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'It's a dream': Joseph brothers couldn't pass up opportunity to play together with Blues

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'It's a dream': Joseph brothers couldn't pass up opportunity to play together with Blues

From Bob, Barclay and Bill Plager to Brian, Rich and Ron Sutter, the St. Louis Blues are no strangers to having brothers on their roster.

In July, they added another family tree to their franchise history, making a trade with the Ottawa Senators for forward Mathieu Joseph, 27, and then signing free-agent defenseman Pierre-Olivier Joseph, 25, his brother.

As with all siblings, they have great reverence for one another, but there’s also the expected rivalry.

Plenty of examples of both popped up when the Joseph brothers sat down with The Athletic for an hour-long Zoom call recently.

You’ll learn a lot more about them, including which numbers they’ll be wearing this season and why. And you’ll also pick up on the fact they can hardly contain their excitement about this opportunity.

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So sit back and enjoy our chat with the newest Blues brothers!

Note: The conversation has been edited lightly for length and clarity.


Jeremy: It’s really nice to meet you guys! Thanks for doing this! So where are you? What city? Whose house?

Mathieu: We’re in Brossard (Quebec, Canada). We’ve lived together in the summer for about three years now, and we’ve enjoyed it.

Pierre-Olivier: In the past, we’d only see each other for three months the whole year in the summer, so we were like, “We might as well stay together.” But now, I feel like we’re going to get our own places if we’re going to see each other all the time, haha!

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Jeremy: I was going to ask about that. What are your living arrangements going to be like in St. Louis?

Pierre-Olivier: We’re going to live together. We’ve talked to a couple guys about renting their house. I played with Chad Ruhwedel in Pittsburgh and his wife is from St. Louis, so they have a house there, but Kasperi Kapanen is living there now. So no luck so far, but we’ll keep looking.

Jeremy: What have you heard about St. Louis?

Mathieu: I played with Brady Tkachuk in Ottawa and we actually went to his place in St. Louis for dinner last year, so I got to see a little bit of the area. Brady loves going back when he can, and honestly, every guy we’ve been talking to with the Blues loves playing there. I remember my first game in St. Louis. I was impressed with the song the crowd sings in the third period …

Jeremy: Country Roads?

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Mathieu: Yeah, that’s it! I thought that was pretty cool the first time I saw it. I can tell the fans love their team, love the organization and love the city, so I’m definitely excited to be part of the community.

Jeremy: OK, Pierre … should I call you Pierre?

Mathieu: Never! Haha! It’s just P.O.

Pierre-Olivier: Actually, I got to the point where I don’t even care anymore.

Jeremy: Well P.O., tell me something good about living with your brother and something annoying.

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Pierre-Olivier: Where do I start on the last one? No, it’s been good. He’s someone that I’ve been looking up to for so long. We work out together, we’re on the ice together, we’re on the golf course together. Everything we do is pretty much together. So it’s not really living with my brother, it’s living with my best buddy. He knows me by heart. He knows when to give me some motivation, and he knows when to give me some space.

Mathieu: I do get annoying, though. I talk too much, so sometimes I’ll say something and he doesn’t want to talk. I’ll just give him a face like “I get it.” But no, it’s been so easy. We don’t get on each other’s nerves very often and we share responsibility very well in the house. He’s a great cook!

Jeremy: P.O., what do you cook?

Pierre-Olivier: Anything and everything. Honestly, it just depends on what we have in the fridge. My crepes are something that I usually cook for us on Sunday. I do barbecue. Actually, Matt’s been pretty good this summer helping out on the barbecue side of the game.

Mathieu: I’ve been learning barbecue this year …

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Pierre-Olivier: It’s nice not to be the only one cooking.

Jeremy: So growing up, did you guys ever play on the same team, and did you ever dream about playing on the same NHL team one day?

Pierre-Olivier: Back then, playing on the same team at any level wasn’t possible because of our ages. So every year, it was just trying to get to the next level.

Mathieu: I remember being mad one year in junior hockey. I was playing with the Saint John Sea Dogs in the Quebec Major Junior Hockey League. That was P.O.’s junior hockey draft year, and he was projected to go in the second or third round. He wasn’t taken in the second round, so when the third round rolled around, I’m like, “Saint John is going to pick him up and we’re going to play together.” But Saint John picked someone else, and then in the fifth round, he got picked by Charlottetown. I was super happy for him, but I remember being disappointed that Saint John didn’t draft him. That was the first time where I thought maybe we had a chance to play with one another. But then when we both got drafted in the NHL, we were like, “Wow, that would be cool if we could find a place that we could play together.”

