Culture
Thomas Haugh, Tebowmania and the Florida Gators’ Final Four serendipity
SAN FRANCISCO — In summer 2022, the new Florida men’s basketball staff had zero wins, an auspicious but limited track record and one guarantee: Thomas Haugh, the lanky three-star recruit in the practice gym, was not leaving Gainesville without plans to come back. He was possibly the only human ever to be both a native of New Oxford, Pa., and a die-hard Florida fan. A 6-foot-9 devotee of Tim Tebow Mania. If anyone was going to run to the front of the line, it was him.
“They had to do a lot wrong for Tommy not to show up and be a Gator the next day,” Ryan Haugh, Thomas’ father, said Saturday on the Chase Center floor. “That was his lifelong dream. He bled orange and blue while the rest of Pennsylvania was bleeding blue and white.”
These are the serendipities that college basketball teams ride into April without knowing they’re on that ride until they get there. First, there is a very tall kid from a town of about 2,000 people who plays quarterback. Then that kid falls for the stylings of a Heisman Trophy winner. Then that kid gets too tall to be a quarterback anymore, grows yet another couple of inches and plays basketball well enough to catch the eye of an assistant coach at Richmond.
Thomas Haugh was a BUCKET for the @GatorsMBK tonight 😤
🔥 20 PTS | 11 REB | 4 3PT
A much-needed spark off the bench to help Florida advance to the #MFinalFour in San Antonio 📈#MarchMadness pic.twitter.com/RVQ3InMnXZ
— NCAA March Madness (@MarchMadnessMBB) March 30, 2025
Then that assistant coach becomes an assistant coach at Florida and takes another look. The player can’t say yes quickly enough. And in less than three years, there is Thomas Haugh on Saturday evening, turning to the crowd with a smile on his face and his arms spread wide, celebrating the moment that Florida clinched its first trip to the Final Four in more than a decade. A moment that wouldn’t have happened without him. A moment that is the residue of a lot of other ones that might not have happened at all but did.
So Thomas Haugh scores 20 points, grabs 11 rebounds and hits two 3-pointers in the final three minutes to supercharge a No. 1 seed’s comeback from oblivion. Florida beats Texas Tech 84-79, securing the first spot in San Antonio next week. As fate would have it. “I feel like I’m dreaming,” Haugh said, with a souvenir championship baseball cap pulled low over his brow. “I was watching the round of 64 in the eighth grade, sneaking my phone into science class. Now, to say I’m playing in the Final Four is wild. It’s wild.”
And it’s, of course, not entirely providence.
Florida’s staff has built this monster of a roster by relying on its instincts and calculations in player evaluations, entirely unconcerned if they don’t align with whatever the consensus is. It’s a belief in seeing things a little differently that traces back to operating as part of an Ivy League operation years and years ago. It’s comfort with risky convictions. And it’s the process that gets you a hero of an Elite Eight game.
Haugh was, in the words of Florida assistant coach Kevin Hovde, “an insane late bloomer.” Six feet 7 going into his senior year of high school, maybe not as comprehensively serious about basketball as Division I coaches would prefer until a couple of years before that. He was on the radar when Hovde worked at Richmond. He was not, however, a must-sign no-brainer.
But Haugh did bloom, even if he needed a prep school stopover to do so. And once Hovde joined Todd Golden’s new coaching staff at Florida, the pair doubled back. Their re-evaluation recommended Haugh as a player worth adding, even if the particulars of the picture remained fuzzy. “He has a very high floor in his game,” Hovde said amid Florida’s celebration Saturday. “I thought he could defend at this level, and he has a great feel. He’s easy to play with. So I thought no matter what, he’s going to be able to play a role. But he’s surpassed our expectations.”
They imagined a steep trajectory. They got a player who is nimbly climbing a sheer cliff face.
