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Is Caitlin Clark's star power strong enough to spike WNBA fandom?

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Is Caitlin Clark's star power strong enough to spike WNBA fandom?

The Athletic has live coverage of the 2024 WNBA draft.

Just eight days after playing for an NCAA national championship, Caitlin Clark is poised to become the No. 1 pick in the WNBA Draft and burst into the professional ranks with the star power to jolt the league at a pivotal moment in its trajectory.

Throngs of fans are expected to tune in for Monday night’s national broadcast when the Iowa star is all but certain to be selected by the Indiana Fever. From the moment her name is called and Clark takes center stage, she will become the WNBA’s most anticipated rookie in years. A popularity boost similar to the effect she had in women’s college basketball could follow her with every logo 3-pointer she makes and each pin-point pass she throws.

At Iowa, Clark’s impact was even greater than her resumé, which itself was outstanding with three conference tournament titles, two national championship appearances, and dozens of broken records, including the NCAA Division I all-time scoring mark. When Clark played, every game was appointment-viewing. Arenas sold out and television ratings records shattered.

The WNBA has already been on an ascent over the last few seasons with increases in nationally broadcast games, greater attendance and more media coverage. But Clark, who even South Carolina coach Dawn Staley described as “one of the GOATs of our game” after beating Iowa in the championship, is expected to catalyze a surge in fandom, television viewership, attendance and media coverage like no player before. Clark likely will have to continue to perform well and move the Fever out of their bottom-dweller status (Indiana hasn’t made the postseason since 2016) to further juice the WNBA economy. But the early returns indicate she will have an outsized impact.

“I would trade my whole team for her,” said one general manager, granted anonymity by The Athletic to speak freely about Clark. “Partly because our owner would do it to sell tickets. But on top of that, that’s such a great piece to start to build around. She’s (like Diana) Taurasi coming out, and look what Taurasi’s done.”

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Clark will debut in the WNBA at just the right time. The league, entering its 28th season, is on the cusp of a two-year window that could determine its long-term health and future. It announced the addition of a 13th team last fall and intends to expand to 16 teams, according to sources with knowledge of the league’s plans. Charlotte, Toronto and Denver are among the front-runners, and stakeholders from Nashville, Philadelphia, Portland and South Florida have expressed interest to the league about adding a team.

A new media rights deal looms after the 2025 season. Negotiations on a new collective bargaining agreement are likely coming soon, too, and with it, talks about changes to league travel, roster size and salaries — including how players and the league split revenue. If the league’s economics improve — which Clark could impact by her potentially significant draw for sponsors — players could benefit from that, too, in the form of playoff bonuses and more travel accommodations.

The success of the 2024 draft class, led by Clark but also including college stars like Cameron Brink, Kamilla Cardoso and Angel Reese, will help shape the WNBA for years to come. Partnerships and media deals remain the league’s largest sources of revenue, and Clark has been a magnet for sponsors and a driver of record ratings in recent seasons.

That, coupled with her on-court prowess, is why obtaining the No. 1 pick in this year’s draft was so consequential.

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“Caitlin is going to be Caitlin Clark,” said Chicago Sky head coach Teresa Weatherspoon, who also played in the WNBA and coached in the NBA. “She is an incredible talent, going to do amazing things in the WNBA. And it does an incredible thing for us, for the WNBA because of the fan base that follows along with her.”

The frenzy surrounding Clark in college is already carrying over to the WNBA. Thirty-six Fever games — 90 percent of its schedule — will be on national television this upcoming season, one more than the back-to-back champion Las Vegas Aces. According to ticket marketplace Vivid Seats, as of Wednesday, the average sold price for Indiana Fever tickets increased 190 percent since last season. The average list price on Vivid Seats for Indiana’s season-opener against the Connecticut Sun was up 91 percent since Clark declared for the WNBA Draft in late February.

Even before Clark officially joins the Fever, opposing franchises have scheduled around her expected presence. The Aces moved their July 2 home game against Indiana from their usual stadium into the larger T-Mobile Arena, which can accommodate 6,000 more people. The Minnesota Lynx are holding Maya Moore’s jersey retirement on the same night they host the Fever at the end of August. The Phoenix Mercury are already promoting their first contest against Indiana as The GOAT (Taurasi) vs. The Rook (Clark).

