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How MLB players cope with — and grow from — playing on a terrible team: ‘You find ways’

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How MLB players cope with — and grow from — playing on a terrible team: ‘You find ways’

CHICAGO — A mere mention of the year 1991 elicited a pained groan from Sandy Alomar Jr. as he leaned against a railing in the Cleveland Guardians’ dugout.

Three decades have passed. Alomar played for seven teams across 20 seasons, appeared in 49 playoff games, won an All-Star Game MVP award and supplied a slew of unforgettable moments in a big-league uniform. He has coached for a consistent contender in Cleveland for 15 years.

And yet, he still can’t shake memories of that miserable ’91 season. That’s what losing can do — not the sort of losing that leaves players, coaches and fanbases disgruntled, but the degree of losing that beats the soul out of someone who can’t escape it.

“It hits you in the face every day,” said Cleveland pitcher Alex Cobb, a member of the 115-loss Baltimore Orioles of 2018. “Wake up, do it again. Wake up, do it again.”

Scanning the dugout of the historically inept Chicago White Sox during an early-September series at a mostly empty Guaranteed Rate Field triggered some flashbacks for Cobb.

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He signed with the Orioles in late March 2018 and played catch-up for much of the year. By the time Cobb felt like himself, the Orioles were 40 games out of first place and he still had another dozen starts to make. He focused on sharpening his mechanics for the next season.

“You’re just trying to get through the day,” Cobb said. “You find ways.”

Of course, no one’s going to pity a big-leaguer who earns a seven-figure salary, enjoys ample leg room on charter flights, gorges on infinite servings of red meat at Brazilian steakhouses on road trip off days and throws a ball around for a couple of hours every five days.

“I don’t recall anyone feeling sorry for us,” said Orioles outfielder Cedric Mullins, who blossomed in 2021, when Baltimore lost 110 games. “In fact, it felt like it was blood in the water at that point.”

Still, it takes a mental toll on those completing nine fruitless innings night after night. No one knows it better than the White Sox, who broke the 1962 New York Mets’ record of 120 losses on Friday. Chicago was eliminated from playoff contention in mid-August. They sit more than 40 games out of fourth place in their division, a situation so bleak it’d test anyone’s drive.

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“It’s definitely challenging to stay locked in and motivated,” said Ryan O’Hearn, a member of a pair of Royals teams that lost more than 100 games.

In 2021, Mullins became the first player since the franchise moved to Baltimore in 1954 to tally 30 homers and 30 stolen bases in a season. But he admits “it just wasn’t as fun” because the team was dreadful. His production dipped over the past three seasons, but he said he has enjoyed the experiences more.

“It’s funny,” he said, “when we go through stints like (the club’s recent funk), it feels like we’re losing. And I’m like, ‘You all have no idea.’”

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Baltimore outfielder Cedric Mullins was a lone bright spot for the 2021 Orioles, who lost 110 games. (Rich Schultz / Getty Images)

When Torey Lovullo steered the Arizona Diamondbacks through a 52-110 season in 2021, his 25-minute commutes home from Chase Field were “dark.” He would sing along to Supertramp or Led Zeppelin to decompress and distract himself from whatever daunting matchup awaited his club the following day.

“I tried to go home and just be present at home,” Lovullo said, “and that became harder and harder throughout the course of the season.”

Several players said they would linger at home longer before heading to the ballpark, preferring not to spend an extra nanosecond in the monotonous misery.

“It can feel like a project to get to the stadium itself,” said Cincinnati Reds reliever Buck Farmer.

Farmer led the 2019 Detroit Tigers in appearances, with 73. The Tigers were 29-44 when he pitched and 18-70 when he didn’t.

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“We lost a lot,” he said. “In my entire tenure there, we lost a lot.”

One hundred and fourteen games in 2019, to be precise. Enough to draw comparisons to the 2003 Tigers, who rallied during the final week of the season to avoid joining the ’62 Mets in the pantheon of futility.

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“September was really hard,” said Matthew Boyd, who made a team-high 32 starts for the 2019 Tigers.

