Connect with us

Culture

Brock Purdy managed up, managed down and saved the 49ers

Published

on

Brock Purdy managed up, managed down and saved the 49ers

SANTA CLARA, Calif. — The most important run of the night may not have been by Christian McCaffrey. Or Deebo Samuel. Or even by George Kittle on one of his epic catch-and-runs.

Nope. It was probably by the game manager. The most momentum-seizing, back-breaking, Lions-taming runs, a case could be made, were by Brock Purdy, the conductor of a 17-point comeback in the San Francisco 49ers’ 34-31 win Sunday over Detroit in the NFC Championship Game.

“I’m blocking my man, and next thing I know I hear screaming,” left guard Aaron Banks said from the party in the 49ers locker room at Levi’s Stadium after the game. “And Brock is 20 yards downfield.”

One candidate was Purdy’s 21-yard scramble on second-and-11 in the third quarter. He took off up the middle and turned on his baby burners to get away from Lions defensive back Brian Branch. Two plays after the defense forced a turnover, Purdy had the 49ers first-and-goal at Detroit’s 4-yard line. McCaffrey finished the drive with a 1-yard score to tie the game at 24.

Purdy’s scamper was symbolic of the 49ers’ aggressive mood. Red-zone issues wouldn’t get in the way this time. A field goal wasn’t an option.

He might’ve scored himself if not for Samuel.

“He ran right into me and bounced off,” Samuel said. “I feel like if I would’ve made that block, he probably would’ve scored.”

Another candidate was Purdy’s breathtaking scramble on the first play of the next drive. McCaffrey missed the block on blitzing Detroit safety Ifeatu Melifonwu. But Purdy ducked beneath what would’ve been an 8-yard sack on first down, spun to his left and scooted towards the sidelines. Before getting tackled, he threw a laser along the sidelines to Kyle Juszczyk for a toe-tapping first down. It was the first play on the drive that produced the go-ahead field goal. It was the first sign Purdy was in his bag.

Advertisement

Another option, maybe the best one, was his third-and-4 run on what amounted to the game-winning drive to send the 49ers to the Super Bowl against Kansas City. With just under five minutes left, and the 49ers just across midfield, Detroit was desperate for a stop. But Purdy stepped up in the pocket and took off again. He escaped the grasp of Lions sack specialist Aidan Hutchinson, slipped the diving clutches of linebacker Jack Campbell, and outran linebacker Alex Anzalone to the edge.

After turning up the field, weaving into open space, Purdy didn’t slide. He dove head first. Because he wanted every yard. Because scared money don’t make money. Because championships aren’t won with passivity.

Purdy has been typecast by many as the prototypical game manager. A passenger more than a driver. A beneficiary more than a benefactor. A loss preventer more than a victory retriever. The game manager label is basically a pejorative in modern quarterback discourse.

But Sunday, the 49ers needed something more. Their season was on the line. Their championship hopes were slipping away.

Purdy became who they needed him to be: a playmaker, a difference maker. In the second half, he was 13-for-16 passing for 174 yards and a touchdown. No interceptions. His 49 rushing yards was the best evidence he wasn’t merely a passenger in this historic comeback. He was driving.

“I thought it was the difference between winning and losing,” head coach Kyle Shanahan said of Purdy’s scrambling. “He made some big plays with his legs, getting out of the pocket, moving the chains on some first downs, some explosives. He competed his ass off today. Wasn’t easy for any of us. He kept grinding. He was unbelievable there in the second half.”

Advertisement

In the NFC divisional round, Purdy overcame his struggles to come up clutch on the final drive, marching the 49ers to the game-winning score. He one-upped himself for the NFC title, leading San Francisco from 17 points down.

He orchestrated a run of 27 points over five consecutive drives, flipping the script on the Lions.

