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Book Review: ‘How to Be Well,’ by Amy Larocca

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Book Review: ‘How to Be Well,’ by Amy Larocca

HOW TO BE WELL: Navigating Our Self-Care Epidemic, One Dubious Cure at a Time, by Amy Larocca


Oh, the irony of cracking open “How to Be Well” while on vacation in Italy. There, on an island off the coast of Naples, a breakfast buffet included three varieties of tiramisu. Wine was poured not to a stingy fingertip’s depth but from a bottomless carafe — at lunchtime, no less. And when stores closed in observance of an afternoon siesta, the only people on the streets were American tourists, jogging. (I was on the prowl for a postage stamp because, yes, I still send postcards.)

It was from this place of abundance and balance that I followed Amy Larocca, a veteran journalist, into the hellscape of stringent food plans, cultish exercise routines and medical quackery that have, over the past decade or so, constituted healthy living in some of the wealthiest enclaves of the United States. Blame social media, political turmoil or the pandemic — no matter how you slice it, the view is dispiriting. But Larocca’s tour is a lively one, full of information and humor.

The book begins with a colonic, “the flossing of the wellness world,” Larocca writes. We find the author herself on an exam table, “white-knuckled and curled up like a baby shrimp, naked from the waist down.” She recalls her doctor’s disapproval of the procedure — a sort of power washing of the colon — and its risks, including rectal perforation, juxtaposed with one woman’s claim that a colonic made her feel like she could fly, like it was “rinsing out the corners of her psyche.”

Where did we get the idea that the body — specifically a woman’s body — is unclean inside? A problem to be solved? And how did the concept of wellness bloom “like a rash,” Larocca writes, into a $5.6 trillion global industry?

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These are the questions she seeks to answer, using data, history, medicine, pop culture and her own experience. She parses fads and trends, clean beauty and athleisure wear, the gospel of SoulCycle and the world according to Goop. She weighs the advantages and disadvantages of micro-dosing and biohacking. She too goes to Italy, where she attends a Global Wellness Summit featuring a spandex and sneaker fashion show and a presentation on ending preventable chronic disease the world over.

At times, Larocca seems to approach her own subject with the same sweep. The second half of “How to Be Well” reads like a survey course, cramming the industry’s relationship to politics, men and the environment into single chapters when each could fill a whole semester. As for why meditation merits more real estate than vaccines, I can only assume that the book was already at the printer when Robert F. Kennedy Jr. was confirmed as health secretary.

But when Larocca goes deep, as she does on self-care, body confidence and sex positivity, she’s at her best — authoritative and witty, personal without being chummy.

She debunks the cockamamie but persistent notion that “feeling old is not an inevitable byproduct of aging but something easily avoided by paying attention.” (And by forking over gobs of cash; more on this shortly.) After attending an Oprah-sponsored conference on menopause, a subject Larocca has covered for The New York Times, she realizes that “aging is different from disease” and “isn’t necessarily something to be cured,” let alone through “neat, tidy, attainable solutions.”

Then there’s the sneaky rebranding of old-school dieting for “detoxification,” another wolf in sheep’s clothing. Think fasting, juicing, abstaining from all manner of verboten foods. Even if the professed endgame is “glow,” Larocca makes clear, “part of the promise is still, always, to rid us of a bit of ourselves.”

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And finally, refreshingly, she’s honest about the money at stake for the wellness-industrial complex — not just for stylists turned wellness coaches or models turned nutritionists, but for massive corporations cashing in on an age of worry.

“None of these institutions is nonprofit; none of these institutions is altruistic at its core,” Larocca writes, in a passage reminiscent of Carol Channing’s monologue from “Free to Be You and Me,” in which she reminded us that happy people doing housework on TV tend to be paid actors.

“It is their job to persuade me to come back,” Larocca continues, “to spend more money on what they’ve got to give, to serve their investors, to serve themselves.”

And that, as “How to Be Well” wisely shows us, is the bottom line.


