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Andre Onana uses Vaseline on his gloves – our goalkeeping expert finds out why

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Andre Onana uses Vaseline on his gloves – our goalkeeping expert finds out why

When the match broadcast cut to Andre Onana shortly after he had made a save against Liverpool’s Dominik Szoboszlai this month, the camera caught the Manchester United goalkeeper with a tub of Vaseline in his hands. It zoomed in tight on him as he smeared the contents of the container on his gloves, the commentators laughing and questioning why he would be using the product.

Before the camera panned away, I grabbed my phone, took a photo of Onana holding the tub of Vaseline, and sent a text to Robin Streifert, goalkeeper for my club Angelholms FF in the Swedish third division, with the caption, “Looks like Onana is in on the secret.”

“Yeah, I had a talk with him about it last week!” he joked.

I vividly remember when Robin started using Vaseline on his gloves like it was yesterday. It was our first training session after our summer break last year when he brought a jar of Vaseline out with him to the training pitch. I initially thought he might smear some on his elbows and knees to help soften the fall when he dived, but when he opened the jar and started smearing it on the goalpost, then his gloves, I couldn’t help but laugh.

“What the hell are you doing? You want to catch the ball, don’t you?” I asked him as I smiled.

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He looked at me with a little grin and replied, “You laugh, but trust me, it works! My grip has never been better.”

He told me how Bordeaux’s Swedish goalkeeper Karl-Johan Johnsson (or “Kalle” for short) introduced him to it during a training session they had together over the holiday.

Robin said he was initially skeptical like I was and “expected the ball to slip out of my hands like a bar of soap”. But after getting some of the Vaseline transferred onto his gloves via the ball during their session, he noticed the effect it had on his grip and knew he needed to try it out for himself. After smearing some of it on his gloves, he was hooked.

“I couldn’t believe how much better my grip was,” he recalls. “I’m sure part of it was mental, especially when you try something new, but it really felt like there was a benefit.”

When the ball started smacking into his gloves just a little bit tighter than I remember it doing before our summer break, I became intrigued and knew at the end of training I would have to try it for myself.

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After the session finished, I ran into the dressing room, grabbed a pair of gloves I had sitting in my locker and went back out to the pitch. I took a dab of Vaseline, smeared it on my gloves, and hopped in goal. As Robin and our second goalkeeper, Lukas Bornandersson, started to pepper me with shots, I immediately noticed the difference and the impact the Vaseline had on my grip.

My gloves had some age to them and it had been a while since they had been used, but the Vaseline suddenly gave them new life. The only downside I could find was that I needed to occasionally reapply a new coating on my gloves when the effect wore off. That’s where the Vaseline on the posts came in handy. If I needed to reapply quickly, I just had to go over to the post, swipe off a chunk, and wipe it on my gloves.


Onana rises high to claim a cross (Andrew Kearns – CameraSport via Getty Images)

But I couldn’t wrap my head around why it worked. Vaseline was a lubricant, why didn’t it make the ball slip through my fingers?

In the months since, I’ve done some research and learned the intricacies of why it’s effective. My understanding is that latex is a porous material, so over time, when the palm of the glove breaks down, it allows dirt and water to flood the latex and you end up losing grip. What Vaseline does is moisturise the latex of the gloves while also acting as a repellent to water and grime from covering the glove, allowing the latex to do the job it’s designed to do: grip the ball.

After seeing Onana use it and having time to reflect on my own experiences with it, I knew I needed to go further up the chain and talk to Kalle directly. I sent him a message on Instagram to ask if he had some time to talk about Vaseline. He replied almost immediately.

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When we hopped on a call a few hours later, there was an excited tone in his voice, almost like that of a small child who had been privy to a secret and couldn’t wait to tell someone about it. Before I could even get my first question in, he enthusiastically asked me, “So have you tried it?”

I began to laugh.

Though Kalle and I have casually known each other for over a decade through our playing careers, we’ve only ever talked a few times — but this time when we talked, it felt like two old friends catching up.

“It’s so good, isn’t it?” he asked. His excitement and curiosity about what I thought was genuine.

“I know that it might not be for everyone, but for me, it’s made a huge difference,” he explained.

