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Exposure, popularity and stars. Is college softball on the brink of a breakthrough?

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Exposure, popularity and stars. Is college softball on the brink of a breakthrough?

PALO ALTO, Calif. — On a steamy Thursday afternoon at Stanford’s Smith Family Stadium, every Cardinal player and coach not on the field stands against the dugout rail, shouting encouragement at someone. Including, between every pitch, a chorus of “Yeah, NiJa!”

NiJa is Stanford pitcher NiJaree Canady, a 6-foot sophomore, who finds herself in a bind against rival Cal. She began the top of the fifth inning with a walk, a passed ball and a single. Now, the Bears have executed a double steal to pull within 4-2. There are no outs and a runner at second. It’s a 2-2 count.

But on her 89th pitch of the afternoon, Canady unleashes a searing rise ball to strike out leadoff batter Lagi Quiroga swinging. Canady smiles and exchanges an excited clap with shortstop River Mahler.

And then, in an instant, the inning is over, with Canady notching another strikeout and a two-pitch groundout in the eventual Pac-12 tournament win.

With the NCAA Tournament opening this week, college softball has steadily increased in popularity over the past decade. Viewership for the Women’s College World Series finals reached a record 1.85 million viewers in 2021 and notably passed the Men’s CWS championship with 1.6 million viewers in 2022. The WCWS has reached at least 1 million viewers in each of its last four seasons (it did not air in 2020), and some believe the sport may be on the verge of a women’s basketball-like breakout.

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A handful of recent stars – Alabama’s Montana Fouts, Oklahoma’s Jocelyn Alo, Tennessee’s Kiki Molloy – have captivated audiences over those 10 days in Oklahoma City. Still, the last softball player to transcend into the mainstream sports world was arguably Arizona pitcher Jennie Finch more than 20 years ago.

Canady, a Topeka, Kansas, native and star pitcher with 256 strikeouts in 168.2 innings and a 0.50 ERA, could be that generational player.

“NiJaree’s extremely competitive. I think she might be the face of college softball right now for that reason,” said Reese Atwood, the top hitter for No. 1 Texas who in February slammed one of five home runs hit against Canady this season. “She’s one of those standout players that just everyone knows her name in the game.”

Canady burst on the national scene as a freshman at last year’s WCWS, where she struck out Oklahoma star Tiare Jennings on consecutive at-bats, unleashing her now-familiar fist pump and howl after both.

“I feel like I show my emotion a lot on the mound,” said Canady. “Especially if it’s a good battle.”

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She then closed out a 2-0 upset of Alabama, threw a one-hit shutout with nine strikeouts against Washington and helped the Cardinal take the No. 1 seed Sooners to extra innings before falling to the eventual champs a second time.

Now, a year later, as the eighth-seeded Cardinal begin their quest to return to Oklahoma City, members of the softball community mention Canady alongside the all-time greats. In particular, because of her rare ability to combine velocity (she was clocked at 75 mph in last year’s WCWS) with sorcery. Her rise ball – a pitch with backspin that appears headed to the strike zone, only to rise as it breaks – is virtually unhittable.

“I honestly don’t know if I’ve ever seen (a rise ball) like hers in my whole life,” said Stanford pitching coach Tori Nyberg, a Cardinal pitcher in the early 2000s. “Monica Abbott is in a class of her own, but in terms of the velocity, she’s the only person I can think to compare to hers.”

Abbott, a four-time All-American at Tennessee from 2004-07 and NCAA career strikeout leader, holds the Guinness World Record for fastest softball pitch at 77 mph. She predicts Canady will break it.

“NiJa is already throwing as fast as I was as a pro,” said Abbott, now an ESPN analyst. “Her limit does not exist. I think she could potentially reach 80 (mph).

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“I don’t know — can NiJa be the Caitlin Clark of softball? I kind of believe she can.”


When Patty Gasso arrived as Oklahoma’s head softball coach in 1995, her team spilled into the first row of bleachers at home games. Pushed to a public park, the entire roster could only fit into the dugout once the school opened Marita Hynes Field three years later.

That’s why the yard sign outside Oklahoma’s new, $48 million Love’s Field advertising recreational softball at that same public park is so telling. It’s a reminder of where college softball once was, and a sign of how far the sport has come.

“Every day we come out when there’s a crowd, it’s still a wow moment for us. We’re still trying to get used to this,” said Gasso, whose No. 2 seeded Sooners are playing for their fourth consecutive national title this postseason. “I think everyone is just in disbelief, to be honest.”

Instead of overflowing into the bleachers, Oklahoma’s roster nearly spills onto the field as players lean over the dugout fence chanting. When Oklahoma’s leadoff hitter steps into the box, every fan stands, points to the air and slowly chants “OOO-U” like during kickoff at a football game. For a regular-season home series in April, attendance tops 4,100 at each game, but that’s not a surprise. The program beat its single-season attendance record (43,647 across 30 games in 2018) in just 11 home dates this season.

