Culture
Each NBA team’s biggest concern a month into the 2024-25 regular season
We’re about a month into the NBA season, and while the injury bug has bitten nearly every team in one way or another, there are other worries that are worth … well, worrying about.
The Athletic asked its NBA staff for each team’s biggest concern at this point. The responses covered the full spectrum, from free-throw shooting and poor depth to well-known names not yet producing at the levels we’ve come to expect in recent years. (Stats and records are through Wednesday’s games.)
Atlantic Division
Boston Celtics
Rim protection: This is a fresh concern. It might be a short-term one since the Celtics ranked near the league leaders in rim protection last season and should soon welcome back 7-foot-2 shot blocker Kristaps Porziņģis. But Boston has been gashed for layups and dunks recently, especially in a loss to the Atlanta Hawks and an all-too-close win against the Toronto Raptors. Joe Mazzulla said his team needs to improve its individual defense and rebounding. The Celtics might just be suffering symptoms of a mild championship hangover. — Jay King
Brooklyn Nets
Nic Claxton’s back issue: The Nets got off to a surprisingly solid start, even as Claxton slowly worked his way into the rotation after a preseason hamstring injury. But now he is out again with a lingering back strain. The team wants to build an identity while the front office ideally wants to get the top pick in the draft. They’re achieving both at the moment, and there is a lot to be excited about if Cam Thomas is making a leap. But Claxton is one of the Nets’ cornerstones, and they need him to stay healthy and keep improving if this rebuild is going anywhere down the road. — Jared Weiss
New York Knicks
Lack of free throws: I could go with the defense here, but I think that’ll improve with more time and the eventual return of Mitchell Robinson. The Knicks rank 29th in the NBA in free-throw attempts per game (19.1). For a team that shoots a lot of 2-pointers — efficiently, I should add — and has a head coach who emphasizes shooting 3s, getting to the rim and free-throw attempts, it’s a bit concerning New York doesn’t visit the charity stripe more. Mikal Bridges has only taken 11 free throws this season, despite the majority of his shot attempts coming from inside the arc. — James L. Edwards III
Philadelphia 76ers
Can they get healthy and on the same page?: The Sixers are stuck in a spiral that seems inescapable at the moment. Joel Embiid, Paul George and Tyrese Maxey shared the floor together for the first time Wednesday, a game that George left early because of an injury to the same knee he hurt in the preseason. Their only two wins came in overtime, so they are a few bounces away from being completely winless. They’re already at the team meeting stage of the season. The supporting cast has struggled to shoot and rebound. There simply has not been the spark to overcome adversity that defines a season. — Jared Weiss
GO DEEPER
‘Feels like negativity keeps following me’: Joel Embiid on Sixers’ team meeting, criticisms
Toronto Raptors
No chance to build chemistry: RJ Barrett had an AC joint injury. Pelvic and elbow injuries have kept Immanuel Quickley to two and a half games. Scottie Barnes suffered an orbital bone fracture early in the second week of the season. The Raptors schedule was always going to be tough to start the year. However, the presumptive starting lineup, which also features Jakob Poeltl and emerging sophomore Gradey Dick, has played zero minutes. Even if you are rebuilding, you want your core pieces to get big minutes against good teams. The Raptors are missing out on that opportunity. — Eric Koreen
Central Division
Chicago Bulls
Team defense: After trading Alex Caruso this offseason, the Bulls knew their defense would suffer, but Chicago is on the cusp of ranking among the bottom-three teams in defense. Without a single elite defender, and absent appropriate size, Chicago knows its fortunes will be difficult to change. The Bulls are attempting to overcome their defensive limitations by playing faster and launching more 3-pointers. But they’ve compounded their issues with turnovers and cold shooting nights. — Darnell Mayberry
Cleveland Cavaliers
How about … none?: Seriously, they deserve this moment. Only a few teams have done what the Cavs did — win their first 15 games — and historically speaking, those teams wound up in the NBA Finals. It’s OK to say this team has no glaring concerns. Take a bow. If you insist, there are some issues to keep an eye on, like wing depth (the Cavs have a bunch of them, but will they hold up in the playoffs?), defensive rebounding and serviceable bigs off the bench. We just can’t, with a straight face, call any of these items concerns right now. — Joe Vardon
