Culture
Inside the mind of Luis Severino: Mets pitcher breaks down a start pitch by pitch
TORONTO — Luis Severino has just finished his pregame work on a sunny Wednesday in Toronto. This was a simple day, catch, as the right-hander prepares for the 29th and most important start of his season, Saturday in Philadelphia.
Severino’s emergence as a reliable option in the Mets’ rotation is one of the main reasons New York’s starting staff has been a strength. The rotation ERA sits, like the Mets themselves, sixth in the National League with 16 games to go.
Severino is slated to start four of those remaining 16 games: twice against the first-place Phillies, once against rival Atlanta and, if needed, in the season finale against first-place Milwaukee. Few Mets loom as critical down the stretch as the rebound candidate who has been everything they could have wanted.
And to this point, this season has been everything Severino could have wanted.
“I haven’t done it in so long,” Severino says, smiling. “It feels really good. It feels really good to compete at this level and be healthy for so long this year.”
To get a better understanding of how Severino works — before a start and within a start — The Athletic sat down with him, scorecard in hand, to go inning by inning, batter by batter through his last start against the Cincinnati Reds. In Sunday’s 3-1 loss, Severino pitched 6 2/3 innings and allowed one run — the 12th quality start of his season.
It’s a window into the veteran’s mind at the most important juncture of the season.
Pregame
Severino previously faced the Reds in his second start of the season, on April 6. In that game, he went five innings, allowing two runs (one earned) on three hits. His main takeaway from that game was the two walks he issued — he remembered it being a higher number — and how he couldn’t issue the same kind of free passes to Cincinnati this time around.
Severino’s prep work for a start involves a lot of video study — “what they do good, what they do bad, the last 10 at-bats against a righty with my similar arm angle,” he said. “I look at the pitch sequences: What are they looking for behind in the count?”
Who are those pitchers with a similar arm angle?
“I’ve got the Phillies next. (Miami’s Edward) Cabrera threw a good game against Philadelphia — seven scoreless innings. So I’ll go to that,” Severino said. “He’s similar to me. He throws hard, his changeup is like a sinker, he’s got a good slider. I’ll go to that guy and see what he did good and why he was successful.”
Severino then blends his scouting report with one from his catcher — it’s Luis Torrens in this start — to create a game plan. Cincinnati presents one specific challenge.
“They have runners,” Severino said. “Almost everybody runs there, so understanding I have to be quick to the plate. Any hit or any double, they’re going to try to score. I have to keep that in mind. I’d rather them hit the ball hard than walk somebody.”
First inning
Jonathan India is the Reds’ leadoff batter. Severino starts him with a fastball, sweeper and sinker in that order. He likes to establish that sinker and sweeper, in particular, right away.
“It’s like a little message to the hitters: Don’t get comfortable at the plate,” he said. “I’ve got a sinker in and also a sweeper away. If I do that from the beginning, then they have a different idea of how to approach me in the second at-bat.”
He catches India looking on a full-count sinker. Next up is Elly De La Cruz, the Reds’ shortstop sure to get down-ballot MVP votes in his first full season in the majors.
“He’s the main guy there,” Severino said. “He’s the guy who’s got power, he can run. We either make good pitches to this guy or even 3-2, we’re not giving up. We’re going to throw a nasty pitch and he either swings or goes to first base. That’s the guy I don’t want to let beat me.”
He doesn’t in the first inning, as Severino retires the side in order.
Second inning
To start the second inning, Severino retires Ty France and Jake Fraley on one pitch each. Does that change how he attacks Santiago Espinal with two outs?
“I’m going after the third hitter right away,” he said. “It’s going to be a strike. The game has changed a lot, but for me, if the first two pitches are two outs, you have to take at least two strikes. That’s an advantage for me because I’m going to go after you.”
Espinal takes a first-pitch fastball strike, fouls off the next pitch and eventually strikes out on a sweeper. Six up, six down on just 20 pitches for Severino.
Third inning
Noelvi Marte leads off the third. He and France are the two Reds in the lineup Severino has never faced before.
“France and Marte have almost the same approach. I would throw them inside and the report was they were not as good against off-speed,” Severino said. “It was just trying to get ahead in the count and finish it with a breaking ball.”
Severino got ahead of Marte 0-2 with sinkers, then threw six consecutive sweepers. The last of them caught the infielder looking.