“When I’m down 17 at half,” Purdy said, “honestly I’m thinking, ‘Alright God. You’ve taken me here. Win or lose, I’m gonna glorify you.’ That’s my peace. That’s the joy. That’s the steadfastness. That’s where I get it from. That’s the honest truth.”

Detroit had a significant hand in its own demise. Dropping passes. Passing on field goals in favor of pride and pattern. Purdy made sure all their misdeeds were punished.

It was more than enough to add some texture to the debate about Purdy. At least to give his detractors pause. At least to recognize the possibility his ceiling might be even higher than his halo. He may not be on the level of the probable MVP Lamar Jackson or uber-talented Josh Allen. Joe Burrow and Justin Herbert are more coveted talents.

Advertisement

But Purdy isn’t home.


Brock Purdy did it with his legs as well as arm Sunday, rushing for 49 key second-half yards to help spark the 49ers’ comeback over the Lions. (Thearon W. Henderson / Getty Images)

“I don’t have enough good things to say about Brock,” McCaffrey said. “All he’s done since he’s been here is play at an elite level. And everything starts with him. We’re lucky he’s our quarterback. He takes a lot of heat for absolutely no reason. All he’s done is been a great leader and a great player.”

Purdy doesn’t have a big arm. Or the blazing athleticism. His inexperience shows up at times. His accuracy can abandon him. He’s had enough interceptions dropped to convince you he must be living right. He put up some astounding statistics, throwing his name into the MVP conversations, but he’s also had some moments to make the thought of him winning the league’s highest honors a bit ridiculous.

All of that was evident in the first half on Sunday. It was the version of Purdy so easy to question, to scoff at when mentioned with the elite. He completed just 47 percent of his passes the first two quarters — including an interception that set up a Detroit touchdown — and missed several other throws. The potent 49ers offense, against a vulnerable defense, mustered just seven first-half points.

The entire Bay Area was asking to speak to the manager.

Advertisement

That’s when Purdy emerged. The young man with a wholesome smile, responsible attire and at-your-service humility.

“My faith never wavered,” 49ers safety Tashaun Gipson Sr. said of his quarterback. “I’ve been saying it all year. You’ve got a guy like that who can control the game, who knows where to go and when to go with the ball. I’m happy he’s on my team. I’ll tell y’all that. I never worry. When Purdy needs to put up points, that’s when he’s at his best.”

What pulled the 49ers through was the immeasurables of Purdy. The gunslinger mentality. The mid-major resolve. The Mr. Irrelevant chip on his shoulder. The little guy toughness.

Like that heart-stopping throw to Jauan Jennings on third-and-4 with the 49ers down 17. Purdy scrambled, stopped short of the line of scrimmage and threw a pass across his body to the middle. It was more like an alley-oop, and Jennings needed all of his 6-foot-3 frame and 6-foot-4 wingspan to snag the one-handed catch and keep the drive alive. It was Patrick Mahomesian.

But most of all, the heart. Purdy isn’t afraid of the pressure. He can look rattled sometimes, but not enough to shake him into a shell. His will to win took over Sunday.

Advertisement

The play of the game, his deep chuck to Brandon Aiyuk, was him being the opposite of a game manager. With the 49ers down two touchdowns, and after the defense had just come up with a massive turnover on downs, Purdy wasn’t looking to play it safe.

He was trying to make a play. He sensed they needed something big and he went for it.

“In that moment,” Purdy said, “I’m looking at it like we need a play. I’m not going to be stupid and just throw the ball up. But B.A. is one-on-one. I’ma take that opp. Especially in this kind of game. We needed that kind of play. So people can say what they want, but I was giving my guy a shot.”

Advertisement

The Lions had a single safety who was hovering in the middle of the field. When Samuel cut on a crossing route, the safety went with him. That left Aiyuk one-on-one with Detroit cornerback Kindle Vildor.

“I seen it live,” Samuel said. “I seen the guy cut the high cross that I was running and I just looked up and Brock cut it loose.”

