Connect with us

Culture

After some 'chaotic' seasons, Rams QB Jimmy Garoppolo is having fun again

Published

on

After some 'chaotic' seasons, Rams QB Jimmy Garoppolo is having fun again

LOS ANGELES — After a wild few seasons, quarterback Jimmy Garoppolo finally looks relaxed.

The 10-year veteran has returned to a backup role, with both Garoppolo and the Los Angeles Rams recognizing it was the perfect time to unite. Garoppolo was looking for some solid footing, while the Rams wanted a reliable insurance policy for starter Matthew Stafford.

It’s been a great pairing so far, especially after Garoppolo dealt with so much uncertainty in recent years.

“It was chaotic at times, but they’re all learning experiences,” Garoppolo told The Athletic. “That’s one thing I’ve taken from this. The NFL is crazy, man. Everyone has got a story. Everyone is going whichever way trying to make it. But at the end of the day, it’s your story, and you’ve got to make the best of it. Good, bad, or indifferent, whatever happened in the past, it happened. … Now I’m here, and I’m just trying to make every day the best day.”

GO DEEPER

Advertisement

‘The Playcallers’ Bonus Batch: Rams OC Mike LaFleur on league trends, ‘aha’ moments

Garoppolo’s career as a whole has been remarkably eventful. The New England Patriots drafted him in the second round in 2014, with Bill Belichick pointing toward Tom Brady’s age as a primary reason for exploring a potential succession plan. But when Brady’s play didn’t diminish as he got older, the Patriots traded Garoppolo to the San Francisco 49ers in 2017.

Garoppolo tore his ACL in 2018, guided the 49ers to the Super Bowl in 2019 and lost most of his 2020 season due to a high ankle sprain. Garoppolo maintained the starting job in 2021 after the Niners made a massive draft investment in Trey Lance, but the team had prepared to turn to Lance in 2022, causing an unpredictable chain reaction that seemed to lay the groundwork for Garoppolo’s trade or release. Instead, he reworked his contract and subbed in for Lance after his gruesome ankle injury in Week 2 but eventually went down again with his own Lisfranc injury, paving the way for Brock Purdy’s emergence.

Nary a dull moment, Garoppolo endured a grueling recovery from offseason foot surgery before joining the Las Vegas Raiders in 2023, but he was benched midseason on the same day of head coach Josh McDaniels’ firing.

So you can see why a backup job with the Rams and an opportunity to reset was appealing for Garoppolo.

Advertisement

“It’s really nice having a healthy offseason,” Garoppolo said. “I haven’t had one of those in a while. The foot surgery was tough last year. For anyone who’s ever been through that, that wasn’t a fun recovery, but I feel like I’m back to myself. Being in this role, I get to experiment with some things, being with the 2s. I get to be myself. I haven’t had that in a little while, so it feels nice to get back to that.

Garoppolo largely credited Stafford and Rams coach Sean McVay for being the reasons he wanted to play in Los Angeles. McVay, in particular, impressed Garoppolo when the two chatted on the phone. Garoppolo, who drew interest from other teams, also was eager to learn about Stafford’s process.

go-deeper

GO DEEPER

Howe: What I’m hearing on Cowboys contract talks with Dak Prescott, CeeDee Lamb, Micah Parsons

Garoppolo, who will serve a two-game suspension to start the season after violating the league’s performance-enhancing drug policy, also understood during the offseason that a guaranteed starting job wasn’t going to be on the table. Sure, he could have gone somewhere to compete with a young quarterback, but that would have led to a similar dynamic that he experienced in San Francisco where the organization would inevitably lean on the long-term investment. Similarly, teams starting over at QB generally have head coaches whose job security isn’t as stable, which he just witnessed in Vegas.

McVay is as close to a sure thing as there is in the league, and his offensive scheme speaks for itself. The vibe in the Rams’ building is also as strong as it gets.

Advertisement

There was a litany of reasons for Garoppolo to take a step back in southern California.