Detroit Pistons
Turnovers: The Pistons entered Thursday tied with the Bulls for 20th in the NBA in turnovers per game. Cade Cunningham is Detroit’s primary ballhandler and fourth in the league in assists per game, but he leads the NBA in total turnovers. Turnovers are to be expected with a team this young, but Cunningham is the head of the snake. Once he and the Pistons value the basketball on each possession, there should be fewer close games that keep Detroit fans on the edge of their seats. — Hunter Patterson
Indiana Pacers
Tyrese Haliburton: My guy can’t shoot right now. Haliburton is making just 37.5 percent of his shots overall and is chucking it at an abysmal 28.4 percent from 3-point range. These are both, easily, career lows, and for what it’s worth, his 82 percent shooting at the foul line also is a career worst. The Pacers have better players and more depth, and Haliburton’s ability to push the pace and find the open man are still paramount (his assists are down too). But for the Pacers to be good, he has to play at his usual All-Star level. — Joe Vardon
Tyrese Haliburton has struggled shooting in the first month of the season. (Trevor Ruszkowski / Imagn Images)
Milwaukee Bucks
Khris Middleton’s health: During training camp, Middleton told The Athletic that he needed to play in at least 70 games to consider this a successful season for himself. The Bucks are 15 games through their schedule and he has still not felt confident enough to get on the floor for five-on-five activities. The Bucks have rebounded well from their 2-8 start by winning four of their past five games, but it will be difficult to compete for a championship without a healthy Middleton. — Eric Nehm
Southeast Division
Atlanta Hawks
Trae Young: You can nitpick about Atlanta’s defense or the shooting on the wings or the backup point guard situation, but none of that matters if Young isn’t playing at an All-Star level. And while he’s leading the league in assists, he’s also struggled mightily to score, shooting just 38 percent on the season and failing to get off a shot in two last-shot situations that both ended in Hawks losses. While Young historically has been a slow starter, his Achilles tendinitis to begin the season adds to the concern level this time around. — John Hollinger
Charlotte Hornets
When will Mark Williams play again?: The Hornets are reaching an anniversary they don’t want: Dec. 8 will mark a year since Williams last played in a game. The 15th pick in the 2022 draft has played in just 62 games in his career. He missed most of last season with a back injury. This year, it’s been a left foot issue. Williams has been productive when he has played and could be a key piece for Charlotte in its rebuild, but the Hornets need to see him back on the floor to know that. — Mike Vorkunov
Miami Heat
Terry Rozier’s start: After their failed pursuit of Damian Lillard in the summer of 2023, Miami’s big move to bolster its backcourt was trading Kyle Lowry and a lottery-protected 2027 first-round pick to Charlotte for Terry Rozier. The 30-year-old got off to a decent start after his arrival in South Beach, but he missed the 2024 playoffs due to a neck injury, and he’s off to a rough start this season as the Heat have stumbled to a 6-7 mark. Rozier’s averaging 12.9 points and 3.7 assists on 38 percent shooting. Miami needs to be more explosive on offense to compete with teams such as Boston and Cleveland at the top of the Eastern Conference. Rozier has to play a key role in the offense taking another step. — Will Guillory
Orlando Magic
3-point shooting: Orlando has done an admirable job overcoming the absence of injured star Paolo Banchero. But the team still struggles to score in the half court and struggles to hit long-range shots. The Magic rank last in 3-point shooting percentage, making only 30.5 percent of their attempts. They remain competitive because of their outstanding defense, coaching, cohesiveness and home-court advantage. They have a lot of positives going for them. But as their shooting woes in last year’s playoffs demonstrated, their inability to convert from beyond the arc is an Achilles heel. — Josh Robbins
Washington Wizards
Can they keep players engaged?: Still early in their rebuild, the Wizards need to finish at or near the bottom of the NBA standings to enhance their 2025 draft lottery chances. It sounds ghoulish to say, but they’re on the right track with a 2-11 record. That said, for any team, losing a lot of games (and by wide margins too) can cause collateral damage, especially to veteran players who grow impatient with losing and potentially with young players who could fall into bad habits. Can coach Brian Keefe and the team leaders keep Washington’s older players positive and the young players on the right developmental track? — Josh Robbins
