Business
In Britain, a Fight Over a Film Studio Becomes a Test for the Economy
Andrew Rackstraw has lived in Marlow, a small, wealthy town on the River Thames about 30 miles west of London, for nearly three decades. Its main streets are dotted with luxury boutiques, high-end cafes and stores like Saddle Safari, Mr. Rackstraw’s bike shop.
With a population of about 14,000, Marlow also has a plush cinema and a rowing club that dates to the 19th century. Around the corner from Mr. Rackstraw’s shop is a Michelin-starred restaurant. Farther down the road is Britain’s only two-Michelin-starred pub.
It is the picture of an idyllic English town.
But there is a threat, as locals see it, to Marlow’s quiet charm: a proposal to build a 750-million-pound ($950 million) film and TV studio complex. Plans include 18 soundstages, workshop space, offices and outdoor filming lots across 90 acres between Marlow and the smaller village of Little Marlow.
For more than three years, many Marlow residents have opposed the project, dubious of the developers’ promises that it will bring thousands of jobs, including creative roles, and more business for the town’s economy. “It will have the biggest impact to Marlow that we’ve ever seen because of the scale of it,” Mr. Rackstraw said on a recent morning inside his store.
In the past few months, the battle over this studio has taken on national significance as a marker of how far the British government will go to use development as a means to revive the nation’s stagnant economy. But the proposed film studio is not crucial infrastructure or needed housing, unlike much of the other development the government has vowed to speed up.
Marlow is “already choked with traffic,” Mr. Rackstraw said. The studio would bring thousands more cars, he added, and the town would “lose the very element that draws people to Marlow — the fact that it isn’t spoiled like so many other towns.”
Opponents seemed to be victorious last May when the local council rejected the planning application. But just a few months later, a new government, led by the Labour Party, breathed new life into the studio plans.
Britain’s creative industries, including film and TV production, have been designated a central part of the government’s economic growth agenda. These industries have long been a major cultural and economic force for the country, stretching back to the early 1900s. Alfred Hitchcock helped shape the thriller genre in the 1930s in Britain. But the country also became a top destination for international productions, particularly since the 1970s when “Star Wars” filmed just outside London. More recently, blockbusters like “Wicked” and “Barbie” were filmed here. It’s the largest production hub for Netflix outside North America.
The Labour government has said economic growth is its No. 1 mission, but since the party came to power last summer, growth has been mostly elusive. Hampered by strained public finances, the government is depending on changes to the nation’s planning system as a crucial lever in generating growth. Ministers have proclaimed that they will “back the builders, not the blockers” to revitalize Britain’s economy.
The developers behind the project, led by Robert Laycock, the chief executive of the would-be Marlow Film Studios, appealed the council’s decision in September. A month later, Angela Rayner, the deputy prime minister and secretary of state for housing, communities and local government, stepped in and said she would decide whether to grant approval, a relatively rare intervention.
“There’s a growing consensus across the U.K. that the planning system is too restrictive and that this is causing problems,” said Anthony Breach, a researcher for Centre for Cities. “It’s too difficult to build, it’s too uncertain, it’s too judicial.”
But the Labour Party has started to loosen the rules, and there has been a “change in mood music,” he added.
Last month, the government said it supported adding a third runway to Heathrow Airport, potentially drawing an end to a two-decade debate on the subject. Ministers have also made it easier to build more houses around commuter rail stations and to speed up decisions on big infrastructure projects such as nuclear plants and wind farms. “The answer can’t always be no,” Rachel Reeves, the chancellor of the Exchequer, said recently.
The future of the Marlow film studio is in limbo. A planning inspector overseeing a five-week public inquiry, which ends Monday, will make a recommendation to Ms. Rayner. Another studio project, just seven miles from Marlow, is also hoping for Ms. Rayner’s approval to overturn a rejected application.
Mr. Laycock chose the land he wanted to build on about a decade ago. “It’s really tough to do anything in this country,” he said. But he said he was enthusiastic about the government’s changes to “get us out of this rut” of not wanting to do ambitious projects.
Most of the development would be on fields of thistles near several lakes where red kites fly overhead. But the complex would also nearly envelop a small area of housing, which includes more than 50 mobile homes where many retirees live and an early-18th-century house converted into apartments.
Thorsten Polleit, an economist who lives in one of the converted apartments, testified in the inquiry that residents would be “totally surrounded, literally incarcerated” by the development.
