Culture
Euro 2024 day 23: England's 'cheat code' water bottle and can the Dutch go all the way?
The semi-finals line-up for Euro 2024 is complete.
With France and Spain having assured themselves of places in the last four yesterday, England and the Netherlands followed them with victories today.
Both quarter-finals were tight and dramatic, in different ways. England once again looked laboured and devoid of imagination for much of their meeting with Switzerland, only to squeeze through thanks to Bukayo Saka’s brilliant individual goal — which cancelled out Breel Embolo’s opener — and then some heroics in the penalty shootout.
The Dutch, meanwhile, came from behind against Turkey to reach their first European Championship semi-final in 20 years, setting up a meeting with England in Dortmund on Wednesday.
Our writers dissect the major talking points.
England’s penalty secret? It’s all about the bottle
There didn’t seem to be much in it at first.
Cole Palmer had just scored England’s first penalty in their shootout with Switzerland and Manuel Akanji was sauntering forward to make his response. Jordan Pickford, the England goalkeeper, began to trot over too, before suddenly doubling back.
Pickford had forgotten something — his water bottle, which was rather oddly wrapped in a towel. Having picked it up, he moved back to his goal and placed the bottle, still wearing its towel, next to the side netting.
Having made Akanji wait a bit longer by moving forward to inspect the penalty spot, Pickford settled back on his goal line. Akanji had a short run-up and struck the ball with his right foot, but Pickford was one step ahead. He plunged to his left, parried the penalty away and England had an advantage they were never to relinquish.



Good fortune? Not so much. This was actually a triumph of subterfuge for England and their team of analysts who had studied the penalties of all Switzerland’s players, noted where they tended to place them and printed out their findings for Pickford to stick on his water bottle.
The analysis was captured by a photographer at the ground but Pickford was taking no chances in the moments before Akanji’s penalty — hence his decision to wrap the bottle in that towel.
And England’s backroom staff had clearly done their homework well. They had deciphered that Akanji was likely to shoot to his right, so the best way for Pickford to play the percentages was to dive left — which he duly did.
Pickford’s water bottle with the instruction for Akanji’s penalty (we have circled it here)
Having got it right first time, it was surprising Pickford did not follow his bottle’s advice on all the penalties.
Fabian Schar took their second one but rather than pretending to dive right before actually diving to his left — as his bottle instructed — Pickford did the reverse, faking left and jumping right. Schar’s penalty unfolded as the bottle had predicted, to his right, where the net was vacant.
Pickford did follow his bottle for the final two Swiss penalties: Xherdan Shaqiri struck his to the right, but it was too well placed and his shot just evaded Pickford’s fingertips.
The only penalty where the bottle was proved wrong was for Zeki Amdouni on the fourth kick. Pickford held his ground and dived low to his left, as he had been briefed, but Amdouni outwitted him by going to his right.
Thankfully for England, that one save was enough. And if their semi-final against the Netherlands on Wednesday also goes the distance, do not be surprised to see Pickford’s bottle and towel make another appearance.
Andrew Fifield
Saka stars — but where is Kane?
When Saka starts well, England start well. He was their best player in the first half against Serbia in their opening match of Euro 2024, when he repeatedly had the beating of marker Andrija Zivkovic, and today he was again.
It was no coincidence that the first half today was England’s best since they started the tournament nearly three weeks ago. Pushed high and wide in possession, in a formation that almost looked like a 3-4-3, Saka was up against left wing-back Michel Aebischer. And he easily had the beating of him.
So many times in the first half, Saka took advantage of the fact that England were getting the ball to him far faster than they had been against Slovakia in the previous round. Saka got into good positions, put crosses in and forced corners. The only frustration was that England were never able to turn any of those crosses into serious shots on goal.
Bukayo Saka was a star for England (Clive Mason/Getty Images)
Striker Harry Kane, who was prone to dropping deep throughout the match, ending up playing in defence at points in the second half, was unable to get on the end of any of Saka’s deliveries. Kane was substituted in extra time after an accidental touchline collision with England’s manager, Gareth Southgate.
Without the ball, Saka had to run back and cover Ruben Vargas, but he did that diligently. And when England needed him most, Saka delivered with the crucial equaliser, just when his team looked completely out of ideas.