“This place allows you to be yourself, too, which is different than other places I’ve been. You’re getting pressed with a sense of urgency but in a good way. Obviously, everyone wants to win. Everyone wants to perform well. They do it in the right way here. They push you positively. There’s just a lot of good things going on, man. I’m enjoying every bit of it. Even the meetings are a good time. Everything is going good right now.”

Scoop City Newsletter
Scoop City Newsletter

Free, daily NFL updates direct to your inbox.

Advertisement

Free, daily NFL updates direct to your inbox.

Sign UpBuy Scoop City Newsletter

(Photo: Kevork Djansezian / Getty Images)

Culture

The Paris Olympics wanted a fast track and it got one – this is how it was made

Published

on

The Paris Olympics wanted a fast track and it got one – this is how it was made

There were two requirements for the Stade de France track for the 2024 Paris Olympics: make it purple and make it fast.

The colour was, in fittingly Parisian fashion, about creating a unique stage for athletes to perform. A lighter hue than the typical red tracks, following in the footsteps of the 2016 Olympics in Rio de Janeiro, where the track was navy blue and not red for the first time.

Making it faster is not as straightforward as a design choice. In fact, a ‘fast track’ has become the most hackneyed of athletics sayings — no host city is going to ask for a slow one, are they?

But Paris was fast: seven Olympic records and three track and field world records were set at the Games. This excludes world-best decathlon performances and field events (hammer throw, shot put), which do not use a runway or the track.

Combined, the number of Olympic/world records has trended upwards at recent Games: five in London (2012); six in Rio; 10 in Tokyo (2020) and the same again in Paris. It is an oversimplification that athletes are getting bigger, faster and stronger. Humans are also getting smarter and technology is getting better.

Advertisement

T&F Olympic/World records, Paris 2024

Athlete(s) Event Nation Record

Team USA

4x400m mixed relay

USA

World record

Advertisement

Joshua Cheptegei

10000m

Uganda

Olympic record

Mondo Duplantis

Advertisement

Pole vault

Sweden

World record

Cole Hocker

1500m

Advertisement

USA

Olympic record

Winfred Yavi

3000m steeplechase

Bahrain

Advertisement

Olympic record

Arshad Nadeem

Javelin

Pakistan

Olympic record

Advertisement

Sydney McLaughlin-Levrone

400m hurdles

USA

World record

Marileidy Paulino

Advertisement

400m

Dominican Republic

Olympic record

Faith Kipyegon

1500m

Advertisement

Kenya

Olympic record

USA men

4x400m

USA

Advertisement

Olympic record

It was not just that records went in Paris, but how. Thirteen men ran quicker than Kenenisa Bekele’s 10,000m Olympic record from 2008 (27:01), with Uganda’s Joshua Cheptegei winning in 26:43.


Thirteen men ran under Kenenisa Bekele’s 10,000m Olympic record (Michael Steele/Getty Images)

Four men broke Jakob Ingebrigtsen’s 1500m Olympic record from Tokyo, including Ingebrigtsen, only for him to not medal. Four women broke Faith Kipyegon’s 1500m Olympic record, also from Tokyo, with Kipyegon winning in 3:51.

go-deeper

GO DEEPER

How the Ingebrigtsen-Kerr 1500m rivalry was pushed to new heights – even though neither man won

The women’s 400m final was the fastest ever, with all nine athletes going under 50 seconds. The men’s 100m final was the hardest to qualify for in Olympic history. Never before had a sub-10 second semi-final not guaranteed a spot.

Advertisement

The final itself was the deepest of all time, the only instance of all nine men going sub-10 in a wind-legal race, and the smallest first-to-eighth gap in a global final — 0.12 seconds separated Noah Lyles’ gold and Oblique Seville.

Similarly, the men’s 800m final was the first instance of four men running under 1:42 in the same race and that was a race where the Olympic record wasn’t broken.


