Lifestyle
What to snag at the ‘And Just Like That…’ auction, from Carrie’s manuscript to Charlotte’s heels
If you’ve ever daydreamed about owning an item from Carrie Bradshaw’s closet or the writing desk where she penned her famous memoir, this L.A. event may be your golden ticket.
Julien’s is hosting an auction for “And Just Like That…,” the sequel to HBO Max Original’s groundbreaking series “Sex and the City” that took its final bow last year after three seasons. The auction features more than 500 lots of designer clothing, shoes, furnishings, kitschy keepsakes and props straight from the beloved show. Online bidding kicked off earlier this month and will conclude with a live, two-day event at the auction house’s Gardena location on Thursday and Friday. Participants can place bids both online and in person.
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Given the popularity of the show, particularly the fashion, style expert George Kotsiopoulos says being able to own an item that your favorite character wore or had in their home is a rare opportunity.
“Even if you love something design wise, there’s an extra layer of ‘Well, that came from “And Just Like That…”’ or ‘That’s Carrie’s’ or ‘That’s Charlotte’s’ or ‘That’s Miranda‘s,’” adds Kotsiopoulos, a former co-host of “Fashion Police” and a style expert working with Julien’s on this sale.
While you won’t be able to snag a pair of Manolo Blahniks worn by Carrie Bradshaw (Sarah Jessica Parker) — Carrie’s clothing is sadly not for sale at this auction — you can purchase other items from her closet, including the round, vintage suitcases that held her elaborate hats, custom wooden hangers inscribed with her initials or even empty designer shoe and jewelry boxes.
Many items from Carrie’s collection are from the luxurious apartment she shared with her husband, Mr. Big. There’s the front door intercom panel, a pair of embossed leather club chairs and, fatefully, Mr Big’s Peloton water bottle. The memoir “Loved & Lost” that Carrie wrote about Mr. Big’s sudden death is also for sale, as is the manuscript. A small but poignant item: the condolence card sent to Carrie by Samantha Jones, her estranged friend played by Kim Cattrall, who made a brief but impactful appearance in the reboot.
1. Shoes from Lisa Todd Wexley’s collection. 2. Carrie Bradshaw’s globetrotter luggage set, a vintage stool and steel writing desk. 3. Midcentury modern chairs and an upholstered cat pillow from Carrie Bradshaw’s Gramercy townhouse.
Fashion lovers will likely find satisfaction raiding the closets of OG characters Charlotte York-Goldenblatt (Kristin Davis) and Miranda Hobbes (Cynthia Nixon), along with newcomers Seema Patel (Sarita Choudhury) and Lisa Todd Wexley (Nicole Ari Parker). Notable items from their collections include Charlotte’s Prada coat from the Spring 2023 Menswear collection and Miranda’s vintage Issey Miyake coat. There’s also an authentic woven Intrecciato Bottega Veneta clutch that Miranda wore, Seema’s silk Fendi dress, the showstopping Balmain cape Lisa wore while trekking through the snow in New York City and an array of glamorous heels.
Catherine Williamson, managing director of Hollywood memorabilia for Julien’s, says it was important for the company to price items conservatively so many people, particularly fans who may have never bid before, would have a chance to buy something.
As of late last week, several items had highest bids under $100. Meanwhile, bigger ticket items like Marantino’s Louis Vuitton bags were bidding for $4,000, and the engraved Rolex watch — it’s a prop not a genuine Rolex — that Bradshaw gifted Mr. Big for their anniversary was going for $5,000.
How to participate in the auction
The “And Just Like That…” auction will take place over two days on April 30 and May 1 at the Julien’s location in Gardena. Participants can place bids both online and in person.
Visit juliensauctions.com to register and bid online or be in the room and participate live. Email info@juliensauctions.com for the location and more details.
In honor of the late Willie Garson, who played Stanford Blatch on the series, Warner Bros. Discovery will make a one-time donation to You Gotta Believe, a New York City-based organization that specializes in finding permanent families for pre-teens and young adults in foster care. As a father of an adopted son, Garson, who died from pancreatic cancer in September 2021, was deeply connected to the organization.
Lifestyle
Fashion Can’t Get Over Michael Jackson
A line in Mark Binelli’s fascinating piece in The New York Times Magazine about Michael Jackson’s estate-led rehabilitation campaign really jumped out at me. Referring to the early ’90s, the period in which the biopic “Michael” ends, Binelli writes, “It was also among the last moments that Jackson looked cool: the white V-neck and the unbuttoned white dress shirt, black pants, hair pulled back.”
What an astute observation. By this point in Jackson’s life, he had already given us his most iconic looks: the Sky Masterson-esque ivory pinstriped suit and cobalt blue socks in the “Smooth Criminal” video; the leather jacket from “Thriller,” as red as pulled taffy; and the black Florsheim loafers worn with sparkly socks, which he pulled out for his inaugural moonwalk in 1983.
In images of him from this time, he’s still just the musical magician who vanquished MTV. The allegations of child molestation that would dog him through his later life (and afterlife) haven’t yet appeared. It’s this period that fashion designers have long been selectively fixated on, with little room for his personal life.