According to StubHub, sales for the Indiana Fever are up more than 13 times as of Thursday compared to this same time last year. “Caitlin Clark is already having a huge impact on the WNBA,” StubHub spokesperson Adam Budelli said in a statement.

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This is nothing new to Clark, who sold out all but two games as a senior and drew 55,000 fans for an exhibition game inside Iowa’s football stadium. Clark doesn’t just get fans to spend money on tickets, though, she also pulls in sponsors. She has a growing list of endorsements from blue chip companies — Gatorade and State Farm, for instance — and is on the cusp of a new sneaker deal. Multiple sources with knowledge of the sneaker industry said Clark is set to sign a deal for more than $1 million annually, which would be one of the richest among WNBA players.

The WNBA, which relies on its partnerships as a large source of revenue, could see an influx of new companies interested in working with the league to be tied to Clark, and the Fever could see a boom. Clark’s effect on television ratings could have even more significant implications for the future of the WNBA. Ratings for the WNBA increased last season. The finals averaged 728,000 viewers across ABC and ESPN — the highest in 20 years. Yet Clark’s presence is likely to make the league more bullish as it enters those discussions.

South Carolina’s win over Iowa in the title game was seen on ABC by 18.9 million viewers, with a peak audience of 24.1 million — a 90 percent increase from the 2023 title game and a 289 percent increase from 2022. ESPN said it was the most-watched non-football or Olympics sporting event (men’s or women’s, college or pro) since 2019. The game broke viewership records that were just set days before in the national semifinal and Iowa’s Elite Eight matchup against LSU. All told, women’s college basketball viewership records were shattered across seven different networks in 2023-24, with Iowa taking part in each game.

Highest rated WCB games

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Teams Event Ratings TV

Iowa vs. South Carolina

2024 championship

18.9 M

ABC

Iowa vs. UConn

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2024 national semifinals

14.4 M

ESPN

Iowa vs. LSU

2024 regional championship

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12.3 M

ESPN

Iowa vs. LSU

2023 national championship

9.9 M

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ESPN

The WNBA’s current TV deals will run through the 2025 season when its partnerships with ESPN, Amazon, CBS and Ion are set to expire. Its next media rights deal is likely to encompass both linear television and streaming broadcasts and could be a hybrid of some of the NBA’s current rights partners and rights partners unique to the WNBA, just as it’s structured now.

The NBA is in the middle of its exclusive negotiating window with Disney, which owns ESPN, and Warner Bros. Discovery, which owns TNT Sports. It is parceling together the WNBA rights with the NBA as it goes to market, and representing the WNBA in those talks (the NBA owns a 42.5 percent stake in the league, and several people own teams in both leagues).

Warner Bros. Discovery has shown interest in acquiring WNBA rights in the U.S., according to one person with knowledge of the talks. It just bought the right to broadcast the league in the United Kingdom and Ireland.

The next media deal will come with increasing rights fees for women’s sports. The National Women’s Soccer League agreed to deals that will pay the soccer league $60 million annually. WNBA commissioner Cathy Engelbert told CNBC she hopes to “at least double” the WNBA’s current fees, reportedly about $60 million annually, on its next deal.

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“There’s no doubt, I think, especially over enormous interest, most recently around women’s college basketball and the growth in the WNBA over the last few years that the interest is heightened from where it used to be,” NBA commissioner Adam Silver said when discussing the next media deal.

Clark’s popularity also has impacted the sports gambling market, which could be a way to bring in viewers and consumers. The Iowa-South Carolina championship game was the biggest women’s single betting event of all time on FanDuel, breaking the handle record set in Iowa’s Final Four matchup against UConn. The title game also featured a 155 percent increase in handle on FanDuel over the 2023 Iowa-LSU championship game, the company said.

Bettors already seem to be following Clark to the pros, where FanDuel said that 76 percent of 2024 WNBA MVP bets, as of April 10, have been placed on the future Fever guard. If they also turn into viewers, it is a potential additional way for the league to lift ratings and attendance.

Central to Clark’s appeal is her greatness on the court. Before the national championship, Iowa coach Lisa Bluder expressed concern about how fatigue might affect Clark’s debut season — there is only about a month between her final college game and her first WNBA regular-season contest. Taurasi, the No. 1 pick in the 2004 WNBA Draft, said that Clark, like other rookies, will need time to adjust.