Northwest Division
Denver Nuggets
Same song: The Nuggets are going to win 50 games and be relevant come playoff time. But can they get over the hump this season? Do they have the quality depth to survive when all-everything Nikola Jokić is not on the floor? That’s what terminated their playoff run last season. Can it be different this time around? — Tony Jones
GO DEEPER
Without Nikola Jokić, the Nuggets have looked alarmingly helpless
Minnesota Timberwolves
Defense: The Timberwolves had the best defense in the NBA by a country mile last season, riding it all the way to the Western Conference finals. Rudy Gobert was Defensive Player of the Year and flanked by a trio of the best perimeter defenders in the league in Jaden McDaniels, Nickeil Alexander-Walker and Anthony Edwards. Of those four players, only Alexander-Walker has resembled what he was last season. Gobert has said he isn’t playing up to his standards at the rim, McDaniels hasn’t been anywhere close to the disrupter on the perimeter and Edwards has often looked inattentive and unfocused on that end. If the Wolves are going to overcome a sluggish start, those three guys have to get their defensive teeth back. — Jon Krawczynski
Oklahoma City Thunder
Alex Caruso’s shooting: Caruso scored a season-high 17 points during the recent win over the Trail Blazers. The Thunder are hoping that trend continues. For all the talk of the Caruso-for-Josh Giddey swap in Oklahoma City, neither side is seeing dividends yet. Giddey has struggled leading the Bulls offense and Caruso can’t find the net from beyond the 3-point arc, shooting just 21 percent from deep. And worse, defenders are straying all the way off him when he lines the perimeter. Caruso made more than 40 percent of his 3s in Chicago a season ago. If he continues to miss at this rate, he could become ill-fitting on a roster with shooting everywhere. But if he begins to look like himself again, at a bare minimum hitting open jumpers, the Thunder are in a better place. — Fred Katz
Alex Caruso puts up a jumper against the Hawks last month. (Joshua Gateley / Getty Images)
Portland Trail Blazers
Deni Avdija’s shot: The Blazers big offseason acquisition is off to a flat shooting start, which played a part in him losing his starting job 10 games into the season. After making a career-best 37.4 percent of his 3-pointers last season in Washington, Avdija has made only 13 of 50 in Portland (26 percent). With Shaedon Sharpe flourishing now that he is back from injury, Avdija’s minutes also have dipped slightly. He has provided value with his smarts, defense and passing, but when the Blazers gave up two first-round picks, two second-round picks and Malcolm Brogdon, they thought they were also getting a shooter on the rise. And maybe that is coming: Avdija in the last four games has made nearly half (7 of 15) of his 3-pointers. — Jason Quick
Utah Jazz
Will Hardy: The Jazz coach is so good at his job that, somehow, he still has a zombie roster competitive enough to only have the fourth-worst record in the league. It bodes well for when the Jazz have enough talent to win that Hardy will maximize that talent. He’s a phenomenal coach. But right now, the Utah front office needs about three more losses than the Jazz currently have. — Tony Jones
Southwest Division
Dallas Mavericks
Crunchtime conundrum: Who knew having too many closers could be this clunky? While the Luka Dončić-Kyrie Irving-Klay Thompson trio has mostly worked well, it’s still quite surprising to see these Mavs drop so many close games with all these elite shot-makers on the payroll. Six of their seven losses have been by seven points or fewer, including a stretch of four in a row (against Phoenix, Denver, Golden State and Utah) in which they lost by a combined eight points. While that’s counterintuitive, to be sure, it’s also a reminder there’s only one ball and their late-game chemistry will have to come over time. That process will be slowed a bit with Dončić sidelined for at least a week due to a wrist injury. The numbers, however, indicate Dallas has been better than its record. — Sam Amick
Houston Rockets
Murky offensive identity: There aren’t many concerns with an 11-5 Rockets team within striking distance of first place in the West, but Houston’s lack of an offensive hierarchy is puzzling. The Rockets want to control the glass, run the floor in transition and defend aggressively without fouling, but the absence of a true pecking order rears its head at the wrong times, especially in crunchtime. Four of their five losses have come in the clutch when their pace and ball movement grinds to a halt. It’s hard to be a pace-and-space unit when you’re 15th in pace and 27th in 3s made per game, and those issues could be fixed with an outlined structure. — Kelly Iko
