Culture
Caitlin Clark's senior day another Iowa milestone as she passes Pistol Pete's record
IOWA CITY, Iowa — Standing in front of every seat throughout Carver-Hawkeye Arena on Sunday was a similar story. Caitlin Clark, the most transcendent figure in modern sports, once again brought out the stars and fans.
In her final regular-season game in the state she calls home, Clark scored 35 points to surpass “Pistol” Pete Maravich’s career total and become the most prolific scorer in Division I basketball history, men’s or women’s.
Clark’s moment was communal for all in attendance, from the fans clad in her T-shirts to the celebrities adding flavor to the spectacle. Rapper Travis Scott danced courtside with the Iowa cheerleaders. The “Jake from State Farm” commercial actor wore a Kristin Juszczyk-designed Clark vest, and Hall of Fame pitcher Nolan Ryan took in the scene near the floor.
Clark’s childhood hero and former Lynx great Maya Moore congratulated her protege after the game. Iowa brought in former Kansas star Lynette Woodard — who set the AIAW women’s basketball scoring record — to a standing ovation. ESPN broadcaster Holly Rowe emceed the senior day ceremony. College Football Hall of Fame offensive lineman Robert Gallery was decked in a Clark No. 22 jersey. Congresswoman Mariannette Miller-Meeks sat inauspiciously 10 rows behind the Iowa bench wearing a Clark T-shirt.
It’s 9:30 a.m., but the stars are out in Iowa City. @MooreMaya x @CaitlinClark22 #Hawkeyes pic.twitter.com/0tc7xzLeTm
— Iowa Women’s Basketball (@IowaWBB) March 3, 2024
Those names and faces turned the event into an extravaganza. The fans built it into a celebration. Everyone wanted a piece of Clark, and she was more than happy to share herself in the moment.
“You can just feel the energy and the joy and the excitement that our team plays with, and that’s contagious,” Clark said. “Our fans give us that energy, but we give it right back to them.”
Clark passed Maravich’s record with 0.3 seconds left in the first half. Instead of sending a long-distance 3-pointer — as she had with previous record-breaking buckets — Clark sank two free throws following a technical foul to surpass Maravich’s mark, which he set at LSU in 1970. She had needed just 18 points against Ohio State to pass Maravich, her latest milestone after setting the NCAA women’s all-time scoring record.
“Honestly, I didn’t really care,” Clark said. “It was cool to hear everybody just start screaming. I thought that gave us a lot of momentum going into halftime.”
More important to Clark, the No. 6 Hawkeyes beat No. 2 Ohio State 93-83 to split their season series.
GO DEEPER
Pete Maravich’s son sees his dad in Caitlin Clark’s game: ‘He would have been a big fan’
Fans young and old, local and from more than 1,000 miles away, came to take in one of the last glimpses of Clark playing at Carver-Hawkeye Arena.
Hayden Kinnick Zacher, 11, came from Colorado to watch her. He wedged himself amid the courtside chaos with hundreds of other youngsters to collect an autographed Caitlin Clark jersey. He succeeded. Georgia teens Pierce Moore and Ellie Hargrove, both 14, who flew in for the game as a birthday present to Moore, displayed their homemade signs with pride. One read: “Pistol taught me how to dribble. Caitlin taught me to dream.”
Phyllis Opperman, a retired former Iowa resident, left her winter home in Panama City Beach, Fla., and held a sign about her 1,022-mile drive that started Thursday. She laughed and said the trip was 1,028 miles but liked including the 22 as part of her sign.
Welcome to the Caitlin Clark Experience, which is nearing its black-and-gold conclusion, as Clark will enter the WNBA Draft in April, where she’s the presumed No. 1 selection. Of Iowa’s 32 regular-season games this year, 30 have sold out, with several breaking arena attendance records. This coming weekend, the second-seeded Hawkeyes will compete in the Big Ten tournament, which was sold out for the first time — 12 days in advance. Iowa likely will host the first two rounds of the NCAA Tournament, which means another pair of sellouts.
Just to get into Carver-Hawkeye Arena on Sunday, resale tickets started at $451. ESPN’s “College GameDay” aired live before tipoff, Fox broadcasted the game, and 275 credentialed media members were present. The arena was half-full three hours before tipoff and jampacked well before starting lineups. The crowd’s roar consistently exceeded 100 decibels in almost every possession of the game. Four times it peaked at 116 decibels.
Clark fandom might be reaching its peak nationally, but in Iowa City, the faithful have known nearly since she arrived on campus in 2020 that they were in for four years of fun. She scored 27 points in her college debut, recorded the only 40-point triple-double in the NCAA Tournament and set program records with 49 points in a game while leading Iowa to two Big Ten tournament titles and a national championship appearance last season.
