Culture
How MLB players cope with — and grow from — playing on a terrible team: ‘You find ways’
CHICAGO — A mere mention of the year 1991 elicited a pained groan from Sandy Alomar Jr. as he leaned against a railing in the Cleveland Guardians’ dugout.
Three decades have passed. Alomar played for seven teams across 20 seasons, appeared in 49 playoff games, won an All-Star Game MVP award and supplied a slew of unforgettable moments in a big-league uniform. He has coached for a consistent contender in Cleveland for 15 years.
And yet, he still can’t shake memories of that miserable ’91 season. That’s what losing can do — not the sort of losing that leaves players, coaches and fanbases disgruntled, but the degree of losing that beats the soul out of someone who can’t escape it.
“It hits you in the face every day,” said Cleveland pitcher Alex Cobb, a member of the 115-loss Baltimore Orioles of 2018. “Wake up, do it again. Wake up, do it again.”
Scanning the dugout of the historically inept Chicago White Sox during an early-September series at a mostly empty Guaranteed Rate Field triggered some flashbacks for Cobb.
He signed with the Orioles in late March 2018 and played catch-up for much of the year. By the time Cobb felt like himself, the Orioles were 40 games out of first place and he still had another dozen starts to make. He focused on sharpening his mechanics for the next season.
“You’re just trying to get through the day,” Cobb said. “You find ways.”
Of course, no one’s going to pity a big-leaguer who earns a seven-figure salary, enjoys ample leg room on charter flights, gorges on infinite servings of red meat at Brazilian steakhouses on road trip off days and throws a ball around for a couple of hours every five days.
“I don’t recall anyone feeling sorry for us,” said Orioles outfielder Cedric Mullins, who blossomed in 2021, when Baltimore lost 110 games. “In fact, it felt like it was blood in the water at that point.”
Still, it takes a mental toll on those completing nine fruitless innings night after night. No one knows it better than the White Sox, who broke the 1962 New York Mets’ record of 120 losses on Friday. Chicago was eliminated from playoff contention in mid-August. They sit more than 40 games out of fourth place in their division, a situation so bleak it’d test anyone’s drive.
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“It’s definitely challenging to stay locked in and motivated,” said Ryan O’Hearn, a member of a pair of Royals teams that lost more than 100 games.
In 2021, Mullins became the first player since the franchise moved to Baltimore in 1954 to tally 30 homers and 30 stolen bases in a season. But he admits “it just wasn’t as fun” because the team was dreadful. His production dipped over the past three seasons, but he said he has enjoyed the experiences more.
“It’s funny,” he said, “when we go through stints like (the club’s recent funk), it feels like we’re losing. And I’m like, ‘You all have no idea.’”
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Baltimore outfielder Cedric Mullins was a lone bright spot for the 2021 Orioles, who lost 110 games. (Rich Schultz / Getty Images)
When Torey Lovullo steered the Arizona Diamondbacks through a 52-110 season in 2021, his 25-minute commutes home from Chase Field were “dark.” He would sing along to Supertramp or Led Zeppelin to decompress and distract himself from whatever daunting matchup awaited his club the following day.
“I tried to go home and just be present at home,” Lovullo said, “and that became harder and harder throughout the course of the season.”
Several players said they would linger at home longer before heading to the ballpark, preferring not to spend an extra nanosecond in the monotonous misery.
“It can feel like a project to get to the stadium itself,” said Cincinnati Reds reliever Buck Farmer.
Farmer led the 2019 Detroit Tigers in appearances, with 73. The Tigers were 29-44 when he pitched and 18-70 when he didn’t.
“We lost a lot,” he said. “In my entire tenure there, we lost a lot.”
One hundred and fourteen games in 2019, to be precise. Enough to draw comparisons to the 2003 Tigers, who rallied during the final week of the season to avoid joining the ’62 Mets in the pantheon of futility.
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“September was really hard,” said Matthew Boyd, who made a team-high 32 starts for the 2019 Tigers.
Both ex-Tigers pitchers, however, agreed there’s not much difference between 114 losses and, say, 98, the number of games Detroit dropped the previous two years.
“It’s all hard,” Boyd said.
“Either way sucks,” Farmer said. “Either way you draw it up, not having a winning season is tough. It sucks to lose.”
The clubhouse culture “can dictate how much that sucks,” Farmer said. In 2019, for instance, “it was like showing up for a 9-to-5, which sucks.” Sensing a theme here, or at least noticing a particular word that encapsulates the effects of perpetual losing on the psyche?
“It could have been a lot better,” said catcher Jake Rogers, another member of the 2019 Tigers. “It’s like the (2024) White Sox. You get to a point where everyone is like, ‘We’ve lost how many?’ That part sucks sometimes, but we weren’t thinking that (in) the moment. But you look back at it and it’s like, ‘Man, 114 is a lot.’”
In 2022, the Reds started the season 3-22, but Farmer insists no one would know based on the energy in the clubhouse. That can depend on the composition of the roster. When winning proves impractical, team goals tend to slip down players’ priority lists.
“I will never be OK with losing,” said Los Angeles Dodgers infielder Miguel Rojas.