Next up is Will Benson, whom Severino had beaten consistently with fastballs last matchup until Benson tripled off him in his third at-bat. Against a hitter like Benson, Severino thinks less about the velocity of his fastball than where he locates it.
“The only spot he can hit the ball is down and in, where he has a lot of power,” he said. “If I hit my spot, if I go up and away, that’s a tough place to hit that ball. It’s not about how hard I can throw; it’s about where I can put that ball.”
Benson works a walk and moves to second on a Luke Maile groundout. In Cincinnati’s first at-bat with a runner in scoring position, Severino reaches back for something extra against India. His 1-2 sinker is clocked at 99.5 mph — the hardest pitch he’s thrown all season. India fouls that pitch off then flies out on a 98 mph sinker.
“If I get men on second or third, I don’t know how it comes to me, but I’m able to reach back and throw a little bit harder in those spots,” Severino said.
Indeed, Severino averages nearly a mile per hour more on his fastball when runners are in scoring position this season.
Fourth inning
Severino is now working through the Reds order for a second time. He threw his first slider last inning to India, and in this inning, he introduces both his changeup and his cutter.
“It’s just looking for a pitch they haven’t seen before, more against the lefties,” he said. “I want to show them not to get comfortable at the plate. Our mindset was cutter in and then changeup down and away. If you can get to those two pitches, you’re a really good hitter.”
True to what he said earlier, Severino doesn’t give in on a full-count offering to De La Cruz, walking him with a sweeper. De La Cruz leads the majors in stolen bases, and Severino throws over to first base right away.
“I’m usually really fast to home plate, so just in that situation, I have to be even quicker,” he said. “I know Torrens has a good arm, so I have to give him a chance to throw that runner out.”
De La Cruz runs on a first-pitch cutter, and Torrens nails him at second. The catcher has caught an incredible 13 of 20 runners this season.
“He was in the minor leagues for two months. I don’t know how you can have someone like that in the minor leagues,” Severino said of Torrens. “He’s so valuable for us right now. I don’t have to worry much about who’s running. It’s about making my pitch and trying to be quick and not trying to do something I’m not used to.”
Spencer Steer pops up to Torrens, and Severino gets a comebacker from France. After France made a first-pitch out on a sinker last time, Severino started him off with a sweeper for a strike.
“If you make a first-pitch out, you don’t give me much to do,” he said. “After that, we had everything in our pocket to get him out.”
Fifth inning
Severino runs into his first real jam of the day in the fifth through little fault of his own. Fraley leads off with a duck-snort double that doesn’t even reach the outfield grass on the fly. Espinal follows with a bloop single to right. Two balls hit under 65 mph, and yet it’s first and third with no outs in a scoreless game.
“It’s tough,” Severino said. “For me, it’s like, ‘OK, this happens. I have to go out there and compete. If I get out of this inning with one run, that’s good.’”
With the count 2-2 on Marte, the Mets call for a pickoff throw to first, which Severino executes in the blink of an eye. With the help of video review, they nab Espinal for a huge first out. At that point, Severino gets greedy.
“After that, let’s go for the strikeout now and try to get out of the inning with no runs,” he said.
He does just that, beating Marte again with a two-strike sweeper, though this time swinging. While Severino’s strikeout rate for the season is a pedestrian 20.7 percent (below the league average for a starting pitcher), that number balloons to 26.7 percent with a runner on third and fewer than two outs — when a strikeout is especially important. (Hitters strike out less often in that spot than they do overall.)
Against Benson, he gets whiffs on both a 1-1 sinker and a 1-2 four-seam fastball to end the threat.
That sinker is essentially a new pitch for Severino this year. How does he like to play it off his traditional four-seam fastball?
“Hitters get used to speed really quick. In this game, everybody throws hard,” he said. “So I like to play with the movement.”
Here’s an example: If Severino throws a four-seamer up and the hitter fouls it off, his expectation is that the hitter will adjust his swing to get on top of the high heater — leaving him susceptible to the sinker.
“That’s played well for me this year,” he said.
The sinker also allows him to work inside to righties more consistently.
“It was just a four-seam I was throwing middle-away, middle-away,” he said of his arsenal in the past. “After working with that sinker, I just do the same thing. I throw it middle and it’s going to go in.
“For me, everything now is about location. I don’t have to do much. I don’t have to aim my pitch. Just throw it in the middle and the pitch will do its job.”
