Lifestyle
When Posting Becomes Its Own Style of Politics
A growing number of conservative influencers are making content in which they claim to uncover fraud.
In December, the YouTuber Nick Shirley uploaded a video purporting to expose a scheme led by Somali refugees in Minneapolis.
It caught the attention of Vice President JD Vance, who shared the video online. Soon after, ICE was deployed to the city.
The video was inspiring to Amy Reichert, a 58-year-old San Diego resident, who started making her own videos claiming a similar scheme was afoot in her city.
She is one of many creators channeling populist rage and elite resentment into a style of posting.
It’s a mode of practicing politics some are calling “slopulism.”
Ms. Reichert doesn’t like to call herself a right-wing influencer.
She has a sizable following on social media (some 60,000 followers on X, and 80,000 on Instagram), where she posts videos of herself talking about what in her view is corruption in the Democratic-leaning city government of San Diego, usually while wearing rose-tinted aviator sunglasses.
Since the beginning of this year, Ms. Reichert, a licensed private investigator, has been making content that highlights what she thinks is a pattern of taxpayer fraud in her city’s child care centers. It’s a pivot she has made since watching the video by Mr. Shirley, the 23-year-old MAGA YouTuber, in which he claimed to have uncovered widespread fraud by a network of Somali Americans operating child care centers.
“I thought, How can I, as a private investigator and private citizen, do what Nick did in Minnesota?” Ms. Reichert said. “We are drowning in fraud in California.”
After just a few hours of researching state databases in early January, Ms. Reichert began to post screenshots on X of documents she claimed belonged to “ghost” day care centers in San Diego County. The posts spread widely. Soon, she was on television to discuss her work with the Fox News host Jesse Watters, and President Trump was sharing a clip of the segment on his Truth Social platform.
Then Ms. Reichert began making videos, sometimes standing outside the day care centers in question, in which she repeated the allegations while presenting little proof of wrongdoing. But her message — that foul play was taking place — was clear.
One video Ms. Reichert posted was quickly clipped and reshared on X by right-wing news aggregators. It earned close to half a million views — essentially a viral moment for a creator of Ms. Reichert’s stature.
She was also happy to see that Mr. Shirley, whose work Mr. Vance suggested was more consequential than Pulitzer Prize-winning journalism, began to follow Ms. Reichert on X.
“Quite amazing, these past few weeks,” Ms. Reichert said.
Ms. Reichert is one among many conservative content creators who have become the internet’s busiest sleuths in recent weeks. They create videos that are light on evidence and traditional journalistic techniques but are filled with sinister-sounding claims that neatly align with the Trump administration’s priorities.
Armed with digital cameras and publicly available documents, they claim to be documenting patterns of elite corruption, taxpayer fraud, abuse of power and government waste across the country, hoping their posts and videos will cross into the feeds of elected officials, as Mr. Shirley’s did.
Some of the biggest names in MAGA media have fanned out across the country to make this content.
The influencer Cam Higby claimed to have uncovered a nearly identical case of fraud, undertaken once again by Somali migrants, in Washington State.
Benny Johnson, a creator with close ties to the Trump administration, set out looking for fraud within state-run homeless programs and misspent Covid relief funds in California.
On YouTube, Tyler Oliveira, a 26-year-old creator with over eight million subscribers, posted videos claiming to have uncovered a “welfare-addicted” township in upstate New York.
Even Dr. Mehmet Oz, a Trump administration official, has made a video in which he claims a $3.5 billion medical fraud operation is happening in Los Angeles.
What Is ‘Slopulism,’ Exactly?
It’s a novel form of political behavior that has left many political commentators and researchers struggling to articulate what it is. Though many are quick to say what it’s not: investigative journalism. It is also, experts say, more than misinformation or disinformation, terms that fail to capture the nature of these misleading posts and how they are filtering up into the highest echelons of government.
Curt Mills, the executive director of The American Conservative magazine, called it “MAGA-muzak.”
Kate Starbird, a researcher at the University of Washington who studies online spaces and extreme politics, has called it “participatory propaganda.”
“Try ‘entrepreneurial opportunism,’” said A.J. Bauer, an assistant professor of journalism at the University of Alabama with a focus on right-wing groups.
“The real novelty here is the synchronization between the movement, the party and the state — but there isn’t a buzzword yet,” Mr. Bauer added.
The sameness of this politicized content, created overwhelmingly by figures orbiting the conservative cultural ecosystem, is, to many on the right and the left, not unlike digital “slop.” The term, which refers to low-quality, low-information, A.I.-generated content, has gradually expanded to more generally describe the gruel-like mixture of online ideas, images and memes flooding our feeds.
That’s how you get another term, “slopulism,” which has of late become a buzzword with X users and Substackers, many associated with the right, during the course of Trump’s second term.