Late in the Miami Marlins’ march to 105 losses in 2019, the players held a meeting after a series in Arizona. Rojas asked his teammates “to look themselves in the mirror and look up (other) rosters (to determine) how many more teams you could play for today,” a method of motivation he said he was taught when he broke into the big leagues.
“Being eliminated a month before the season’s over,” Rojas said, “it’s hard, because the fans feed off that, too. … It’s really hard to ask people to come to the ballpark. So it’s really hard to come to the ballpark every day. It’s really low-energy. You’re finding your own motivation to play the game. But you have to be professional. You have to show up every single day because you’re getting paid.”
“Everybody’s in a certain spot in their career,” Cobb said. “If you’re going to arbitration, you’re trying to fluff as many numbers or trying to prevent bad numbers from happening. If you’re older, you’re on a contract, you’re probably just trying not to get hurt, trying to work on stuff for the next year.”
And if you’re new to the major leagues?
“On a team like that, there are a lot of guys who are super excited to be here,” Cobb said. “You don’t get to ruin that for anyone. You don’t get to take other peoples’ joy away from being in the locker room.”
As the 2018 trade deadline approached, the Orioles dealt away Manny Machado, Zack Britton, Kevin Gausman, Darren O’Day, Jonathan Schoop and Brad Brach. In the second half, Cobb looked around the room and wondered who everyone was. He said the influx of young players ultimately “helped the mood.”
That youthful exuberance can help to dispel feelings of nihilism. As Cobb described, “You’re putting the X over the days on the calendar, just trying to get through it.”
“It’s hard to find those bright spots,” Mullins said. “And those bright spots aren’t going to be looked at too often, just because (of) the team. You want to see the team perform. Individuals can’t do that on their own.”
Outfielder Austin Hays, like Mullins, broke out for the Orioles in 2021.
“You really have to dig into why you’re playing when you’re down 8-0 in the third inning,” said Hays, who credited the birth of his son for giving him proper perspective.
During a 102-loss season with the Oakland Athletics in 2022, catcher Stephen Vogt — now the Guardians’ manager — would encourage veteran players to be “an extension of the coaching staff,” said pitcher Cole Irvin. Vogt would engage the team’s young players about pitchers’ tendencies or reading hitters’ swings.
The most reassuring reminder Vogt provided?
“You’re what the 12-year-old version of yourself wanted to be,” Irvin said.
That 12-year-old self couldn’t wait to get to the field, no matter the team’s results of the previous day or week or month.
“It’s really hard,” Boyd said, “but it’s a balancing act. You have to have awareness. You’re going to fall out of line, and when you do, you have to give yourself grace to gently get back in.”
Those trudges to the finish line can be scarring, though.
As Alomar shook his head, reflecting on that 105-loss Cleveland season in 1991, his former teammate, Carlos Baerga, approached. Alomar stopped him and mentioned the infamous year. Baerga shouted like he was suffering from appendicitis and then recalled the most valuable bit of advice he received in his career. Hitting instructor Jose Morales told him: “Don’t get used to losing, because when you get used to losing, you get lazy.”
Alomar and Baerga came up together with the Padres and won minor-league championships in two of their final three years in the farm system. Then they were shipped to Cleveland, where the Indians lost so much they became a baseball punchline and played in front of small gatherings in a cavernous dungeon on the shores of Lake Erie.
They never sunk lower than in 1991. Cleveland went four decades without a playoff appearance after a trip to the World Series in 1954, but no iteration of the Indians lost more than that ’91 team did.
Alomar tore his groin partially off his pubic bone, which ended his season in late July when the club was sitting at 33-63. He still showed up to the ballpark every day, like a wounded animal slogging toward the slaughterhouse. All he needed to see in the opposing dugout were a few veteran players, and he knew.
“They’re probably gonna kick our butt,” Alomar said.
— The Athletic’s Sam Blum, Chad Jennings, C. Trent Rosecrans and Cody Stavenhagen contributed to this reporting.
(Top illustration: Meech Robinson / The Athletic; Photo of Torey Lovullo: Steph Chambers / Getty Images; Alex Cobb: Rick Madonik / Toronto Star via Getty Images; Luis Robert Jr.: Thearon W. Henderson / Getty Images; Sandy Alomar Jr.: Focus on Sport / Getty Images; Miguel Rojas: Mitchell Layton / Getty Images)
Culture
Video: 250 Years of Jane Austen, in Objects
new video loaded: 250 Years of Jane Austen, in Objects
By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega
December 18, 2025
Culture
Try This Quiz and See How Much You Know About Jane Austen
“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.
Culture
Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday
On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.
Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”
With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”
How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.
By ‘A Lady’
Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)
Where the Magic Happened
Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.
An Iconic Accessory
Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.
Austen Onscreen
Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.
Jane Goes X-Rated
The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.
A Lady Unmasked
Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”
Wearable Tributes
It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.
The Austen Literary Universe
On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)
A Botanical Homage
Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.
Aunt Jane
Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.
Cultural Currency
In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.
In the Trenches
During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”
Baby Janes
You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.
The Austen Industrial Complex
Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.
Around the Globe
Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.
Playable Persuasions
In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.
#SoJaneAusten
The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.
Bonnets Fit for a Bennett
For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.
Most Ardently, Jane
Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”
Stage and Sensibility
Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.
Austen 101
Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”
W.W.J.D.
When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?
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