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Can MLB save the starting pitcher? The search for solutions to baseball's 'existential crisis'

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Can MLB save the starting pitcher? The search for solutions to baseball's 'existential crisis'

Who’s pitching tonight?

For 100 years, that wasn’t just a casual question. It was the question that defined baseball.

The answer always had a chance to give you goosebumps. Maybe it was Tom Seaver versus Steve Carlton. Maybe it was Sandy Koufax versus Bob Gibson. Maybe it was Pedro Martinez versus Randy Johnson.

They weren’t just a reason to watch. They were the reason to watch. They threw the first pitch of the game. They often stuck around to throw the last pitch of the game. When the stars hold the ball in their hands 100 times a game, from the first minute of a game to the last, that’s where so much of the magic comes from. But now, those nights of pitchers’ duel magic are slipping away.

Ten active major-league starting pitchers have won a Cy Young Award — and nine of them have spent time on the injured list in 2024. The only exception: Baltimore’s Corbin Burnes. But no need to remind you of all the aces who aren’t healthy enough to ace. There are larger forces at work here that are just as big a concern for the people who chart the future of this sport.

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The issue is not only the health of the modern starting pitcher, but the role those starters play in the sport these days. Those two things are also connected. Here’s only one recent example:

May 6, Wrigley Field. San Diego Padres versus Chicago Cubs. Theoretically, this was one of those pitching matchups to savor: Yu Darvish, onetime Cubs ace, starting for the Padres versus Justin Steele, a 2023 All-Star and the Cubs’ 2024 Opening Day starter. But was it the stuff of goosebumps? No. The score at the end of five innings was 0-0. Both starting pitchers had allowed only three hits apiece … and, naturally, neither of them was still in the game. Seven relievers ate up the last 25 outs. Just another slice of baseball life in 2024.

True, both starters had spent time on the injured list this season, so they were being handled carefully. But those injuries — and how teams respond to them — are part of a crisis that seems to loom larger over baseball every year.

Should Major League Baseball sit back and let starting pitchers practically disappear? Should it let them recede in prominence, giving  away the essential entertainment value they’ve provided for the last century? Or should it act? Should the league step in to halt this trend the way it stepped in only one year ago, when it introduced a pitch clock before the sport arrived at a place where every game dragged toward a midnight finish?

“I think everybody agrees,” says Texas Rangers ace Max Scherzer, a three-time Cy Young winner currently working his way back from (what else?) another injury. “You’ve got to get the starting pitcher back. From an entertainment standpoint, people watch the matchups. That’s a big part of baseball. If you don’t have that matchup, every day is the same.”

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Once every day becomes the same, is that when your sport is officially in trouble? Maybe that feels like a question for another day, another season. Except that in reporting this story, The Athletic talked with three longtime baseball executives who used the term “existential crisis” to describe the state of starting pitching.

When one of those executives was asked, as a follow-up question, if he honestly believed that term reflected the depth of this problem, he replied, pointedly: “I do. I think the game is totally broken from that standpoint.”

What could baseball do?

Let’s draw a football analogy. Suppose the analytics gurus in the NFL suddenly decided the best way to win a game was Quarterback by Committee … so every team rolled out four quarterbacks and Patrick Mahomes might never throw a pass in the fourth quarter of any game. How fast do you think that league would change its rules?

“It would outlaw that in about six minutes,” said one of the baseball executives interviewed for this story. All of them were granted anonymity so they could speak candidly about an issue viewed as especially sensitive in their sport.

But in baseball, the league has largely stayed out of the way as teams’ analytics departments took the sport down a similar road: Overload the roster with eight relief pitchers who can throw a baseball 98 miles per hour. Then stop waiting around for the starting pitcher to get tired. Get him out of the game and cue the parade of fireballers out of the bullpen.

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The data may show that approach is the most efficient way to get outs. But the best baseball strategy isn’t always the best entertainment strategy. Inside most front offices, that’s not a major concern. But in reporting this story, The Athletic did find a few executives willing to ask why more of their front-office peers weren’t more worried about this trend.

“For the industry, it doesn’t have to be that way,” said one of them. “Can we take a step back and look at our sport from 20,000 feet?”