The 100m final is the only instance of all nine men going sub-10 in a wind-legal race (Richard Heathcote/Getty Images)

Maurizio Stroppiana is the vice president of Mondo, an Italian company that produces synthetic athletics tracks. Mondo first made an Olympics track for Moscow in 1980, 12 years and three Games after they were first introduced at Mexico City in 1968. Mondo have manufactured every track since Barcelona in 1992.

“Mondo tracks are known to be the fastest in the world, with 300-plus records to date and over 70 per cent of all current records,” says Stroppiana.

If you think numbers like that mean Mondo have cracked the science of making quick tracks, they kind of have, but the science is less perfect than you might expect. Mondo’s tracks are made from “vulcanised rubber”, says Stroppiana.

Advertisement

When Paris hosted the Olympics in 1924, it was on a cinder track. “It was like dirt,” explains Stroppiana. “So, apart from getting dirty, it was more like running in a field as opposed to running on a 400m (synthetic) track”.

‘Fast tracks’ is something of a misnomer. The athlete is fast (or not), it is about making a track efficient. “We are trying to minimise the energy that is lost. The track compresses (as the foot hits the track) and it will then return that energy in the most efficient way, although a part of it will certainly be lost,” says Stroppiana.


The 1968 Olympics in Mexico City was the first to use a synthetic track (AFP via Getty Images)

Athletes produce around three times their body weight in vertical force when running. How much of that is translated into horizontal force — them moving forwards — depends on the “braking and propulsive forces”, Stroppiana says.

Mondo implemented “elliptical air cells within the base layer of the track”, which they found to have a double benefit: a 2.6 per cent increase in net horizontal energy return, and a 1.9 per cent improvement in shock absorption.

It is about protecting athletes while trying to maximise performance, though those things are interrelated. “The track has to provide a certain level of comfort and cushion,” says Stroppiana.

Advertisement

He outlines that the determinants of maximal energy return are the “type of material, the elasticity of the material. We have these aerosols on the bottom of the track. That helps the cushioning effect and how that energy is returning as equally as possible”.

“What we noticed in the previous track (Tokyo) is that, depending on where the athlete stepped (with the foot), you get different results. We modified the shape to provide a more uniform response and to increase the area of depression of the track,” says Stroppiana.

“This makes the track better because they will not feel any difference, the elastic response is exactly the same throughout the track to guarantee that the rhythm of the athlete (will) be maintained.”

If that sounds straightforward and simple, it isn’t. Stroppiana says “it took us about two years to fine-tune this new solution. We developed this mathematical model at the University of Milan”. It lets them run simulations and test new combinations faster. The four-year Olympic cycle gives ideal preparation time.


Washing the Olympic track in Tokyo in 2021 (Antonin Thullier/AFP via Getty Images)

One myth Stroppiana is keen to bust is track hardness. “These narratives started in the 1996 (Atlanta) Olympic Games because they had some great record times,” he says. “They started saying, ‘Yes it’s fast, it’s fast because it’s hard’. And since then we haven’t been able to change that point of view.”

Advertisement

How hard is the Paris track? “It’s softer than before,” says Stroppiana. “We really came to realise that is not a good solution making the track hard. And also, (it) doesn’t necessarily translate into faster times. In fact, it can actually lead to injury. So we have changed that in the last, six, seven years.”

They use a lower-carbon production method and more sustainable materials now than before, including calcium carbonate from mussel shells.

Unsurprisingly, it isn’t cheap. Stroppiana prices the Paris track at “anywhere from two to three million”, explaining that the top synthetic part “is only 14 millimetres thick. It’s quite thin”. He says that tracks tend to last around 15 years before needing replacement or relaying.


Mondo manufactured Rio’s blue track for the 2016 Games (Patrick Smith/Getty Images)

Decades of academic research detail the impact of altitude (positively for sprints, with the reduced air resistance; negatively for distance running, with the reduced oxygen) and wind.