Both ex-Tigers pitchers, however, agreed there’s not much difference between 114 losses and, say, 98, the number of games Detroit dropped the previous two years.

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“It’s all hard,” Boyd said.

“Either way sucks,” Farmer said. “Either way you draw it up, not having a winning season is tough. It sucks to lose.”

The clubhouse culture “can dictate how much that sucks,” Farmer said. In 2019, for instance, “it was like showing up for a 9-to-5, which sucks.” Sensing a theme here, or at least noticing a particular word that encapsulates the effects of perpetual losing on the psyche?

“It could have been a lot better,” said catcher Jake Rogers, another member of the 2019 Tigers. “It’s like the (2024) White Sox. You get to a point where everyone is like, ‘We’ve lost how many?’ That part sucks sometimes, but we weren’t thinking that (in) the moment. But you look back at it and it’s like, ‘Man, 114 is a lot.’”

In 2022, the Reds started the season 3-22, but Farmer insists no one would know based on the energy in the clubhouse. That can depend on the composition of the roster. When winning proves impractical, team goals tend to slip down players’ priority lists.

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“I will never be OK with losing,” said Los Angeles Dodgers infielder Miguel Rojas.

Late in the Miami Marlins’ march to 105 losses in 2019, the players held a meeting after a series in Arizona. Rojas asked his teammates “to look themselves in the mirror and look up (other) rosters (to determine) how many more teams you could play for today,” a method of motivation he said he was taught when he broke into the big leagues.

“Being eliminated a month before the season’s over,” Rojas said, “it’s hard, because the fans feed off that, too. … It’s really hard to ask people to come to the ballpark. So it’s really hard to come to the ballpark every day. It’s really low-energy. You’re finding your own motivation to play the game. But you have to be professional. You have to show up every single day because you’re getting paid.”

“Everybody’s in a certain spot in their career,” Cobb said. “If you’re going to arbitration, you’re trying to fluff as many numbers or trying to prevent bad numbers from happening. If you’re older, you’re on a contract, you’re probably just trying not to get hurt, trying to work on stuff for the next year.”

And if you’re new to the major leagues?

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“On a team like that, there are a lot of guys who are super excited to be here,” Cobb said. “You don’t get to ruin that for anyone. You don’t get to take other peoples’ joy away from being in the locker room.”

As the 2018 trade deadline approached, the Orioles dealt away Manny Machado, Zack Britton, Kevin Gausman, Darren O’Day, Jonathan Schoop and Brad Brach. In the second half, Cobb looked around the room and wondered who everyone was. He said the influx of young players ultimately “helped the mood.”

That youthful exuberance can help to dispel feelings of nihilism. As Cobb described, “You’re putting the X over the days on the calendar, just trying to get through it.”

“It’s hard to find those bright spots,” Mullins said. “And those bright spots aren’t going to be looked at too often, just because (of) the team. You want to see the team perform. Individuals can’t do that on their own.”

Outfielder Austin Hays, like Mullins, broke out for the Orioles in 2021.

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“You really have to dig into why you’re playing when you’re down 8-0 in the third inning,” said Hays, who credited the birth of his son for giving him proper perspective.

During a 102-loss season with the Oakland Athletics in 2022, catcher Stephen Vogt — now the Guardians’ manager — would encourage veteran players to be “an extension of the coaching staff,” said pitcher Cole Irvin. Vogt would engage the team’s young players about pitchers’ tendencies or reading hitters’ swings.

The most reassuring reminder Vogt provided?

“You’re what the 12-year-old version of yourself wanted to be,” Irvin said.

That 12-year-old self couldn’t wait to get to the field, no matter the team’s results of the previous day or week or month.

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“It’s really hard,” Boyd said, “but it’s a balancing act. You have to have awareness. You’re going to fall out of line, and when you do, you have to give yourself grace to gently get back in.”

Those trudges to the finish line can be scarring, though.

As Alomar shook his head, reflecting on that 105-loss Cleveland season in 1991, his former teammate, Carlos Baerga, approached. Alomar stopped him and mentioned the infamous year. Baerga shouted like he was suffering from appendicitis and then recalled the most valuable bit of advice he received in his career. Hitting instructor Jose Morales told him: “Don’t get used to losing, because when you get used to losing, you get lazy.”