Since February, she has climbed the scoring ranks, first passing Kelsey Plum on Feb. 15 to become the all-time leading scorer in NCAA women’s basketball. Last week, she moved past Woodard’s AIAW large-school record. After passing Maravich’s total, she has 3,685 career points to sit at the pinnacle of major college basketball scoring.
Nowhere is Clark’s stardom more apparent than when she walks off the floor. Knowing it was her final regular-season game, Clark met hundreds of youngsters near the Iowa bench and signed posters, shoes, jerseys and even a stuffed animal. Every other second, a high-pitched “Caitlin!” was yelped from near the tunnel.
With four security guards bracketing her from anyone too ambitious, Clark signed for nearly 20 minutes. This started along the Iowa bench 45 minutes after the game. It ended right in front of the locker room.
When it comes to Clark, it’s not just about the points, the logo 3s, the cross-court assists or the shrugs. It’s about how she makes fans feel in her presence. About a month ago, 9-year-old Penelope Pearson of North Liberty, Iowa, sat courtside for the Iowa-Nebraska game. Pearson’s Christmas present in December was a ticket to watch Clark. A week before the holiday, Pearson was diagnosed with leukemia and couldn’t attend.
One day before Iowa-Nebraska on Jan. 27, Penelope had a chemotherapy treatment. Then her mother, Liz, got a call from someone who could give them tickets. Penelope wanted to go despite her weakened state. “She’s the strongest kid I know,” Liz Pearson said. Penelope dyed her hair pink and sat near the court. Clark, who was alerted about her presence, grabbed security as soon as the game ended, pointed to Penelope and pulled the family onto the floor for an autograph, a hug and a conversation.
“It’s just been an inspiration to be able to see these strong women. And Penelope knows that she can pretty much do anything, as long as she has these people to look up to,” Liz Pearson said as she teared up.
Clark’s impact transcends gender as well. Two hours after Clark left the floor, the West Burlington (Iowa) High boys basketball team held a practice at Carver-Hawkeye ahead of the state tournament. Boys took turns launching 3-pointers from Clark’s marker from where she broke Plum’s NCAA record. That spot is 33 feet from the basket. Of their repeated attempts — too many to count — more balls hit the floor than drew iron. But every 3-pointer from Clark’s depth led to high-fives.
From the “College GameDay” setup to the Falcons shooting from the logo 10 hours later, Clark reminded everyone why she is one of one. She’s Teflon to pressure and expectations and proves it on the court. She is beyond generous with her time. Whether it’s a millionaire rapper, a little girl with cancer or a grandmother who has held tickets for 30 years, Clark treats everyone with kindness and a flash of her megawatt smile.
“I’m just so happy for Caitlin,” Iowa coach Lisa Bluder said. “I think she represents the university, our sport. … She’s such a good ambassador. And I’m very thankful for that.”
(Top photo: Matthew Holst / Getty Images)
Culture
A former NFL player found purpose in … woodworking? Millions of viewers are following along
In some ways, John Malecki can thank a cheap coffee table for his 1.2 million subscribers on YouTube.
Had he owned a sturdier table, maybe he wouldn’t have thought twice about his enthusiasm for HGTV’s home improvement show “Fixer Upper”, which he watched on repeat as a fringe offensive lineman in the NFL.
As it turns out, though, Malecki’s table broke right before his final preseason with his hometown Pittsburgh Steelers in 2013. And as the “Fixer Upper” fan he was, building a new one sounded way better than just buying a replacement.
At that point, Malecki was on his fifth team in four years. An undrafted free agent out of Pitt, football had always been his north star, guiding him in any decision since elementary school.
Now, in his mid-20s, his north star was dimming.
In between training camp practices, with the help of some Home Depot two-by-fours, Malecki constructed a homemade coffee table for his South Side Pittsburgh apartment. As he reflected on his appreciation for the work Chip and Joanna Gaines did on “Fixer Upper”, he thought, “I kind of want to build my own cool s—.”
In the weeks that followed — and especially after his NFL career ended when he was cut in September that year — he bought some new woodworking tools. The start of what would be a large collection — and a whole new passion.
Today, Malecki’s 1.2 million YouTube subscribers tune in to his woodworking channel to watch him build everything from cutting boards and end tables to a hidden whiskey cabinet and a door inspired by “The Lord of the Rings.”
Like others who pour themselves into their work, Malecki did not view himself as someone who had many interests outside of football. When he started building his coffee table, he had no formal training and didn’t know what he was doing; he was just curious and allowed himself to follow it.
So what happens when we pay a bit more attention to those everyday afterthoughts and give ourselves the freedom to explore new areas of growth?
Passions can be brought out of us at odd times, but most often when we feel an underlying need for change in our lives. For Malecki, that meant creating post-football opportunities to experiment, fail and develop.
While watching one of his videos now, you might notice a tattoo on Malecki’s arm. He got it after one of his college coaches used to preach the importance of perseverance.
