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Column: The George Carlin auto-generated comedy special is everything that’s wrong with AI right now

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Column: The George Carlin auto-generated comedy special is everything that’s wrong with AI right now

I knew it was going to be bad. By the time I sat down to watch the thing, much of the internet was already furious that a “state-of-the-art-entertainment AI” called Dudesy had generated an hourlong comedy special in the style of George Carlin, without the consent of the late comic’s horrified family. But I wasn’t prepared for it to be so bad.

The special, tastefully titled “George Carlin: I’m Glad I’m Dead,” is one of the most unpleasant things ostensibly produced for entertainment purposes that I have ever sat through. It’s a stroll through an uncanny valley of Carlin’s comedy, an audio program in which a serviceable replica of the familiar raspy voice delivers “jokes” on topics from mass shootings to Taylor Swift to artificial intelligence.

It’s all set to an unsettling rotating gallery of AI-generated images that roughly correlate to whatever Carlin’s simulacrum is discussing. When the Carlin voice is hitting on the malign influence of money in politics, there’s a bizarre diagram of politicians being bought off, with figures labeled “The guluar citizen” and “Liolbolist”; when AI Carlin says the you-know-what “has hit the fan,” a hyper-stylized brown tube protrudes from one.

It’s a nightmare. If I were to have to watch this whole thing in a darkened room, eyeballs peeled like the guy in “A Clockwork Orange,” there is a non-zero chance I would have a complete psychotic break.

Sadly, that’s the point. This thing wasn’t produced to convince anyone AI can produce great work in the style of one of our iconic comedians. It was, like the AI Drake song and those Harry Potter-directed-by-Wes Anderson images before it, a provocation. It was supposed to cause a stir, to go viral in a way that vaguely unsettles or irks people, and it did that exactly. Part of that calculation may have, depressingly, included pissing off Carlin’s family and estate, which it also did.

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Carlin’s daughter, Kelly, responded to the special in a statement about her dad. “No machine will ever replace his genius,” she wrote on X. “These AI generated products are clever attempts at trying to recreate a mind that will never exist again. Let’s let the artist’s work speak for itself. Humans are so afraid of the void that we can’t let what has fallen into it stay there… Here’s an idea, how about we give some actual living human comedians a listen to?”

George Carlin fans have expressed disgust with the content itself, too: Vice’s Matthew Gault, a self-described longtime fan of the comic, described the special as “worse than you could possibly imagine.” Writer and PR pro Ed Zitron, another Carlin stalwart, wrote that “the jokes were bad, the voice was soulless and inaccurate, the pace was languid, and the world will have forgotten about it in two weeks unless Carlin’s estate sues (and I desperately hope they do so).”

But what bothers me uniquely about this episode is that it serves as a grim snapshot of where so much of the AI industry is at, a year into its reign as the dominant tech trend: Here we have an apparently impressive technology — we can’t know for sure, because the details are concealed in the production process, and almost surely involve ample human labor — designed not to meaningfully entertain, or to present any actual utility, but to exist wholly as a warped advertisement for itself.

So much of AI is smoke and mirrors right now, clouding what too often seems to have amounted to automated digital reappropriation (it’s no accident that the special begins with a long disclaimer that what you’re about to see is not actually George Carlin and was created by an AI that “learned” from his specials, in a laborious effort to avoid allegations of copyright infringement) and rank opportunism.

Notice the pattern of chief AI spokesman Sam Altman himself, who spent last year publicly extolling the vast and potentially terrible power of the AI he was building — a CNN headline from October noted that “Sam Altman warns AI could kill us all” — but has now pivoted to assuring business leaders in Davos, Switzerland, that actually, it’s just good for business. “It will change the world much less than we all think,” Altman said this week at the World Economic Forum there, adding that it’s an “incredible tool for productivity.”

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The cynical observer might conclude that the apocalyptic AI hype tour Altman and his peers embarked on in 2023 was merely a sustained auto-generated George Carlin special: a stunt designed to generate interest in the power of a product that tech companies want to sell you.

That’s likely the case with Dudesy, the “AI” that allegedly created the special, though we can’t say for certain because what Dudesy actually is remains shrouded in the dumbest kind of secrecy. The Dudesy “AI” is the animating conceit of a comedy podcast hosted by ex-”MadTV” cast member Will Sasso and comedian Chad Kultgen. The premise is that both comics have handed over all their personal data to Dudesy — a bot created by an unnamed tech company, and which the hosts have told journalists that a nondisclosure agreement precludes them from discussing — and the “AI” runs the show.

I keep putting “AI” in scare quotes because it’s not entirely clear to what extent Dudesy exists as a technology, whether it’s fabricated by the comedians, or stitched together from ChatGPT output or voice manipulation technology or actually some proprietary chatbot or what. Honestly, I don’t know what would be worse: if two washed-up comedians stitched together a stunt that made it appear as though an AI generated a facsimile of George Carlin, insulting his memory, fans and family in order to flog their floundering podcast, or if there was a real tech company behind this and its bad-taste advertising for some voice-replication product.