In 2017, Supreme sold a series of hoodies and tees showing a bow-tied “Billie Jean”-era MJ. In January 2019, Louis Vuitton, then under the stewardship of Virgil Abloh, created an entire collection inspired by Jackson. Abloh, in an interview before the show, described Jackson as “the most important innovator in men’s wear history,” a plaudit that, even then, came off as too generous.
There were ensembles with characters from 1978’s “The Wiz” (including Jackson’s Scarecrow), a cherry zip jacket owing to “Thriller” and a T-shirt with an airbrushed rendition of some gleaming socks parked in black shoes.
Abloh’s timing was terrible. Eight days later, “Leaving Neverland,” about Jackson’s alleged pedophilia, premiered at Sundance. With the public reminded of the child molesting allegations that trailed the singer’s latter years, his reputation was again upended. After the documentary premiered on HBO in March, Louis Vuitton halted production on items that directly referenced Jackson.
What I had forgotten about this backlash was that it didn’t take hold immediately. Two months after the show, in a March 2019 New Yorker profile of Abloh (who died in 2021), the designer is asked about “Leaving Neverland” and the allegations that Jackson had molested two boys. He said he hadn’t heard of the documentary but that he had been inspired by “the Michael that I thought was universally accepted, the good side, his humanitarian self.” It would take four more days for Vuitton to nix the Jackson goods.
Yet one can see why Abloh might have thought his explanation would fly. Fashion has, after all, always been capable of pushing past a controversy, if the person’s image is indelible enough.
The photo of Jackson in his black loafers, as I’ve seen on infinite mood boards over the years — that’s strong iconography. And now the box office might of “Michael” seems like proof that the singer’s defenders have won in the court of public opinion, even with a new lawsuit against his estate filed by four siblings who knew Jackson as children.
The invitation to the Jackson-inspired Louis Vuitton show was a single white glove coated in chandelier-sparkly rhinestones. I still have mine in storage. It felt important to keep as a token of a luxury house trading on the image of a contentious figure. Today it is really the only existing piece of that collection that is actually tied to the singer. You can buy one on eBay for as much as $3,000.
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Lifestyle
Street Style Look of the Week: A Work Wear Staple in Gentle Pastels
“I love one-piece dressing — this is my jam,” April Dinwoodie said of her chiffon jumpsuit. “I’m not great with making things happen, with tucking in shirts and all the things.”
She was in spring pastels when our paths crossed in Harlem on a recent Saturday in April. As she excitedly showed off her new engagement ring to a friend on the stoop of a brownstone, I recognized her from a photo assignment back in 2020. A light blue jacket draped over her arm and a brightly colored scarf rounded out her look. She said that a couple of pieces she was wearing had been acquired at sample sales. “I know what things cost at retail because I’ve worked in the business a little bit,” she said.
Dinwoodie, 54, a marketing and communications specialist who focuses on diversity and inclusion in her career, said that her work largely informs the way she dresses. “Understanding who I am and what I’m about has been this lifelong journey,” she said.
Lifestyle
The ‘baby of the group’ is 83: How a Pacific Palisades book club remains unbreakable
The members of Becky’s Book Club in Pacific Palisades couldn’t stand “Play It as It Lays.” Snakes, freeways, difficult men and Didion’s quiet brutality hang in the air like the oppressive heat of this unusually warm spring day. At their feet, a regal Airedale terrier named Phoebe lounges, looking as though she belongs in an oil painting.
“If I had read this book before coming to Los Angeles, I would have never come,” says Raymee Olin Weiman, one of the members of the book club. She’s a spirited talker who eventually concedes a compliment to Didion. “I did not like it, but I was compelled to read it, because the writing is so brilliant.”
Becky Nedelman, an 85-year-old who organizes the book club, agrees. “To me, Maria is when you drive by an accident, and you don’t want to look, but you do,” she says of Didion’s aimless and troubled protagonist.
Amy Silverberg, the book club facilitator (who is also a Times contributor and friend of this reporter) had warned the group the month prior that they might shudder at the unnerving novel. When she walked in the door, they confirmed Silverberg’s fears, immediately airing their displeasure. “You are to blame,” she tells them with a smile. “I want to reiterate that.”
For all their grievances with Didion’s fiction, the women’s lives bear a striking resemblance to Didion’s own. Some of the women in the book club are older than the late author Joan Didion, who would have been 91. A few of them are in their 90s, save for Gail Heltzer — “the baby of the group,” as she’s called — who is 83.
The book club comprises old friends who have been meeting to discuss literature for over 25 years. Long-standing book clubs in Los Angeles are a rarity — many flame out due to dwindling interest, scheduling conflicts and waning enthusiasm. That hasn’t been the case for Becky’s Book Club, which still sparks lively debate at every meeting.
The gathering, which takes place in the women’s homes, has endured through each phase of their lives — marriages, motherhood, even illness.
Nancy de Brier and Barbara Smith share a laugh during their book club meeting.
(Ariana Drehsler / For The Times)
“The only way we’ve lost members, unfortunately, has been by passing away or moving away,” says Becky Nedelman.