It says: Keep chopping wood.
Two years earlier, Malecki was holed up in an extended stay hotel on Christmas Day, alone except for a bottle of Jack Daniels and an elk puzzle. A member of the Tampa Bay Buccaneers practice squad at the time, Malecki was already on his third team that season. The Bucs played the next day, and the bottle and puzzle filled his time away from home.
Back in Pennsylvania, Malecki’s family was crafting its annual lavish spread: filet roast paired with pasta made from scratch, his grandmother’s homemade gnocchi, his mother’s pumpkin pie.
His mom had sent him a care package that week, trying to replicate the experience.
Still, he said, “I was super bummed.”
And yet he was also living out everything he had always wanted. When he was a 10-year-old growing up in Murrysville, 30 minutes from downtown Pittsburgh, he had placed a piece of paper in a time capsule with his dream written on it: “I’m going to be in the NFL.”
If that meant Christmases alone in a hotel room and away from his family, that was part of the deal.
“At the time I was a firm believer that you have to suffer in order to get what you want in life,” he said.
Following that season with the Bucs, he had two more stints with the Steelers sandwiched around a brief stop in Washington. When Steelers head coach Mike Tomlin called him into his office in 2013, Malecki’s intuition told him it might be permanent.
“Appreciate your work, John,” Tomlin told him.
His football career was over.
The next spring, Malecki interviewed for a sales job at a metal byproduct company. He hadn’t played in the NFL in months, and what he wanted more than a sales job was another shot in the NFL.
But when the owner of the company told him during the interview, “This is great, John, but you don’t have any experience,” it was like a slap across the face.
“I was useless,” Malecki said. “I had no skills. … All my childhood hopes and dreams crumbling. I was just sad. Just lost in multiple facets of life.”
The one thing Malecki continued to do during that time of uncertainty was build new stuff out of wood.
One day Malecki was hanging out with former teammate Baron Batch, who had just bought a new house. The lack of furniture in the house was glaring. No table or chairs, just couches.
They were sitting in the new, empty garage, looking at the workbench in the corner, crowded with random supplies on top of it.
“What if we built stuff?” Malecki asked Batch.
The same excitement Malecki had before he built his apartment coffee table crept in. Soon after, Batch’s house was furnished with homemade tables, cabinets and shelving.
Buying tools off Craigslist, using more Home Depot two-by-fours and an old jointer his dad gifted him, Malecki started to spend most of his time attempting new builds.
“I was just boozing and hanging out with my buddies,” Malecki laughed. “We were curious a lot, and I was trying to figure out that next thing in life.”
He began posting on Facebook and Instagram, showing what he and Batch were doing. He had no expectations of where this could lead. But comments started to roll in:
I would love one.
Could you make me that?
Batch and Malecki decided to open up a studio together full-time, called Studio A.M., where they combined Batch’s artistic visions with Malecki’s woodworking skills. As time went on, and his Instagram and Facebook following grew, he decided a YouTube presence could help, so he started posting a few videos.
“They are so bad,” Malecki said. “Just awful.”
Then, in 2016, he posted a video of a cross-cut sled, a common woodworking tool. It was a basic YouTube post, and he expected the usual mild response. Except it got a couple hundred thousand views.
“Holy s—,” he thought, “I don’t know how to capitalize on this, but this feels good.”
As he was finding his way, he kept telling himself the same mantra he used during his football career: “Just do the reps, John. You go to the gym, you hate it, just do the reps. You don’t like this drill, you don’t like this exercise, the coach said do it, you do it.”
Malecki allowed himself the freedom to explore an area he was curious about, gradually letting go of the idea his only purpose in life was football. But he did keep his sense of purpose, the things he believed in that translated across fields.
“Effort and attitude,” Malecki said. “Those are two of the controllable things you have. I took that from football and applied it dramatically to the next phase of my life. You can’t lose if you don’t quit.”
In 2018 Malecki signed a year-long sponsorship with a company for $65,000, his big financial breakthrough. It was the first time he realized he could actually make a living woodworking. Now, he makes almost what he did in his best year playing in the NFL, in one month.
“We were just taken aback at how creative he was,” said Max Starks, a former Steelers teammate. “We knew he was creative, we knew he was funny, but to combine both of those things and do it so seamlessly and be genuine about it is something that’s kind of fascinating.”
Former teammate Ramon Foster first met Malecki as a Steeler, and it quickly became apparent what kind of person he was.
“He came to work every day, he took a lot of crap, and he stayed and persevered,” Foster said.
So when Malecki started to sell his creations, Foster wanted to be one of his first big sales. He now owns a customized University of Tennessee cutting board, along with a coffee table, corn hole boards and cutting boards crafted by Malecki.
In return, Foster asks for only one thing.
“I just want to put it out there,” Foster said. “If he ever goes and meets Chip and Joanna Gaines and he doesn’t invite me and my wife, we’re gonna have a real problem!”