Haugh’s per-40-minute rebounding is basically static from his first season to this one. But he’s almost incomprehensibly gone from a 45.7 percent free-throw shooter as a freshman to 80.4 percent as a sophomore. He’s better than doubled his assist rate (6.9 percent to 14.1), becoming what Golden calls a “pressure release” for the Gators guards. His 3-point shooting jumped from 25.5 percent to 33 percent, and through 37 games, he led one of the deepest and most talented teams in the nation with .225 Win Shares per 40 minutes.
Also, he comes off the bench. For all but seven of the games he’s played in two years. “He’s a winning player,” Golden said. “He just finds ways to impact the game and to help the team. One of, if not the most unselfish guys out there, just being comfortable coming off the bench when he could be starting for pretty much any team in America.”
Haugh is, essentially, the avatar for Florida’s plan and the success it’s engendering. The Gators have welcomed players other power-conference programs might not take. Though the idea was to create depth that can overwhelm teams, this also requires players willing to be depth components. The Gators, meanwhile, have been unflappable — their longest losing streak this year is one game — because they have so many alternatives for whomever might not have it on a given night.
So here was Haugh, a 9.5 points per game scorer once again content in a reserve role in the Elite Eight. Then he logged 30 minutes — third most of any Florida player against Texas Tech — and stepped into a 3-pointer to make it a six-point game with 2:50 to play. And another to make it a one-possession contest less than 30 seconds later. Walter Clayton Jr. might have taken it from there, but there was nowhere to take it without Haugh’s confidently seizing those two moments.
“I just got the ball and I was like, probably need a 3-pointer here, so just throw one up and see if it goes in,” Haugh said with a laugh. “No, my teammates found me, and I made the shots. Which, thank God, I did.”
His parents still might not quite grasp why a football player from Gainesville, Fla., caught hold with a kid from a pin dot in Pennsylvania — “I questioned every day why there was orange and blue in our house,” said Ryan Haugh, a former football player at Division II Shippensburg University — but they rolled with it. Jennifer Haugh even put Tim Tebow’s book in front of her son. And at any rate, there were worse idols to have.
“His drive, his tenacity, just never quit,” Ryan Haugh said. “That sunk in a little bit. As you saw today.”
And that brought everyone to Florida, and that brought Florida to a Final Four. Amid the postgame hubbub, Thomas Haugh wondered aloud about meeting Tebow someday. This almost surely will happen after what transpired Saturday at the Chase Center. The happy coincidences in Thomas Haugh’s story are being steadily replaced by sure things.
“Obviously,” Golden said of the selfless sophomore who helped will the Gators to San Antonio, “he’s going to start for us next year.”
(Photo: Kyle Terada / Imagn Images)
Culture
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Culture
Kennedy Ryan on ‘Score,’ Her TV Deal, and Finding Purpose
At 53, and after more than a decade in the industry, things are happening for the romance writer Kennedy Ryan that were not on her bingo card.
The most recent: a first look deal with Universal Studio Group that will allow her to develop various projects, including a Peacock adaptation of her breakout 2022 novel “Before I Let Go,” the first book in her Skyland trilogy, which considers love and friendship among three Black women in a community inspired by contemporary Atlanta.
With a TV series in development, Ryan — who published her debut novel in 2014 and subsequently self-published — joins Tia Williams and Alanna Bennett at a table with few other Black romance writers.
“What I am most excited about is the opportunity to identify other authors’ work, especially marginalized authors, and to shepherd those projects from book to screen,” said Ryan, a former journalist. (Kennedy Ryan is a pen name.) “We are seeing an explosion in romance adaptations right now, and I want to see more Black, brown and queer authors.”
Her latest novel, “Score,” is set to publish on Tuesday. It’s the second volume in her Hollywood Renaissance series, after “Reel,” about an actress with a chronic illness who falls for her director on the set of a biopic set during the Harlem Renaissance. The new book follows a screenwriter and a musician, once romantically involved, working on the same movie.