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When I asked him how he first came across Vaseline, he couldn’t remember exactly who introduced it to him, but one thing he knew for certain is that it was at a Sweden national team camp in the 2015-16 season.

“I was totally against it in the beginning and a bit naive,” he said. “I had heard of it being used before but never really believed in it. I thought it was just another one of those fads that would be out of the game as quickly as it appeared — but after a few training sessions and seeing the other goalkeepers use it, I thought, ‘OK, why not? I’ll give it a go’.”

He went on to tell me there were a few different brands of petroleum jelly being used during that camp and though he could see the benefits directly, it wasn’t until he tried Vaseline with “the blue top” that he was completely sold on the idea.

“Initially, I tried one brand for a few training sessions, but once I got introduced to the other one (the one with the blue top), I switched immediately,” he said.

“I still can’t remember if it was Robin (Olsen) or Kristoffer (Nordfeldt) who introduced me to that brand, but it’s by far my favourite. I remember buying four or five tubs of that stuff and taking it back with me to my club at the time. I still use the same one today.”

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At the professional level, the pitch is watered before every training session and match, often making the ball that goalkeepers are trying to catch incredibly slippery. When it’s pouring rain on top of that, sometimes it can feel almost like an impossible task to catch the ball, even with the best latex gloves on the market.

Every goalkeeper is familiar with the feeling of your gloves being drenched and struggling to catch the ball cleanly as your hands feel like they weigh a hundred pounds. The job of the Vaseline is to prevent this from happening.

The biggest difference for Kalle since he started using Vaseline is its mental impact on him, especially when trying to catch the ball in rainy conditions. Kalle admits that he often had problems in the rain because the ball was hard to grip, but after he started using Vaseline on his gloves, he’s seen a huge change in his confidence when catching the ball.


Kalle shows off his Vaseline-covered gloves (Romain Perrocheau/AFP via Getty Images)

“The mental part is so important to have a good feeling when you’re playing,” he said. “And having the ability to catch the ball is huge and gives me, as a goalkeeper, so much more confidence.

“During matches, it’s more natural to be safer and push or punch the ball away, but now I catch the ball way more than I used to. Vaseline really has made a huge difference for me.”

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I was curious if anything had changed in his routine since he started using Vaseline and he said without hesitation, “I’ve learned how to use it properly.”

“I used to use a lot more of it than I do now, but now I know how much I need to use and when I need to use it,” he said.

He admitted it took a while to get the exact combination correct and learnt from trial and error, but said that today, he has his routine down to almost a science.

On matchdays, he first puts water on his gloves, then wipes them off with a towel, before smearing a small amount of Vaseline on the palm of his gloves. He then puts a small amount of Vaseline on the tape of his shin pads, in addition to a larger amount on the goalposts. However, he stresses the Vaseline on the posts is just his backup in case he runs out during the match, which he said doesn’t happen so often anymore.

Kalle said that one of the funnier things that has happened is that at almost every club he’s played for, he’s become known to team-mates and fans as the guy who leaves Vaseline on all the posts around the country.

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“I still receive messages from former team-mates in Denmark all the time joking that I left something behind when I moved to France,” he said with a laugh. “It’s quite funny actually.”

It was clear throughout our conversation how strongly he believed in using Vaseline, but I had to know if he thought there were any negatives to using it.

“That it doesn’t work when the pitch is dry,” he said. “But I always have a water bottle with me so I can add water on the gloves if needed. Plus when we play or train there is always water on the pitch.”

As fascinating as all of this was, I was still curious if he knew who introduced Robin and Kristoffer to Vaseline.

“I think Robin was introduced to it while at Copenhagen by Danish goalkeeper Stephan Andersen and then he was the one who first brought it to the Swedish national team. That’s, at least, what Stephan told me when I moved to Copenhagen in 2019,” he said as he laughed. “Stephan takes a lot of pride in that it was a Dane who introduced Vaseline to the Swedes.”

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Kalle concluded our conversation by saying that he’s introduced Vaseline to the goalkeepers at every club he’s been to — each time, the same thing happens.