(Photo: Justin K. Aller / Getty Images)
Culture
As Juan Soto embarks on $765M future, Ted Williams’ shadow lingers: Where could he end up?
DALLAS — So perhaps you’re wondering this week: What would I have to do to get some baseball team to pay ME $700 million?
Hey, excellent question. And I think we’ve figured that out.
On one hand, you could be a unicorn — a once-in-a-lifetime home run hero/Cy Young starter/make-the-impossible-seem-possible kind of guy. Like Shohei Ohtani, for instance. Or …
You could just be Ted Williams.
All right, let’s take a deep breath now. It always seems sacrilegious to call Juan Soto — or anyone else — a modern-day Ted Williams. But this is the story where we let you know that it’s not as crazy as you want to believe it is.
The Mets obviously think so, since they just agreed to deposit $765 million in Soto’s money market account over the next 16 years. But you should know that they’re not the only team that sees this Juan Soto/Ted Williams thing. Far from it.
Consider the response from one big-league coach this week when we asked for his reaction to Soto’s staggering new contract.
“What it says to me,” he replied, laughing, “is that Ted Williams would make a hell of a lot of money if he was playing today.”
True!
Then there’s this story, told by an executive of a team that had interest in trading for Soto in 2022, when the Nationals were dangling him. Just to make sure he had the go-ahead, this exec and another high-ranking member of his front office decided they’d better run it past their owner first. This is how the exec remembers the conversation going:
“He (the owner) said something like: ‘I understand he’s great. But can you put in context how great he is?’
“And I said: ‘I think he’s Ted Williams.’
“And he just gave me a look like: ‘You’re a freaking lunatic.’ But I just said, ‘No, that’s kind of what he is.’”
We couldn’t have said it any better. That’s kind of what he is. He’s not Ted Williams 2.0 because nobody is. That isn’t possible. Williams finished his career with a 1.116 OPS and a .344 career batting average. Nobody is doing that in this era. Nobody.
But is Juan Soto kind of the 21st-century version of Ted Williams? There’s no getting around that.
If the question is more like — What hitter in the history of baseball is the most comparable to Soto through age 25? — there is only one answer. And you guessed it, Ted Williams is that answer.
Let’s show you why. It starts with …
On-base IQ at a young age
In the history of this sport, only two hitters have ever had a walk rate above 18 percent through their age-25 seasons (with at least 2,500 plate appearances). Guess who?
Ted Williams — 18.9 percent
Juan Soto — 18.8 percent
(Source: Baseball Reference)
Or we could look at the full array of on-base skills. To do that, let’s use a metric from Baseball Reference called OBP+ — which takes on-base percentage and adjusts it to the context of a player’s hitting environment in his era. Here’s that leaderboard through age 25:
Ted Williams — 137
Juan Soto — 131
In other words, the only two young hitters who were on-base machines at a rate that was at least 30 percent better than league average were … Williams and Soto. (Next on that list: Ty Cobb and Shoeless Joe Jackson, tied at 129.)
Or we could just consider the early-career narratives of these two guys — minus the part where Williams went off to war at age 24 and became a war-hero fighter pilot.
Before he turned 26, Williams led his league in walks twice and OBP three times, despite missing two seasons during that span in the service. Since then, only one left-handed hitter has led his league in both of those departments at least twice by age 25. Hmmm, who might that be?
Juan Soto would be a great guess.
There’s more, of course. But what do you think? Are we authorized to go on? Do we at least have the go-ahead to mention Soto and Williams in the same breath? We asked Diamondbacks manager Torey Lovullo for permission to do so this week, since he’s a history lover and once coached in Boston. In retrospect, he might not have been the right choice.
“I mean, Ted Williams?” Lovullo said. “My dad taught me everything about Ted Williams. That’s a tough one for me. He’s probably the greatest hitter of all time.”
So Lovullo wasn’t ready to apply that Ted Williams stamp of approval. But once he got that out of the way, Lovullo began painting the portrait of what he does see in Soto, from the perspective of a manager who has been trying to figure out how to contain him since Soto arrived in the big leagues.
“The first time I saw him, he was 20 years old,” Lovullo said. “I could not believe he was 20 years old. He carried himself like he was 30, like he had been around the league for a long time.”
And Lovullo means that in a way that explains why the free-agent bidding for Soto reached another orbit this winter.
“I think Soto is on a different level than the rest of the league at times,” he said. “I mean, 41 home runs, the OPS, the numbers that he has, are not lucky. It’s because he has an incredible ability to impact the baseball, and he understands what each at-bat is asking for.”
He understands what each at-bat is asking for.
With those words, Lovullo is telling us this is not a hitter who is prepared for each at-bat in the sense that he knows the pitcher has a fastball, sweeper and cutter in his arsenal. This is a hitter who prepares on “a different level.”
