Culture
Caitlin Clark’s morning on the LPGA Tour: Shanked shots, pured drives and so many fans
BELLAIR, Fla. — There were hushed tones and whispers as 6:30 came and went, as each minute ticked closer to the 7 a.m. tee time. Was there traffic? Has anyone seen her? LPGA and tournament organizers, eager to see Wednesday go off without a hiccup, fretted the day would instead begin with one.
Then, around 19 minutes before her tee time, Caitlin Clark strolled onto the driving range at the Pelican Golf Club. Casual and cool in head-to-toe Nike, an official carrying her bag to the far end where cameras were set up to document her first swings. She thinned the first couple, but soon enough was launching them into the sun as it rose over the tree line. An introduction to her caddie, an insistence to him that she would not care if a club was dropped along the next 18 holes, and a cart ride later, Clark was standing on the first tee box at The Annika next to its namesake and Nelly Korda, the No. 1 golfer in the world — with all the attention on her, a 16 handicap.
This is Caitlin Clark’s normal but something extraordinary for this golf tournament, a crowd that swelled to in the thousands, following the biggest women’s basketball star in the world hit a little white ball.
“We’ve messaged a little on Instagram beforehand but to get to spend some time with her and to see the influence that she has on people, bringing people out here, and to see how amazing of an influence she is just for sports, was really cool to see firsthand today,” Korda said.
So how is Caitlin Clark’s golf swing?
In a word, relatable.
The Athletic sent multiple videos of her swings during Wednesday’s pro-am to golf coach Dana Dahlquist, who works with Bryson DeChambeau, among others. Dahlquist’s biggest takeaway was, like a lot of amateurs, Clark doesn’t load properly into her left side and doesn’t get the hands to square the club face early enough. So by the time she gets to impact, she has to “stand up” to attempt to strike the ball with a square face, which reduces the potential for power, speed, etc.
“For amateur golfers, it’s an interesting thing that all golfers that are not high-level players struggle with the same thing,” Dahlquist said. “They tend to somewhat spin out, tend to have the face more often and if you’re taking lessons it’s a good balance between educating your hands how the club releases and then learning to get to your left side appropriately so you can straighten out your golf ball and make good contact.”
At the same time, Clark’s elite athleticism and understanding of her body still allow her to recover and generate considerable clubhead speed. Her first tee shot was on the same line as Korda’s, and only around 20 yards behind Korda, averaging 269 yards off the tee this year. Even if her approach game leaves her left of her target with a tendency to pull her irons, she always had the length to get to the green.
Clark said she first began playing golf with a pink set of junior clubs, going to the course in Iowa with her dad, and watching Rory McIlroy on TV. She’s since upgraded to Callaway, and in advance of this week (set up through Gainbridge, a title sponsor for this LPGA Tour stop and one of Clark’s sponsors) has been taking lessons from former LPGA pro Martha Foyer-Faulconer in Indianapolis, Golf Week reported.
Golf and basketball fans swarmed Clark at the end of her pro-am on Wednesday. (Ray Seebeck / USA Today Sports)
Clark said following the end of the Indiana Fever’s playoffs she hoped to become a professional golfer in the offseason. It was a joke taken seriously in some quarters, to her surprise, but Clark does want to play competitive golf — against her friends, for bragging rights. “That’s what’s been fun about it. It’s challenging,” Clark said.
Pro golf has occasionally been accused of being too thirsty for attention from other professional athletes and celebrities, eager to bring their youthful energy and audiences to a sport that skews older. That can lead to awkward fits and partnerships that come off as inauthentic.
Clark and the LPGA — this is her second pro-am appearance, after a 2023 PGA Tour John Deere Classic showing — is not that. She is a golfer, casually and comfortably speaking the lingo and dropping Pebble Beach as her bucket list course. She friggin’ cleans the grooves of her irons with a tee as she waits for her next shot.
But she faces unique challenges compared to the rest of us, like LPGA pros lining up to take selfies with her as she walks up the 18th fairway. Or doing a walk-and-talk up No. 7 with Golf Channel, then immediately having to swing — Clark asked for and received a mulligan after chunking her shot 100 yards, and ultimately decided she was done with the hole after airmailing the green. “I’m just the average golfer. I’m going to hit some good, I’m going to hit some bad. It is what it is,” Clark said.
If anything was surprising about Clark’s game, it was how the famously competitive WNBA Rookie of the Year could shrug and laugh off even the worst of shots — a shanked tee shot on the third hole sent a portion of the crowd ducking for cover.
Clark played with Korda on the front nine and then Sorenstam on the back nine. While the former said she was more focused on getting ready for the tournament and light conversation, the latter did offer Clark some swing thoughts.
“It was more just tempo. She hits it a little quick,” Sorenstam said. “She played with Nelly on the front and Nelly is about power, so of course when you play with someone like that you want to swing harder and faster. Now when it’s windy, I’m like, just got to calm down, find the tempo, and try to make sure that club face is more square to the target.”
The Athletic’s Gabby Herzig contributed to this story.
(Illustration: Eamonn Dalton / The Athletic; Photo: Douglas P. DeFelice / Getty Images)
Culture
Can You Match the Places These Authors Lived With Settings in Their Books?
A strong sense of place can deeply influence a story, and in some cases, the setting can even feel like a character itself. This week’s literary geography quiz highlights places where authors were born (or lived) that later became locations in their books. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the works if you’d like to do further reading.