Alomar and Baerga came up together with the Padres and won minor-league championships in two of their final three years in the farm system. Then they were shipped to Cleveland, where the Indians lost so much they became a baseball punchline and played in front of small gatherings in a cavernous dungeon on the shores of Lake Erie.

They never sunk lower than in 1991. Cleveland went four decades without a playoff appearance after a trip to the World Series in 1954, but no iteration of the Indians lost more than that ’91 team did.

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Alomar tore his groin partially off his pubic bone, which ended his season in late July when the club was sitting at 33-63. He still showed up to the ballpark every day, like a wounded animal slogging toward the slaughterhouse. All he needed to see in the opposing dugout were a few veteran players, and he knew.

“They’re probably gonna kick our butt,” Alomar said.

The Athletic’s Sam Blum, Chad Jennings, C. Trent Rosecrans and Cody Stavenhagen contributed to this reporting.

(Top illustration: Meech Robinson / The Athletic; Photo of Torey Lovullo: Steph Chambers / Getty Images; Alex Cobb: Rick Madonik / Toronto Star via Getty Images; Luis Robert Jr.: Thearon W. Henderson / Getty Images; Sandy Alomar Jr.: Focus on Sport / Getty Images; Miguel Rojas: Mitchell Layton / Getty Images) 

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Finding Wisdom in a Poem by Wendy Cope

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Finding Wisdom in a Poem by Wendy Cope

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Where do you turn when you need advice? A chatbot? A life coach? A wise and trusted friend?

How about a poet? Poets may not be famous for making the best life choices, but because they subject the mess of human existence to the discipline of language, they can be as helpful as any therapist or mentor.

Good poets know the rules and when to break them, which is something they can teach the rest of us.

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To wit:

Giving advice is a peculiar literary undertaking. It flourishes in certain popular genres — graduation speeches, newspaper columns, country and western songs and poems like this one — but what, in these contexts, is it really for?

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I’m thinking of situations when you don’t urgently need help but nonetheless enjoy reading answers to questions you may not have thought to ask. What interests you isn’t the content of the advice — you could get all the life hacks you want from A.I. — so much as the voice of the person dispensing it.

Wendy Cope is an English poet, born in 1945, who has been a fixture of her country’s literary scene since the 1980s. More recently, her short, buoyant poem “The Orange” has been widely memed online, bringing her to the attention of new readers beyond Britain.

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Cope favors rhyme, meter, brisk jokes and tart aperçus. She addresses romance, friendship and the petty absurdities of modern life with disarming good humor. The last line of “The Orange” is “I love you. I’m glad I exist.” Somehow she makes it the opposite of cringe.

This isn’t the kind of poetry you would describe as “confessional.” And yet …

Want to learn this poem by heart? We’ll help.

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Fill in the missing words below. You can always refer to the reading by A.O. Scott and full
text above.

Question 1/7

Let’s start with the first stanza.

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Stop, if the car is going clunk 

Or if the sun has made you blind. 

Dont answer emails when youre drunk. 

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Tap a word above to fill in the highlighted blank.

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Can You Match the Places These Authors Lived With Settings in Their Books?

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Can You Match the Places These Authors Lived With Settings in Their Books?

A strong sense of place can deeply influence a story, and in some cases, the setting can even feel like a character itself. This week’s literary geography quiz highlights places where authors were born (or lived) that later became locations in their books. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the works if you’d like to do further reading.

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Book Review: ‘America, U.S.A.,’ by Eddie S. Glaude Jr.

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Book Review: ‘America, U.S.A.,’ by Eddie S. Glaude Jr.

AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries, by Eddie S. Glaude Jr.


For those of us in the national memory-keeping business, anniversaries hold near-totemic power. Satisfyingly round units of time, ideally bearing fancy, Latin-derived names, serve as the overburdened pegs on which to hang think pieces and museum exhibits, revisionist documentaries and maudlin public ceremonies. The arbitrary nature of such occasions is precisely what gives them their charge, inviting us to set aside complacency and submit to a comprehensive check-in.

