Business
Marshall Rose, Who Helped Revive Two New York Institutions, Dies at 88
Marshall Rose, a real estate developer who was instrumental in reviving the New York Public Library on Fifth Avenue and transforming the adjacent Bryant Park from a mecca for drug dealers into a verdant Midtown oasis, died on Saturday at his home in Manhattan. He was 88.
The cause was complications of Parkinson’s disease, his stepdaughter, Chloe Malle, said.
As chairman of the library’s board of trustees from 1990 to 1995, Mr. Rose, along with his predecessor, Andrew Heiskell, and Vartan Gregorian, the library’s longtime president, engineered the resurgence of the Beaux-Arts landmark on Fifth Avenue and the derelict greensward just to its west.
Mr. Rose returned as chairman in 1997 for another two years after Elizabeth F. Rohatyn resigned to join her husband, Felix G. Rohatyn, the newly appointed ambassador to France, in Paris.
Mr. Rose played pivotal roles in the creation of the Science, Industry and Business Library in the former B. Altman emporium on Madison Avenue (it closed in 2016, after two decades, and was folded into a more high-tech incarnation of the Mid-Manhattan Library) and in the decision to construct vital new stacks for books, instead of a disruptive parking garage, under Bryant Park.
During his tenure as chairman, the library effected the dazzling renovation of the Deborah, Jonathan F.P., Samuel Priest and Adam R. Rose Main Reading Room in the research library on Fifth Avenue. The project was financed with a gift in honor of their children from Frederick P. Rose, who oversaw the renovation, and his wife, Sandra Priest Rose, members of a venerable New York real estate family unrelated to Marshall Rose.
After presiding over the Arlen Realty and Development Corporation and its E.J. Korvette discount-chain subsidiary in the early 1970s, Mr. Rose in 1978 founded the Georgetown Company, which in 1999 developed the Easton Town Center mall in Columbus, Ohio, with Leslie H. Wexner, the billionaire retailer.
Mr. Rose’s company built and managed shopping centers, apartments and commercial properties in Los Angeles, Chicago, Boston and Washington; renovated Madison Square Garden when it was owned by Gulf and Western Industries in the early 1990s; and oversaw the development of the architect Frank Gehry’s beehive-like headquarters of Barry Diller’s IAC/InterActive Corporation in the West Chelsea section of Manhattan, completed in 2007.
As a philanthropist, Mr. Rose helped establish three charter high schools funded by the Robin Hood Foundation, one in the South Bronx and two in Brooklyn.
Many websites that published Mr. Rose’s obituary referred to him in their headlines as the husband of the actress Candice Bergen, whom he married in 2000. But he was better known in New York as a civic leader.
He could be demanding; he could also be relentlessly loyal to friends. His advice on real estate and finance was highly valued.
When Donald J. Trump offered to complete the stalled renovation of Wollman Rink in Central Park in 1986, the Trump Organization consulted Richard Ravitch’s HRH Construction on Mr. Rose’s recommendation. Mr. Rose also advised Central Synagogue on the lucrative sale of the air rights over its temple on Lexington Avenue to a nearby development site in 2017.
“He was a model of civic virtue and commitment,” Gordon J. Davis, a former parks commissioner and president of Lincoln Center for the Performing Arts and a life trustee of the library, said in an interview. “Marshall was a central and indispensable figure in what happened with the New York Public Library from 1981 until today.” (His commitment endured even in death; the family encouraged contributions in his memory to the library.)
“Vartan Gregorian, Andrew Heiskell and Marshall Rose,” Mr. Davis added, “not only restored Bryant Park, they were the driving force that rescued the New York Public Library and made it into the extraordinary institution of learning and diversity for all New Yorkers that it is today.”
Daniel Biederman, the founding president of the Bryant Park Restoration Corporation, said that Mr. Rose’s “real estate know-how was critical.”
Marshall Rose was born on Jan. 2, 1937, in Brooklyn, to Jack Rose, an English-born furrier who also worked in real estate, and Jean (Klein) Rose.
Raised in the Brighton Beach section of the borough, he attended Lincoln High School in Brooklyn and then earned a bachelor’s degree in economics from City College.
After graduating from New York University School of Law, he briefly practiced law and for a short time worked on real estate matters for the investment bank Lazard Freres, before deciding that he wanted to develop property.