The 1968 Olympics had the added impact of being the highest-altitude summer Games ever, at over 2,000m (7,000 feet). Sprinting and jumping records were smashed to pieces. Of the 12 sprint events, only the women’s 400m did not see an Olympic or world record, but distance races were slow.

Advertisement

Sprint performances over 1,000 metres are not considered legal and ‘altitude-assisted’, with a following wind of up to two metres the threshold for wind-legal sprint performances.

It means a good track needs the right location to be optimal for (legal) records. Saint-Denis, where Stade de France is situated in northern Paris, is within 50 metres of sea level. Stroppiana talks about the stadium creating a “microclimate” to “provide more favourable (performance) conditions”.

He explains that “the stadium’s architecture, including its oval shape and partially covered roof, helps to reduce wind interference. The stadium’s seating arrangement and the height of the stands contribute to shielding the track”.

Looking ahead, the 2028 Games in Los Angeles, USA, and the 2032 Games in Brisbane, Australia, are both in coastal cities.


The Stade de France’s ‘microclimate’ provides favourable conditions for fast times (Richard Heathcote/Getty Images)

For Stroppiana, the future of track-making lies in Mondo working with shoe/spike brands, who are notoriously “secretive about their own knowledge. Now there is this movement toward open innovation, which means collaborating within an industry, but not through competing brands”.

Advertisement

“I think the next evolution of the track surfaces is to make adjustments for these different (field) disciplines — an area of improvement for all the runways,” says Stroppiana.

He went on to say that Mondo works with Adidas, Nike, Asics, ON and Puma, among others, and collaborated with the latter for Paris.

“Before Tokyo, we worked with Asics because they gave us some insight. We installed our track at their research laboratory and they were testing different types, different solutions, to see which one (track) would be best.

“They do their own evaluation and they try to make sure that the (track/spike) interaction is as good as possible, concerned about how the spike will grab onto the surface, which is critical.”

Different events require different length spikes. Stroppiana speaks of 400m spikes having “different properties on the right-hand side” to aid bend running (as the outside of the foot hits the track first on landing and athletes run around to the left).

Advertisement

There is a trade-off to be achieved: Mondo “want to guarantee the proper traction but minimise the friction. So if the spikes were to penetrate too much on the surface, then it slows the athletes down”, says Stroppiana. “This is one of the characteristics of the top wear layer: it has to be spike resistant.”

Exceptions from that are pole vault and javelin because athletes are moving with so much force that the spike needs to penetrate the surface to avoid injury.

“In Paris, if you look closely at the javelin runway, the last portion is slightly different in colour (to the track)” says Stroppiana. “Why? Because that section has been specifically engineered for javelin throwers. We worked with the German team and the Finnish team to test different solutions”. He says they wanted a runway with “more spike resistance and to have a better grip.

“Normally the track has to be the same. You cannot have different properties for different areas. But for javelin, they (World Athletics) accepted these changes.” It worked: Pakistan’s Arshad Nadeem smashed the Olympic record by over 2.5m, throwing 92.97m, to earn Pakistan’s first athletics gold.

Stroppiana is optimistic about a future with more adjustments. “For the long distance, you could create a section where it’s specifically made,” he says, suggesting an inside lane. “In fact, we have done some tracks like this — only for training, not for competition — where you have a differentiated elastic response”.

Advertisement

There’s no doubt the 2028 LA track will be even more efficient. Mondo have four years to test and re-test new combinations and spike brands to work with. The main question that remains is: what colour will it be?

(Top photo: Nathan Laine/Bloomberg via Getty Images)

Continue Reading

Culture

Do You Know These Novels That Were Adapted Into Video Games?

Published

on

Do You Know These Novels That Were Adapted Into Video Games?

Good novels can make you feel as if you’re immersed in the action, but playing the video games based on those novels can give you a real interactive experience. That said, action games based on popular fiction are the focus of this week’s edition of Great Adaptations, the Book Review’s regular multiple-choice quiz about books and stories that have gone on to find new life in other formats.