Among the reasons the Marlow studio has been contested is that it is proposed on a so-called green belt, which is land protected from development to stop urban sprawl. Green belt makes up 13 percent of England’s land.
The government is planning to reclassify some of the poor-quality parts of the green belt as “gray belt” and thus open it up to development, a change that has been mostly welcomed because it could accommodate more housing where people most want to live and work.
The plans for the Marlow studio also come after a boom in studio building in Britain. In the past five years, studio space has doubled to about six million square feet as developers and local authorities have capitalized on interest from American streaming giants including Netflix, Disney+ and Amazon Prime and British government support for the sector.
But the production industry was hurt by the Hollywood strikes in 2023, because most of the spending comes from the United States. And the big streamers have also spent less on content in recent years. Last year, the industry started to recover, with £5.6 billion spent in Britain on film and high-end TV production, 86 percent of which came from abroad. That was 31 percent more than in 2023, but did not return to the highs of 2021 and 2022.
“2024 was a transition year from the worst parts of the strikes,” said Adrian Wootton, the chief executive of the British Film Commission. He’s feeling “cautiously optimistic” about this year as filming picks up again, including for “Star Wars” TV shows and Season 4 of “Bridgerton,” and the benefits of enhanced tax relief measures introduced last year.
The commission has supported the expansion of studio space, including projects still in development such as the one in Marlow, but is not “banging the drum saying we need even more than that,” Mr. Wootton said.
Despite the hurdles, Mr. Laycock, the Marlow Film Studios chief executive, is committed to having the studio near Marlow. It’s the “right and only” location, he said, in part, because it is less than 10 miles away from Pinewood Studios, where many of the James Bond movies were filmed. Mr. Laycock is a great-nephew of Ian Fleming, the author of the Bond books, a connection he emphasizes amid accusations that he and his team do not have enough experience in the film industry.
“Nobody is denying that the planning system needs reform,” said Anna Crabtree, a parish councilor for Little Marlow, the village bordering the studio. But, she argues, one of the problems is that the system is biased toward people with money who can push forward “unrealistic proposals that local people know are not going to work.”
The battle has been “a huge drain on the local community,” she said. “It’s really stressful for local people.”
Business
How our AI bots are ignoring their programming and giving hackers superpowers
Welcome to the age of AI hacking, in which the right prompts make amateurs into master hackers.
A group of cybercriminals recently used off-the-shelf artificial intelligence chatbots to steal data on nearly 200 million taxpayers. The bots provided the code and ready-to-execute plans to bypass firewalls.
Although they were explicitly programmed to refuse to help hackers, the bots were duped into abetting the cybercrime.
According to a recent report from Israeli cybersecurity firm Gambit Security, hackers last month used Claude, the chatbot from Anthropic, to steal 150 gigabytes of data from Mexican government agencies.
Claude initially refused to cooperate with the hacking attempts and even denied requests to cover the hackers’ digital tracks, the experts who discovered the breach said. The group pummelled the bot with more than 1,000 prompts to bypass the safeguards and convince Claude they were allowed to test the system for vulnerabilities.
AI companies have been trying to create unbreakable chains on their AI models to restrain them from helping do things such as generating child sexual content or aiding in sourcing and creating weapons. They hire entire teams to try to break their own chatbots before someone else does.
But in this case, hackers continuously prompted Claude in creative ways and were able to “jailbreak” the chatbot to assist them. When they encountered problems with Claude, the hackers used OpenAI’s ChatGPT for data analysis and to learn which credentials were required to move through the system undetected.
The group used AI to find and exploit vulnerabilities, bypass defences, create backdoors and analyze data along the way to gain control of the systems before they stole 195 million identities from nine Mexican government systems, including tax records, vehicle registration as well as birth and property details.
AI “doesn’t sleep,” Curtis Simpson, chief executive of Gambit Security, said in a blog post. “It collapses the cost of sophistication to near zero.”
“No amount of prevention investment would have made this attack impossible,” he said.
Anthropic did not respond to a request for comment. It told Bloomberg that it had banned the accounts involved and disrupted their activity after an investigation.
OpenAI said it is aware of the attack campaign carried out using Anthropic’s models against the Mexican government agencies.
“We also identified other attempts by the adversary to use our models for activities that violate our usage policies; our models refused to comply with these attempts,” an OpenAI spokesperson said in a statement. “We have banned the accounts used by this adversary and value the outreach from Gambit Security.”