Today, they meet at Emily Lawrence’s home, where she has prepared peanut butter cookies and an elaborate cheese board for the occasion.
With each passing year, the sentimental value only swells.
“The longer it goes on, the more important we become to one another. We’re the age where we occasionally lose friends; we lose husbands — lots of us have. So, this is very important,” says Nancy deBrier, one of the members. The group credits the book club’s enduring success to its organizer, Becky Nedelman.
Nedelman has assembled the book club over the decades, inviting women from different parts of her life, including investment clubs and Planned Parenthood organizing along with high school classmates. In the end, she chose members who were serious about books.
Host Emily Lawrence with her copy of Joan Didion’s “Play It as It Lays.”
(Ariana Drehsler / For The Times)
“We wanted to be with a group of women who were really readers. We didn’t come to talk about recipes or kids and grandkids, but we really wanted to focus on the book,” says Nedelman.
Since June 2001, the group has read 252 books together, maintaining a detailed record of every book. The group mostly reads contemporary literature, but once a year, they tackle a classic — or “a downer,” as they’ve come to call them.
“Apeirogon” by Colum McCann and “The Correspondent” by Virginia Evans stand out to them as particularly engaging. They read “Anna Karenina” and “Crime and Punishment,” an experience they agree was challenging but rewarding. Their commentary is astute and heartfelt, even when it’s critical. “Are any of the classics fun?” asks Harriet Eilber.
What makes a book club run so smoothly for over two decades? Gail Heltzer attributes it to the group’s open-mindedness and inherent chemistry. “Everybody is willing to read a wide variety of books on different subjects. We don’t reject any ideas,” says Heltzer. “Everybody has opinions and is extremely respectful, and everyone leaves smarter.”
The book club has encouraged the women to reconnect with reading later in life. DeBrier, who has a master’s degree and practiced law, explains that reading has been a gift throughout her life. “My reading life post-college was so much more interesting in many ways,” she says. “You’ll find that that’s the good thing about life, right? It’s very enriching to keep reading.”
“Their open-mindedness at their age is really inspiring to me,” says Silverberg. “I hope to have that open-mindedness in my 80s and 90s. What is a better path for open-mindedness than to read?”
To ensure the book club runs efficiently with riveting discussions, the women have enlisted the help of Literary Affairs — an L.A.-based company that offers facilitators at over 50 book clubs in L.A. The facilitators often have exceptional literary resumes; many are novelists and hold PhDs in literature. Silverberg, the facilitator of Becky’s Book Club, is also a novelist and comedian and has worked for Literary Affairs for five years. Last year, her debut novel, “First Time, Long Time,” was released — and the book club attended her book launch at Skylight Books in Los Feliz to offer support.
“Whether they like the book or not, they’re always willing to turn the page,” says Silverberg of the group. She enjoys the hour and a half she spends discussing literature with them. “They make me think about a book differently, and I appreciate that. They let me argue with them. I’m always on the side of the book.”
The book club has been meeting together for over 25 years and has read more than 250 books.
(Ariana Drehsler / For The Times)
During today’s discussion, Silverberg bravely makes a case for “Play It as It Lays.” The women stare back at her with sullen but intrigued faces. Silverberg reads a passage of the novel to the group. Her voice is light but insistent. “She’s so at the mercy of the men in her life,” says Silverberg.
“That was the ‘60s,” retorts Weiman. In spite of their initial resistance, Didion’s writing pulls buried recollections to the surface. At times, the novels stir up memories from the women’s lives, prompting poignant, often vulnerable discussions. DeBrier reflects on her own experience of motherhood in the 1960s. “I was having a baby — I didn’t know what existential meant,” she remarks.
Later, the women share memories on the 1960s sociopolitical issues of birth control, homosexuality and the Vietnam War. They maintain that they had a hopefulness that contrasts with Didion’s protagonist.
“Despite how bad things were in the middle of the war, I did not consider everything bleak,” says Heltzer. “I knew that we were going to keep trying and the people were going to help move the nation.”
The conversation shifts into a broader reflection on womanhood.
“I always had a free mindset about what I wanted to do. Until my 20s, when I got married, I didn’t realize I had choices in my marriage,” reflects Weiman. She feels Didion’s novel urges women to reconnect with themselves, using protagonist Maria as a cautionary tale. “What she did then was a gift to all women — in writing this novel.”
At the end of the book club, the women break into convivial chatter. They hover around the cheeseboard and cookies. Emily Lawrence showcases her collection of first-edition William Carlos Williams poetry. She has a growing collection of books that she would like to donate to the Palisades branch library, which was destroyed in the 2025 fires. With Lawrence’s donations, her aim is for the Palisades to begin to enjoy new stories, new characters and new beginnings in the wake of disaster. Perhaps evoking an oft-quoted Didion quote: “We tell ourselves stories in order to live. We live entirely by the impression of a narrative line upon disparate images, the shifting phantasmagoria, which is our actual experience.”
Connors is a writer living in Los Angeles. She hosts the literary reading event Unreliable Narrators at Nico’s Wines in Atwater Village every month.
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