Kind of like a modern-day Ted Williams. That, you see, is because they both had the unique ability to see …
The hidden part of the game
Davey Martinez was the first manager of Juan Soto’s big-league life, for five spectacular seasons in Washington. Now that Soto is back in the NL East, Martinez will get to manage against him in four series a year. He’s not looking forward to that part — but he never gets tired of watching Juan Soto, bat artist.
“Like I’ve always said,” Martinez told us, “this guy, for as young as he is — and he’s still young — he understands the hidden part of the game better than anybody I know. He really does.”
Again, we stop to point out the terminology these managers use to describe a guy who two months ago turned 26 — meaning he’s younger than the likes of Josh Jung or Spencer Horwitz or Josh Lowe. It’s not: He understands the strike zone. It’s: He understands the hidden part of the game.
And by that, Martinez said, he means: “He has a plan every pitch. Not just every at-bat but every pitch. He has a plan of what he wants to do, and you can see it.”
Rockies manager Bud Black can also see it. And he, too, described The Juan Soto At-Bat in ways that are never used to describe anyone else’s at-bats.
“When you use the words, plate discipline, that encompasses a lot of things,” Black said. “But for me, it’s how he conducts the at-bat, where it’s patience, but yet, you sense that he’s ready to hit. It’s sort of an instinctual thing. It’s an intangible that I think pitchers feel, and catchers feel. And the opposing manager. And the opposing pitching coach.
“There’s just something about the at-bat when it’s him up there. It doesn’t matter, it’s the same, whether it’s 7:05 (p.m.), hitting in the first inning, or at 9:30, hitting in the ninth. There’s not a difference in the quality of the at-bat.”
Like Lovullo and Martinez, Black is describing a hitter whose level of focus — on every pitch of every at-bat, of every inning, of every game, of every season — is just different. So what happens when the eye, the brain, the plan, the focus and the extraordinary bat-to-ball skills seem to be always working in sync?
You get Juan Soto … or Ted Williams.
Consider these quotes. They come from the Splendid Splinter. They could easily be his review of Juan Soto.
“Baseball is 50 percent from the neck up.”
“Think. Don’t just swing. Think about the pitcher — what he threw you last time up, his best pitch, who’s up next. Think.”
Sound familiar? If you’ve paid any attention when Soto is working his batter’s-box magic, it’s almost as if he’s a hitting robot, programmed by Ted Williams himself.
Said Martinez: “I tell our pitchers all the time: When you’re facing him, you need to know he’s smart. He knows what he wants to do. So if he takes a fastball, he’s looking for something. Don’t think you’re going to sneak something by him, because he’s smart. So you’ve got to be smart.”
But really, there’s more — because the Soto/Williams comparisons don’t end with this singular combination of patience, prep and focus. There’s also …
The power play
John Schneider also dreamed the Juan Soto dream. He is the manager of the Blue Jays, a team that pursued Soto all the way to the finish line. He had no trouble explaining exactly what they hoped they’d be buying.
“He’s a unique blend of plate discipline and power,” Schneider said. “I mean, you do not like facing it when you’re an opposing team.”
Plate discipline and power. When you combine them, and then apply them to all the young hitters in history, it once again connects the same two names: Ted Williams and Juan Soto.
Walk percentage and home run percentage through age 25
HITTER | BB PCT | HR PCT | BB+HR PCT |
---|---|---|---|
Ted Williams |
18.9% |
4.9% |
23.8% |
Juan Soto |
18.8% |
4.9% |
23.7% |
(Source: Baseball Reference; minimum 2,500 plate appearances)
So there it is. There is patience. There is power. There is focus. There is damage. And there is one more thing.
The flair
It’s no secret that Ted Williams did everything — on the field, off the field — with an attitude. But Juan Soto has more than just an attitude. He has The Shuffle.
.@JuanSoto25_ does the shuffle to pump himself up. Looks like it works.
📰: https://t.co/c2QKA4hpjl pic.twitter.com/8HJvoTO3ZZ
— MLB (@MLB) March 27, 2021
Don’t feel as if you have to take a four-minute break from this piece to watch the full, epic Soto at-bat against Hunter Gaddis in Cleveland this October. But if you do, you’ll see something that makes up the full Juan Soto Experience.
The whole Juan Soto at-bat vs. Hunter Gaddis. An artist at work. Just fouling off pitches until he got a fastball.
Then he sent the Yankees to the World Series. pic.twitter.com/2C6lSIpD45
— Jeff Eisenband (@JeffEisenband) October 20, 2024
It isn’t merely that he knows what you’re trying to do to him on every pitch. He’s also going to tell you about it after every pitch … and demonstrate it, via some version of the Soto Shuffle. There is honestly nothing like this going on anywhere else in his sport.