Slopulism, as described by these commentators, is a kind of political post that elides concrete political concerns in favor of the fast-acting satisfactions of social media rage and culture-war jargon. It’s a political tendency that offers followers emotional gratification through mindless, performative gestures online.
Many of the content creators, like Ms. Reichert, were unfamiliar with the terms slop or slopulism.
These days, on platforms like X, slopulism is a pejorative label often applied to posts by politicians and pundits alike, anyone who shares out lowest-common-denominator ideas designed to appeal to loyal political bases.
On the right, this can look like gleeful cruelty, sadistic memes, posts that “own the libs” or sensationalized claims about fraud and conspiracy. On the left, it could be social justice messaging, online identity politics or populist economic proposals to, say, tax the rich.
The new wave of fraud-themed content, made by creators like Mr. Shirley, invokes familiar themes of populist rage and elite resentment. It seems to be the latest evolution in a culture where posting is a primary method of practicing politics — except these posts appear to be made not only to get in on a trending wave, but also to provoke policy action.
“Slopulism works by harnessing the excitement and vibe of a moment,” said Neema Parvini, a senior fellow at the University of Buckingham in England who is considered to have popularized the term. He believes it’s a way for populist leaders, like Mr. Trump, to keep their bases content.
“It convinces supporters to invest their emotions in story lines rather than the substantive politics or structure behind it,” he said. “It doesn’t lead anywhere, it’s just entertainment.”
‘Building for Years’
Renaming the Gulf of Mexico. The annexation of Greenland. A proposal to turn Gaza into a glittering resort town. All of these ideas found their potency in the form of viral content, circulated by those on the right, before they were fully embraced by the Trump administration. The online right podcaster Alex Kaschuta called this “the vibes-based international order.”
“This dynamic has been building for years,” said Dr. Starbird, the extremism researcher. “But in the second Trump administration, this relationship is more direct, with policies clearly being motivated, shaped and justified by and through digital content creation.”
As with most viral content, the ideas emerging from these online environs can be fleeting. Mr. Mills, of The American Conservative, described the administration’s recent policy priorities as having a “flavor of the month” feel.
Some on the right pushed back against the idea that slopulism, or any dynamic like it, is driving the administration’s actions.
“It’s a misread of the situation,” said Jesse Arm, vice president of external affairs at the Manhattan Institute, a conservative think tank. He pointed out that something like the Greenland annexation, which is often described as meme policy, could be traced to “far more serious conversations” between the president and his advisers as far back as 2019.
“I don’t think President Trump is hyper-invested in what’s happening online,” he said. “His administration is paying attention to what happens online, sure, but only in the sense that this is the main arena to gauge policy discourse.”
In a statement, Abigail Jackson, a White House spokeswoman, said Mr. Trump “always receives feedback and input from a variety of sources before making a decision that is in the best interest of the American people.”
Some see this as a positive style of governance, Mr. Mills said, adding, “It’s hyper-democratic in some ways: ‘Let’s look online and see what’s popular.’”
The content can have political consequences, but Mr. Bauer, the University of Alabama journalism professor, said he did not view its creation as a sincere political effort. Many of the creators he has observed making these videos aren’t highly ideological figures or even MAGA die-hards.
“They see an opportunity,” he said. “These are people that aspire to be famous online. They see that there’s a lot of desire and demand for right-wing content. And they are motivated by things like money and attention.”
Ms. Reichert said that the amount of money generated from her posts was “pathetically low,” but declined to offer further details.
Most of the fraud videos published in recent weeks resemble Mr. Shirley’s in both form and content. Almost always, the person suspected of wrongdoing is an immigrant or a member of a minority group, the most common ethnic category being that of Somali refugees, as in Mr. Shirley’s video about Minnesota.
While some, like Ms. Reichert, say they are inspired by Mr. Shirley, others deny any influence.
Until this January, David Khait, a conservative content creator with over 100,000 subscribers on YouTube, posted mostly man-on-the-street debates and interviews, a confrontational content style popularized by the conservative activist Charlie Kirk, who was assassinated in September. But recently, he has begun making videos about what he says is voter fraud in Fulton County, Georgia.
“There’s been no pivot here,” Mr. Khait, 26, wrote in a text message. “Call my content what it is: confronting institutional failure head-on because that’s what’s staring Americans in the face.”
The slopulist impulse may be most acute on the right at the moment — owing to the Republican control of the federal government — but some have argued this mode of online political engagement has its origins across the aisle.
Sean Monahan, the founder of the trend forecasting group K-Hole, has traced it back to the rise of the so-called “dirtbag left,” an online set of leftists who came to prominence during Bernie Sanders’s presidential run in 2016.
“It was a style of politics presented to younger, left-wing consumers, things like raising taxes on billionaires or modern monetary theory or controls on rent,” Mr. Monahan said. “There was a presumption that you could lay out a policy goal with no political trade-offs, no constituencies to navigate and no downsides.”