“I asked him if he ever attended a school reunion,” his friend Elihu Rose (Frederick Rose’s brother) recalled in the eulogy he delivered on Wednesday at Central Synagogue. “He said no, because he thought that most of his classmates would have been in jail. And from that social start, he ended up by being an intimate friend of Brooke Astor, the undisputed grande dame of New York’s social life.”
In 1965, Mr. Rose married Jill Kupin, who became president of the International Center of Photography in 1989. She died in 1996. In 2000, he married Ms. Bergen, best known as the star of the hit CBS-TV comedy “Murphy Brown” from 1988 to 1998 and 2018 to 2019. (In her 2015 memoir, “A Fine Romance,” Ms. Bergen said Mr. Rose was clueless about popular culture: “He’d never seen ‘Seinfeld,’ for example, and had barely heard of ‘Murphy Brown.’”)
In addition to Ms. Malle and Ms. Bergen, he is survived by two children from his first marriage, Wendi and Andrew Rose; and six grandchildren.
The Roses lived on Fifth Avenue and had a home on Lily Pond Lane in East Hampton.
At the library, Mr. Rose helped guide the renovation of the Schomburg Center for Research in Black Culture in Harlem and the Library for the Performing Arts at Lincoln Center. He served briefly as the chairman of the Lincoln Center Constituent Development Corporation, but quit in 2001 after the Metropolitan Opera, New York City Opera and other institutions squabbled over a master plan for renovations.
In 2019, the library dedicated a new plaza and entrance on West 40th Street in Mr. Rose’s honor.
“He was an unstoppable force of nature when it came to protecting and building what the public needed from its library,” said Anthony Marx, who in 2011 succeeded Paul LeClerc as the library’s president.
Mr. Biederman recalled that Mr. Rose’s predecessor as board chairman, Mr. Heiskell, once acknowledged that Mr. Rose had not been a major donor to the library, but said that he had contributed significantly with his mind, which placed him ahead of some other supposed benefactors.
“About 1 percent of the people who give, give anonymously,” Mr. Rose told The New York Times in 1997. “It sometimes seems that all the people who don’t give claim to be in that 1 percent.”
Business
Erewhon and others shut by fire set to reopen in Pacific Palisades mall
Fancy grocer Erewhon will return to Pacific Palisades in an entirely rebuilt store, as the neighborhood’s luxury mall, owned by developer Rick Caruso, undergoes renovations for a reopening next August.
Palisades Village has been closed since the Jan. 7 wildfire destroyed much of the neighborhood. The outdoor mall survived the blaze but needed to be refurbished to eliminate contaminants that the fire could have spread, Caruso said.
The developer is spending $60 million to bring back Palisades Village, removing and replacing drywall from stores and restaurants. Dirt from the outdoor areas is also being replaced.
Demolition is complete and the tenants’ spaces are now being restored, Caruso said.
“It was not a requirement to do that from a scientific standpoint,” he said. “But it was important to me to be able to tell guests that the property is safe and clean.”
Erewhon’s store was taken down to the studs and is being reconfigured with a larger outdoor seating area for dining and events.
When it opens its doors sometime next year, it will be the only grocer in the heart of the fire-ravaged neighborhood.
The announcement of Erewhon’s comeback marks a milestone in the recovery of Pacific Palisades and signals renewed investment in restoring essential neighborhood services and supporting the community’s long-term economic health, Caruso said.
A photograph of the exterior of Erewhon in Pacific Palisades in 2024.
(Kailyn Brown/Los Angeles Times)
“They are one of the sexiest supermarkets in the world now and they are in high demand,” he said. “Their committing to reopening is a big statement on the future of the Palisades and their belief that it’s going to be back stronger than ever.”
Caruso previously attributed the mall’s survival to the hard work of private firefighters and the fire-resistant materials used in the mall’s construction. The $200-million shopping and dining center opened in 2018 with a movie theater and a roster of upmarket tenants, including Erewhon.
“We’re honored to join the incredible effort underway at Palisades Village,” Erewhon Chief Executive Tony Antoci said in a statement. “Reopening is a meaningful way for us to contribute to the healing and renewal of this neighborhood.”
Erewhon has cultivated a following of shoppers who visit daily to grab a prepared meal or one of its celebrity-backed $20 smoothies.
The privately held company doesn’t share financial figures, but has said its all-day cafes occupy roughly 30% of its floor space and serve 100,000 customers each week.