Pierre-Olivier: We were even thinking about the possibility of it happening at the end of our careers in Europe, when we’re 37, 38 years old, haha!

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Jeremy: So Mathieu got drafted by the Tampa Bay Lightning in the fourth round of the 2015 NHL Draft, and then won a Stanley Cup in 2021. P.O., what was it like watching that?

Pierre-Olivier: Yeah, it was a little bit of a s— show because of COVID. We were quarantining in Montreal and the next thing you know Mathieu is going into the Stanley Cup Final against Montreal. Tampa was up three games to one and headed back home for Game 5, and our parents couldn’t go because of work. They asked me if I wanted to go and I said, “Yeah!” But I remember there was a tropical storm in Tampa and flights were getting canceled. The only one available was from Montreal to L.A., then L.A. to Orlando (Fla.), and then drive 2 ½ hours to Tampa. I left at 6:30 p.m. and I got to Matt’s place at 10 a.m. the next day. I slept all day long, but then I had the chance to see him win the Cup. I had the chills, and that was a life memory that’s never going away. But at the same time, I was mad at him that he won it right in my face.

Mathieu: Hopefully we win it together one day!

Jeremy: So Mathieu, P.O. got drafted by the Arizona Coyotes in the first round of the 2017 NHL Draft and then traded to the Pittsburgh Penguins in 2019 in the Phil Kessel deal. How much have you been pulling for him?

Mathieu: I was probably more happy that he got drafted than when I got drafted. When he got to the NHL, I was trying to help him out with some things. With me being a forward and him being a defenseman, it was easy to talk about our game because what a forward sees and what a defenseman sees are different perspectives.

Pierre-Olivier: We got the NHL app a few years ago and we watch each other’s games when we can. But sometimes with the app, the state you’re in doesn’t allow you to watch his game …

Mathieu: Or we’d be playing at the same time. I guess it’ll be easier to watch his games this year, ha! But no, it’s been fun to follow each other’s careers. I’ve had some ups and downs that he’s helped me with, and I’ve helped him, too.

Jeremy: What’s something specific that you helped each other with during your career?

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Mathieu: For me, the hardest part of the NHL is that it’s such a routine. It’s the same day every day. So if it’s not going well, it’s the same day that’s not going well. We both are guys that don’t really take life too seriously. We’re here to have fun, but sometimes I get away from that. I’ve had some downs that I felt like I couldn’t get out of and P.O. always has the right words. I always say he’s a really good therapist because all our friends ask him for advice because he’s such a good listener.

Pierre-Olivier: For me, sometimes I’m too careless in what I do, and he knows what I’m capable (of). He’s always there to remind me and push me. It might be lifting a little bit two pounds heavier in the gym that pushes me to be a more competitive person. That’s something I’ve learned a lot from him.

Mathieu: I’ve got to say, too, he’s a very generous guy and thinks about a lot of people before him. In this league, you want to be a good teammate and feel like you’re family. But selfishly, you also have to think a little bit about yourself — how I perform and how I need to be better. Sometimes P.O. forgets about that part, being too unselfish. I tell him, “You’ve got to shoot the puck.” Like I said, you don’t want to bother other teammates.

Pierre-Olivier: But at the same time, it bothers people that I’m not being more selfish.

Mathieu: Exactly! So sometimes I have to remind him, “I know you’re a good guy, but you’ve got to think about how you want to play well.” That’s going to build confidence and help everything else.

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Jeremy: So where and when was the first NHL game that you played against each other?

Mathieu: It was in Pittsburgh last year.

Pierre-Olivier: Once the game started, it was Pittsburgh against Ottawa and not us against each other. But I could constantly hear him talking and talking …

Mathieu: He didn’t answer me once …

Pierre-Olivier: Because I know how he is. He’s just trying to get into my head. Playing tennis back when we were 12 years old, it was the same thing — just yapping.

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Jeremy: Tell me about the high-sticking penalty in that game. P.O., you hit Mathieu with your stick, but you also got yourself, and you both went to the penalty box. What happened?

Pierre-Olivier: I saw him coming, but when I tried to get out of the way, I hit him in the face and then hit myself. We turned around and the referee saw both of us with our hands in our face. I was bleeding, but I didn’t want the ref to see that because then they would have reviewed it and they would have taken away the penalty on Mathieu. When I went into the penalty box, my towel was completely full of blood, but I had to hide it. He was a little mad.