“For me, it’s his way of keeping engaged,” Martinez said. “It really is. That’s how he gets back in the box and gets engaged.”
And it brings Martinez back to his favorite Soto story ever. It happened in a 2019 game at Citi Field, when Marcus Stroman, then a Met, struck out Soto in the first inning, then did an imitation of The Shuffle.
“So he comes back (to the dugout), and I said, ‘Did you see what he just did?’” Martinez reminisced. “And he said, ‘Don’t worry. I’ve got him.” Very next at-bat. He hit one a mile — and he kind of looked at Stroman like, ‘Don’t do that again.’”
Was there a Ted Williams Shuffle? Not that we know of. But there was a Ted Williams edge. And it is an unmistakable part of the Soto-Williams connection. Don’t take our word for it. Take the word of Charlie Manuel, former manager of the Phillies and a guy who played against Ted Williams early in his career.
“He’s kind of a flamboyant player,” Manuel said of Soto in 2021. “He’s very interesting. He calls attention to you with his talent. … At the same time, he’s cocky. But to me, it comes in a good way. You know, Ted Williams was very cocky, too.”
But you know what else Ted Williams was? A guy who played in the big leagues until he was 41. So it’s worth asking:
Where does Juan Soto go from here?
Since he’s now under contract until the year 2040, it’s worth asking: Do hitters with Juan Soto’s skill set tend to age well?
“Oh yeah, I think so,” Schneider said. “You’re only as good as what you swing at, right? And he’s pretty darned good at that.”
The truth is, history shows us he’s right. As far back as 2012, Bill Petti and Jeff Zimmerman of FanGraphs studied this very concept. They found something we should take note of — that almost no skill has tended to age better through the years than plate discipline.
Guess who looms as the ultimate example of that? Right you are. Ted Williams.
Even though he left baseball to head off to war two times, Williams returned — first at age 27, then at age 34 — as nearly exactly the same hitter he was before.
Take a look at his walk and home run rates through the years — since those are the rates that most resemble the profile of the young Juan Soto — and ponder whether they lay out a blueprint for what Soto might become.
AGE | BB PCT | HR PCT | BB+HR PCT |
---|---|---|---|
Through 25 |
18.9% |
4.9% |
23.8% |
26-30 |
22.2% |
5.0% |
27.2% |
31-35 |
22.0% |
5.8% |
27.8% |
36-41 |
19.9% |
5.7% |
25.6% |
(Source: Baseball Reference)
You’ll notice that Williams played until exactly the same age as when Soto’s Mets contract expires — at 41. If Soto ages with even remotely similar rates … um, wow.
After his age-25 season, Williams added 394 home runs and 1,526 walks. If Soto ages like Williams, he’ll be somewhere in the neighborhood of 600 career homers and 2,300 career walks by the year 2040. And how many players in history have ever reached those two plateaus? Just one.
Barry Bonds.
So is that what’s out there for Soto with the Mets? Sorry. We forgot to pack our crystal balls for the Winter Meetings. But with a hitter this gifted — and this different — can we rule anything out?
“I don’t know what he’s going to do when he’s 40,” said Martinez. “But I know what he’s going to do come Opening Day.”
Hey, don’t we all. Power. Patience. And $765 million worth of Soto Shuffles — and the best Ted Williams imitation on Earth.
GO DEEPER
Inside Juan Soto landing the biggest contract in pro sports history from Steve Cohen’s Mets
GO DEEPER
What does history tell us about how Juan Soto will age?
GO DEEPER
What does Juan Soto’s record contract mean to the Mets’ payroll?
(Top image: Meech Robinson / The Athletic. Photos: Williams swinging: Diamond Images / Getty Images; Williams close-up: Getty Images; Soto close-up: Kyle Rivas / Getty Images; Soto swinging: Mitchell Layton / Getty Images)
Culture
‘What a shot’: The stories behind some of hockey’s most iconic photos from the man who took them
OLD BETHPAGE, New York — Bruce Bennett may have been to more NHL games than anyone in history, and the 69-year-old’s house offers glimpses into the career that’s put him rinkside so many times over more than five decades.
Signed jerseys, sticks and photos of Wayne Gretzky line the living room walls, many inscribed with notes thanking Bennett for his friendship and work. There’s a model Stanley Cup. And a closet full of camera lenses, wires and other equipment.
Bennett has a lofted office over the living room. A few of his photographs hang framed on its walls. There’s a bookshelf full of hockey and photography books, as well as a plastic rat that hit him on the head when the Florida Panthers were celebrating their 2024 Stanley Cup Final win. On the bottom shelf, there’s a shot of John Tavares’ first NHL goal.
“What a shot!” the former New York Islanders captain inscribed on the photo.
Scotty Bowman coached 2,141 NHL games. Patrick Marleau played 1,779. David Poile spent 3,075 games as a general manager, though executives don’t always attend every game. Lou Lamoriello is closing in on that record with 2,868.