Culture
Book Review: ‘America, U.S.A.,’ by Eddie S. Glaude Jr.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries, by Eddie S. Glaude Jr.
For those of us in the national memory-keeping business, anniversaries hold near-totemic power. Satisfyingly round units of time, ideally bearing fancy, Latin-derived names, serve as the overburdened pegs on which to hang think pieces and museum exhibits, revisionist documentaries and maudlin public ceremonies. The arbitrary nature of such occasions is precisely what gives them their charge, inviting us to set aside complacency and submit to a comprehensive check-in.
In his new book, “America, U.S.A.,” Eddie S. Glaude Jr. presents an intriguing variation on the genre, seeing the country’s 250th birthday as an anniversary of anniversaries: 50 years since the malaise-ridden, schlock-heavy Bicentennial. A century since the subdued Prohibition-era Sesquicentennial. A century and a half since telegraphed reports of George Armstrong Custer’s defeat by the Lakota and Cheyenne at Little Bighorn rudely interrupted the Gilded Age Republic’s 100th birthday party.
If an anniversary offers a snapshot of a moment, the core of Glaude’s book is an old-timey photo album, a collection of notable episodes from earlier national reckonings, long-ago glances in the mirror. An estimable scholar of Black history, politics and religion at Princeton — best known for “Begin Again,” his 2020 meditation on James Baldwin’s relevance for our times — Glaude focuses, as his subtitle puts it, on “how race shadows the nation’s anniversaries.”
Such celebrations, he contends, have never really been the moments for honest self-reflection they are often advertised to be. Instead, the nation usually shatters the mirror, refusing to accept what it prefers not to see. “American anniversaries are often moments to turn a blind eye to the evils of the past and the present,” Glaude writes, “to suppress the fact of America’s divided soul.”
It’s a clever concept, and, needless to say, perfectly timed. Last year, Glaude notes, the Trump administration executed a hostile takeover of the government’s studiously bipartisan 250th anniversary planning. It is now preparing a program that is certain to conceal more than it reveals about the country ostensibly being celebrated.
Glaude, in no mood for celebration, argues that such omissions and evasions also defined commemorations in the past. In 1875, Frederick Douglass predicted “one grand Centennial hosannah of peace and good will to all the white race of this country.” He was right: The nation reached 100 years old at a crucial moment in the post-Civil War fight over racial equality, with white Northerners ready to give up on Southern Reconstruction. The occasion would help the once-warring sections to reunite around a shared commitment to white supremacy. On May 10, 1876, at the opening of the Centennial Exposition in Philadelphia, the police tried to bar Douglass from the grandstand, until a white politician vouched for him.
The 150th anniversary came soon after a resurgent Ku Klux Klan successfully pushed for a restrictive immigration law aimed at keeping America a “Nordic” nation. At the lavishly funded, lightly attended celebrations in Philadelphia, Black veterans of World War I were excluded from marching in the opening parade. A writer with The Associated Negro Press wondered “what was in the breast of those black men who fought to make America safe for Democracy and on Monday stood on the sidelines, forgotten, as the Nordic strode by in all his vain pride.”
By 1976, when the nation marked its Bicentennial, the violence of the ’60s had destroyed any semblance of consensus. Vietnam and Watergate had eroded trust in the government. The commission initially tasked with organizing the anniversary was disbanded amid reports of corruption. Corporations filled the vacuum, Glaude explains, with “star-spangled whoopee cushions; patriotic toilet seats; Liberty hamburgers; red, white and blue beer cans.” The author, around 8 years old at the time, dimly remembers donning a pair of tricolor trousers.
A half-century later, Glaude is refreshingly honest about the depths of his despair. “I do not love America, and never have, especially now,” he writes in one of the more startling opening sentences I’ve read in some time. He dismisses this year’s Semiquincentennial as reaching back “to a storybook America that requires either the banishment of Black people from view or the reduction of our role in the country’s history, so as to affirm America’s ongoing quest to be a more perfect union.”
Undoubtedly true. But Trump doesn’t own the country, at least not yet, nor the 250th anniversary of one of the most radically liberatory and confusingly contradictory events in world history — an inspiration, as Glaude shows, even to critical observers of the American experiment, like Douglass. Far from the revanchist MAGA-palooza in Washington, I suspect this summer’s unasked-for invitation to national soul-searching may surprise us yet.
Despite his despair, Glaude concludes that “the past still offers resources for us to freedom-dream.” So, too, does this book.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries | By Eddie S. Glaude Jr. | Crown | 270 pp. | $31
Culture
Summer’s Best Beach Reads
Take me to visit a dysfunctional family with oceanfront real estate
by Meg Mitchell Moore
Moore is a dependable ingredient in any summer reading soufflé. Her airy novels accomplish what they came to do: entertain and transport, without the pyrotechnics of, say, books that eschew quotation marks. In “Down With the Shipmans,” three sisters, laden with baggage, converge on their late mother’s beach cottage, only to learn that their father and his much younger wife are planning to sell the place.
The stakes are high, the drama is juicy and the views are sublime. Moore even provides two beach dogs — Leo (an unruly pit bull mix) and Cinnamon (“golden retriever, red bandanna, long pink tongue”) — to keep things lively. (Comes out June 2)
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