Mathieu: It was so funny!

Jeremy: The reaction of your parents (Frantzi and France Joseph), who were at the game, was priceless. What did you think when you saw the video?

Pierre-Olivier: It was funny. The camera was perfectly on them at the right moment and it showed their personality. They know it’s part of the game, so as long as we’re not dropping the gloves, they know how competitive we are.

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Jeremy: What’s it been like for your parents to watch you go through this journey together?

Mathieu: It’s been pretty cool. They get asked all the time, “Did you know your two kids were going to play in the NHL?” No, they just wanted us to work as hard as we could.

Pierre-Olivier: I remember they sat us down one time and said, “If you guys are going to play at a competitive level, we are ready to help you, but are you ready to do it for yourselves?”

Mathieu: They said, “We’re not going to push you guys to do it. But if you’re giving us 50 percent, then we’re not going to do that. We’re not going to spend that much money on it. You’re wasting time, and we would like for you to do something else.” I remember my mom asking P.O. when he got drafted to the NHL, “Do you still like hockey?” I’m like, “He just got drafted 23rd overall!”

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Pierre-Olivier: I’m like, “Yeah, I’m pretty sure I like it.”

Jeremy: So Mathieu, you were traded to the Blues on July 2, and then P.O. signed with the team on July 3. How did all of this go down behind the scenes?

Pierre-Olivier: I started talking to different teams on July 1 and St. Louis was one of them. Then on July 2, we were sitting on the couch watching tennis on TV and Matt got a text from Ottawa telling him to call them.

Mathieu: I knew I was getting traded way before then, though.

Pierre-Olivier: But he didn’t know it was going to be St. Louis. So he’s got the phone on speaker and they tell him it’s the Blues. Well, he knew I was talking to St. Louis, too, so he gave me a little wink. So I talked to my agent and told him that it would be special playing with Mathieu and whatever offer was on the table from the Blues, I would just take it. My agent asked me about pushing it a little bit, but I told him that the chance I had was not going to happen often. So in a matter of 30 seconds, I was with Pittsburgh and he was with Ottawa, and the next thing you know we’re both in St. Louis.

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Mathieu: We gave each other a big hug! Then we called our parents and said, “Sit down together, we’ve got something to tell you!” My dad was super happy, and my mom had a little bit of tears, knowing they won’t have two opposite jerseys now.

Jeremy: So what was that like, Mathieu, knowing that P.O. picked the Blues to make it happen?

Mathieu: To even know there was a possibility, I was so excited. I was pinching myself, like, “Oh my gosh, this is actually happening.”

Pierre-Olivier: Last week, the Blues sent us some new gear. We had two practices that day, and it was cool when we put both of our bags in the trunk and they were both “St. Louis Blues.” We love the colors already, and it’s fun to see Mathieu in the same logo as me.

Mathieu: No one knows yet, but we’ve actually picked our numbers.

Jeremy: Can we break some news here?

Mathieu: Of course! Our family number is No. 7 because our dad wore No. 7 his entire life. So I picked 71.

Pierre-Olivier: I went with the double seven, No. 77.

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Jeremy: Nice! When you get your last name stitched on the back of both jerseys, are you going to get “Joseph” or your first initial and Joseph?

Mathieu: That’s a good question! He’s saying, “Are you going to have M. Joseph and P.O. Joseph?” When there’s two names that are the same on the team, you have the option. Like the Sedins wore “H. Sedin” and “D. Sedin.”

Pierre-Olivier: That’s true! I didn’t even think about that.

(Editor’s note: After this interview, the Blues announced that the brothers will both wear just “Joseph” on their jerseys this season. 

Jeremy: OK, I want to tell Blues fans what kind of players they’re getting in you guys. P.O., tell me about Mathieu, and vice versa.

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Pierre-Olivier: They’re getting a fast skater, a competitive player, a guy who loves to play defensively, but I know he’s talented enough to put points on the board. But mainly a guy, they’re getting someone who plays with passion and plays for his teammates. He has a lot of character and that definitely helps the people around him work harder and become better players.

Mathieu: One of his biggest assets, his hockey IQ, is above average. He has good instinct offensively, and when he has confidence, he’s extremely fast and super dangerous on the ice. He’s an extremely smart player and how he outsmarts the opponent was annoying when I was playing against him. He’s also been very well-liked everywhere he’s been, and he brings tons of positivity around the room.