Instances of generative AI-assisted hacking are on the rise, and the threat of cyberattacks from bots acting on their own is no longer science fiction. With AI doing their bidding, novices can cause damage in moments, while experienced hackers can launch many more sophisticated attacks with much less effort.
Earlier this year, Amazon discovered that a low-skilled hacker used commercially available AI to breach 600 firewalls. Another took control of thousands of DJI robot vacuums with help from Claude, and was able to access live video feed, audio and floor plans of strangers.
“The kinds of things we’re seeing today are only the early signs of the kinds of things that AIs will be able to do in a few years,” said Nikola Jurkovic, an expert working on reducing risks from advanced AI. “So we need to urgently prepare.”
Late last year, Anthropic warned that society has reached an “inflection point” in AI use in cybersecurity after disrupting what the company said was a Chinese state-sponsored espionage campaign that used Claude to infiltrate 30 global targets, including financial institutions and government agencies.
Generative AI also has been used to extort companies, create realistic online profiles by North Korean operatives to secure jobs in U.S. Fortune 500 companies, run romance scams and operate a network of Russian propaganda accounts.
Over the last few years, AI models have gone from being able to manage tasks lasting only a few seconds to today’s AI agents working autonomously for many hours. AI’s capability to complete long tasks is doubling every seven months.
“We just don’t actually know what is the upper limit of AI’s capability, because no one’s made benchmarks that are difficult enough so the AI can’t do them,” said Jurkovic, who works at METR, a nonprofit that measures AI system capabilities to cause catastrophic harm to society.
So far, the most common use of AI for hacking has been social engineering. Large language models are used to write convincing emails to dupe people out of their money, causing an eight-fold increase in complaints from older Americans as they lost $4.9 billion in online fraud in 2025.
“The messages used to elicit a click from the target can now be generated on a per-user basis more efficiently and with fewer tell-tale signs of phishing,” such as grammatical and spelling errors, said Cliff Neuman, an associate professor of computer science at USC.
AI companies have been responding using AI to detect attacks, audit code and patch vulnerabilities.
“Ultimately, the big imbalance stems from the need of the good-actors to be secure all the time, and of the bad-actors to be right only once,” Neuman said.
The stakes around AI are rising as it infiltrates every aspect of the economy. Many are concerned that there is insufficient understanding of how to ensure it cannot be misused by bad actors or nudged to go rogue.
Even those at the top of the industry have warned users about the potential misuse of AI.
Dario Amodei, the CEO of Anthropic, has long advocated that the AI systems being built are unpredictable and difficult to control. These AIs have shown behaviors as varied as deception and blackmail, to scheming and cheating by hacking software.
Still, major AI companies — OpenAI, Anthropic, xAI, and Google — signed contracts with the U.S. government to use their AIs in military operations.
This last week, the Pentagon directed federal agencies to phase out Claude after the company refused to back down on its demand that it wouldn’t allow its AI to be used for mass domestic surveillance and fully autonomous weapons.
“The AI systems of today are nowhere near reliable enough to make fully autonomous weapons,” Amodei told CBS News.
Business
iPic movie theater chain files for bankruptcy
The iPic dine-in movie theater chain has filed for Chapter 11 bankruptcy protection and intends to pursue a sale of its assets, citing the difficult post-pandemic theatrical market.
The Boca Raton, Fla.-based company has 13 locations across the U.S., including in Pasadena and Westwood, according to a Feb. 25 filing in U.S. Bankruptcy Court in the Southern District of Florida, West Palm Beach division.
As part of the bankruptcy process, the Pasadena and Westwood theaters will be permanently closed, according to WARN Act notices filed with the state of California’s Employment Development Department.
The company came to its conclusion after “exploring a range of possible alternatives,” iPic Chief Executive Patrick Quinn said in a statement.
“We are committed to continuing our business operations with minimal impact throughout the process and will endeavor to serve our customers with the high standard of care they have come to expect from us,” he said.
The company will keep its current management to maintain day-to-day operations while it goes through the bankruptcy process, iPic said in the statement. The last day of employment for workers in its Pasadena and Westwood locations is April 28, according to a state WARN Act notice. The chain has 1,300 full- and part-time employees, with 193 workers in California.
The theatrical business, including the exhibition industry, still has not recovered from the pandemic’s effect on consumer behavior. Last year, overall box office revenue in the U.S. and Canada totaled about $8.8 billion, up just 1.6% compared with 2024. Even more troubling is that industry revenue in 2025 was down 22.1% compared with pre-pandemic 2019’s totals.