In a recent interview (edited and condensed for clarity), Ryan shared the highs and lows of commercial success; her commitment to happy endings; and her north star. Spoiler: It isn’t what readers think of her books on TikTok.
Your work has been categorized as Black romance, but how do you see yourself as a writer?
I see myself as a romance writer. I think the season that I’m in right now, I’m most interested in Black romance, and that’s what I’ve been writing for the last few years. It doesn’t mean that I won’t write anything else, because I don’t close those doors. But the timeline we’re in is one where I really want to promote Black love, Black art and Black history.
What intrigued you about the period of history you capture in the Hollywood Renaissance series?
I’ve always been fascinated by the Harlem Renaissance and the years immediately following. It felt like a natural era to explore when I was examining overlooked accomplishments by Black creatives. I loved the art as agitation and resistance seen in the lives of people like James Baldwin or Zora Neale Hurston, but also figures like Josephine Baker, Lena Horne and Dorothy Dandridge, who people may not think of as “revolutionary.” The fact that they were even in those spaces was its own act of rebellion.
What about that period feels resonant now?
The series celebrates Black art and Black history and love at a time when I see all three under attack. Our art is being diminished and our history is being erased before our very eyes. I don’t hold back on the relationship between what I see going on in the world and the books I write.
How does this moment in your career feel?
I didn’t get my first book deal until I was in my 40s, so I think this is the best job I’ve ever had. I’m wanting to make the most of it, not just for myself, but for other people, and I think the temptation is to believe that it will all go away because that’s my default.
Why would it all go away?
Part of it is because we — my family, my husband and I — have had some really hard times, especially early in our marriage when my son was diagnosed with autism, my husband lost his job, and we experienced hard times financially. I’ll never forget that.
When I say it could all go away, I mean things change, the industry changes, what people respond to changes, what people buy and want to consume changes. So I don’t assume that what I am doing is always going to be something that people want.
Why are you so firmly committed to defending the “happy ending” in romance novels?
It is integral to the definition of the genre that it ends happily. Some people will say it’s just predictable every one ends happily. I am fine with that, living in a world that is constantly bombarding us with difficulty, with hurt, with challenge.
I write books that are deeply curious about the human condition. In “Score,” the heroine has bipolar disorder, she’s bisexual, there’s all of this intersectionality. For me, there is no safer genre landscape to unpack these issues and these conditions because I know there is guaranteed joy at the end.
You have a pretty active TikTok account. How do you engage with reviews and commentary on the platform about you or the genre?
First of all, I believe that reader spaces are sacred. Sometimes I see authors get embroiled with readers who have criticized them. I never ever comment on critical reviews. I definitely do see the negative. It’s impossible for me not to, but I just kind of ignore it. I let it roll off.
How does this apply to being a very visible Black author in romance?
I am very cognizant of this space that I’m in right now, which is a blessing, and I don’t take it for granted. I see a lot of discourse online where people are like, “Kennedy’s not the only one,” “Why Kennedy?,” “There should be more Black authors.” And I’m like, Oh my God, I know that. I am constantly looking for ways to amplify other Black authors. I want to hold the door open and pull them along.
How do you define success for yourself at this point?
I have a little bit of a mission statement: I want to write stories that will crater in people’s hearts and create transformational moments. Whether it’s television or publishing, am I sticking true to what I feel like is one of the things I was put on this earth to do? I’m a P.K., or preacher’s kid. We’re always thinking about purpose. And for me, how do I fit into this genre? What is my lane? What is my legacy? Which sounds so obnoxious, you know, but legacy is very important to me.
Culture
How Many of These Books and Their Screen Versions Do You Know?
Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about printed works that have gone on to find new life as movies, television shows, theatrical productions and more. This week’s challenge highlights the screen adaptations of popular books for middle-grade and young adult readers. Just tap or click your answers to the five questions below. Scroll down after you finish the last question for links to the books and their screen versions.
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