Memphis Grizzlies
Health: The Grizzlies’ depth has vastly improved from a year ago, enabling Memphis to survive — and even thrive at times — without a full complement of players. That said, the core trio of Ja Morant, Desmond Bane and Jaren Jackson Jr. has played exactly one game together, with Morant’s most recent hip injury again raising the question of just how often the Grizzlies can unite their three stars. Morant only played nine games a year ago and just eight so far this year, while Bane has played 58 and 42 the past two campaigns and only seven so far this season. — John Hollinger
New Orleans Pelicans
Is it too late to make noise?: The Pelicans are going through an unprecedented stretch of bad injury luck that’s left the roster decimated the past few weeks. After starting the season 2-0, New Orleans only has two wins in its last 14 games. There will be a few key pieces getting back on the court in the next two weeks. There’s a good chance CJ McCollum, Jordan Hawkins and Herb Jones will all be back in the lineup before the end of November. The Pelicans may start turning things around very soon. But the West is so incredibly deep that it might not matter. This is the wrong season to be playing catch-up. — Will Guillory
GO DEEPER
Pelicans coach Willie Green faces crossroads as injured stars near their return
San Antonio Spurs
Lack of ball penetration: Nearly half of Victor Wembanyama’s shots are coming from the perimeter, up from just 30 percent as a rookie. The Spurs hoist the ninth-most 3s in the league, but to improve on their 20th-ranked offense, they’ll need to diversify their approach. Some of it is circumstantial: Rookie Stephon Castle, a physical downhill threat, is still learning; Tre Jones and Devin Vassell, San Antonio’s most frequent drivers last season, have only recently returned from injury; and Jeremy Sochan, who was fourth, has been sidelined since early November. Maybe reserve Keldon Johnson, who leads the way with 6.6 drives per game, gets more minutes, but it starts and ends with Wembanyama. The Frenchman needs to set the tone. — Kelly Iko
Victor Wembanyama is shooting nearly 34 percent from 3 this season. (Daniel Dunn / Imagn Images)
Pacific Division
Golden State Warriors
Free-throw shooting: The last time an NBA team shot below 70 percent from the line for a season was five seasons ago when the Knicks did it. The last time a team with a winning record did it was nine seasons ago, when the Pistons did it. The 11-3 Warriors have made only 69.5 percent of their free throws. Andrew Wiggins, Jonathan Kuminga, Draymond Green, Trayce Jackson-Davis, Brandin Podziemski and Kevon Looney are all struggling from the line to varying degrees. They went 9 of 19 collectively in a three-point loss to the Clippers recently. In a conference where the standings margins are expected to be slim, a few free-throw-related losses in the middle months could be the difference between several seeding slots — the third to the seventh, for example — come April. — Anthony Slater
LA Clippers
Turnovers: One of the reasons the Clippers are hovering around .500 is because they donate possessions like a red kettle is on the floor. Only the Trail Blazers and Jazz average more turnovers per game. And it’s the wrong kind of turnovers, as opponents steal the ball from the Clippers more than any other team. The Clippers can be better than league average on offense if they take better care of the ball, especially in fourth quarters. — Law Murray
Los Angeles Lakers
Depth: The Lakers’ depth was a concern entering the season, and it has grown more problematic since training camp. Jarred Vanderbilt and Christian Wood have yet to return from offseason surgeries. Jaxson Hayes is out with an ankle injury. Anthony Davis is battling plantar fasciitis, an injury that has bothered him since last season. Gabe Vincent and Max Christie have underperformed preseason expectations. Los Angeles is winning enough to stay competitive in the West, but it’s largely been because of production from the starters and D’Angelo Russell. Longer term, the Lakers need to get healthy and/or improve their roster via trade(s). — Jovan Buha
GO DEEPER
Dalton Knecht is on fire — and so are the Lakers
Phoenix Suns