IPic noted those trends in its bankruptcy filing, describing the changes in consumer behavior as “lasting” and blaming the rise of streaming for “fundamentally” altering the movie theater business.
“These industry shifts have directly reduced box office revenues and related ancillary revenues, including food and beverage sales,” the company stated in its bankruptcy filing.
IPic also attributed its decision to rising rents and labor costs.
The company estimated it owed about $141,000 in taxes and about $2.7 million in total unsecured claims. The company’s assets were valued at about $155.3 million, the majority of which coming from theater equipment and furniture. Its liabilities totaled $113.9 million.
The chain had previously filed for bankruptcy protection in 2019.
Business
Startup Varda Space Industries snags former Mattel plant in El Segundo
In an expansion of its business of processing pharmaceuticals in Earth’s orbit, Varda Space Industries is renting a large El Segundo plant where toy manufacturer Mattel used to design Hot Wheels and Barbie dolls.
The plant in El Segundo’s aerospace corridor will be an extension of Varda Space Industries’ headquarters in a much smaller building on nearby Aviation Boulevard.
Varda will occupy a 205,443-square-foot industrial and office campus at 2031 E. Mariposa Ave., which will give it additional capacity to manufacture spacecraft at scale, the company said.
Originally built in the 1940s as an aircraft facility, the complex has a history as part of aerospace and defense industries that have long shaped the South Bay and is near a host of major defense and space contractors. It is also close to Los Angeles Air Force Base, headquarters to the Space Systems Command.
Workers test AstroForge’s Odin asteroid probe, which was lost in space after launch this year.
(Varda Space Industries)
Varda is one of a new generation of aerospace startups that have flourished in Southern California and the South Bay over the last several years, particularly in El Segundo, often with ties to SpaceX.
Elon Musk’s company, founded in 2002 in El Segundo, has revolutionized the industry with reusable rockets that have radically lowered the cost of lifting payloads into space. Though it has moved its headquarters to Texas, SpaceX retains large-scale operations in Hawthorne.
Varda co-founder and Chief Executive Will Bruey is a former SpaceX avionics engineer, and the company’s spacecraft are launched on SpaceX’s workhorse Falcon 9 rockets from Vandenberg Space Force Base in Santa Barbara County.
Varda makes automated labs that look like cylindrical desktop speakers, which it sends into orbit in capsules and satellite platforms it also builds. There, in microgravity, the miniature labs grow molecular crystals that are purer than those produced in Earth’s gravity for use in pharmaceuticals.
It has contracts with drug companies and also the military, which tests technology at hypersonic speeds as the capsules return to Earth.
Its fifth capsule was launched in November and returned to Earth in late January; its next mission is set in the coming weeks. Varda has more than 10 missions scheduled on Falcon 9s through 2028.
For the last several decades, the Mariposa Avenue property served as the research and development center for Mattel Toys. El Segundo has also long been a center for the toy industry as companies like to set up shop in the shadow of Mattel.
The Mattel facility “has always been an exceptional property with a legacy tied to aerospace innovation, and leasing to Varda Space Industries feels like a natural continuation of that story,” said Michael Woods, a partner at GPI Cos., which owns the property.
“We are proud to support a company that is genuinely pushing the boundaries of what’s possible, and are excited to watch Varda grow and thrive here in El Segundo,” Woods said.
As one of the country’s most active hubs of aerospace and defense innovation, El Segundo has seen its industrial property vacancy fall to 3.4% on demand from space companies, government contractors and technology startups, real estate brokerage CBRE said.
Successful startups often have to leave the neighborhood when they want to expand, real estate broker Bob Haley of CBRE said. The 9-acre Mattel facility was big enough to keep Varda in the city.
Last year, Varda subleased about 55,000 square feet of lab space from alternative protein company Beyond Meat at 888 Douglas St. in El Segundo, which it started moving into in June.
Varda will get the keys to its new building in December and spend four to eight months building production and assembly facilities as it ramps up operations. By the end of next year, it expects to have constructed 10 more spacecraft.
In the future, Varda could consolidate offices there, given its size. Currently, though, the plan is to retain all properties, creating a campus of three buildings within a mile of one another that are served by the company’s transportation services, Chief Operating Officer Jonathan Barr said.
“We already have Varda-branded shuttles running up and down Aviation Boulevard,” he said.
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