Jack Pitt-Brooke
Can the Netherlands go all the way?
An unconvincing run, a manager who not many are convinced by, a couple of come-from-behind wins and a feeling that being in the good half of the draw is the only reason they are in the semi-finals… for England, read the Netherlands.
But here they are, in the final four of the Euros for the first time since 2004. So, how good are their prospects of winning just a second major tournament in their history?
Well, Turkey preyed on their weaknesses in today’s quarter-final, especially via set pieces and crosses, while Austria also took advantage of a badly organised defence when consigning them to third in the group stage. But the Dutch have got plenty going for them too.
The Netherlands celebrate beating Turkey (Stu Forster/Getty Images)
Again like England, when they’re confident and in full flow, showing composure and intensity, they can be great to watch, as was the case when beating Romania 3-0 in the round of 16.
Tonight, they had to show resolve, spirit… and some tactical acumen from manager Ronald Koeman with his second-half changes.
Three-goal Cody Gakpo is an obvious threat (who Turkey dealt with well until he crept in at the back post to take advantage of some dozy defending and help score the winner, via Mert Muldur’s own goal), while if Jerdy Schouten, Tijjani Reijnders and Xavi Simons are given time and space in midfield they can play — and then some.
Denzel Dumfries is always a pacy danger from full-back and then there’s big Wout Weghorst to throw into the mix off the bench for some aerial carnage.
England will have plenty to think about.
On current form, Wednesday’s semi-final in Dortmund looks too close to call.
Tim Spiers
Guler departs… as a star
While a Barcelona teenager — Spain’s Lamine Yamal — has rightly been garnering attention throughout the tournament for his sparkling performances, one from their arch-rivals Real Madrid has emerged as someone equally thrilling.
Arda Guler of Turkey may not have played too often for Madrid last season, mostly owing to injury, but he ended his debut year at the Bernabeu in fabulous form (five goals in five games) and brought that momentum to Euro 2024.
Arda Guler has been a star at Euro 2024 (Odd Andersen/AFP via Getty Images)
His second assist of the tournament against the Netherlands today was a beauty. Turkey and Guler, after a slow start, had come into the game via a series of threatening set pieces which the Dutch struggled to cope with, and the opening goal was an extension of that.
Picking up a cleared corner on the right of the box, Guler was itching to try to work the ball onto his favoured left foot and whip it into the box.
With no angle to do that, the 19-year-old, who also hit the post with a free kick in the second half, reluctantly took a swish with his right… and delivered a picture-perfect outswinging cross that completely befuddled goalkeeper Bart Verbruggen, who resembled someone who had half-crossed a road only to recoil and hesitate when seeing a speeding motorbike careering their way.
Verbruggen neither jumped to claim the ball nor reversed to his goal line. He was helpless. Step forward Samet Akaydin at the back post, only playing because of Merih Demiral’s suspension, and he planted an easy header into the net.
Guler’s tournament may be over now, but you sense that this is just the start of a glittering career, for club and country.
Tim Spiers
What’s next?
- Spain vs France (Tuesday, 8pm BST; 3pm ET)
- Netherlands vs England (Wednesday. 8pm BST; 3pm ET)
(Top photo: Carl Recine/Getty Images)
Culture
Try This Quiz and See How Much You Know About Jane Austen
“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.
Culture
Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday
On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.
Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”
With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”
How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.
By ‘A Lady’
Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)
Where the Magic Happened
Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.
An Iconic Accessory
Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.
Austen Onscreen
Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.
Jane Goes X-Rated
The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.
A Lady Unmasked
Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”
Wearable Tributes
It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.
The Austen Literary Universe
On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)
A Botanical Homage
Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.
Aunt Jane
Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.
Cultural Currency
In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.
In the Trenches
During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”
Baby Janes
You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.
The Austen Industrial Complex
Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.
Around the Globe
Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.
Playable Persuasions
In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.
#SoJaneAusten
The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.
Bonnets Fit for a Bennett
For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.
Most Ardently, Jane
Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”
Stage and Sensibility
Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.
Austen 101
Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”
W.W.J.D.
When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?
Culture
I Think This Poem Is Kind of Into You
A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.
The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.
And then it bursts into flame.
“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.
Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.
We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.
To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.
But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”
That’s the kind of poem she wrote.
“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.
Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.
What happens next? That’s up to you.
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