“There’s a period of grace that you have to give rookies when they get to the league,” Taurasi said. “We’ve had some of the greats to ever play basketball, and it takes two or three years to get used to a different game (against) the best players in the world. As long as everyone has expectations that are realistic, they should be fine.”

Yet, Indiana will look to set up Clark for success in both the short- and long-term. She will have an ideal pick-and-roll partner in reigning, unanimous Rookie of the Year Aliyah Boston, and she’ll play in a backcourt alongside 2023 All-Star Kelsey Mitchell. WNBA opponents — bigger, faster and stronger than what she faced in college — will attack Clark defensively. Still, some — even those tasked with limiting her success this season — are already bullish about her potential impact.

“Her game is going to translate,” Aces coach Becky Hammon said. “You can see her work ethic, her professionalism already right now, at Iowa, in how she approaches her craft.”

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(Illustration: John Bradford / The Athletic; Visual data: John Bradford / The Athletic, Amy Cavenaile / The Athletic; Photos of Fever logo and Caitlin Clark: M. Anthony Nesmith / Icon Sportswire / Getty, Thien-An Truong / ISI Photos)

Culture

I Think This Poem Is Kind of Into You

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I Think This Poem Is Kind of Into You

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A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.

The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.

And then it bursts into flame.

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“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.

Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.

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We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.

To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.

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Louise Glück in 1975.

Gerard Malanga

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But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”

That’s the kind of poem she wrote.

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“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.

Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.

What happens next? That’s up to you.

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Culture

Can You Identify Where the Winter Scenes in These Novels Took Place?

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Can You Identify Where the Winter Scenes in These Novels Took Place?

Cold weather can serve as a plot point or emphasize the mood of a scene, and this week’s literary geography quiz highlights the locations of recent novels that work winter conditions right into the story. Even if you aren’t familiar with the book, the questions offer an additional hint about the setting. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.

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Culture

From NYT’s 10 Best Books of 2025: A.O. Scott on Kiran Desai’s New Novel

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From NYT’s 10 Best Books of 2025: A.O. Scott on Kiran Desai’s New Novel

Inge Morath/Magnum Photos

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When a writer is praised for having a sense of place, it usually means one specific place — a postage stamp of familiar ground rendered in loving, knowing detail. But Kiran Desai, in her latest novel, “The Loneliness of Sonia and Sunny,” has a sense of places.

This 670-page book, about the star-crossed lovers of the title and several dozen of their friends, relatives, exes and servants (there’s a chart in the front to help you keep track), does anything but stay put. If “The Loneliness of Sonia and Sunny” were an old-fashioned steamer trunk, it would be papered with shipping labels: from Allahabad (now known as Prayagraj), Goa and Delhi; from Queens, Kansas and Vermont; from Mexico City and, perhaps most delightfully, from Venice.

There, in Marco Polo’s hometown, the titular travelers alight for two chapters, enduring one of several crises in their passionate, complicated, on-again, off-again relationship. One of Venice’s nicknames is La Serenissima — “the most serene” — but in Desai’s hands it’s the opposite: a gloriously hectic backdrop for Sonia and Sunny’s romantic confusion.

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Their first impressions fill a nearly page-long paragraph. Here’s how it begins.

Sonia is a (struggling) fiction writer. Sunny is a (struggling) journalist. It’s notable that, of the two of them, it is she who is better able to perceive the immediate reality of things, while he tends to read facts through screens of theory and ideology, finding sociological meaning in everyday occurrences. He isn’t exactly wrong, and Desai is hardly oblivious to the larger narratives that shape the fates of Sunny, Sonia and their families — including the economic and political changes affecting young Indians of their generation.

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But “The Loneliness of Sonia and Sunny” is about more than that. It’s a defense of the very idea of more, and thus a rebuke to the austerity that defines so much recent literary fiction. Many of Desai’s peers favor careful, restricted third-person narration, or else a measured, low-affect “I.” The bookstores are full of skinny novels about the emotional and psychological thinness of contemporary life. This book is an antidote: thick, sloppy, fleshy, all over the place.

It also takes exception to the postmodern dogma that we only know reality through representations of it, through pre-existing concepts of the kind to which intellectuals like Sunny are attached. The point of fiction is to assert that the world is true, and to remind us that it is vast, strange and astonishing.

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See the full list of the 10 Best Books of 2025 here.

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