Staying healthy: Through nine games, Phoenix looked great. Then misfortune hit. Kevin Durant and Bradley Beal suffered calf strains, and a team that opened 8-1 dropped six of seven. Completely healthy, this team looked like a title contender. Durant played like an MVP candidate. Beal excelled in his role. A rebuilt bench contributed. But it’s not even Thanksgiving, and the Phoenix injury report has become a main storyline. The good news: The Suns showed what was possible. They weren’t perfect, but they had something solid from which to build. The bad: As the league’s second-oldest team at 28.26 years, per NBA.com, the health factor may not go away. — Doug Haller
Sacramento Kings
Star workload: De’Aaron Fox is averaging 37.4 minutes per game. Keegan Murray is at 36.7. Domantas Sabonis and DeMar DeRozan are both at 36.5. That gives the Kings’ four out of the NBA’s top 14 players in minutes per game. That’s a ton to ask over the course of an 82-game marathon, especially with Sabonis (in his ninth season) and DeRozan (in his 17th season) already missing time due to back injuries. But that’s the trouble for the Kings, who have injured bench players (Malik Monk, rookie Devin Carter), questionable depth and a voracious hunger from Mike Brown and the organization to wrestle away every possible regular-season win to avoid the Play-In Tournament. Fox, Murray, Sabonis and DeRozan have been very durable players historically. That will be tested. — Anthony Slater
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(Top photo of Paul George and Joel Embiid: Bill Streicher / Imagn Images)
Culture
Famous Authors’ Less Famous Books
Literature
‘Romola’ (1863) by George Eliot
Who knew that there’s a major George Eliot novel that neither I nor any of my friends had ever heard of?
“Romola” was Eliot’s fourth novel, published between “The Mill on the Floss” (1860) and “Middlemarch” (1870-71). If my friends and I didn’t get this particular memo, and “Romola” is familiar to every Eliot fan but us, please skip the following.
“Romola” isn’t some fluky misfire better left unmentioned in light of Eliot’s greater work. It’s her only historical novel, set in Florence during the Italian Renaissance. It embraces big subjects like power, religion, art and social upheaval, but it’s not dry or overly intellectual. Its central character is a gifted, freethinking young woman named Romola, who enters a marriage so disastrous as to make Anna Karenina’s look relatively good.
It probably matters that many of Eliot’s other books have been adapted into movies or TV series, with actors like Hugh Dancy, Ben Kingsley, Emily Watson and Rufus Sewell. The BBC may be doing even more than we thought to keep classic literature alive. (In 1924, “Romola” was made into a silent movie starring Lillian Gish. It doesn’t seem to have made much difference.)
Anthony Trollope, among others, loved “Romola.” He did, however, warn Eliot against aiming over her readers’ heads, which may help explain its obscurity.
All I can say, really, is that it’s a mystery why some great books stay with us and others don’t.
‘Quiet Dell’ (2013) by Jayne Anne Phillips
This was an Oprah Book of the Week, which probably disqualifies it from B-side status, but it’s not nearly as well known as Phillips’s debut story collection, “Black Tickets” (1979), or her most recent novel, “Night Watch” (2023), which won her a long-overdue Pulitzer Prize.
Phillips has no parallel in her use of potent, stylized language to shine a light into the darkest of corners. In “Quiet Dell,” her only true-crime novel, she’s at the height of her powers, which are particularly apparent when she aims her language laser at horrific events that actually occurred. Her gift for transforming skeevy little lives into what I can only call “Blade Runner” mythology is consistently stunning.
Consider this passage from the opening chapter of “Quiet Dell”:
“Up high the bells are ringing for everyone alive. There are silver and gold and glass bells you can see through, and sleigh bells a hundred years old. My grandmother said there was a whisper for each one dead that year, and a feather drifting for each one waiting to be born.”
The book is full of language like that — and of complex, often chillingly perverse characters. It’s a dark, underrecognized beauty.
‘Solaris’ (1961) by Stanislaw Lem
You could argue that, in America, at least, the Polish writer Stanislaw Lem didn’t produce any A-side novels. You could just as easily argue that that makes all his novels both A-side and B-side.
It’s science fiction. All right?
I love science and speculative fiction, but I know a lot of literary types who take pride in their utter lack of interest in it. I always urge those people to read “Solaris,” which might change their opinions about a vast number of popular books they dismiss as trivial. As far as I know, no one has yet taken me up on that.