But even if you’ve never picked up a game controller in your life, knowing basic facts about the novels and their authors will get you through. Just tap or click your answers to the five questions below. And scroll down after you finish the last question for links to the books and their game adaptations.

Continue Reading

Culture

The 'post-Olympic blues': Why do so many competitors suffer an emotional comedown?

Published

on

The 'post-Olympic blues': Why do so many competitors suffer an emotional comedown?

The Olympics should be the pinnacle of an athlete’s career. Yet scratch beneath the surface and the physical toll is often accompanied by an emotional comedown known as the ‘post-Olympic blues’.

That is an experience which unites swimmer Michael Phelps — the most decorated Olympian with 28 medals, gymnast Simone Biles with seven medals, Allison Schmitt and Adam Peaty, who won 10 and five pool medals respectively. Between them, they boast 34 Olympic golds.

Great Britain’s 800m runner Keely Hodgkinson and U.S. sprinter Noah Lyles are examples of athletes at their peak who have spoken of post-Olympic comedowns.

Dr Karen Howells, an academic and sports psychologist, explains that athletes first coined the term ‘post-Olympic blues’. “The blues undermined the seriousness,” she says. “The problem with using the word ‘depression’ is it is a mental illness, diagnosed by clinical psychologists and psychiatrists. As a researcher and applied sports psychologist, I’m not qualified to diagnose.”


Noah Lyles (Patrick Smith/Getty Images)

Jessica Bartley, senior director of psychological services for the U.S. Olympic and Paralympic Committee (USOPC), explains the ‘blues’ as a range of emotions.

Advertisement

“We try to make it broad because it’s not always ‘blues’. I don’t want to alienate athletes who aren’t feeling sad. If they’re feeling anxious, the blues often capture a lot of them, but it’s not everyone’s experience.

“Other athletes say, ‘I had the perfect experience, I did everything that I wanted to.’ It’s complicated, but we try to be as open as possible, as often as possible.”

It is impossible to accurately state how many athletes experience this. Although there is academic research, there is no standardised questionnaire. Not all athletes are prepared to speak about their emotions or engage in interventions.

Howells will not put a number on it because she hasn’t carried out a prevalence survey, but says she has “not yet met an Olympian who hasn’t experienced” the post-Olympic blues.

A 2023 study of 49 Danish Olympians and Paralympians found 27 per cent had below-average well-being or moderate-to-severe depression. For athletes who achieved their goals, as many had above-average well-being as below average (40 per cent).

Advertisement

There are typical symptoms. “The most helpful way is to recognise deviations from their baseline,” says Dr Cody Commander, the Team USA mental health officer for the delayed 2020 Tokyo Olympics. “Were they gregarious and outgoing and now they’re not?

“Appetite and sleep are the first few things that can change. You’re eating and sleeping more or less. You’re also looking to see if there’s any social withdrawal. That is more common for elite athletes now — not responding to text messages, emails and calls. They can’t deal with the mental energy needed to talk to everyone about it.”


Adam Peaty at the Tokyo Olympics (Maddie Meyer/Getty Images)

Danielle Adams Norenberg, head of psychology at the UK Sports Institute and Team GB psychologist references “maladaptive responses” post-Games. These include a dependence on alcohol and overtraining among other self-destructive behaviours, as athletes try to fill the void.

Commander describes “a crash of emotions afterwards”. He describes an inevitability “because it’s more of a build-up over time. They’re training for years versus just a season and it’s a bigger stage. Financially, this may be a great source of potential income. There is a lot of expectation and pressure.

“It’s more about making a map of how to get to a destination. Once you get there, it’s like, ‘Now what?’ They’re in a period with no plans and no spectators and they don’t know what to do. Elite athletes are used to having each minute planned every day for years.

Advertisement

“When there’s no plan, it’s the feeling of ‘I’m lost’. It’s very different from training. That difference is what they have a hard time adjusting to — the freedom can feel more awkward.

Howells explains that most people can relate to the blues. “It’s normal that when we build up to something, and then it’s over, we are going to feel lost and upset,” she says. “There may be anger, frustration, irritation”.


