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Champions League Briefing: Does this make Amorim the new Fergie? Why did Vinicius Jr. stand still?

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2 years ago

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Champions League Briefing: Does this make Amorim the new Fergie? Why did Vinicius Jr. stand still?

Just when you thought the Champions League group stage was becoming predictable…

Manchester City and Real Madrid, the two teams mostly likely to win it all this season, took two beatings Tuesday night that shook the competition up.

New Manchester United boss Ruben Amorim quite possibly saved his best for last at Sporting CP, signing off from his final home game with a 4-1 victory over Manchester City. Meanwhile, AC Milan added to Madrid’s many problems in Spain’s capital with a 3-1 victory.

The third most likely team to win the 2024-25 Champions League? Liverpool. And they brushed aside Bayer Leverkusen and Xabi Alonso 4-0 at Anfield to reinforce their credentials.

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These are the big talking points from Tuesday’s action.

Does this make Amorim the new Fergie? 

“If we win they’ll think the new Alex Ferguson has arrived, which is very difficult to maintain,” Amorim said.

Arise, Sir Ruben. His words, spoken on the eve of his final home match in charge of Sporting, feel pretty pertinent, don’t they?

Manchester United are now favourites for the 2025-26 Premier League title and Pep Guardiola’s Manchester City dynasty is about to come crumbling down.

Okay, fine, let’s just calm down a bit. But also, let’s get massively carried away with this remarkable result.

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Two years ago Manchester City blitzed the Portuguese team 5-0 on aggregate in the Champions League last 16, but on Tuesday they showcased just why United were so keen to land Amorim after his team walloped Guardiola’s shellshocked side.

It must have been an incredibly bittersweet night for Sporting’s fans, who celebrated one of the best victories in the club’s recent history knowing they may not see the like again for a while. They said goodbye with a huge tifo which read “Obrigada” (thank you) and Amorim returned the favour with a night to remember.

In the battle of the Nordic goal-loving strikers, the clear winner was Viktor Gyokeres, whose hat-trick took his tally to 23 goals in 15 matches for club and country this season. He has only failed to score in three games.


(Gualter Fatia/Getty Images)

Amorim will surely want to take Gyokeres with him to Old Trafford via a rumoured €100 million release clause, although with Ineos tightening the purse strings, perhaps the Etihad, with the soon-to-be director of football Hugo Viana, who leaves Sporting at the end of the season, might be a more likely destination. Gyokeres and Erling Haaland up front together? The nets will need reinforcing.

The two managers won’t have to wait long for a rematch. If Amorim can do the same with Rasmus Hojlund or Joshua Zirkzee up front when his Manchester United team takes on City and Guardiola on December 15th, you can make plans for the statue already.

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Inconsistent Milan turn it on at the Bernabeu

AC Milan’s 3-1 victory in the Bernabeu was as surprising and stunning as Sporting’s win.

Milan can be infuriatingly inconsistent – they’re a lowly seventh in Serie A, already eight points off leaders Napoli, albeit with a game in hand. They lost their first two Champions League matches (to Liverpool and Bayer Leverkusen) before struggling past 10-man Club Bruges to claim their first victory on Matchday 3.

Here, though, they were at their very best, and uncoincidentally so were Rafael Leao and Theo Hernandez, who on their day must be one of the most exciting left-sided pairs in European football.

New manager Paulo Fonseca boldly dropped both of them earlier in the season and Leao has been left on the bench in the league lately, but as Alvaro Morata told The Athletic last week, “He’s the best player on the team and just needs to keep doing what he’s doing.”

Morata restored Milan’s lead when putting them 2-1 up after Leao’s shot was saved. Leao then set up Dutch midfielder Tijjani Reijnders, who had scored twice against Bruges last time out, to seal a memorable victory in this clash of European football giants.

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(Angel Martinez/Getty Images)

With AC Milan now facing Slovan Bratislava, Red Star Belgrade, Girona and Dinamo Zagreb in their final four matches, the path of progression to the last 16 via an automatic qualification spot should be straightforward.

But only if they can find that elusive consistency.

Noel Gallagher was City’s best performer on the night

If you thought TNT Sports were dumbing down their coverage even more by inviting Oasis legend Noel Gallagher into the commentary box for City’s game at Sporting, well, you would be wrong.

In what probably says far more about the standard of punditry on English football screens, Gallagher was a breath of fresh air in that he spoke common sense. Yes, it’s a wacky concept, stick with us.

Sure, he said ‘we’ when talking about his beloved City, but this was no Sky Sports Fan Zone gimmick, nor was he overly biased. (He thought the decision to award City a penalty for handball was harsh and questioned things like bringing Kevin De Bruyne on for the final seven minutes, probably fearing for his hamstrings.)

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There was no melodrama, silly noises, or horrible ‘banter’ like you get when certain other pundits talk about the teams they support.

But Gallagher is an actual fan (he was in the away end at Bournemouth on Saturday) and just says things like they are, backed here by insight and statistics, and even a foreshadowing of City wasting chances and needing to score a second goal — which came 37 seconds before Sporting equalised. It would be easy to ridicule his comments because he’s Noel Gallagher, like comparing Gyokeres’ penalty technique to Troy Deeney’s, until you stop and realise that it’s true.