Jeremy: So when I’m watching practice and there’s an intense battle in the corner, am I going to know right away who it is without looking at the numbers?

Mathieu: 100 percent!

Pierre-Olivier: If we’re on different teams in camp, it’s going to be a compete level that’s as high as possible. It’s been that way since I was born. It’s going to be a continuation of pushing each other on and off the ice.

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Mathieu: I’m so excited to have someone work with me on my game before and after practice. To be able to do it with my brother, it’s going to help each other for sure.

Jeremy: Does it seem real yet?

Pierre-Olivier: It’s a dream! I don’t think we’ll really comprehend it until we’re on the same ice together and being in front of the fans in St. Louis.

Mathieu: Hopefully we can help the Blues be a competitive team with our performance and our personalities. I told my dad, “Hopefully we can have a good season and enjoy it in St. Louis and play a couple of years there!”

(Photo of Mathieu Joseph with the Senators and Pierre-Olivier Joseph with the Penguins in January 2023: Joe Sargent / NHLI via Getty Images)

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Do You Know Where These Famous Authors Are Buried?

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Do You Know Where These Famous Authors Are Buried?

A strong sense of place can deeply influence a story, and in some cases, the setting can even feel like a character itself — or have a lasting influence on an author. With that in mind, this week’s literary geography quiz highlights the final stops for five authors after a life of writing. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.

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What Happens When We Die? This Wallace Stevens Poem Has Thoughts.

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What Happens When We Die? This Wallace Stevens Poem Has Thoughts.

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Whatever you do, don’t think of a bird.

Now: What kind of bird are you not thinking about? A pigeon? A bald eagle? Something more poetic, like a skylark or a nightingale? In any case, would you say that this bird you aren’t thinking about is real?

Before you answer, read this poem, which is quite literally about not thinking of a bird.

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Human consciousness is full of riddles. Neuroscientists, philosophers and dorm-room stoners argue continually about what it is and whether it even exists. For Wallace Stevens, the experience of having a mind was a perpetual source of wonder, puzzlement and delight — perfectly ordinary and utterly transcendent at the same time. He explored the mysteries and pleasures of consciousness in countless poems over the course of his long poetic career. It was arguably his great theme.

Stevens was born in 1879 and published his first book, “Harmonium,” in 1923, making him something of a late bloomer among American modernists. For much of his adult life, he worked as an executive for the Hartford Accident and Indemnity Company, rising to the rank of vice president. He viewed insurance less as a day job to support his poetry than as a parallel vocation. He pursued both activities with quiet diligence, spending his days at the office and composing poems in his head as he walked to and from work.

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Wallace Stevens in 1950.

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Walter Sanders/The LIFE Picture Collection, via Shutterstock

As a young man, Stevens dreamed of traveling to Europe, though he never crossed the Atlantic. In middle age he made regular trips to Florida, and his poems are frequently infused with ideas of Paris and Rome and memories of Key West. Others partake of the stringent beauty of New England. But the landscapes he explores, wintry or tropical, provincial or cosmopolitan, are above all mental landscapes, created by and in the imagination.

Are those worlds real?

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Let’s return to the palm tree and its avian inhabitant, in that tranquil Key West sunset of the mind.

Until then, we find consolation in fangles.

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Wil Wheaton Discusses ‘Stand By Me’ and Narrating ‘The Body’ Audiobook

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Wil Wheaton Discusses ‘Stand By Me’ and Narrating ‘The Body’ Audiobook

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When the director Rob Reiner cast his leads in the 1986 film “Stand by Me,” he looked for young actors who were as close as possible to the personalities of the four children they’d be playing. There was the wise beyond his years kid from a rough family (River Phoenix), the slightly dim worrywart (Jerry O’Connell), the cutup with a temper (Corey Feldman) and the sensitive, bookish boy.

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Wil Wheaton was perfect for that last one, Gordie Lachance, a doe-eyed child who is ignored by his family in favor of his late older brother. Now, 40 years later, he’s traveling the country to attend anniversary screenings of the film, alongside O’Connell and Feldman, which has thrown him back into the turmoil that he felt as an adolescent.

Wheaton has channeled those emotions and his on-set memories into his latest project: narrating a new audiobook version of “The Body,” the 1982 Stephen King novella on which the film was based.