Erewhon has also branched out beyond selling groceries.
Its fast-growing private-label line now includes Erewhon-branded apparel, bags, candles, nutritional supplements and bath and body products.
Erewhon will also open new stores in West Hollywood in February, in Glendale in May and at Caruso’s The Lakes at Thousand Oaks mall in July 2026.
About 90% of the tenants are expected to return to the mall when it reopens, Caruso said, including restaurants Angelini Ristorante & Bar and Hank’s. Local chef Nancy Silverton has agreed to move in with a new Italian steakhouse called Spacca Tutto.
In May, Pacific Palisades-based fashion designer Elyse Walker said she would reopen her eponymous store in Palisades Village after losing her 25-year flagship location on Antioch Street in the inferno.
Fashion designer Elyse Walker announced the reopening of her flagship store at the Palisades Village in May.
(Myung J. Chun/Los Angeles Times)
“People who live in the Palisades don’t want to leave,” Walker said at the time. “It’s a magical place.”
Caruso carried on annual holiday traditions at Palisades Village this year, including the lighting of a 50-foot Christmas tree for hundreds of celebrants Dec. 5. On Sunday evening, leaders from the Chabad Jewish Community Center of Pacific Palisades gathered at the mall to light a towering menorah.
A total of 6,822 structures were destroyed in the Palisades fire, including more than 5,500 residences and 100 commercial businesses, according to the California Department of Forestry and Fire Protection.
Caruso said he hopes the shopping center’s revival will inspire residents to return. His investment “shows my belief that the community is coming back,” he said. “Next year is going to be huge.”
Business
How the ‘Wicked’ Movies Boosted the Musical’s Broadway Sales
Oct. 30, 2003
Broadway Opening
“Wicked” is an undisputed juggernaut — one of the biggest productions in musical theater history. The stage show, by the composer Stephen Schwartz and the librettist Winnie Holzman, has grossed $1.8 billion on Broadway, and $6.2 billion globally. Worldwide, it has been seen by more than 72 million people.
But none of that was a foregone conclusion. Based on Gregory Maguire’s 1995 novel, which in turn was based on L. Frank Baum’s “The Wonderful Wizard of Oz,” the musical had a so-so reception during its pre-Broadway run in San Francisco in the spring of 2003. In New York that fall, it divided critics when it opened on Broadway at the Gershwin Theater, starring Idina Menzel as the green-skinned “wicked witch,” Elphaba, and Kristin Chenoweth as her frenemy, Glinda, a.k.a. the Good Witch of the South. (“There’s Trouble in Emerald City” was the headline on the review in The New York Times.)
“You wake up the morning after opening night, and some of those notices were pretty devastating, and you think, ‘Oh, well, this is the final word,’” Mantello said. “But then the audiences are telling you a completely different story.”
The production pretty quickly became a fan favorite, and over the years, audiences made the show their own. The “Wizard of Oz” base was, of course, a huge factor — the 1939 film is a much-loved American classic — but, also, the musical’s depiction of female friendship became a central part of its allure, and kept audiences returning for repeat viewings.
March 23, 2006
1,000th Broadway Performance
“Once word kicked in, it took on a life that none of us could have ever predicted,” Mantello said. “It was the audience, and not a critical consensus, that turned it into the hit that it became.”
Menzel, the original Elphaba, won a Tony Award for best leading actress in a musical in 2004. In 2005, the day before her final performance, she fell through a trap door onstage; she couldn’t perform at her last show, but made a cameo in a red tracksuit.
Sept. 27, 2006
‘Wicked’ International
The show expanded rapidly, and now has a global footprint. The London production opened in September 2006, after the prior year’s introduction of a North American tour and a production in Chicago, where it ran for three and a half years. Los Angeles, Japan and Germany began in 2007; and Australia in 2008. In the years since, productions have run in the Netherlands, Mexico, South Korea and Brazil; productions are still running in London and South Korea, and touring in North America.
Oct. 30, 2018
Another Milestone: 15 Years
In 2018, the show celebrated its 15th anniversary, a milestone achieved by few shows. And “Wicked” has continued to outpace its peers: It has since become the fourth-longest-running production in Broadway history, following “The Phantom of the Opera,” “Chicago” and the top-grossing show, “The Lion King.”