In his new book, “America, U.S.A.,” Eddie S. Glaude Jr. presents an intriguing variation on the genre, seeing the country’s 250th birthday as an anniversary of anniversaries: 50 years since the malaise-ridden, schlock-heavy Bicentennial. A century since the subdued Prohibition-era Sesquicentennial. A century and a half since telegraphed reports of George Armstrong Custer’s defeat by the Lakota and Cheyenne at Little Bighorn rudely interrupted the Gilded Age Republic’s 100th birthday party.

If an anniversary offers a snapshot of a moment, the core of Glaude’s book is an old-timey photo album, a collection of notable episodes from earlier national reckonings, long-ago glances in the mirror. An estimable scholar of Black history, politics and religion at Princeton — best known for “Begin Again,” his 2020 meditation on James Baldwin’s relevance for our times — Glaude focuses, as his subtitle puts it, on “how race shadows the nation’s anniversaries.”

Such celebrations, he contends, have never really been the moments for honest self-reflection they are often advertised to be. Instead, the nation usually shatters the mirror, refusing to accept what it prefers not to see. “American anniversaries are often moments to turn a blind eye to the evils of the past and the present,” Glaude writes, “to suppress the fact of America’s divided soul.”

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It’s a clever concept, and, needless to say, perfectly timed. Last year, Glaude notes, the Trump administration executed a hostile takeover of the government’s studiously bipartisan 250th anniversary planning. It is now preparing a program that is certain to conceal more than it reveals about the country ostensibly being celebrated.

Glaude, in no mood for celebration, argues that such omissions and evasions also defined commemorations in the past. In 1875, Frederick Douglass predicted “one grand Centennial hosannah of peace and good will to all the white race of this country.” He was right: The nation reached 100 years old at a crucial moment in the post-Civil War fight over racial equality, with white Northerners ready to give up on Southern Reconstruction. The occasion would help the once-warring sections to reunite around a shared commitment to white supremacy. On May 10, 1876, at the opening of the Centennial Exposition in Philadelphia, the police tried to bar Douglass from the grandstand, until a white politician vouched for him.

The 150th anniversary came soon after a resurgent Ku Klux Klan successfully pushed for a restrictive immigration law aimed at keeping America a “Nordic” nation. At the lavishly funded, lightly attended celebrations in Philadelphia, Black veterans of World War I were excluded from marching in the opening parade. A writer with The Associated Negro Press wondered “what was in the breast of those black men who fought to make America safe for Democracy and on Monday stood on the sidelines, forgotten, as the Nordic strode by in all his vain pride.”

By 1976, when the nation marked its Bicentennial, the violence of the ’60s had destroyed any semblance of consensus. Vietnam and Watergate had eroded trust in the government. The commission initially tasked with organizing the anniversary was disbanded amid reports of corruption. Corporations filled the vacuum, Glaude explains, with “star-spangled whoopee cushions; patriotic toilet seats; Liberty hamburgers; red, white and blue beer cans.” The author, around 8 years old at the time, dimly remembers donning a pair of tricolor trousers.

A half-century later, Glaude is refreshingly honest about the depths of his despair. “I do not love America, and never have, especially now,” he writes in one of the more startling opening sentences I’ve read in some time. He dismisses this year’s Semiquincentennial as reaching back “to a storybook America that requires either the banishment of Black people from view or the reduction of our role in the country’s history, so as to affirm America’s ongoing quest to be a more perfect union.”

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Undoubtedly true. But Trump doesn’t own the country, at least not yet, nor the 250th anniversary of one of the most radically liberatory and confusingly contradictory events in world history — an inspiration, as Glaude shows, even to critical observers of the American experiment, like Douglass. Far from the revanchist MAGA-palooza in Washington, I suspect this summer’s unasked-for invitation to national soul-searching may surprise us yet.

Despite his despair, Glaude concludes that “the past still offers resources for us to freedom-dream.” So, too, does this book.


AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries | By Eddie S. Glaude Jr. | Crown | 270 pp. | $31

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