He did let himself down by saying, “Some songwriting genius wrote once; ‘We see things they’ll never see’, and that’s Guardiola for ya,” leading to raucous laughter from commentator Darren Fletcher. But we’ll forgive him that one.

Anyway, Gallagher’s was probably the best City performance of the night as they suffered a third successive defeat in all competitions for the first time in six-and-a-half years.

They wasted chances in the opening half an hour, only having Phil Foden’s fourth-minute goal to show for their dominance, then Haaland blasted a penalty against the bar when he had the chance to pull it back to 3-2.

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Injuries are clearly having an impact, particularly in defence with teenager Jahmai Simpson-Pusey making his first senior start at the back. With 73 per cent possession and 20 shots to nine, it’s not as if City were outplayed, far from it.

But they really are missing Rodri, who may become a more deserved winner of the Ballon d’Or in some people’s eyes by virtue of not playing.

Speaking of which…

Vinicius Jr. stood tall, then stood still

It was a mixed night for Vinicius Junior, who was having a good evening when he levelled things for Real Madrid with a Panenka penalty, minutes after the Bernabeu had booed the Champions League anthem to express their displeasure at him not winning the Ballon d’Or.

Vinicius Jr had won the penalty himself from a foul by former Tottenham Hotspur defender Emerson Royal, but from then on Madrid melted and the sight of Vinicius Jr. stood completely still as an Aurelien Tchouameni pass didn’t reach him (seconds later Milan were 2-1 up) was one of the night’s defining images.

So too was Jude Bellingham kicking a water bottle in frustration after being substituted.

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This was Madrid’s second defeat of the competition in four games (they also lost 1-0 at Lille) and, coming off the back of the 4-0 humiliation at home to Barcelona in their last league match, it encapsulates a season that is threatening to unravel.

They will surely still reach at least a play-off for the last 16 with ease, but with a trip to Liverpool next on Matchday 5, the usually composed Carlo Ancelotti may have to start sweating a little.

Alonso’s Leverkusen stumbling as Slot’s Liverpool fly

Anfield is not a place you want to have to go and get a result right now.

Liverpool maintained one of only two 100 per cent records in the new Champions League format (the other being *checks notes* Aston Villa, who visit Club Bruges on Wednesday) with a serene 4-0 victory over Bayer Leverkusen.

In contrast to Amorim, whose stock is sky high as he prepares to move to the Premier League, Xabi Alonso’s reputation is starting to take a little bit of a hit, just months after he was touted as the best thing since sliced bread but resisted the temptation of a Premier League move.

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Arne Slot got the Liverpool call instead and the above stats reflect, yet again, how he has got this Liverpool team purring very quickly.

Luis Diaz scored a second half hat-trick including a chip that could only have looked more delicious with a dollop of mayonnaise on the end.

Slot and Liverpool are flying at the top of the Premier League and the Champions League. Alonso and Leverkusen were never going to reach the impeccable heights of 2023-24, but the difficult second-season syndrome is kicking in.

Tuesday’s results

  • PSV 4 Girona 0
  • Slovan Bratislava 1 Dinamo Zagreb 4
  • Bologna 0 Monaco 1
  • Borussia Dortmund 1 Sturm Graz 0
  • Celtic 3 RB Leipzig 1
  • Lille 1 Juventus 1
  • Liverpool 4 Bayer Leverkusen 0
  • Real Madrid 1 AC Milan 3
  • Sporting 4 Manchester City 1

What’s next?

The remaining nine fixtures for match-week four of the eight-round league phase take place on Wednesday.

  • Club Bruges vs Aston Villa (5.45pm BST/12.45pm ET)
  • Shakhtar Donetsk vs Young Boys (5.45pm BST/12.45pm ET)
  • Bayern Munich vs Benfica (8pm BST/3pm ET)
  • Feyenoord vs Red Bull Salzburg (8pm BST/3pm ET)
  • Inter Milan vs Arsenal (8pm BST/3pm ET)
  • Paris Saint-Germain vs Atletico Madrid (8pm BST/3pm ET)
  • Red Star Belgrade vs Barcelona (8pm BST/3pm ET)
  • Sparta Prague vs Brest (8pm BST/3pm ET)
  • Stuttgart vs Atalanta (8pm BST/3pm ET)

(Gualter Fatia/Getty Images)

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Video: The A.I. threat to audiobooks

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2 days ago

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May 21, 2026

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Video: The A.I. threat to audiobooks

new video loaded: The A.I. threat to audiobooks

Artificial intelligence has made pirated audiobooks faster to make and harder to detect. Our reporter Alexandra Alter tells us about the latest threat to the publishing industry.

By Alexandra Alter, Léo Hamelin and Laura Salaberry

May 20, 2026

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Kennedy Ryan on ‘Score,’ Her TV Deal, and Finding Purpose

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4 days ago

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May 19, 2026

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Kennedy Ryan on ‘Score,’ Her TV Deal, and Finding Purpose

At 53, and after more than a decade in the industry, things are happening for the romance writer Kennedy Ryan that were not on her bingo card.