Sept. 14, 2021
‘Wicked’ Reopens After the Shutdown
Broadway shows were closed from the spring of 2020 through the fall of 2021 because of the coronavirus pandemic. In August 2021, the touring production of “Wicked” restarted in Dallas — the first Broadway touring production to do so — and in September 2021 “Wicked” reopened on Broadway.
Dec. 7, 2022
Yes, We’re Making a Movie
The idea of adapting “Wicked” for the screen goes way back. In fact, it predates the stage musical. Universal Pictures had optioned the novel but couldn’t figure out how to turn it into a film, and agreed to let Schwartz, working with Holzman, develop it into a stage musical first. (Universal didn’t miss out; it is one of the lead producers of the stage musical, along with Marc Platt and David Stone.)
Once the stage production became a ginormous hit, the film adaptation was an inevitability, but still there were false starts, abandoned schedules and creative-team overhauls along the way. News coverage of a film adaptation began in 2010; at one point, the director Stephen Daldry was attached and a 2019 release was announced; in 2021 Jon M. Chu became the director, and the next year he said it would be split into two films.
Grande and Erivo had both become fans via the stage show. Grande saw it with her grandmother on Broadway in 2004 (and met Chenoweth backstage); Erivo saw the London production when she was a student.
Feb. 11, 2024
Marketing Saturation
The “Wicked” films’ rollout began in earnest in early 2024, with a trailer that ran during the Super Bowl, and the actresses were ubiquitous throughout that year, including in promotional spots that aired during the Paris Summer Olympics. (NBC Universal, the parent company of Universal Pictures, has the American broadcasting right to the Games.)
The marketing budgets for most Hollywood films are vastly larger than those for Broadway shows. In this case, because there are two films — one released last year and one released last month — the marketing campaigns, as well as publicity and news coverage, was doubled. The films had an estimated marketing budget of at least $125 million each — or $250 million total — along with the numerous brand partnerships that also generated a ton of attention. By contrast, the Broadway show has an annual marketing budget of about $11 million.
Nov. 22, 2024
‘Wicked: Part I’ U.S. Theatrical Release
The movies’ effect on the stage production was significant. In 2023, “Wicked” grossed $97.85 million on Broadway; in 2024 it was up nearly 15 percent, to $112.13 million, and this year it expects to be up another 13.4 percent, to $127.3 million.
The show says the effect in London has also been sizable: It expects London “Wicked” grosses this year to be up 29.4 percent over last year, and last year the grosses were up 10.5 percent over the previous year. (The show also holds a record for the highest weekly grosses in West End history, set this year during the week that included New Year’s Day.)
“It’s amazing,” Schwartz said in an interview. “Before the movies came out, I wondered what the impact would be on the show. I don’t think any of us anticipated how strong it would be. You can never plan on this kind of thing, or even hope for it, but it’s really lovely.”
Dec. 25, 2024
$5 Million on Broadway
The Broadway production of “Wicked” grossed $5 million over Christmas week last year (just a month after the first film’s release) — it is the first and only Broadway show to gross that much in a single week. (It was also the first show to cross the $2 million mark and the $3 million mark.)
Nov. 21, 2025
‘Wicked: For Good’ U.S. Theatrical Release
What’s next? The second movie was released just before Thanksgiving, giving a second surge for “Wicked” in all its forms, and now the year looks to be ending strong for the stage show. The Broadway production grossed more than $3 million over Thanksgiving week (by comparison, it had generally been grossing $2.3 million to $2.5 million during Thanksgiving weeks that preceded the films’ release). Just around the corner: the Christmas and New Year’s stretch, always a good period for Broadway, and this year, even more so for “Wicked.”
Broadway grosses reflect the most recent box office receipts as reported by the Broadway League. Grosses are not adjusted for inflation.
Images: Sara Krulwich/The New York Times and Universal Pictures.
Videos: CBS; Wicked Musical Korea; Broadway.com; Theater Mania; Ariana Grande; Pink News; Out; FOX; NBC; Universal Pictures.
Produced by Leo Dominguez, Hollis Johnson, Rebecca Lieberman and Josephine Sedgwick. Additional reporting by Leo Dominguez and Jeremy Singer-Vine.
Business
Senators dig into FCC chairman’s role in Jimmy Kimmel controversy
U.S. senators peppered Federal Communications Commission Chairman Brendan Carr with questions during a wide-ranging hearing exploring media censorship, the FCC’s oversight and Carr’s alleged intimidation tactics during the firestorm over ABC comedian Jimmy Kimmel’s comments earlier this fall.