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Gasso describes playing at Love’s Field, the largest on-campus softball facility in the country, as “more overwhelming” than at Hall of Fame Stadium, recently renamed Devon Park, the home of the WCWS. And atmospheres like this one are popping up nationally. Northwestern and Stanford are building new homes, while Devon Park recently underwent renovations to expand its capacity to 13,000. Florida State, the 2021 and 2023 WCWS runner-up, made $1.5 million worth of upgrades to the Seminole Softball Complex before last season, funded exclusively by booster donations. Simultaneously, new programs at Duke and Clemson, which started in 2017 and 2020, respectively, jumped to relevancy.

When the NCAA staged its first softball tournament in 1982, the sport was predominantly a West Coast fixation. It remained that way for two-plus decades, with either a California school or Arizona winning 20 of the first 23 championships. In that first year, automatic berths were granted only to the Big Eight and Western Collegiate Athletic Association, but as more conferences sponsored college softball, AQs increased. By 2003, every eligible conference nationwide received an automatic berth to the expanded 64-team bracket.

“I was the loudest person that said, ‘Crappy idea. We need the best teams in the postseason,’” said Sue Enquist, UCLA’s seven-time national champion head coach from 1989-2006. “They’re like, ‘No, we’ve got to build the sport nationally.’

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“Fast forward to 2005. Carol Hutchins and her Michigan team came and upset us in the finals. And for the first time ever, you have a snow belt team win the championship. Now, all the big schools in those eastern conferences, SEC, ACC are like, ‘Sh–, we can win!’ And the sport exploded.”

As the sport spread nationally, so did the talent. Canady is a prime example, ranking as the No. 11 recruit in the Class of 2022, per recruiting ranking site Extra Innings Softball. Last year, EIS coined the Kansas City region as an emerging hotbed for college pitchers, with Canady as one of the top products.

“I love that NiJa represents a region of our country in Kansas for so many more fans,” said Jessica Mendoza, a former outfielder at Stanford and current MLB broadcaster at ESPN. “Forever it was California, Texas and Florida, those were where every player came from.”

With that comes increased parity. After revealing this season’s postseason bracket, Division I softball committee chairman Kurt McGuffin said parity in the sport is “gaining ground” and will continue to make the job of the selection committee more challenging than before.

In the 2024 season, 307 Division I softball teams competed (296 full members with 11 transitioning from lower divisions) compared to 245 teams in 2000 and 143 teams in 1982.

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“I’ve always been proud that I’ve been able to actually live through the growth of the sport,” said former Arizona coach Mike Candrea, the winningest coach in college softball history. “And the sport is absolutely still climbing.”

A big part of that climb was more exposure.

When former Stanford infielder and current Pac-12 Network broadcaster Jenna Becerra played from 2008-11, her parents followed most of her games on a website that tracked the play-by-play using stick figures. “I hit lefty and righty, and they never knew which side of the plate I was hitting on,” she said.

A dozen years later, ESPN platforms aired nearly 3,200 regular-season NCAA Division I softball games in 2024. Viewership of the regular season is up 25 percent from 10 years ago, and this was the most-watched season since 2015. All this comes during a season that competes with the MLB and postseasons in the NHL and NBA.

The early days of college softball’s media partnership with ESPN shaped its format and pushed the sport’s executives to be forward-thinking when it came to rule changes, Enquist said.

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Need more hitting? The NCAA Rules Committee agreed to move back the mound. Need to see the ball better? They made it yellow. And when all that worked, former ESPN VP of programming and acquisitions Carol Stiff asked, “Why don’t we do best of three?” So, the sport replaced its championship game with a three-game series in 2005.

“There was a sense of trust and expertise,” Stiff said of those postseason rule meetings. “One hundred percent of everyone that was in that room wanted to grow the game and do what’s good for the game.”

Although the length of games has increased slightly in recent years, college softball is historically fast-moving. An action clock holds the pitcher, catcher and batter responsible for keeping the flow. This season, the time for the pitcher to begin their motion after receiving the ball was reduced from 25 to 20 seconds, while the batter and catcher have to be in position to play with at least 10 seconds left.

“It’s really easy to become a softball fan once you start paying attention,” said Stanford coach Jessica Allister. “It’s a fun sport to watch, it’s fast-paced, the players are athletic, there are big plays, big moments, there’s great energy, there’s great cohesion.

“And I think the more often we can get people to tune in one time, they keep coming back.”

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Average attendance at the WCWS has also seen a steady rise. The 2023 series averaged 12,290 fans across nine sessions, a nearly 30 percent increase from 10 years ago and an 86 percent increase from the first WCWS in Oklahoma City in 1990.