Purdy is here, and not Jimmy Garoppolo, because the 49ers can’t win the Super Bowl without a quarterback capable and willing to hit the deep ball. For all his success, Garoppolo’s hesitancy to throw downfield, even if created by Shanahan’s hesitancy to call for longer throws, put a ceiling on the 49ers’ offense. They drafted Trey Lance looking to get more dynamic.

They ended up with Purdy, who can scramble and push the ball downfield.

The 49ers lost the last Super Bowl they reached because they couldn’t score in the fourth quarter. While Patrick Mahomes was fashioning himself into a legend, the 49ers offense stifled under Garoppolo’s predictable slant passes and pocket confinement.

Advertisement

Purdy may not outduel Mahomes, either. But it’s not off the table. It was said he couldn’t come from behind and he has. It was said he couldn’t carry the team and he did. It was said he wasn’t the reason the 49ers won and he was. He is, indeed, surrounded by talent. And he might get outclassed. He might come up short. But Sunday was more evidence of the gamer in him. He can manage up. He can manage down.

Purdy isn’t afraid. Not to run for it, or sling it, or take the top off the defense.

His pass to Aiyuk wound up a bit too deep — or pass interference might have prevented Aiyuk from getting to the ball — and Vildor had an interception chance. His job is to stay on top of the receiver, and he did. But the pass bounced off his helmet and into the arms of Aiyuk.

Lucky? Absolutely. But fortune favors the bold.

“I saw the replay,” Kittle said, “and I was like, ‘Just how we wanted it to look. Off the guy’s facemask right to B.A.’ Dang. Brock’s good at football isn’t he?”

Advertisement

If he’s a game manager, he must be the premium version.

go-deeper

GO DEEPER

49ers win the NFC Championship Game and justify an entire era

(Top photo of Brock Purdy celebrating a touchdown in Sunday’s NFC Championship Game: Cooper Neill / Getty Images)

Advertisement

Culture

Video: The A.I. threat to audiobooks

Published

on

Video: The A.I. threat to audiobooks

new video loaded: The A.I. threat to audiobooks

Artificial intelligence has made pirated audiobooks faster to make and harder to detect. Our reporter Alexandra Alter tells us about the latest threat to the publishing industry.

By Alexandra Alter, Léo Hamelin and Laura Salaberry

May 20, 2026

Continue Reading

Culture

Kennedy Ryan on ‘Score,’ Her TV Deal, and Finding Purpose

Published

on

Kennedy Ryan on ‘Score,’ Her TV Deal, and Finding Purpose

At 53, and after more than a decade in the industry, things are happening for the romance writer Kennedy Ryan that were not on her bingo card.

The most recent: a first look deal with Universal Studio Group that will allow her to develop various projects, including a Peacock adaptation of her breakout 2022 novel “Before I Let Go,” the first book in her Skyland trilogy, which considers love and friendship among three Black women in a community inspired by contemporary Atlanta.

With a TV series in development, Ryan — who published her debut novel in 2014 and subsequently self-published — joins Tia Williams and Alanna Bennett at a table with few other Black romance writers.

“What I am most excited about is the opportunity to identify other authors’ work, especially marginalized authors, and to shepherd those projects from book to screen,” said Ryan, a former journalist. (Kennedy Ryan is a pen name.) “We are seeing an explosion in romance adaptations right now, and I want to see more Black, brown and queer authors.”

Her latest novel, “Score,” is set to publish on Tuesday. It’s the second volume in her Hollywood Renaissance series, after “Reel,” about an actress with a chronic illness who falls for her director on the set of a biopic set during the Harlem Renaissance. The new book follows a screenwriter and a musician, once romantically involved, working on the same movie.

Advertisement

In a recent interview (edited and condensed for clarity), Ryan shared the highs and lows of commercial success; her commitment to happy endings; and her north star. Spoiler: It isn’t what readers think of her books on TikTok.

