Culture
How two obscure coaches built the basketball podcast top coaches swear by
Last week new Michigan coach Dusty May spent a day with the Miami Heat staff, then flew to Pittsburgh to trade ideas with Utah Jazz coach Will Hardy and Charlotte Hornets assistant Josh Longstaff. May will read any book or study any basketball team’s film if he thinks it might equip him with an idea or a play or a leadership tactic.
And part of his continuing education is a podcast from two coaches most basketball fans have never heard of.
While driving to lunch last February, May listened to Olympia Milano coach Ettore Messina break down the spacing concepts in his offense. The previous week, the voice of Tokyo Hachioji Bee Trains head coach Tyler Gatlin had come through May’s speakers. The next week he would hear from former NBA head coach Stan Van Gundy.
The globe-spanning lessons came from the Slappin’ Glass Podcast, which has turned into a word-of-mouth hit for coaches at every level of the sport, four years and 201 episodes in.
“I listen to every episode,” May said. “My staff listens to just about every episode. I think a majority of college coaches probably listen to it regularly.”
Jeff Van Gundy stumbled upon one of the hosts’ video breakdowns — they also have a weekly newsletter and YouTube channel — and was so impressed he called them up to say how great it was. Since then, he has encouraged some of his best friends in the business to go on their show, which is how two obscure basketball coaches who played together at Division III Chapman University end up on a call with Hall of Fame football coach Bill Parcells.
“Everybody’s wary of going on a podcast where they veer off into things that they aren’t able to discuss,” Van Gundy said. “They know they’re going to be straight basketball. There’s no ‘gotcha’ questions. It’s not overly dramatic clickbait, like ‘who’s the best player?’ … They’re truly trying to help coaches coach better.”
The show’s guest list features some of the most respected basketball coaches in the country — Brad Stevens, Geno Auriemma, Rick Pitino, Tom Thibodeau, Mike D’Antoni, the Van Gundy brothers, John Beilein, to name a few — and just as many big names in the international game. What started as a self-improvement project for the hosts has become a shop-talk paradise for coaches and hoops diehards at every level.
“You can put one of those on in an hour and you’re generally a better coach by the end of it,” said Saint Louis coach Josh Schertz.
Carney and Krikorian in Berlin, the night the idea for the podcast was hatched. (Courtesy of Dan Krikorian)
Dan Krikorian’s initial plan was to be a musician when he graduated from Chapman in 2007. Between tours, he made extra money giving shooting lessons, coaching a youth team, and eventually coaching the junior varsity team at his high school alma mater. “Once I stepped foot in the gym to coach, I was like, ‘OK, this is what I want to do,’” he said. In 2013, Krikorian returned to Chapman as an assistant coach. This summer, he was elevated to head coach.
Pat Carney played professionally for 12 seasons in some of Germany’s top basketball leagues. In 2018 he retired and stayed in Germany to pursue a coaching career. The two young coaches and former teammates stayed connected by phone, studying other teams around the world and talking ball. Over beers one night in Berlin after Krikorian’s band had played a show, Krikorian suggested they turn those jam sessions into a podcast and interview the coaches whose systems piqued their interest.
The idea was mostly forgotten until a year later, when Krikorian and Carney were discussing the motion offense of Division III Yeshiva University, which had just gone 29-1 running a modern-day replica of Bob Knight’s system at Indiana. Krikorian and Carney wanted to pick the brain of coach Elliot Steinmetz, so they set up a Zoom. Right before the meeting, Krikorian suggested he record it. He already had all of the sound and editing equipment; if it went well, he could turn the interview into their first episode.
The pandemic had made it more commonplace for coaches across the world to connect over video call. The podcast’s first episode, published on Aug. 17, 2020, was not as polished as what the Slappin’ Glass guys produce today, but they enjoyed it so much they decided to make it a weekly routine.
The audience was small at first — “our moms,” Krikorian jokes — but they got some bumps whenever a famous guest joined the show, like Jeff Van Gundy in February of 2021. The hosts put together a list of coaches they’d love to interview, took suggestions from coaching buddies, and then started shooting their shot. To their surprise, they rarely heard no.
“They ask really good questions,” said Alabama assistant Ryan Pannone, the show’s third guest while coach of the G-League Erie Bayhawks. “And as a result, because their product is good and they’ve had good coaches speak on it, more coaches are willing to come on because they listen to it.”
Their curiosity and research seems to loosen lips. Beilein, who has always been guarded with what he shared publicly about his two-guard offense, explained the teaching points to the Slappin’ Glass guys without hesitation, then praised the questions they had asked him.
“I haven’t talked basketball to anybody like this in a bit,” Belien said near the end of the interview.
Most coaches approach podcast interviews expecting to be dragged into story time, but the Slappin’ Glass guests quickly find themselves delving into the intricacies of their methods.