“They are always so sceptical, much like Robin was when we trained together, but after they see the results that I have in training and how many balls I catch, they always eventually end up taking some Vaseline off the post and putting it on their gloves,” he said. “They always end up loving it in the end.”

(Top photo: Andre Onana; by Robin Jones – AFC Bournemouth via Getty Images)

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What Happens When We Die? This Wallace Stevens Poem Has Thoughts.

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What Happens When We Die? This Wallace Stevens Poem Has Thoughts.

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Whatever you do, don’t think of a bird.

Now: What kind of bird are you not thinking about? A pigeon? A bald eagle? Something more poetic, like a skylark or a nightingale? In any case, would you say that this bird you aren’t thinking about is real?

Before you answer, read this poem, which is quite literally about not thinking of a bird.

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Human consciousness is full of riddles. Neuroscientists, philosophers and dorm-room stoners argue continually about what it is and whether it even exists. For Wallace Stevens, the experience of having a mind was a perpetual source of wonder, puzzlement and delight — perfectly ordinary and utterly transcendent at the same time. He explored the mysteries and pleasures of consciousness in countless poems over the course of his long poetic career. It was arguably his great theme.

Stevens was born in 1879 and published his first book, “Harmonium,” in 1923, making him something of a late bloomer among American modernists. For much of his adult life, he worked as an executive for the Hartford Accident and Indemnity Company, rising to the rank of vice president. He viewed insurance less as a day job to support his poetry than as a parallel vocation. He pursued both activities with quiet diligence, spending his days at the office and composing poems in his head as he walked to and from work.

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Wallace Stevens in 1950.

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Walter Sanders/The LIFE Picture Collection, via Shutterstock

As a young man, Stevens dreamed of traveling to Europe, though he never crossed the Atlantic. In middle age he made regular trips to Florida, and his poems are frequently infused with ideas of Paris and Rome and memories of Key West. Others partake of the stringent beauty of New England. But the landscapes he explores, wintry or tropical, provincial or cosmopolitan, are above all mental landscapes, created by and in the imagination.

Are those worlds real?

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Let’s return to the palm tree and its avian inhabitant, in that tranquil Key West sunset of the mind.

Until then, we find consolation in fangles.

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Wil Wheaton Discusses ‘Stand By Me’ and Narrating ‘The Body’ Audiobook

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Wil Wheaton Discusses ‘Stand By Me’ and Narrating ‘The Body’ Audiobook

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When the director Rob Reiner cast his leads in the 1986 film “Stand by Me,” he looked for young actors who were as close as possible to the personalities of the four children they’d be playing. There was the wise beyond his years kid from a rough family (River Phoenix), the slightly dim worrywart (Jerry O’Connell), the cutup with a temper (Corey Feldman) and the sensitive, bookish boy.

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Wil Wheaton was perfect for that last one, Gordie Lachance, a doe-eyed child who is ignored by his family in favor of his late older brother. Now, 40 years later, he’s traveling the country to attend anniversary screenings of the film, alongside O’Connell and Feldman, which has thrown him back into the turmoil that he felt as an adolescent.

Wheaton has channeled those emotions and his on-set memories into his latest project: narrating a new audiobook version of “The Body,” the 1982 Stephen King novella on which the film was based.

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“I like there to be a freshness, a discovery and an immediacy to my narration,” Wheaton said. He recorded “The Body” in his home studio in California. Alex Welsh for The New York Times

A few years ago, Wheaton started to float the idea of returning to the story that gave him his big break — that of a quartet of boys in 1959 Oregon, in their last days before high school, setting out to find a classmate’s dead body. “I’ve been telling the story of ‘Stand By Me’ since I was 12 years old,” he said.

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But this time was different. Wheaton, who has narrated dozens of audiobooks, including Andy Weir’s “The Martian” and Ernest Cline’s “Ready Player One,” says he has come to enjoy narration more than screen acting. “I’m safe, I’m in the booth, nobody’s looking at me and I can just tell you a story.”

The fact that he, an older man looking back on his younger years, is narrating a story about an older man looking back on his younger years, is not lost on Wheaton. King’s original story is bathed in nostalgia. Coming to terms with death and loss is one of its primary themes.