The league proved, with its rule changes a year ago, that it can act when it sees a crisis approaching. But has the starting pitcher crisis risen to that level? MLB officials declined to comment for this story. However, industry sources tell The Athletic that while the league views  this issue as a priority, it is still gathering information, via an extensive study of pitching injuries. So it is likely years away from taking action. And even then, some of those changes would need to be phased in over several years, because the repercussions would trickle down all the way to youth baseball, where the health of young arms is also a growing concern.

In the meantime, however, the brainstorming has already  begun. What rule changes could the league consider to help keep pitchers healthier and restore the prominence of the starter? The Athletic has spent the past few months collecting ideas proposed by executives, players and coaching staffs.

They all would address this issue. But they also were all met by so much fierce debate that it illustrated the challenge the league would face to get everyone on board with any of them.

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“I think that’s why it’s hard,” said one American League exec. “There are no easy answers. If it were just one thing that we could easily turn a dial … there wouldn’t be a lot of really smart people at the club and league level trying to work on this. But it’s very complicated.”

Here are four potential rule changes you could see someday.

New rule idea: Every starter has to go six innings

Last year, the length of the average major-league start plunged to an all-time low: 15 outs (or five innings) per start. Not even starting pitchers themselves think that’s anything to brag about. So here’s a goal some in the sport would love to shoot for:

How about the starter goes six (or more) in almost every game — barring extenuating circumstances? Is that doable? Why not? That used to happen, you know, and not 100 years ago.

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Even 10 years ago, as you can see in the graph above, the percentage of starters who made it through six innings wasn’t that dramatically different from what we saw  in the 1970s, a pitching era so golden that it produced 10 Hall of Fame starting pitchers. It’s only in the last five or six seasons that it began to change so significantly. So would it be outrageous to require that every starter get back to that six-inning standard — barring injuries, 10-run blowups, inflated pitch counts or other exceptions that could be negotiated later?

Why “require” it? Ultimately, the league might not push in this direction. But here’s why it might: The best rule changes are the simplest. So instead of a more subtle rule that the league might hope would lead to longer starts, it would take its best, simplest shot and just say: This is now the rule.

What would the penalty be? What would happen if a manager hooked their starter before six — and that starter didn’t meet any of those extenuating  circumstances? Good question. The league could say that pitcher had to be placed on the injured list. It could also impose discipline, via fines or suspensions.

Or what about a case like that Yu Darvish-Justin Steele game, in which both starters were being handled more cautiously as they built back from a previous injury? Sorry. The league probably would say that pitcher should still be on the IL working his way back on a minor-league rehab option.

Who would complain? Relief pitchers, obviously, would grumble about almost all of these ideas because this would dramatically change their job description — even if that’s the whole point. But almost every analytically inclined front office would complain just as loudly.

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Why, they’d ask, should their teams be forced to push their fifth starter through the sixth inning when they have five unhittable relievers who could rescue him? And how can anyone be sure, they’d wonder, that even those fifth starters would be on board with this?

“It’s really hard to force pitchers to start and go (six innings),” said one exec, “because in my opinion, you’re going to get into all sorts of situations where you ask: Is someone faking an injury? How do they feel? Even if they’re not hurt, they might think: ‘They forced me to stay out there when I wasn’t effective and then I got hurt.’”

So it’s possible, even likely, that a rule requiring six-inning starts would be so harsh, it would gain very little support. If that’s the case, the league could pivot to rules that simply incentivize teams to push their starters deeper into a game. There are several options. Here’s one we’ve written about before.

New rule idea: The “Double Hook”

Unlike most of these ideas, the Double Hook already exists. The independent Atlantic League, a longtime testing ground for MLB rule changes, first experimented with this rule in 2018. Back then, here’s how it worked: When your starting pitcher leaves the game, your designated hitter also has to leave the game (or, at least, go play a position).

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But after teams complained, the Atlantic League began tinkering. So by 2023, it used this version: If your starting pitcher leaves the game before the end of the fifth inning, only then does your DH have to leave with him.

What was wrong with the original rule? Would any team really prefer a rule that would keep its best hitter from ever coming to the plate late in a game? Think about all those dramatic walk-off October home runs David Ortiz once hit as the Red Sox DH. It will answer that question.