“That’s the ideal for us,” Carney says. “It’s not an interview. Let’s talk some hoops.”
The show’s ethos: Everything that a coach does is interesting.
“The best thing about basketball, and what keeps us having conversations fresh and new every week, is that there’s so many ways to win,” Carney said. “There’s so many ways to teach, so we’re never assuming there’s one right way. Otherwise we would have probably had that conversation, and we would have just wrapped up shop.”
Krikorian and Carney go into every interview with a few ideas of what they want to talk about from background reading and film study, but their ability to listen and ask insightful follow-up questions carries the conversation and sometimes leads them down a rabbit hole.
“That’s our favorite part of the podcast is when it goes someplace we didn’t even expect,” Krikorian said.
They often get coaches into uncharted territory during their regular segment called “Start, Sub, Sit,” a basketball-centric variation on a common forced-choice game. When Stevens joined the show, they asked him which of three Ted Lasso quotes he would start, sub and sit. (Stevens’ Start: “You know what the happiest animal on earth is? It’s a goldfish. You know why? It’s got a 10-second memory. Be a goldfish” — because you should never worry about what someone says about you or worry about missing a shot. “I love that,” Stevens said, “Let it go. Have shot amnesia.”)
Everything always comes back to the game, never going on a tangent that wouldn’t be applicable to coaching.
“We know the coach has 45 minutes to get on the treadmill, or they’re commuting for 40 minutes to work,” Krikorian says. “We don’t want to waste one second of their time with something that’s not valuable.”
Kirkorian (left) was named the head coach at his alma mater in August. (Alex Vazquez for Chapman University)
Relationships with coaches like Van Gundy have helped Krikorian and Carney land some of their most well-known guests, but what brings them the most pride is that the show’s downloads and listens no longer depend as heavily on name recognition. And they’ve been able to give some talented but lesser-known coaches a platform to share their knowledge and ideas.
“If you think about it, like the best players, they progress. They find a level. That’s not always true in coaches,” Van Gundy said. “Some do. And some, either by choice or by just lack of opportunity, don’t. But I think too many fans think the best coaches rise just like the players do. Not true.”
Krikorian and Carney have created a nice side hustle. Their podcast has multiple sponsors, and they average 30,000 to 40,000 downloads per month. Their newsletter has over 7,000 subscribers, with close to 1,000 of those paying for their premium content.
While their content is consumable for anyone who loves the game — not just coaches — it’s a niche audience. But the goal was never to become famous; it was to become better coaches.
“With coaching, you have to be proficient,” Carney says. “You have to know yourself. You have to work hard. But a lot of it is relationships, too, and this has allowed us to build genuine relationships and continue conversations past the podcast that have directly impacted our careers.”
During the interview for this story, Carney was in Poland with the German under-20 national team. The head coach of that team, Martin Schiller, was a guest in 2022 and kept in touch with Carney, eventually reaching out to ask Carney to join his staff this summer.
Krikorian says he’d be lying if he didn’t think about one day coaching at a higher level than D-III, but he’s living a pretty good life now as the head coach of his alma mater, in the backyard of where he grew up, building a sustainable business that was born from a whim during the pandemic.
“The people that I’m able to call for advice now,” Krikorian says. “It’s a dream of ours, honestly.”
ESPN analyst Fran Fraschilla, a fan and two-time guest, says what the Slappin’ Glass guys have done reminds him of an era long ago when coaches like Hubie Brown and Dean Smith went overseas to teach the game.
“What’s happened over two generations or three generations is the world is now teaching the game of basketball back to us,” Fraschilla says. “Slappin’ Glass has provided an incredible menu of international basketball ideas. They are the conduit for great basketball coaching information.”
(Top illustration photos courtesy of Alex Vasquez and @ralf.zimmermann.fotografie)
Culture
Video: 250 Years of Jane Austen, in Objects
new video loaded: 250 Years of Jane Austen, in Objects
By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega
December 18, 2025
Culture
Try This Quiz and See How Much You Know About Jane Austen
“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.
Culture
Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday
On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.
Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”
With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”
How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.
By ‘A Lady’
Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)
Where the Magic Happened
Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.
An Iconic Accessory
Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.
Austen Onscreen
Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.
Jane Goes X-Rated
The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.
A Lady Unmasked
Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”
Wearable Tributes
It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.
The Austen Literary Universe
On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)
A Botanical Homage
Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.
Aunt Jane
Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.
Cultural Currency
In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.
In the Trenches
During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”
Baby Janes
You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.
The Austen Industrial Complex
Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.
Around the Globe
Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.
Playable Persuasions
In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.
#SoJaneAusten
The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.
Bonnets Fit for a Bennett
For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.
Most Ardently, Jane
Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”
Stage and Sensibility
Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.
Austen 101
Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”
W.W.J.D.
When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?
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