Two days after appearing on stage at the Academy Awards as part of a tribute to Reiner — who was murdered in 2025 alongside his wife, Michele — Wheaton got on the phone to talk about recording the audiobook, reliving his favorite scenes from the film and reexamining a quintessential story of childhood loss through the lens of his own.

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This interview has been edited and condensed.

“I felt really close to him, and my memory of him.”

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Wheaton on channeling a co-star’s performance.

There’s this wonderful scene in “Stand By Me.” Gordie and Chris are walking down the tracks talking about junior high. Chris is telling Gordie, “I wish to hell I was your dad, because I care about you, and he obviously doesn’t.”

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It’s just so honest and direct, in a way that kids talk to each other that adults don’t. And I think that one of the reasons that really sticks with people, and that piece really lands on a lot of audiences, and has for 40 years, is, just too many people have been Gordie in that scene.

That scene is virtually word for word taken from the text of the book. And when I was narrating that, I made a deliberate choice to do my best to recreate what River did in that scene.

“The Body” Read by Wil Wheaton

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“You’re just a kid,

Gordie–”

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“I wish to fuck

I was your father!”

he said angrily.

“You wouldn’t go around

talking about takin those stupid shop courses

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if I was!

It’s like

God gave you something,

all those stories

you can make up,

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and He said:

This is what we got for you, kid.

Try not to lose it.

But kids lose everything

unless somebody looks out for them

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and if your folks

are too fucked up to do it

then maybe I ought to.”

I watched that scene a couple of times because I really wanted — I don’t know why it was so important to me to — well, I know: because I loved him, and I miss him. And I wanted to bring him into this as best as I could, right?

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So I was reading that scene, and the words are identical to the script. And I had this very powerful flashback to being on the train tracks that day in Cottage Grove, Oregon. And I could see River standing next to them. They’re shooting my side of the scene and there’s River, right next to the camera, doing his off-camera dialogue, and there’s the sound guy, and there’s the boom operator. There’s my key light.

I could hear and feel it. It was the weirdest thing. It’s like I was right back there.

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I was able to really take in the emotional memory of being Gordie in all of those scenes. So when I was narrating him and I’m me and I’m old with all of this experience, I just drew on what I remembered from being that little boy and what I remember of those friendships and what they meant to me and what they mean to me today.

“Rob gave me a gift. Rob gave me a career.”

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Wheaton recalls the “Stand By Me” director’s way with kids on set, as well as his recent Oscars tribute.

Rob really encouraged us to be kids.

Jerry tells the most amazing story about that scene, where we were all sitting around, and doing our bit, and he improvised. He was just goofing around — we were just playing — and he said something about spitting water at the fat kid.

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We get to the end of the scene, and he hears Rob. Rob comes around from behind the thing, and he goes, “Jerry!” And Jerry thinks, “Oh no, I’m in trouble. I’m in trouble because I improvised, and I’m not supposed to improvise.”

The context for Jerry is that he had been told by the adults in his life, “Sit on your hands and shut up. Stop trying to be a cutup. Stop trying to be funny. Stop disrupting people. Just be quiet.” And Jerry thinks, “Oh my God. I didn’t shut up. I’m in trouble. I’m gonna get fired.”

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Rob leans in to all of us, and Rob says, “Hey, guys, do you see that? More of that. Do that!”

Rob Reiner in 1985, directing the child actors of “Stand By Me,” including Wil Wheaton, at left. Columbia/Kobal, via Shutterstock

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The whole time when you’re a kid actor, you’re just around all these adults who are constantly telling you to grow up. They’re mad that you’re being a kid. Rob just created an environment where not only was it supported that we would be kids — and have fun, and follow those kid instincts and do what was natural — it was expected. It was encouraged. We were supposed to do it.

“The Body” Read by Wil Wheaton

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They chanted together:

“I don’t shut up,

I grow up.

And when I look at you

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I throw up.”

“Then your mother goes around the corner

and licks it up,”

I said,

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and hauled ass out of there,

giving them the finger over my shoulder as I went.

I never had any friends later on

like the ones I had when I was twelve.

Jesus,

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did you?