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“I like there to be a freshness, a discovery and an immediacy to my narration,” Wheaton said. He recorded “The Body” in his home studio in California. Alex Welsh for The New York Times

A few years ago, Wheaton started to float the idea of returning to the story that gave him his big break — that of a quartet of boys in 1959 Oregon, in their last days before high school, setting out to find a classmate’s dead body. “I’ve been telling the story of ‘Stand By Me’ since I was 12 years old,” he said.

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But this time was different. Wheaton, who has narrated dozens of audiobooks, including Andy Weir’s “The Martian” and Ernest Cline’s “Ready Player One,” says he has come to enjoy narration more than screen acting. “I’m safe, I’m in the booth, nobody’s looking at me and I can just tell you a story.”

The fact that he, an older man looking back on his younger years, is narrating a story about an older man looking back on his younger years, is not lost on Wheaton. King’s original story is bathed in nostalgia. Coming to terms with death and loss is one of its primary themes.

Two days after appearing on stage at the Academy Awards as part of a tribute to Reiner — who was murdered in 2025 alongside his wife, Michele — Wheaton got on the phone to talk about recording the audiobook, reliving his favorite scenes from the film and reexamining a quintessential story of childhood loss through the lens of his own.

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This interview has been edited and condensed.

“I felt really close to him, and my memory of him.”

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Wheaton on channeling a co-star’s performance.

There’s this wonderful scene in “Stand By Me.” Gordie and Chris are walking down the tracks talking about junior high. Chris is telling Gordie, “I wish to hell I was your dad, because I care about you, and he obviously doesn’t.”

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It’s just so honest and direct, in a way that kids talk to each other that adults don’t. And I think that one of the reasons that really sticks with people, and that piece really lands on a lot of audiences, and has for 40 years, is, just too many people have been Gordie in that scene.

That scene is virtually word for word taken from the text of the book. And when I was narrating that, I made a deliberate choice to do my best to recreate what River did in that scene.

“The Body” Read by Wil Wheaton

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“You’re just a kid,

Gordie–”

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“I wish to fuck

I was your father!”

he said angrily.

“You wouldn’t go around

talking about takin those stupid shop courses

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if I was!

It’s like

God gave you something,

all those stories

you can make up,

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and He said:

This is what we got for you, kid.

Try not to lose it.

But kids lose everything

unless somebody looks out for them

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and if your folks

are too fucked up to do it

then maybe I ought to.”

I watched that scene a couple of times because I really wanted — I don’t know why it was so important to me to — well, I know: because I loved him, and I miss him. And I wanted to bring him into this as best as I could, right?

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So I was reading that scene, and the words are identical to the script. And I had this very powerful flashback to being on the train tracks that day in Cottage Grove, Oregon. And I could see River standing next to them. They’re shooting my side of the scene and there’s River, right next to the camera, doing his off-camera dialogue, and there’s the sound guy, and there’s the boom operator. There’s my key light.

I could hear and feel it. It was the weirdest thing. It’s like I was right back there.

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I was able to really take in the emotional memory of being Gordie in all of those scenes. So when I was narrating him and I’m me and I’m old with all of this experience, I just drew on what I remembered from being that little boy and what I remember of those friendships and what they meant to me and what they mean to me today.

“Rob gave me a gift. Rob gave me a career.”

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Wheaton recalls the “Stand By Me” director’s way with kids on set, as well as his recent Oscars tribute.

Rob really encouraged us to be kids.

Jerry tells the most amazing story about that scene, where we were all sitting around, and doing our bit, and he improvised. He was just goofing around — we were just playing — and he said something about spitting water at the fat kid.

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We get to the end of the scene, and he hears Rob. Rob comes around from behind the thing, and he goes, “Jerry!” And Jerry thinks, “Oh no, I’m in trouble. I’m in trouble because I improvised, and I’m not supposed to improvise.”

The context for Jerry is that he had been told by the adults in his life, “Sit on your hands and shut up. Stop trying to be a cutup. Stop trying to be funny. Stop disrupting people. Just be quiet.” And Jerry thinks, “Oh my God. I didn’t shut up. I’m in trouble. I’m gonna get fired.”

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Rob leans in to all of us, and Rob says, “Hey, guys, do you see that? More of that. Do that!”