Recent Olympic cycles have seen changed approaches to managing athletes’ emotional well-being, with performance now considering mental health and the post-Olympic experience, and countries taking measures to prepare athletes for life post-Games.

“We have a team of 15 that focus on mental health and mental performance,” Bartley says. We’re meeting regularly with Canada, Great Britain, Australia, Denmark and the Netherlands.”

The International Olympic Committee (IOC) has started to build infrastructure which countries use and there are shared initiatives. “There are over 150 mental health providers at the Games from different countries.” All the nations met pre-Games to pool resources and share strategies. Since Tokyo, Team USA has implemented a new process, screening first-time athletes via questionnaires.

Advertisement

“When an athlete makes the team, we immediately talk about resources, whether that’s mental health or medicine, career services, retirement services, how to transition out of sport. We’ve tried to normalise and make the transition piece a part of the conversation early. Throughout their career, we’re talking about it during what we call an ‘elite athlete health profile’.

“We talk to them annually, doing physical and mental health screenings. Right before the Games, we’re screening every athlete. We’ve met with every Olympic and Paralympic athlete, every alternate, training partners — everybody who’s in the mix for Team USA.

“Then we’ll follow up post-Games. We’ve developed ‘navigating the Olympic blues’ and navigating the emotions. We have process groups and skills groups, then we have a really cool experience.” All U.S. Olympians and Paralympians visit the White House and meet the President, and there are counsellors available throughout the week post-Games.


US Olympians meet President Joe Biden in 2022 (Patrick Smith/Getty Images for USOPC)

For Team GB, the focus is on performance decompression. A six-stage model designed by the British Institute of Sport before the Tokyo Games applied knowledge and research from the military, the Red Cross and their own practical experience to help prepare athletes for life after the Games.

It consists of four phases: First, a ‘hot debrief’, almost immediately post-competition. Second is ‘time zero’, athletes are encouraged to take a break and engage with the present. The third phase is ‘process the emotion’, a psychological debrief to discuss the emotional experience of the Games. Finally, there is a performance debrief.

Advertisement

“In those pre-stages, we’ll talk to them about the importance of performance decompression,” says Adams Norenberg. “We will drip-feed the conversation all the way through. We might say, ‘When might you want to plan your post-Games period?’

“They’ve got really good performance decompression plans, they know when they’re going to take a break and, ideally, they know when they’re going to have that process the emotion conversation. It’s all booked in before the Games start.

“In some areas of the military, upon returning home, there’s a stop-off before, where individuals are supported to make sense of their experience. We knew that talking it through, understanding and acknowledging emotions that might have come up for them is important before jumping straight in to find life again.

“The research from the Red Cross, about support for hostages returning home, gave us insight into how a stage three brief, where emotions are understood, could look”.

But there is a balance required between focusing on the post-Games experience and potentially problematic emotions, and prioritising competition.

Advertisement

“You want to think about it before the Games, but not right before,” says Commander. “Maybe six months out. So afterwards, if it goes well, here’s my plan. If it doesn’t go well, here’s my plan B. I’m thinking about it ahead of time but now I have a plan so I’m not thinking about it anymore. I’m just focused on my training and everything else.”

For Bartley and the USOPC, as with Team GB, athletes are given ownership. “We start when they’re ready. Even when we’re doing an athlete orientation or introducing our services, we’ll tell them there’s going to be a lot of emotions that come up. We’re not going to start talking at them about what to expect. We let them know we’re here and say, ‘When you’re ready, let us know’.”


Academics first identified the ‘blues’ decades ago. In a 1998 study of 18 Australian Olympic gold medallists, competing across several sports at Games between 1984 and 1992, only four athletes described their experiences as completely positive. Six, however, cited burnout and a lack of support. Athletes were “lacking guidelines for being a gold medallist”.