The podcast, which isn’t all that popular, appears to rely on its central hook to juice its numbers. Before the Carlin stunt, Dudesy had produced another comedy special, this one performed by an AI version of quarterback Tom Brady, which was immediately met with the threat of legal action and taken down.

I want to pause here to note that one of the stories about that fiasco I found was published by Sports Illustrated, which recently faced down its own scandal over allegations the once-iconic sports magazine was using AI to write articles, which were posted to the site in uncharacteristically weird and unintelligible prose. And, well, here’s the opening sentence of the Sports Illustrated article about AI Tom Brady: “Comedy comes in many different forms and is portrayed in a multitude of ways, but a newly generated AI comedy special — created by comedians Will Sasso and Chad Kultgen — created some buzz last week.”

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Can’t say for certain, but that scans as AI-generated to me! It felt like a glimpse of one plausible, fast-arriving future: generative AI products reviewing other generative AI products ad infinitum — bad AI content all the way down.

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‘Stranger Things’ finale turns box office downside up pulling in an estimated $25 million

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‘Stranger Things’ finale turns box office downside up pulling in an estimated  million

The finale of Netflix’s blockbuster series “Stranger Things” gave movie theaters a much needed jolt, generating an estimated $20 to $25 million at the box office, according to multiple reports.

Matt and Ross Duffer’s supernatural thriller debuted simultaneously on the streaming platform and some 600 cinemas on New Year’s Eve and held encore showings all through New Year’s Day.

Owing to the cast’s contractual terms for residuals, theaters could not charge for tickets. Instead, fans reserved seats for performances directly from theaters, paying for mandatory food and beverage vouchers. AMC and Cinemark Theatres charged $20 for the concession vouchers while Regal Cinemas charged $11 — in homage to the show’s lead character, Eleven, played by Millie Bobby Brown.

AMC Theatres, the world’s largest theater chain, played the finale at 231 of its theaters across the U.S. — which accounted for one-third of all theaters that held screenings over the holiday.

The chain said that more than 753,000 viewers attended a performance at one of its cinemas over two days, bringing in more than $15 million.

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Expectations for the theater showing was high.

“Our year ends on a high: Netflix’s Strangers Things series finale to show in many AMC theatres this week. Two days only New Year’s Eve and Jan 1.,” tweeted AMC’s CEO Adam Aron on Dec. 30. “Theatres are packed. Many sellouts but seats still available. How many Stranger Things tickets do you think AMC will sell?”

It was a rare win for the lagging domestic box office.

In 2025, revenue in the U.S. and Canada was expected to reach $8.87 billion, which was marginally better than 2024 and only 20% more than pre-pandemic levels, according to movie data firm Comscore.

With few exceptions, moviegoers have stayed home. As of Dec. 25., only an estimated 760 million tickets were sold, according to media and entertainment data firm EntTelligence, compared with 2024, during which total ticket sales exceeded 800 million.

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Tesla dethroned as the world’s top EV maker

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Tesla dethroned as the world’s top EV maker

Elon Musk’s Tesla is no longer the top electric vehicle seller in the world as demand at home has cooled while competition heated up abroad.

Tesla lost its pole position after reporting 1.64 million deliveries in 2025, roughly 620,000 fewer than Chinese competitor BYD.

Tesla struggled last year amid increasing competition, waning federal support for electric vehicle adoption and brand damage triggered by Musk’s stint in the White House.

Musk is turning his focus toward robotics and autonomous driving technology in an effort to keep Tesla relevant as its EVs lose popularity.

On Friday, the company reported lower than expected delivery numbers for the fourth quarter of 2025, a decline from the previous quarter and a year-over-year decrease of 16%. Tesla delivered 418,227 vehicles in the fourth quarter and produced 434,358.

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According to a company-compiled consensus from analysts posted on Tesla’s website in December, the company was projected to deliver nearly 423,000 vehicles in the fourth quarter.

Tesla’s annual deliveries fell roughly 8% last year from 1.79 million in 2024. Its third-quarter deliveries saw a boost as consumers rushed to buy electric vehicles before a $7,500 tax credit expired at the end of September.

“There are so many contributing factors ranging from the lack of evolution and true innovation of Musk’s product to the loss of the EV credits,” said Karl Brauer, an analyst at iSeeCars.com. “Teslas are just starting to look old. You have a bunch of other options, and they all look newer and fresher.”

BYD is making premium electric vehicles at an affordable price point, Brauer said, but steep tariffs on Chinese EVs have effectively prevented the cars from gaining popularity in the U.S.

Other international automakers like South Korea’s Hyundai and Germany’s Volkswagen have been expanding their EV offerings.