Why might the Double Hook actually work? You would be surprised by how many people in baseball like this rule. If the idea is to incentivize (but not require) keeping a starting pitcher in the game, what works better than this? Leave your pitcher out there or bench one of your most dangerous hitters? The concept is brilliantly simple.

Who likes it? Some of the most prominent starting pitchers in baseball — Scherzer, Justin Verlander and Adam Wainwright, among others — have been the Double Hook’s biggest public fans. But more front-office minds also seem open to this concept than many others they’ve heard.

“I have been in favor of the Double Hook for a while,” a National League executive said. “I think it would be interesting to have. It adds an extra element of strategy into the game for managers to think about, gives them another decision they have to make in-game, which I don’t think is a bad thing in general.”

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Who hates it? The Designated Hitters of North America aren’t sold, for one thing. And one AL executive spoke for his fellow front-office critics when he called it “one of the worst ideas I’ve ever heard.”

“We want close games, right?” that exec said. “We don’t want blowouts. And if you’ve got the Double Hook, you’re going to have a boatload of blowouts. (If you lose your DH) you’re playing a man short, basically, like a soccer team with a player on a red card. Or you attempt to not play a man short, and the game gets out of hand because you’re trying to leave the starter in there for that extra hitter. Then that turns into three or four or five runs, and now you’re done.”

So is there an alternative to the alternative? At this point, everything is on the table. Scherzer, for one, sees no limit to possible incentives you could dangle to keep starters in the game.

“You could sit there and say: You get a free substitution,” Scherzer said. “You could pinch run for a catcher. You could make an instantaneous defensive replacement for an inning, you know what I mean? Keep upping the ante, if the starter goes out and does his job, how much extra stuff would you get as a benefit? So the idea would be if you pull your starter, you’re going to lose a ball game because you pulled your starter early.”


Of the ten active major-league starting pitchers who have won a Cy Young Award, all but the Orioles’ Corbin Burnes have spent time on the injured list in 2024. (Patrick Smith / Getty Images)

New rule idea: No more than 11 pitchers on the roster

Roster limits are another idea that has been tossed out there publicly, even by commissioner Rob Manfred. Two decades ago, teams got along fine with five- or six-man bullpens. So if those in-game rule changes don’t catch on, roster limits might move to the front of MLB’s line.

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How would roster limits help starters? With eight relievers hanging out in your bullpen, what would stop a team from using four, five or even six a night? But if the league gradually drops the maximum number of relievers to seven, then six, then possibly even five, the value of a six-inning start — or longer — would skyrocket.

Why do front offices hate this? Many front offices think forcing fewer pitchers to bear the burden of so many innings is a recipe for even more injuries. And this furious debate sums up why there is so much disagreement over how to address this entire pitching crisis.

“There are people on one side of this,” one skeptical executive said, “who want to have less pitchers, make them pitch more … and I just don’t understand how that’s going to work. To me, rested pitchers are probably healthier pitchers. So our positions are totally misaligned with each other. And I’m not sure how to resolve this because we’re not seeing eye to eye at all.”

So why might it still make sense? The small group on the other side sees this so differently. Too many teams, one of those executives said, are ignoring the ripple effects of regularly pulling starters for a fresh reliever at the first opportunity, then mixing and matching relievers every time the data says so.

“You’re not just playing one game,” that exec said. “And you’re not just playing one inning. There are consequences. And the consequences are that you’re going to fry your bullpen by mid-summer, let alone September and October.”

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New rule idea: Outlaw the sweeper 

Why are so many aces getting hurt? It’s a complicated problem, but let’s think it through.

If you’re a dominating starting pitcher in this era, it probably means you throw harder than the average pitcher. You create more spin and movement than the average pitcher. And you probably have some dominant pitch — or more than one — that most other pitchers can’t throw, or you just added one.

Now draw up the factors most injury experts point to as most likely to cause catastrophic arm injuries: Velocity … check. Spin … check. Throwing pitches that cause the most stress on the human arm … check.