A study of 61 Israeli athletes and coaches at the 2012 London Games found one in five spoke with others afterwards — most ignored their feelings or isolated themselves. A 2021 paper, which interviewed 18 Australian Olympians after the Rio 2016 games said: “national system stressors, including organisational restructures, coaching changes and funding cuts, were impediments to athlete well-being”.

In 2018, Howells and Mathijs Lucassen interviewed four British Olympians. They concluded that “negative emotions are a normal response to returning home but athletes don’t expect it to affect them, they are incapable of focusing beyond the Games before they happen and get rollicked by a return to normality. They struggle being away from other athletes with relatable experiences.”

Advertisement

Holly Bradshaw, a pole vault bronze medallist, was a participant. In 2022, Bradshaw became “researcher as participant” alongside Howells and Lucassen. She facilitated four focus groups with 14 British Olympians across various sports, featuring medallists and non-medallists. Researchers were surprised by how much athletes preferred focus groups.

“We thought that having Holly run them would enable the Olympians to be more open. We hadn’t realised how open they were going to be.

“What came out very clearly was a real antagonism and mistrust towards sports psychologists,” she says. Athletes felt they might relay information to the coach which made them look ‘weak’ or cost them their place on the team. “Sports psychologists didn’t really get it.” Athletes “wanted to be supported through the post-Olympic blues by somebody who’d been through it,” Howells says.


Holly Bradshaw competing at the Tokyo Olympics in 2021 (Michael Steele/Getty Images)

The way forward is nuanced, Howells believes: “It is more complicated than we thought. We would be foolish not to listen to the athletes”. She says peer support should complement, not replace, sports psychology.

“Just because you’ve been through it, it doesn’t mean that you are in the best position to help somebody. To get a team of sports psychologists to support Olympians afterwards is easy. It’s much harder to work a mentorship scheme.”

Advertisement

Academia may try to shift the dial from encouraging change to initiating it more formally. In 2020, experts proposed that national governing bodies view the Games as a five-year cycle, with a clearly defined support system for 12 months post-Games. Formalised mental health care teams and a specific mental health officer, improving athlete education and simplifying screening processes were further recommendations.

“There are two areas at which we can address the blues,” says Howells. “The first is pre-Games, with psychoeducation. That’s the first thing that athletes were clear about and that aligned with our own expectations: the more that you know, the better equipped you are to cope.”

Stigma is gradually reducing as high-profile athletes open up publicly. The pressure, expectation, the heralding of exceptional athletes as heroes and superhuman and the ensuing celebrity status are all factors. It does not encourage athletes to be human.

A 2023 paper on Olympic judokas (judo) explained the identity crises athletes face as a result of hyper-fixation on performance, leaving their non-sporting personalities underdeveloped. In a 2018 paper, Howells wrote that athletes with a greater “myopic” performance focus are more at risk of the ‘blues’.

“At elite sport level, it is common for competitors to have this very high athletic identity. That is all they are,” says Howells. “They’ve sacrificed every other aspect of their identity for the purpose of being an Olympian. Many have an Olympic rings tattoo; they are branding themselves, their bodies, as an Olympian”.

Advertisement

(Buda Mendes/Getty Images)

Bartley, who has worked with the USOPC since 2012, is confident that discussing mental health can provide “an edge” in performance.

“The biggest difference I’ve seen (over that time) is that so many notable athletes have spoken out about their mental health that it’s starting to destigmatise it a lot,” she says. “It’s helping future athletes or even athletes now to understand that it’s OK to talk about mental health and to use these resources.”

A 2015 report by Tanni Grey-Thompson, who won 16 Paralympic medals with Team GB, found that “mental health and well-being is a major concern in British performance sport and should be treated accordingly”.

Howells points to it as a turning point in reducing stigma. “There is certainly a very dark side to elite sport,” she says, but remains positive about affecting change.

“Change doesn’t happen quickly, the stigma is still there. It takes a long time to bring about attitudinal change, but we’re getting there.”

Advertisement

(Header photos: Getty Images)

Continue Reading

Trending