“By the time you get to the Women’s College World Series, not only is everything televised, hundreds of games have been showcased to lead up to that moment,” said Mendoza, “(so you have a really good idea) who the players are that are going to be there.”

And it’s those players who hold the keys to the sport’s next breakthrough.


UCLA shortstop Maya Brady always wanted to play college softball. She remembers feeling giddy before her mom took her to her first UCLA game; Maureen Brady covered Maya’s room in blue and gold decorations before they went.

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Sports ran in Maya’s blood. Maureen was an All-American pitcher at Fresno State and Maya is the niece of two-time World Series champion Kevin Youkilis and seven-time Super Bowl champion Tom Brady. Maya quickly jumped onto the college softball map, named freshman player of the year in 2020 and repeating as the Pac-12 player of the year last week.

Now, Brady is on the other side of interactions with those giddy young fans at games, many of whom say they play with jersey No. 7 because of her.

Enquist said part of the pull to college softball is the players’ transparency.

“Would we be as popular a sport if we were just a bunch of robots out there being super competitive? Probably not,” Enquist said. “We’re an individual sport that is really camouflaged as a team sport. When I get up to the plate it’s an individual sport. There aren’t nine people getting in the box with me.”

Limited professional opportunities mean most players stay for their full eligibility, adding to the competitiveness and making them more recognizable as their college careers progress. Among the stars, there’s Oklahoma’s Jennings, a top 10 player of the year finalist who is quietly climbing to the top of Oklahoma and WCWS record books. There’s Nebraska’s Jordy Bahl, the former Oklahoma ace who missed this season with an injury but holds high expectations when she returns next year, and Tennessee’s Karlyn Pickens, who joined Abbott this year as the second Lady Vol to be named SEC pitcher of the year. There’s two-way powerhouse Valerie Cagle, the reigning player of the year who helped put Clemson on the map.

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“I thought I could come in and accomplish all these goals and no one would care. Now, looking back I understand it’s very unrealistic,” said Cagle, who set a school record in hits (83) while pitching with a 1.56 ERA last season. “That’s so cool to me that people recognize softball and are excited about it.”

And then there’s Canady, whose impact goes beyond the mound.

Natasha Watley, a four-time first-team All-American at UCLA and two-time Olympian who runs a foundation dedicated to diversity in softball, said Canady is inspiring the next generation.

“I have a young daughter now; to see a Black pitcher at Stanford University – that’s normal. That wasn’t the norm for me,” Watley said. “I don’t know if she realizes how powerful it is.”

Canady said she noticed early on the lack of diversity in the sport (only 6 percent of college softball players are Black, according to NCAA data), “but that was something that helped me want it even more.”

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A two-time state champion and Kansas Gatorade Player of the Year, Canady grew up playing numerous sports alongside her brother, B.J., now a freshman defensive lineman at Cal. In the second grade, she briefly played offensive line. She was a four-star basketball recruit in high school before focusing on softball as a senior.

“Her hitting coach (growing up) told us she could go off to college and be all-conference in basketball,” said her father, Bruce Canady, “but if she sticks with softball, they would talk about her for a long, long time.”

That talk began last summer in Oklahoma City, and will only intensify if Canady and the Cardinal make another run over the next three weeks.

Becerra, who has called many of Canady’s games, marvels at this moment for both the pitcher and the sport.

“Somehow, she’s gotten even better since last year,” Becerra said. “No one’s really sure how that’s possible, but that’s what generational talent does.”

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(Illustration: John Bradford / The Athletic; photos: Eakin Howard, Katharine Lotze / Getty Images)

Culture

Video: 250 Years of Jane Austen, in Objects

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Video: 250 Years of Jane Austen, in Objects

new video loaded: 250 Years of Jane Austen, in Objects

To capture Jane Austen’s brief life and enormous impact, editors at The New York Times Book Review assembled a sampling of the wealth, wonder and weirdness she has brought to our lives.

By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega

December 18, 2025

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Try This Quiz and See How Much You Know About Jane Austen

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Try This Quiz and See How Much You Know About Jane Austen

“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

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With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

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By ‘A Lady’

Jane Austen’s House, Chawton, England

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Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

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Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

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An Iconic Accessory

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Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

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Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

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Tony Cenicola/The New York Times

The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

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A Lady Unmasked

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Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

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Tony Cenicola/The New York Times

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It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

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Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

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A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

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Aunt Jane

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Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

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Steve Parsons/Associated Press

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In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

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During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

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Tony Cenicola/The New York Times

You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

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The Austen Industrial Complex

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Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

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Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

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Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

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In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

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#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

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Peter Flude for The New York Times

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For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

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The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

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Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

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Austen 101

Tony Cenicola/The New York Times

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Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”

W.W.J.D.

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Tony Cenicola/The New York Times

When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?

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