Rob Reiner in 1985, directing the child actors of “Stand By Me,” including Wil Wheaton, at left. Columbia/Kobal, via Shutterstock

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The whole time when you’re a kid actor, you’re just around all these adults who are constantly telling you to grow up. They’re mad that you’re being a kid. Rob just created an environment where not only was it supported that we would be kids — and have fun, and follow those kid instincts and do what was natural — it was expected. It was encouraged. We were supposed to do it.

“The Body” Read by Wil Wheaton

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They chanted together:

“I don’t shut up,

I grow up.

And when I look at you

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I throw up.”

“Then your mother goes around the corner

and licks it up,”

I said,

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and hauled ass out of there,

giving them the finger over my shoulder as I went.

I never had any friends later on

like the ones I had when I was twelve.

Jesus,

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did you?

When we were at the Oscars, I looked at Jerry. And we looked at this remarkable assemblage of the most amazingly talented, beautiful artists and storytellers. We looked around, and Jerry leans down, and he said, “We all got our start with Rob Reiner. He trusted every single one of us.”

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Jerry O’Connell and Wheaton joined more than a dozen actors from Reiner’s films to honor the slain director at the Academy Awards on March 15, 2026. Kevin Winter/Getty Images

And to stand there for him, when I really thought that I would be standing with him to talk about this stuff — it was a lot.

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“I was really really really excited — like jumping up and down.”

The scene Wheaton was most looking forward to narrating: the tale of Lard Ass Hogan.

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I was so excited to narrate it. It’s a great story! It’s a funny story. It’s such a lovely break — it’s an emotional and tonal shift from what’s happening in the movie.

I know this as a writer: You work to increase and release tension throughout a narrative, and Stephen King uses humor really effectively to release that tension. But it also raises the stakes, because we have these moments of joy and these moments of things being very silly in the midst of a lot of intensity. ​​

That’s why the story of Lard Ass Hogan is so fun for me to tell. Because in the middle of that, we stop to do something that’s very, very fun, and very silly and very celebratory.

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“The Body” Read by Wil Wheaton

“Will you shut up

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and let him tell it?”

Teddy hollered.

Vern blinked.

“Sure.

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Yeah.

Okay.”

“Go on, Gordie,”

Chris said.

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“It’s not really much—”

“Naw,

we don’t expect much

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from a wet end like you,”

Teddy said,

“but tell it anyway.”

I cleared my throat.

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“So anyway.

It’s Pioneer Days,

and on the last night

they have these three big events.

There’s an egg-roll for the little kids

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and a sack-race for kids that are like eight or nine,

and then there’s the pie-eating contest.

And the main guy of the story

is this fat kid nobody likes

named Davie Hogan.”

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When I narrate this story — whenever there is a moment of levity or humor, whenever there are those brief little moments that are the seasoning of the meal that makes it all so real and relatable — yes, it was very important to me to capture those moments.

I’m shifting in my chair, so I can feel each of those characters. It’s something that doesn’t exist in live action. It doesn’t exist in any other media.

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“I feel the loss.”

Wheaton remembers River Phoenix.

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The novella “The Body” is very much about Gordie remembering Chris. It’s darker, and it’s more painful, than the movie is.

I’ve been watching the movie on this tour and seeing River a lot. I remember him as a 14- and 15-year-old kid who just seemed so much older, and so much more experienced and so much wiser than me, and I’m only a year younger than him.

What hurts me now, and what I really felt when I was narrating this, is knowing what River was going through then. We didn’t know. I still don’t know the extent of how he was mistreated, but I know that he was. I know that adults failed him. That he should have been protected in every way that matters. And he just wasn’t.

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And I, like Gordie, remember a boy who was loving. So loving, and generous and cared deeply about everyone around him, all the time. Who deserved to live a full life. Who had so much to offer the world. And it’s so unfair that he’s gone and taken from us. I had to go through a decades-long grieving process to come to terms with him dying.

“The Body” Read by Wil Wheaton

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Near the end

of 1971,

Chris

went into a Chicken Delight

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in Portland

to get a three-piece Snack Bucket.

Just ahead of him,

two men started arguing

about which one had been first in line.

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One of them pulled a knife.

Chris,

who had always been the best of us

at making peace,

stepped between them

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and was stabbed in the throat.

The man with the knife had spent time in four different institutions;

he had been released from Shawshank State Prison

only the week before.

Chris died almost instantly.

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It is a privilege that I was allowed to tell this story. I get to tell Gordie Lachance’s story as originally imagined by Stephen King, with all of the experience of having lived my whole adult life with the memory of spending three months in Gordie Lachance’s skin.

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