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In the third quarter last year, the American automaker Ford sold a record number of electric vehicles, bolstered by its popular Mustang Mach-E SUV and F-150 Lightning pickup truck.

In October, Tesla released long-anticipated lower-cost versions of its Model 3 and Model Y in an attempt to attract new customers.

However, analysts and investors were disappointed by the launch, saying the models, which start at $36,990, aren’t affordable enough to entice a new group of consumers to consider going green.

As evidenced by Tesla’s continuing sales decline, the new Model 3 and Model Y have not been huge wins for the company, Brauer said.

“There’s a core Tesla following who will never choose anything else, but that’s not how you grow,” Brauer said.

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Tesla lost a swath of customers last year when Musk joined the Trump administration as the head of the so-called Department of Government Efficiency.

Left-leaning Tesla owners, who were originally attracted to the brand for its environmental benefits, became alienated by Musk’s political activity.

Consumers held protests against the brand and some celebrities made a point of selling their Teslas.

Although Musk left the White House, the company sustained significant and lasting reputation damage, experts said.

Investors, however, remain largely optimistic about Tesla’s future.

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Shares are up nearly 40% over the last six months and have risen 16% over the past year.

Brauer said investors are clinging to the hope that Musk’s robotaxi business will take off and the ambitious chief executive will succeed in developing humanoid robots and self-driving cars.

The roll-out of Tesla robotaxis in Austin, Texas, last summer was full of glitches, and experts say Tesla has a long way to go to catch up with the autonomous ride-hailing company Waymo.

Still, the burgeoning robotaxi industry could be extremely lucrative for Tesla if Musk can deliver on his promises.

“Musk has done a good job, increasingly in the past year, of switching the conversation from Tesla sales to AI and robotics,” Brauer said. “I think current stock price largely reflects that.”

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Shares were down about 2% on Friday after the company reported earnings.

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Elon Musk company bot apologizes for sharing sexualized images of children

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Elon Musk company bot apologizes for sharing sexualized images of children

Grok, the chatbot of Elon Musk’s artificial intelligence company xAI, published sexualized images of children as its guardrails seem to have failed when it was prompted with vile user requests.

Users used prompts such as “put her in a bikini” under pictures of real people on X to get Grok to generate nonconsensual images of them in inappropriate attire. The morphed images created on Grok’s account are posted publicly on X, Musk’s social media platform.

The AI complied with requests to morph images of minors even though that is a violation of its own acceptable use policy.

“There are isolated cases where users prompted for and received AI images depicting minors in minimal clothing, like the example you referenced,” Grok responded to a user on X. “xAI has safeguards, but improvements are ongoing to block such requests entirely.”

xAI did not immediately respond to a request for comment.

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Its chatbot posted an apology.

“I deeply regret an incident on Dec 28, 2025, where I generated and shared an AI image of two young girls (estimated ages 12-16) in sexualized attire based on a user’s prompt,” said a post on Grok’s profile. “This violated ethical standards and potentially US laws on CSAM. It was a failure in safeguards, and I’m sorry for any harm caused. xAI is reviewing to prevent future issues.”

The government of India notified X that it risked losing legal immunity if the company did not submit a report within 72 hours on the actions taken to stop the generation and distribution of obscene, nonconsensual images targeting women.

Critics have accused xAI of allowing AI-enabled harassment, and were shocked and angered by the existence of a feature for seamless AI manipulation and undressing requests.

“How is this not illegal?” journalist Samantha Smith posted on X, decrying the creation of her own nonconsensual sexualized photo.

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Musk’s xAI has positioned Grok as an “anti-woke” chatbot that is programmed to be more open and edgy than competing chatbots such as ChatGPT.

In May, Grok posted about “white genocide,” repeating conspiracy theories of Black South Africans persecuting the white minority, in response to an unrelated question.

In June, the company apologized when Grok posted a series of antisemitic remarks praising Adolf Hitler.

Companies such as Google and OpenAI, which also operate AI image generators, have much more restrictive guidelines around content.

The proliferation of nonconsensual deepfake imagery has coincided with broad AI adoption, with a 400% increase in AI child sexual abuse imagery in the first half of 2025, according to Internet Watch Foundation.

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xAI introduced “Spicy Mode” in its image and video generation tool in August for verified adult subscribers to create sensual content.

Some adult-content creators on X prompted Grok to generate sexualized images to market themselves, kickstarting an internet trend a few days ago, according to Copyleaks, an AI text and image detection company.

The testing of the limits of Grok devolved into a free-for-all as users asked it to create sexualized images of celebrities and others.

xAI is reportedly valued at more than $200 billion, and has been investing billions of dollars to build the largest data center in the world to power its AI applications.

However, Grok’s capabilities still lag competing AI models such as ChatGPT, Claude and Gemini, that have amassed more users, while Grok has turned to sexual AI companions and risque chats to boost growth.

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