The most recent: a first look deal with Universal Studio Group that will allow her to develop various projects, including a Peacock adaptation of her breakout 2022 novel “Before I Let Go,” the first book in her Skyland trilogy, which considers love and friendship among three Black women in a community inspired by contemporary Atlanta.

With a TV series in development, Ryan — who published her debut novel in 2014 and subsequently self-published — joins Tia Williams and Alanna Bennett at a table with few other Black romance writers.

“What I am most excited about is the opportunity to identify other authors’ work, especially marginalized authors, and to shepherd those projects from book to screen,” said Ryan, a former journalist. (Kennedy Ryan is a pen name.) “We are seeing an explosion in romance adaptations right now, and I want to see more Black, brown and queer authors.”

Her latest novel, “Score,” is set to publish on Tuesday. It’s the second volume in her Hollywood Renaissance series, after “Reel,” about an actress with a chronic illness who falls for her director on the set of a biopic set during the Harlem Renaissance. The new book follows a screenwriter and a musician, once romantically involved, working on the same movie.

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In a recent interview (edited and condensed for clarity), Ryan shared the highs and lows of commercial success; her commitment to happy endings; and her north star. Spoiler: It isn’t what readers think of her books on TikTok.

Your work has been categorized as Black romance, but how do you see yourself as a writer?

I see myself as a romance writer. I think the season that I’m in right now, I’m most interested in Black romance, and that’s what I’ve been writing for the last few years. It doesn’t mean that I won’t write anything else, because I don’t close those doors. But the timeline we’re in is one where I really want to promote Black love, Black art and Black history.

What intrigued you about the period of history you capture in the Hollywood Renaissance series?

I’ve always been fascinated by the Harlem Renaissance and the years immediately following. It felt like a natural era to explore when I was examining overlooked accomplishments by Black creatives. I loved the art as agitation and resistance seen in the lives of people like James Baldwin or Zora Neale Hurston, but also figures like Josephine Baker, Lena Horne and Dorothy Dandridge, who people may not think of as “revolutionary.” The fact that they were even in those spaces was its own act of rebellion.

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What about that period feels resonant now?

The series celebrates Black art and Black history and love at a time when I see all three under attack. Our art is being diminished and our history is being erased before our very eyes. I don’t hold back on the relationship between what I see going on in the world and the books I write.

How does this moment in your career feel?

I didn’t get my first book deal until I was in my 40s, so I think this is the best job I’ve ever had. I’m wanting to make the most of it, not just for myself, but for other people, and I think the temptation is to believe that it will all go away because that’s my default.

Why would it all go away?

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Part of it is because we — my family, my husband and I — have had some really hard times, especially early in our marriage when my son was diagnosed with autism, my husband lost his job, and we experienced hard times financially. I’ll never forget that.

When I say it could all go away, I mean things change, the industry changes, what people respond to changes, what people buy and want to consume changes. So I don’t assume that what I am doing is always going to be something that people want.

Why are you so firmly committed to defending the “happy ending” in romance novels?

It is integral to the definition of the genre that it ends happily. Some people will say it’s just predictable every one ends happily. I am fine with that, living in a world that is constantly bombarding us with difficulty, with hurt, with challenge.

I write books that are deeply curious about the human condition. In “Score,” the heroine has bipolar disorder, she’s bisexual, there’s all of this intersectionality. For me, there is no safer genre landscape to unpack these issues and these conditions because I know there is guaranteed joy at the end.

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You have a pretty active TikTok account. How do you engage with reviews and commentary on the platform about you or the genre?

First of all, I believe that reader spaces are sacred. Sometimes I see authors get embroiled with readers who have criticized them. I never ever comment on critical reviews. I definitely do see the negative. It’s impossible for me not to, but I just kind of ignore it. I let it roll off.

How does this apply to being a very visible Black author in romance?

I am very cognizant of this space that I’m in right now, which is a blessing, and I don’t take it for granted. I see a lot of discourse online where people are like, “Kennedy’s not the only one,” “Why Kennedy?,” “There should be more Black authors.” And I’m like, Oh my God, I know that. I am constantly looking for ways to amplify other Black authors. I want to hold the door open and pull them along.

How do you define success for yourself at this point?

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I have a little bit of a mission statement: I want to write stories that will crater in people’s hearts and create transformational moments. Whether it’s television or publishing, am I sticking true to what I feel like is one of the things I was put on this earth to do? I’m a P.K., or preacher’s kid. We’re always thinking about purpose. And for me, how do I fit into this genre? What is my lane? What is my legacy? Which sounds so obnoxious, you know, but legacy is very important to me.

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Culture

How Many of These Books and Their Screen Versions Do You Know?

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5 days ago

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May 18, 2026

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How Many of These Books and Their Screen Versions Do You Know?

Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about printed works that have gone on to find new life as movies, television shows, theatrical productions and more. This week’s challenge highlights the screen adaptations of popular books for middle-grade and young adult readers. Just tap or click your answers to the five questions below. Scroll down after you finish the last question for links to the books and their screen versions.

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