So would MLB be out of line to make it illegal to throw one of those pitches it viewed as hazardous to pitchers’ health? Could it possibly act to ban a pitch like the sweeper, which has been identified as a source of undue stress on the elbow? That may sound radical, but what if MLB’s study of pitcher health recommends the league wipe out dangerous pitches the way it banned home-plate collisions a few years back?

Why a sweeper ban isn’t as extreme as it sounds: One executive said he wouldn’t be shocked if the league actually did ban a pitch or two someday.

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“What if they came to the conclusion, empirically, that the sweeper is a dangerous pitch, and it’s leading to a lot of pitching injuries?” he mused. “To me, it’s not crazy that (MLB) would consider outlawing it, because there’s lots of dangerous behavior that is not allowed on the field because it leads to injuries.”

Could the league even target high velocity? If the league is so concerned with pitches it views as dangerous, could it even look to tone down velocity itself? If it can’t agree on other changes that would force pitchers to take their foot off the gas in order to go deeper into games, one idea that has made the rounds is this shocker: Make it illegal to throw any pitch over 94 mph.

Don’t bet on that one happening. But a subtle element of many of these ideas is to motivate pitchers to pitch at less than max velocity. And that’s a volatile topic unto itself.

We mentioned to one pitcher we spoke with that rule changes are being discussed that would incentivize, or even require, pitchers not to throw every pitch at max velocity. He was borderline livid at that whole idea.

“That would be like telling an NFL running back not to run as fast as he can on every run,” he said. “That’s ignoring the competitive side of it.”

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He’ll be heartened to know that many baseball executives agree.

“I don’t know what incentive structure we can create,” said one of those execs, “that’s going to actually convince athletes to not try and throw as hard as they can. Because they know with certainty that they will be better pitchers, even for a short amount of time, if they do throw hard.”

He’s not wrong. But is it time for MLB to step in anyway? Is it time for Manfred to tell all those pitchers: We feel your pain — literally. But we can’t let you do it that way anymore because this injury rate is just not sustainable?

In a sport that has always been slow to change, it’s easy to find people who would tell the commissioner: Please stay out of this. But remember that term, “existential crisis”? One executive who used those words says it’s time to heed them. This latest rash of pitching injuries represents more than just bad luck, he said.  It’s a warning siren begging everyone to act.

“What if it gets worse?” that exec wondered. “It’s easy to say everything’s fine, and it’s all fun and games, until you look up and the product is truly horrible because no one has enough pitching. So it’s going to take someone to say, ‘All right, listen, guys. We can keep lying to ourselves, but this sport is broken. And we have to change it.’”

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Additional reading

  • People in the industry came up with solutions for baseball’s starting pitching “existential crisis.” Some of them are extreme.
  • Justin Verlander and Max Scherzer, two of the sport’s most prominent pitchers, weigh in on the crisis.

 (Top image: Eamonn Dalton / The Athletic; Photos: J. Conrad Williams, Jr./Newsday RM via Getty Images; Matthew Grimes Jr. / Atlanta Braves via Getty Images)

Culture

Try This Quiz and See How Much You Know About Jane Austen

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Try This Quiz and See How Much You Know About Jane Austen

“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

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With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

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By ‘A Lady’

Jane Austen’s House, Chawton, England

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Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

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Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

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An Iconic Accessory

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Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

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Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

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Tony Cenicola/The New York Times

The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

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A Lady Unmasked

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Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

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Tony Cenicola/The New York Times

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It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

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Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

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A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

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Aunt Jane

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Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

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Steve Parsons/Associated Press

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In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

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During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

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Tony Cenicola/The New York Times

You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

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The Austen Industrial Complex

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Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

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Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

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Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

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In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

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#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

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Peter Flude for The New York Times

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For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

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The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

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Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

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Austen 101

Tony Cenicola/The New York Times

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Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”

W.W.J.D.

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Tony Cenicola/The New York Times

When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?

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I Think This Poem Is Kind of Into You

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I Think This Poem Is Kind of Into You

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A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.

The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.

And then it bursts into flame.

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“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.

Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.

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We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.

To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.

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Louise Glück in 1975.

Gerard Malanga

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But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”

That’s the kind of poem she wrote.

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“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.

Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.

What happens next? That’s up to you.

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