Sen. Ted Cruz (R-Texas) called Wednesday’s hearing of the Senate Commerce, Science and Transportation Committee following the furor over ABC’s brief suspension of “Jimmy Kimmel Live!” amid social media backlash over Kimmel’s remarks in the wake of conservative activist Charlie Kirk’s killing.
Walt Disney Co. leaders yanked Kimmel off the air Sept. 17, hours after Carr suggested that Disney-owned ABC should punish the late-night comedian for his remarks — or face FCC scrutiny. Soon, two major TV station groups announced that they were pulling Kimmel’s show, although both reinstated the program several days after ABC resumed production.
Progressives were riled by the President Trump-appointed chairman’s seeming willingness to go after broadcasters in an alleged violation of their First Amendment rights. At the time, a few fellow Republicans, including Cruz, blasted Carr for suggesting to ABC: “We can do this the easy way or hard way.”
Cruz, in September, said that Carr’s comments belonged in the mob movie “Goodfellas.”
On Wednesday, Carr said his comments about Kimmel were not intended as threats against Disney or the two ABC-affiliated station groups that preempted Kimmel’s show.
The chairman argued the FCC had statutory authority to make sure that TV stations acted in the public interest, although Carr did not clarify how one jumbled sentence in Kimmel’s Sept. 15 monologue violated the broadcasters’ obligation to serve its communities.
Cruz was conciliatory Wednesday, praising Carr’s work in his first year as FCC chairman. However, Democrats on the panel attempted to pivot much of the three-hour session into a public airing of the Trump administration’s desire to punish broadcasters whom the president doesn’t like — and Carr’s seeming willingness to go along.
Sen. Ted Cruz (R-Texas) called Wednesday’s Senate committee hearing.
(Associated Press)
Carr was challenged by numerous Democrats who suggested he was demonstrating fealty to the president rather than running the FCC as an independent licensing body.
Despite the landmark Communications Act of 1934, which created the FCC, the agency isn’t exactly independent, Carr and fellow Republican Commissioner Olivia Trusty testified.
The two Republicans said because Trump has the power to hire and fire commissioners, the FCC was more akin to other agencies within the federal government.
“Then is President Trump your boss?” asked Sen. Andy Kim (D-N.J.). The senator then asked Carr whether he remembered his oath of office. Federal officials, including Carr, have sworn to protect the Constitution.
“The American people are your boss,” Kim said. “Have you ever had a conversation with the president or senior administration officials about using the FCC to go after critics?”
Carr declined to answer.
Protesters flocked to Hollywood to protest the preemption of “Jimmy Kimmel Live!” after ABC briefly pulled the late-night host off air indefinitely over comments he made about the fatal shooting of conservative activist Charlie Kirk.
(Genaro Molina / Los Angeles Times)
The lone Democrat on the FCC, Anna M. Gomez, was frequently at odds with her fellow commissioners, including during an exploration of whether she felt the FCC was doing Trump’s bidding in its approach to merger approvals.
Trump separately continued his rant on media organizations he doesn’t like, writing in a Truth Social post that NBC News “should be ashamed of themselves in allowing garbage ‘interviews’” of his political rivals, in this case Sen. Raphael Warnock (D-Ga.).
Trump wrote that NBC and other broadcasters should pay “significant amounts of money for using the very valuable” public airwaves.
Earlier this year, FCC approval of the Larry Ellison family’s takeover of Paramount stalled for months until Paramount agreed to pay Trump $16 million to settle a lawsuit over his grievances with edits of a CBS “60 Minutes” pre-election interview with Kamala Harris.
“Without a doubt, the FCC is leveraging its authority over mergers and enforcement proceedings in order to influence content,” Gomez said.
Parts of the hearing devolved into partisan bickering over whether Democrats or Republicans had a worse track record of trampling on the 1st Amendment. Cruz and other Republicans referenced a 2018 letter, signed by three Democrats on the committee, which asked the FCC to investigate conservative TV station owner Sinclair Broadcast Group.
“Suddenly Democrats have discovered the 1st Amendment,” Cruz said. “Maybe remember it when Democrats are in power. The 1st Amendment is not a one-way license for one team to abuse the power.
“We should respect the free speech of all Americans, regardless of party,” Cruz said.
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