Sixth inning
Severino is about to start his third tour of the Reds order in the sixth inning. As with most starters, that’s when Severino has been hit the hardest (.834 OPS against).
The inning starts with Maile, the ninth hitter.
“The main thing is just trying to get the first guy out,” Severino said. “You’ve got to get that guy out because after that, the best three hitters are coming. Get the first guy out, don’t let him get on base for the good part of the lineup.”
After striking out Maile on a sweeper, he surprises India with a 1-2 changeup for the swinging strikeout. This was Severino’s sixth encounter with India this season, and by the time he’d reached 1-2, he’d thrown him 36 pitches in 2024. The 37th was the first changeup. India almost smirks at the mound after swinging through the pitch.
“Torrens called that pitch there; I thought that was an amazing idea,” Severino said. “Nobody was waiting for that pitch there.”
Severino credited both Torrens and Francisco Alvarez for being active participants throughout the game, even when they’re not playing that day. He’s always seeking input from the two of them.
“The communication is the main thing for a pitcher and catcher, and they communicate really well with everybody,” he said. “Those guys do a good job.”
De La Cruz singles and moves to second when another quick pickoff attempt from Severino sails past Pete Alonso at first base. Severino shrugs it off to face Steer.
“He can steal third base, but I knew there’s two outs,” he said. “I just needed to worry about getting this guy out. We threw a changeup to get a fly ball to left field to get out of that inning.”
Seventh inning
The Mets finally break the seal on a two-out RBI single from Starling Marte in the bottom of the sixth. Now with a lead, Severino is facing the middle of the Cincinnati order having thrown 83 pitches.
France leads off with yet another soft hit, an excuse-me bloop to no man’s land between Alonso, Severino and second baseman José Iglesias. The Mets then just miss turning two on Fraley’s first-pitch grounder to first. Fraley moves to second on a wild pitch, but Severino wins a seven-pitch battle with Espinal with a fastball for a swinging strikeout.
Severino just has to get through Noelvi Marte, whom he’s struck out twice, to record seven shutout innings.
Instead, Marte loops a first-pitch sinker down the right-field line to score Fraley.
“That inning there, I would say I was not lucky enough,” Severino said. “I threw a lot of good pitches, I competed there. I know there’s a lot of things I can’t control, but the stuff I can control I try to do a good job with those.”
Manager Carlos Mendoza took the ball from Severino after 97 pitches.
What’s the right-hander thinking as he walks back to the dugout in a 1-1 game?
“About throwing another pitch (to Marte),” he said. “I could have gone with slider or changeup or fastball up and in. Something else. But at the end you can’t do anything about that.”
Postgame
The Reds rallied for two more runs in the ninth inning against Phil Maton to salvage the finale of the three-game series and snap the Mets’ nine-game winning streak. Severino’s final line included 6 2/3 innings, one run on five hits — only one of which was hit even 80 mph — with eight strikeouts and two walks.
“Just give my team a chance to win,” Severino said. “That’s the main thing for a pitcher. If you go out there and compete and give your team a chance to win, that’s really good.”
He’s done that consistently throughout the season, allowing no more than two runs in 16 of his 28 starts. The Mets will continue to lean on him down the stretch.
“Hopefully I can continue that and keep working hard and keep improving,” Severino said. “Hopefully we make the playoffs this year and I can keep showing everybody what kind of pitcher I am.”
(Photo of Luis Severino: Noah K. Murray / Associated Press)
Culture
Video: 250 Years of Jane Austen, in Objects
new video loaded: 250 Years of Jane Austen, in Objects
By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega
December 18, 2025
Culture
Try This Quiz and See How Much You Know About Jane Austen
“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.
Culture
Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday
On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.
Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”
With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”
How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.
By ‘A Lady’
Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)
Where the Magic Happened
Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.
An Iconic Accessory
Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.
Austen Onscreen
Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.
Jane Goes X-Rated
The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.
A Lady Unmasked
Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”
Wearable Tributes
It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.
The Austen Literary Universe
On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)
A Botanical Homage
Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.
Aunt Jane
Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.
Cultural Currency
In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.
In the Trenches
During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”
Baby Janes
You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.
The Austen Industrial Complex
Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.
Around the Globe
Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.
Playable Persuasions
In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.
#SoJaneAusten
The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.
Bonnets Fit for a Bennett
For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.
Most Ardently, Jane
Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”
Stage and Sensibility
Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.
Austen 101
Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”
W.W.J.D.
When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?
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