HOW TO BE WELL: Navigating Our Self-Care Epidemic, One Dubious Cure at a Time | By Amy Larocca | Knopf | 291 pp. | $28

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Video: ‘Flesh’ by David Szalay Wins 2025 Booker Prize

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Video: ‘Flesh’ by David Szalay Wins 2025 Booker Prize

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‘Flesh’ by David Szalay Wins 2025 Booker Prize

David Szalay became the first British Hungarian to win the prestigious Booker Prize for his novel “Flesh.”

“I think fiction can take risks. I think it’s one of the things that it can do. It can take aesthetic risks, formal risks, perhaps even moral risks, which many other forms, narrative forms, can’t quite do to the same extent.” “I think all six of the books in the short list really, you know, not — it’s not saying this is the headline theme, but there is that theme of reaching out, wanting a connection.”

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David Szalay became the first British Hungarian to win the prestigious Booker Prize for his novel “Flesh.”

By Shawn Paik

November 11, 2025

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Test Yourself on the Settings Mentioned in These Novels About Road Trips

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Test Yourself on the Settings Mentioned in These Novels About Road Trips

A strong sense of place can deeply influence a story, and in some cases, the setting can even feel like a character itself. This week’s literary geography quiz highlights the starting points or destinations of five novels about road trips. (Even if you aren’t familiar with the book, most questions offer an additional hint about the location.) To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.

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This Poem About Monet’s “Water Lilies” Reflects on the Powers and Limits of Art

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This Poem About Monet’s “Water Lilies” Reflects on the Powers and Limits of Art

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In the midst of the world’s unrelenting horribleness, it’s important to make room for beauty. True! But also something of a truism, an idea that comes to hand a little too easily to be trusted. The proclamation that art matters — that, in difficult times, it helps — can sound like a shopworn self-care mantra.

So instead of musing on generalities, maybe we should focus our attention on a particular aesthetic experience. Instead of declaring the importance of art, we could look at a painting. Or we could read a poem.

A poem, as it happens, about looking at a painting.

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Hayden did not take the act of seeing for granted. His eyesight was so poor that he described himself as “purblind”; as a child he was teased for his thick-framed glasses. Monet’s Giverny paintings, whose blurriness is sometimes ascribed to the painter’s cataracts, may have revealed to the poet not so much a new way of looking as one that he already knew.

Read in isolation, this short poem might seem to celebrate — and to exemplify — an art divorced from politics. Monet’s depiction of his garden, like the garden itself, offers a refuge from the world.

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Claude Monet in his garden in 1915.

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“Ceux de Chez Nous,” by Sacha Guitry, via Museum of Fine Arts, Boston

But “Selma” and “Saigon” don’t just represent headlines to be pushed aside on the way to the museum. They point toward the turmoil that preoccupied the poetry of Hayden and many of his contemporaries.

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“Monet’s ‘Waterlilies’” was published in a 1970 collection called “Words in the Mourning Time.” The title poem is an anguished response to the assassinations of Robert F. Kennedy and the Rev. Dr. Martin Luther King Jr., and to the deepening quagmire in Vietnam. Another poem in the volume is a long elegy for Malcolm X. Throughout his career (he died in 1980, at 66), Hayden returned frequently to the struggles and tragedies of Black Americans, including his own family.

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Robert Hayden in 1971.

Jack Stubbs/The Ann Arbor News, via MLive

Born in Detroit in 1913, Hayden, the first Black American to hold the office now known as poet laureate of the United States, was part of a generation of poets — Gwendolyn Brooks, Dudley Randall, Margaret Danner and others — who came of age between the Harlem Renaissance of the 1920s and the Black Arts movement of the ’60s.

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A poet of modernist sensibilities and moderate temperament, he didn’t adopt the revolutionary rhetoric of the times, and was criticized by some of his more radical peers for the quietness of his voice and the formality of his diction.

But his contemplative style makes room for passion.

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