteed joy at the end.
You have a pretty active TikTok account. How do you engage with reviews and commentary on the platform about you or the genre?
First of all, I believe that reader spaces are sacred. Sometimes I see authors get embroiled with readers who have criticized them. I never ever comment on critical reviews. I definitely do see the negative. It’s impossible for me not to, but I just kind of ignore it. I let it roll off.
How does this apply to being a very visible Black author in romance?
I am very cognizant of this space that I’m in right now, which is a blessing, and I don’t take it for granted. I see a lot of discourse online where people are like, “Kennedy’s not the only one,” “Why Kennedy?,” “There should be more Black authors.” And I’m like, Oh my God, I know that. I am constantly looking for ways to amplify other Black authors. I want to hold the door open and pull them along.
How do you define success for yourself at this point?
I have a little bit of a mission statement: I want to write stories that will crater in people’s hearts and create transformational moments. Whether it’s television or publishing, am I sticking true to what I feel like is one of the things I was put on this earth to do? I’m a P.K., or preacher’s kid. We’re always thinking about purpose. And for me, how do I fit into this genre? What is my lane? What is my legacy? Which sounds so obnoxious, you know, but legacy is very important to me.
Culture
How Many of These Books and Their Screen Versions Do You Know?
Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about printed works that have gone on to find new life as movies, television shows, theatrical productions and more. This week’s challenge highlights the screen adaptations of popular books for middle-grade and young adult readers. Just tap or click your answers to the five questions below. Scroll down after you finish the last question for links to the books and their screen versions.
-
Entertainment3 minutes agoRob Base, rapper known for ‘It Takes Two,’ dies at 59
-
Lifestyle9 minutes agoAt SoCal newest children’s museum, kids can dig for mammoth bones or face a giant Lite-Brite
-
Politics15 minutes agoGOP governor hopefuls give closing arguments to oft-forgotten Central Valley Republicans
-
Science21 minutes agoSome experts say they’ve never seen bees swarm so early — and that’s concerning
-
Sports27 minutes agoPrep talk: Teenage barber is helping baseball players look good during playoffs
-
World39 minutes ago‘United States of the Middle East?’: Trump posts US flag covering Iran
-
News1 hour agoWhat will Trump do next with Iran?
-
New York3 hours agoHow Stars From ‘The Morning Show’ and ‘The League’ Keep Their Love Alive