Bennett has photographed more than 5,000.
“I could do a game every other day through an entire season, but I’m too greedy,” Bennett says. “So if there’s four games in four nights, chances are I’m going to take all four. Don’t want to leave anything on the table.”
As of July 2, when Bennett most recently updated his statistics, he had been to 5,240 NHL games between the regular season and playoffs. Of those, 44 have been Stanley Cup deciders. If you include preseason, he’s been to 328 more. If you count all hockey games — international, PHWL, junior, exhibitions, etc. — he was up to 6,142 over the summer.
The Islanders presented him with a customized No. 5000 jersey when he reached that mark. It’s framed right above a shelf of toys for his grandchildren.
Now the director of hockey photography at Getty Images, Bennett was born in Brooklyn and grew up on Long Island. When he was in elementary school, he borrowed his father’s Kodak Instamatic to snap pictures on school field trips. “Horrible photos,” he calls them, but they sparked a passion.
He first shot a hockey game as a 17- or 18-year-old at Madison Square Garden. He didn’t have a press credential, so he took pictures from the balcony. Around the same time, he snuck into the Islanders photo box and shot the game. He mailed a few of his pictures to the Hockey News and asked if they’d be interested in using his work. The publication said yes, which got Bennett a photography credential and kicked off what has become a legendary career — one that has given Bennett a front-row seat to some of the biggest moments in hockey history.
Whether they know it or not, sports fans’ lasting memories of those seminal hockey moments are often seen through Bennett’s lens.
How does he capture them, and what are the ones that mean the most to him?
To give a sense of it, he walked The Athletic through 10 of his favorite photos, his process of creating the shots and why he values them.
Varlamov from above
To get a shot from above, Bennett has to walk along the arena catwalk and attach a remote camera into the rafters. Then, while shooting a game from ice-level, he presses a button on a remote that will trigger the rafter camera to snap pictures.
Walking above the rink is not for the faint of heart, but don’t get fooled by the fact that Bennett does it. “I am scared s—less of heights,” he says.
Getty Images likes its photographers to be creative, and Bennett had the idea to set one camera above the net with a slower shutter speed. That way, if a goalie was on top of the puck during a net-front scramble, he’d appear still with a blur of action all around him. Bennett got his wish with this photo of New York Islanders goalie Semyon Varlamov.
Yzerman in the box
The old photo boxes at Nassau Coliseum were positioned right between the penalty boxes, which allowed Bennett to capture a photo of the Detroit Red Wings’ young Steve Yzerman in 1984. It was an ideal position in many ways: He was close enough to smell the liniment on players’ skin and hear them trash talk.
There were drawbacks, too. Bennett got hit by plenty of pucks flung by players trying to get out of their defensive zone. Nowadays he shoots from the corner of rinks, where there are 4-by-5-inch holes for camera lenses.
Richter and Vanbiesbrouck’s shared jersey
The Hockey News assigned Bennett to take a photo of New York Rangers goalies Mike Richter and John Vanbiesbrouck, who shared the net in the early 1990s. Ahead of the shoot, Bennett purchased the biggest Rangers jersey possible and cut the back of it so both could squeeze into it. He remembers feeling weird destroying an expensive jersey.
“I hope this works,” he thought to himself while making the cut.
Fortunately, both goalies were into the idea and happily posed for the photo. Afterward, Bennett didn’t know what to do with the jersey, so he had Richter and Vanbiesbrouck sign it. Now it’s in a frame in his living room, matted over a copy of the shot for which it was used.
Bennett sometimes puts a camera into the base of the net. He secures it inside a polycarbonate box, then can snap photos remotely with the same type of clicker he uses for his rafter shots. He likes this photo, which shows the Pittsburgh Penguins’ Patric Hornqvist scoring on Cory Schneider, because you can see the New Jersey Devils’ logo on the puck, as well as the symmetry of the players and the scoreboard showing New Jersey was on the penalty kill.
“It’s such a great angle,” he says. “To me, it’s a little cliched at this point. … But when you get a good one, it’s a good one.”
Crosby’s golden goal
Before the end of Olympic gold medal and Stanley Cup-clinching games, Bennett has to line up at the Zamboni corner, where he’ll get let onto the ice for the postgame presentation. He hates it.
“Horrible,” he says. “You’re standing there and you’re looking at the scoreboard. You can’t shoot.”
Bennett had a camera set up in the rafters during the 2010 Olympic gold medal game between the U.S. and Canada. During overtime, he got on his knees so he could look up at the scoreboard. As Crosby received a pass from Jarome Iginla, Bennett held down his remote button, hoping the scoreboard monitor was synchronized with real-time action. Thankfully for him, it was. He got the shot he was looking for.
“It’s the moment that Canada sighed (its) relief,” he says.