When we were at the Oscars, I looked at Jerry. And we looked at this remarkable assemblage of the most amazingly talented, beautiful artists and storytellers. We looked around, and Jerry leans down, and he said, “We all got our start with Rob Reiner. He trusted every single one of us.”

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Jerry O’Connell and Wheaton joined more than a dozen actors from Reiner’s films to honor the slain director at the Academy Awards on March 15, 2026. Kevin Winter/Getty Images

And to stand there for him, when I really thought that I would be standing with him to talk about this stuff — it was a lot.

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“I was really really really excited — like jumping up and down.”

The scene Wheaton was most looking forward to narrating: the tale of Lard Ass Hogan.

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I was so excited to narrate it. It’s a great story! It’s a funny story. It’s such a lovely break — it’s an emotional and tonal shift from what’s happening in the movie.

I know this as a writer: You work to increase and release tension throughout a narrative, and Stephen King uses humor really effectively to release that tension. But it also raises the stakes, because we have these moments of joy and these moments of things being very silly in the midst of a lot of intensity. ​​

That’s why the story of Lard Ass Hogan is so fun for me to tell. Because in the middle of that, we stop to do something that’s very, very fun, and very silly and very celebratory.

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“The Body” Read by Wil Wheaton

“Will you shut up

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and let him tell it?”

Teddy hollered.

Vern blinked.

“Sure.

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Yeah.

Okay.”

“Go on, Gordie,”

Chris said.

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“It’s not really much—”

“Naw,

we don’t expect much

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from a wet end like you,”

Teddy said,

“but tell it anyway.”

I cleared my throat.

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“So anyway.

It’s Pioneer Days,

and on the last night

they have these three big events.

There’s an egg-roll for the little kids

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and a sack-race for kids that are like eight or nine,

and then there’s the pie-eating contest.

And the main guy of the story

is this fat kid nobody likes

named Davie Hogan.”

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When I narrate this story — whenever there is a moment of levity or humor, whenever there are those brief little moments that are the seasoning of the meal that makes it all so real and relatable — yes, it was very important to me to capture those moments.

I’m shifting in my chair, so I can feel each of those characters. It’s something that doesn’t exist in live action. It doesn’t exist in any other media.

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“I feel the loss.”

Wheaton remembers River Phoenix.

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The novella “The Body” is very much about Gordie remembering Chris. It’s darker, and it’s more painful, than the movie is.

I’ve been watching the movie on this tour and seeing River a lot. I remember him as a 14- and 15-year-old kid who just seemed so much older, and so much more experienced and so much wiser than me, and I’m only a year younger than him.

What hurts me now, and what I really felt when I was narrating this, is knowing what River was going through then. We didn’t know. I still don’t know the extent of how he was mistreated, but I know that he was. I know that adults failed him. That he should have been protected in every way that matters. And he just wasn’t.

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And I, like Gordie, remember a boy who was loving. So loving, and generous and cared deeply about everyone around him, all the time. Who deserved to live a full life. Who had so much to offer the world. And it’s so unfair that he’s gone and taken from us. I had to go through a decades-long grieving process to come to terms with him dying.

“The Body” Read by Wil Wheaton

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Near the end

of 1971,

Chris

went into a Chicken Delight

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in Portland

to get a three-piece Snack Bucket.

Just ahead of him,

two men started arguing

about which one had been first in line.

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One of them pulled a knife.

Chris,

who had always been the best of us

at making peace,

stepped between them

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and was stabbed in the throat.

The man with the knife had spent time in four different institutions;

he had been released from Shawshank State Prison

only the week before.

Chris died almost instantly.

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It is a privilege that I was allowed to tell this story. I get to tell Gordie Lachance’s story as originally imagined by Stephen King, with all of the experience of having lived my whole adult life with the memory of spending three months in Gordie Lachance’s skin.

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Do You Know the Comics That Inspired These TV Adventures?

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Do You Know the Comics That Inspired These TV Adventures?

Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about printed works that have gone on to find new life as movies, television shows, theatrical productions and more. This week’s challenge highlights offbeat television shows that began as comic books. Just tap or click your answers to the five questions below. And scroll down after you finish the last question for links to the comics and their screen versions.

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