“Solaris” involves the crew of a space station continuing the study of an aquatic planet that has long defied analysis by the astrophysicists of Earth. Part of what sets the book apart from a lot of other science-fiction novels is Lem’s respect for enigma. He doesn’t offer contrived explanations in an attempt to seduce readers into suspending disbelief. The crew members start to experience … manifestations? … drawn from their lives and memories. If the planet has any intentions, however, they remain mysterious. All anyone can tell is that their desires and their fears, some of which are summoned from their subconsciousness, are being received and reflected back to them so vividly that it becomes difficult to tell the real from the projected. “Solaris” has the peculiar distinction of having been made into not one but two bad movies. Read the book instead.
‘Fox 8’ (2013) by George Saunders
If one of the most significant living American writers had become hypervisible with his 2017 novel, “Lincoln in the Bardo,” we’d go back and read his earlier work, wouldn’t we? Yes, and we may very well have already done so with the story collections “Tenth of December” (2013) and “Pastoralia” (2000). But what if we hadn’t yet read Saunders’s 2013 novella, “Fox 8,” about an unusually intelligent fox who, by listening to a family from outside their windows at night, has learned to understand, and write, in fox-English?: “One day, walking neer one of your Yuman houses, smelling all the interest with snout, I herd, from inside, the most amazing sound. Turns out, what that sound is, was: the Yuman voice, making werds. They sounded grate! They sounded like prety music! I listened to those music werds until the sun went down.”
Once Saunders became more visible to more of us, we’d want to read a book that ventures into the consciousness of a different species (novels tend to be about human beings), that maps the differences and the overlaps in human and animal consciousness, explores the effects of language on consciousness and is great fun.
We’d all have read it by now — right?
‘Between the Acts’ (1941) by Virginia Woolf
You could argue that Woolf didn’t have any B-sides, and yet it’s hard to deny that more people have read “Mrs. Dalloway” (1925) and “To the Lighthouse” (1927) than have read “The Voyage Out” (1915) or “Monday or Tuesday” (1921). Those, along with “Orlando” (1928) and “The Waves” (1931), are Woolf’s most prominent novels.
Four momentous novels is a considerable number for any writer, even a great one. That said, “Between the Acts,” her last novel, really should be considered the fifth of her significant books. The phrase “embarrassment of riches” comes to mind.
Five great novels by the same author is a lot for any reader to take on. Our reading time is finite. We won’t live long enough to read all the important books, no matter how old we get to be. I don’t expect many readers to be as devoted to Woolf as are the cohort of us who consider her to have been some sort of dark saint of literature and will snatch up any relic we can find. Fanatics like me will have read “Between the Acts” as well as “The Voyage Out,” “Monday or Tuesday” and “Flush” (1933), the story of Elizabeth Barrett Browning’s cocker spaniel. Speaking for myself, I don’t blame anyone who hasn’t gotten to those.
I merely want to add “Between the Acts” to the A-side, lest anyone who’s either new to Woolf or a tourist in Woolf-landia fail to rank it along with the other four contenders.
As briefly as possible: It focuses on an annual village pageant that attempts to convey all of English history in a single evening. The pageant itself interweaves subtly, brilliantly, with the lives of the villagers playing the parts.
It’s one of Woolf’s most lusciously lyrical novels. And it’s a crash course, of sorts, in her genius for conjuring worlds in which the molehill matters as much as the mountain, never mind their differences in size.
It’s also the most accessible of her greatest books. It could work for some as an entry point, in more or less the way William Faulkner’s “As I Lay Dying” (1930) can be the starter book before you go on to “The Sound and the Fury” (1929) or “Absalom, Absalom!” (1936).
As noted, there’s too much for us to read. We do the best we can.
More in Literature
See the rest of the issue
Culture
6 Poems You Should Know by Heart
Literature
‘Prayer’ (1985) by Galway Kinnell
Whatever happens. Whatever
what is is is what
I want. Only that. But that.