Your work has been categorized as Black romance, but how do you see yourself as a writer?

I see myself as a romance writer. I think the season that I’m in right now, I’m most interested in Black romance, and that’s what I’ve been writing for the last few years. It doesn’t mean that I won’t write anything else, because I don’t close those doors. But the timeline we’re in is one where I really want to promote Black love, Black art and Black history.

What intrigued you about the period of history you capture in the Hollywood Renaissance series?

I’ve always been fascinated by the Harlem Renaissance and the years immediately following. It felt like a natural era to explore when I was examining overlooked accomplishments by Black creatives. I loved the art as agitation and resistance seen in the lives of people like James Baldwin or Zora Neale Hurston, but also figures like Josephine Baker, Lena Horne and Dorothy Dandridge, who people may not think of as “revolutionary.” The fact that they were even in those spaces was its own act of rebellion.

Advertisement

What about that period feels resonant now?

The series celebrates Black art and Black history and love at a time when I see all three under attack. Our art is being diminished and our history is being erased before our very eyes. I don’t hold back on the relationship between what I see going on in the world and the books I write.

How does this moment in your career feel?

I didn’t get my first book deal until I was in my 40s, so I think this is the best job I’ve ever had. I’m wanting to make the most of it, not just for myself, but for other people, and I think the temptation is to believe that it will all go away because that’s my default.

Why would it all go away?

Advertisement

Part of it is because we — my family, my husband and I — have had some really hard times, especially early in our marriage when my son was diagnosed with autism, my husband lost his job, and we experienced hard times financially. I’ll never forget that.

When I say it could all go away, I mean things change, the industry changes, what people respond to changes, what people buy and want to consume changes. So I don’t assume that what I am doing is always going to be something that people want.

Why are you so firmly committed to defending the “happy ending” in romance novels?

It is integral to the definition of the genre that it ends happily. Some people will say it’s just predictable every one ends happily. I am fine with that, living in a world that is constantly bombarding us with difficulty, with hurt, with challenge.

I write books that are deeply curious about the human condition. In “Score,” the heroine has bipolar disorder, she’s bisexual, there’s all of this intersectionality. For me, there is no safer genre landscape to unpack these issues and these conditions because I know there is guaranteed joy at the end.

Advertisement

You have a pretty active TikTok account. How do you engage with reviews and commentary on the platform about you or the genre?

First of all, I believe that reader spaces are sacred. Sometimes I see authors get embroiled with readers who have criticized them. I never ever comment on critical reviews. I definitely do see the negative. It’s impossible for me not to, but I just kind of ignore it. I let it roll off.

How does this apply to being a very visible Black author in romance?

I am very cognizant of this space that I’m in right now, which is a blessing, and I don’t take it for granted. I see a lot of discourse online where people are like, “Kennedy’s not the only one,” “Why Kennedy?,” “There should be more Black authors.” And I’m like, Oh my God, I know that. I am constantly looking for ways to amplify other Black authors. I want to hold the door open and pull them along.

How do you define success for yourself at this point?

Advertisement

I have a little bit of a mission statement: I want to write stories that will crater in people’s hearts and create transformational moments. Whether it’s television or publishing, am I sticking true to what I feel like is one of the things I was put on this earth to do? I’m a P.K., or preacher’s kid. We’re always thinking about purpose. And for me, how do I fit into this genre? What is my lane? What is my legacy? Which sounds so obnoxious, you know, but legacy is very important to me.

Continue Reading

Culture

How Many of These Books and Their Screen Versions Do You Know?

Published

on

How Many of These Books and Their Screen Versions Do You Know?

Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about printed works that have gone on to find new life as movies, television shows, theatrical productions and more. This week’s challenge highlights the screen adaptations of popular books for middle-grade and young adult readers. Just tap or click your answers to the five questions below. Scroll down after you finish the last question for links to the books and their screen versions.

Continue Reading
Advertisement

Trending