Gainey with the Cup
Bennett found himself in a predicament after the Montreal Canadiens beat the Rangers to win the 1979 Stanley Cup in five games. He couldn’t find his way onto the ice and didn’t know French, so he ran both ways around the rink trying to figure out how to get close to the celebration. Eventually, he gave up trying to get on the ice and made his way to the stands. He stood on a chair and snapped photos as best he could.
“A couple fans, instead of clapping for their hometown, were holding me up so I could take pictures, which was really nice for the Anglophone, stupid American,” he says.
He got lucky with a photo of Hall of Famer Bob Gainey. It’s a symbol, Bennett says, of the glory of winning the Stanley Cup.
Young Gretzky
This photo of Wayne Gretzky is the cover for the English edition of Bennett’s book, “Hockey’s Greatest Photos.” It’s from Gretzky’s final WHA game with the Edmonton Oilers. Back then, photographers were allowed in the locker room after games, which is how Bennett got this shot.
“High school shoulder pads,” Bennett says. “Skinny, scrawny guy.”
It was the first famous photo he took of Gretzky, who wrote the foreword to “Hockey’s Greatest Photos.” Bennett took the lasting image of Gretzky scoring his 77th goal of the 1981-82 season, breaking Phil Esposito’s record. He doesn’t view that photo as anything special artistically, but it captured a moment in history. A signed copy hangs in Bennett’s living room.
Bennett’s relationship with Gretzky has spanned decades now. Gretzky brought him along as the official photographer of the Ninety Nine All Stars tour, which took place during the 1994-95 lockout, and Bennett shot Gretzky’s fantasy camps, too. That’s the source of some of the memorabilia on his wall.
Bossy’s burning stick
Bennett staged this picture for the Hockey News in the locker room at Nassau Coliseum. Look closely and you’ll notice Bossy is still wearing a towel from the showers. To create the image, Bennett put kerosene on the base of the stick and then lit it on fire.
“We had a bucket of water there, but it eventually burnt up the cotton and then dissipated on its own,” he says.
Bossy was part of the Islanders four-peat from 1980 to ’83. That era of hockey came at a good time for Bennett.
“I think it was a moment that helped turn my career a bit,” he says. “Not only that you had a dynasty growing on Long Island, but the fact that I was smart enough or able enough to turn off the fan switch in my head and focus on the task of doing the job.”
Potvin hits Lafleur
This photo of Denis Potvin hitting Guy Lafleur is one of Bennett’s early-career favorites.
“It was one of the first best shots that I had,” he says.
He says he would have considered using it as the cover photo for his book, had it worked horizontally. It’s similar to a photo he took in the 2024 playoffs of Carolina’s Dmitry Orlov hitting the Rangers’ Jonny Brodzinski and leaving him in a similar position as Lafleur. But, he says, “Slight difference in Hall of Fame status. No offense to Jonny.”
Martinez’s Cup-winning goal
When Bennett lectures on sports photography, he stresses the power of capturing celebration and dejection in the same frame. That’s exactly what he got when Alec Martinez scored on Henrik Lundqvist to win the 2014 Stanley Cup Final.
“It’s gold,” Bennett says. “Lundqvist was a guy who, his emotions, even with a mask and everything, you could just tell by body language.”
The Kings celebrating so close to him added to the impact of the image, which he took with a remote camera positioned in the rafters.
“I’m getting ready to be pushed out on the ice, so I’m just blindly holding that button,” he says.
More than two hours before the Rangers game Nov. 30 against Montreal, Bennett is crouched in the bowels of Madison Square Garden, attaching his camera into place at the base of the game net. His plan is to shoot the 1 p.m. Rangers game, then take a train to UBS Arena to take photos of Islanders-Buffalo Sabres in the evening.
Bennett’s proximity to multiple teams in the New York area has always allowed him to shoot lots of games, and the passion that carried him as an 18-year-old doesn’t seem to be going anywhere.
“It’s hard to walk away,” he says. “It’s like a professional athlete.”
Bennett starts his work days in his office looking at the photos Getty shooters took the night before. He’ll send out emails, some complimentary, some constructive and some sarcastic. He watches NHL Network and will download media notes for the next game he’s shooting. He’ll note which players are coming up on milestones so he’s prepared to catch the big moments.
During hockey’s summer hiatus, Bennett keeps himself busy with … photography. He enjoys going on day trips around Long Island and shooting pictures of wildlife. He has one of his favorites, an eagle in Centerpoint catching a fish, blown up and framed in his office.
Then, when the season starts up, he’s always ready to go.
“The expression a golfer would say — one great shot brings you back the next day — that’s how I feel about a hockey game,” he says. “If you’re not there, you’re not getting it.”
(Illustration: Dan Goldfarb / The Athletic. Photos: Peter Baugh / The Athletic; Bruce Bennett / Getty Images)
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