“I typically say Kinnell’s words at the start of my day, as I’m pedaling a traffic-laden path to my office,” says Major Jackson, 57, the author of six books of poetry, including “Razzle Dazzle” (2023). “The poem encourages a calm acceptance of the day’s events but also wants us to embrace the misapprehension and oblivion of life, to avoid probing too deeply for answers to inscrutable questions. I admire what Kinnell does with only 14 words; the repetition of ‘what,’ ‘that’ and ‘is’ would seem to limit the poem’s sentiment but, paradoxically, the poem opens widely to contain all manner of human experience. The three ‘is’es in the middle line give it a symmetry that makes its message feel part of a natural order, and even more convincing. Thanks to the skillful punctuation, pauses and staccato rhythm, a tonal quality of interior reflection emerges. Much like a haiku, it continues after its last words, lingering like the last note played on a piano that slowly fades.”
“Just as I was entering young adulthood, probably slow to claim romantic feelings, a girlfriend copied out a poem by Pablo Neruda and slipped it into an envelope with red lipstick kisses all over it. In turn, I recited this poem. It took me the remainder of that winter to memorize its lines,” says Jackson. “The poem captures the pitch of longing that defines love at its most intense. The speaker in Shakespeare’s most famous sonnet believes the poem creates the beloved, ‘So long as men can breathe or eyes can see, / So long lives this, and this gives life to thee.’ (Sonnet 18). In Rilke’s expressive declarations of yearning, the beloved remains elusive. Wherever the speaker looks or travels, she marks his world by her absence. I find this deeply moving.”
“Clifton faced many obstacles, including cancer, a kidney transplant and the loss of her husband and two of her children. Through it all, she crafted a long career as a pre-eminent American poet,” says Jackson. “Her poem ‘won’t you celebrate with me’ is a war cry, an invitation to share in her victories against life’s persistent challenges. The poem is meaningful to all who have had to stare down death in a hospital or had to bereave the passing of close relations. But, even for those who have yet to mourn life’s vicissitudes, the poem is instructive in cultivating resilience and a persevering attitude. I keep coming back to the image of the speaker’s hands and the spirit of steadying oneself in the face of unspeakable storms. She asks in a perfectly attuned gorgeously metrical line, ‘what did i see to be except myself?’”
‘Sonnet 94’ (1609) by William Shakespeare
They that have power to hurt and will do none,
That do not do the thing they most do show,
Who, moving others, are themselves as stone,
Unmovèd, cold, and to temptation slow,
They rightly do inherit heaven’s graces
And husband nature’s riches from expense;
They are the lords and owners of their faces,
Others but stewards of their excellence.
The summer’s flower is to the summer sweet,
Though to itself it only live and die;
But if that flower with base infection meet,
The basest weed outbraves his dignity.
For sweetest things turn sourest by their deeds;
Lilies that fester smell far worse than weeds.
“It’s one of the moments of Western consciousness,” says Frederick Seidel, 90, the author of more than a dozen collections of poetry, including “So What” (2024). “Shakespeare knows and says what he knows.”
“It trombones magnificent, unbearable sorrow,” says Seidel.
“It’s smartass and bitter and bright,” says Seidel.
These interviews have been edited and condensed.
More in Literature
See the rest of the issue
Culture
Classic and Contemporary Literature From France, Japan, India, the U.K. and Brazil
Literature
FRANCE
According to the writer Leïla Slimani, 44, the author of ‘The Country of Others’ (2020).
Classic
‘Essais de Montaigne’ (‘Essays of Montaigne,’ 1580)
“France is a country of nuance with a love of conversation and freedom and an aversion to fanaticism. It’s also a country built on reflexive subjectivity. Montaigne reveals all that, writing, ‘I am myself the matter of my book.’”
Contemporary
‘La Carte et le Territoire’ (‘The Map and the Territory,’ 2010) by Michel Houellebecq
“Houellebecq describes France as a museum, where landscape turns into décor and where rural areas are emptying out. He shows the gap between the Parisian elite and the rest of the population, which he paints as aging and disoriented by modernity. It’s a melancholic and yet ironic novel about a disenchanted nation.”
JAPAN
According to the writer Yoko Ogawa, 64, the author of ‘The Memory Police’ (1994).
Classic
‘Man’yoshu’ (late eighth century)
“‘Man’yoshu,’ the oldest extant collection of Japanese poetry, reflects a diversity of voices — from emperors to commoners. They bow their heads to the majesty of nature, weep at the loss of loved ones and find pathos in death. The pages pulse with the vitality of successive generations.”
Contemporary
‘Tenohira no Shosetsu’ (‘Palm-of-the-Hand Stories,’ 1923-72) by Yasunari Kawabata
“The essence of Japanese literature might lie in brevity: waka [a classical 31-syllable poetry form], haiku and short stories. There’s a tradition of cherishing words that seem to well up from the depths of the heart, imbued with warmth. Kawabata, too, exudes more charm in his short stories — especially these very short ‘palm-of-the-hand’ stories — than in his full-length novels. Good and evil, beauty and ugliness, love and hate — everything is contained in these modest worlds.”
INDIA
According to Aatish Taseer, 45, a T contributing writer and the author of ‘Stranger to History: A Son’s Journey Through Islamic Lands’ (2009).
Classic
‘The Kumarasambhava’ (‘The Birth of Kumara,’ circa fifth century) by Kalidasa
“This is an epic poem by the greatest of the classical Sanskrit poets and dramatists. The gods are in a pickle. They’re being tormented by a monster, but Shiva, their natural protector, is deep in meditation and cannot be disturbed. Kama, the god of love, armed with his flower bow, is sent down from the heavens to waken Shiva. Never a wise idea! The great god, in his fury, opens his third eye and incinerates Kama. But then, paradoxically, the death of the god of love engenders one of the greatest love stories ever told. In the final canto, Shiva and his wife, the goddess Parvati, have the most electrifying sex for days on end — and, 15 centuries on, in our now censorious time, it still leaves one agog at the sensual wonder that was India.”
Contemporary
‘The Complex’ (2026) by Karan Mahajan
“This state-of-the-nation novel, which was published just last month, captures the squalor and malice of Indian family life. Delhi is both my and Mahajan’s hometown and, in this sprawling homage to India’s capital, we see it on the eve of the economic liberalization of the 1990s, as the old socialist city gives way to a megalopolis of ambition, greed and political cynicism.”
THE UNITED KINGDOM
According to the writer Tessa Hadley, 70, the author of ‘The London Train’ (2011).
Classic
‘Jane Eyre’ (1847) by Charlotte Brontë
“Written almost 200 years ago, it remains an insight into our collective soul — or at least its female part. Somewhere at the heart of us there’s a small girl in a wintry room, curled up in the window seat with a book, watching the lashing rain on the window glass: ‘There was no possibility of taking a walk that day. …’ Jane’s solemnity, her outraged sense of justice, her trials to come, the wild weather outside, her longing for something better, for love in her future: All this speaks, perhaps problematically, to something buried in the foundations of our idea of ourselves.”
Contemporary
‘All That Man Is’ (2016) by David Szalay
“Though he isn’t quite completely British (he’s part Canadian, part Hungarian), Szalay is brilliant at catching certain aspects of British men — aspects that haven’t been written about for a while, now updated for a new era. Funny, exquisitely observed and terrifying, this novel reminds us, too, how absolutely our fate and our identity as a nation belong with the rest of Europe.”
BRAZIL
According to the writer and critic Noemi Jaffe, 64, the author of ‘What Are the Blind Men Dreaming?’ (2016).
Classic
‘Memórias Póstumas de Brás Cubas’ (‘The Posthumous Memoirs of Brás Cubas,’ 1881) by Machado de Assis
“Not only is it experimental in style — very short chapters mixed with long ones; different points of view; narrated by a corpse; metalinguistic — but it also introduces an extremely ironic view of the rising bourgeoisie in Rio de Janeiro at the time, revealing the hypocrisy of slave owners, the falsehood of love affairs and the only true reason for all social relationships: convenience and personal interest. After almost 150 years, it’s still modern, both formally and, unfortunately, also in content.”
Contemporary
‘Onde Pastam os Minotauros’ (‘Where Minotaurs Graze,’ 2023) by Joca Reiners Terron
“The two main characters — Cão and Crente — along with some of their colleagues, plan to escape and set fire to the slaughterhouse where they work under exploitative conditions. The men develop sympathy for the animals they kill, and one of them becomes a sort of philosopher, revealing the sheer nonsense of existence and the injustices of society in the deepest parts of Brazil.”
These interviews have been edited and condensed.
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