One recent example of slopulism on the left, he said, might be the mayoral campaign of Zohran Mamdani, whose platform included a promise to freeze the rent.
“He’s a little bit slopulist,” Mr. Monahan said of Mr. Mamdani, adding, “This is the feel-good model of politics where the mechanics are less important than taking credit and celebrating.”
For some, it is likely to be one of the more rewarding ways to practice politics in modern-day America.
“I don’t want to live a life of quiet desperation,” Ms. Reichert said.
Mr. Shirley, in recent days, has been staying the course, too. While he has moved on from Minnesota, he’s still making videos about fraud aimed at immigrant-operated day care centers. But this time he’s in California and has a new collaborator by his side: Ms. Reichert.
Last month, she posted a photograph of herself and Mr. Shirley on X that has been viewed 1.4 million times. Using a flame emoji, she wrote: “California, here we come!”
Lifestyle
Map: See Taylor Swift’s NYC Hotspots Ahead of Her MSG Wedding
Swift has attended fashion’s biggest night, the Met Gala, a handful of times over the years. Perhaps no appearance was more memorable than 2016’s event where it was not her dress, but her hair that made an impact. Swift’s bleached platinum bob at the star-studded fund-raiser that year was part of a short-lived era known as “Bleachella” to some fans.
Some fans believe the 2016 event, which both Swift and her ex-boyfriend, the actor Joe Alwyn attended, is where the couple might have first encountered one another. A moment Swifties think the songstress referenced in “Dress,” singing “flashback when you met me, your buzz cut and my hair bleached,” a line that describes how both stars looked that night.
For her first time as host on “Saturday Night Live,” a then 19-year-old Swift arrived having already written the song she would sing as the opening monologue. Seth Meyers, the show’s head writer at the time, later recalled bringing Swift into Lorne Michaels’s office, where she performed a “perfect” musical monologue and noted it was better than what the show’s writers had concocted for her to deliver. Swift has served as host and musical guest on the sketch-comedy show over the years. She’s also made repeated cameo appearances, including appearing alongside Kerry Washington and Betty White in a “Californians” sketch in 2015 for the show’s 40th anniversary.
In 2023, Swift and Travis Kelce both made cameo appearances on the show. The same day, they were also spotted by tabloids holding hands in New York City, one of the earliest public glimpses of them as a couple.
The iconic arena in Midtown Manhattan will serve as the venue for a private, two-day event around the wedding of Swift and Kelce on July 2 and 3. The first event will reportedly be a smaller gathering of 100 people for a rehearsal dinner at the Infosys Theater, a venue inside the Garden, while as many as 1,000 guests are expected to arrive at the venue the next day for a larger celebration, with possible stage appearances. Swift has some history with the Garden, performing there several times over the years, as well as sitting courtside and cheering the Knicks to a win during a game earlier this summer.
Whenever the singer is spotted coming and going from the Greenwich Village recording studio — which was founded by Jimi Hendrix and has hosted icons like the Rolling Stones and Chuck Berry over the years — fans are immediately abuzz with whispers about new music. Swift has worked there with Jack Antonoff, her longtime collaborator, on albums including “Lover” and “Folklore,” as well as re-releases of her older albums.
Swift has been spotted plenty of times at this Italian hot spot in the West Village neighborhood of Manhattan, most recently in May, celebrating Lena Dunham’s 40th birthday. If you can’t get a table, try your hand at making their famed — and delicious — salad dressing.
For a period between 2016 and 2017, Swift rented a four-story townhouse in Manhattan’s West Village. The pad appears to have inspired her 2019 track “Cornelia Street” from the album “Lover.” It’s a road she’ll never walk again, at least according to her lyrics.
Fans still regularly visit the house, even though it has been nearly a decade since Swift inhabited the home, which has an indoor swimming pool. In 2023, some Swifties made pilgrimages to the location after news broke on her split with the actor Joe Alwyn, whose relationship fans believe to be the inspiration for many of the tracks on “Lover.”
Swift’s residence in the TriBeCa neighborhood of Manhattan has grown over the years. She initially bought two penthouses from the “The Lord of the Rings” director Peter Jackson in 2014. A fan who once visited the apartment recalled Swift’s father saying that when his daughter first viewed the place, the actor Ian McKellen, who had been living there, was sitting in the kitchen. She has since purchased several adjacent properties.
Fans have seen glimpses of the home on social media over the years and, more recently, watched Swift use a fire extinguisher to put out a small candle blaze in the kitchen in a video posted by Swift’s recent musical collaborator Gracie Abrams.
Good luck getting a table here if you are not Swift or Kelce. The upscale American restaurant in SoHo is known for comforting dishes like a French dip sandwich and an ice cream sundae, as well as its savory sour-cream-and-onion martini from the cocktail menu. Swift has visited several times — including outings with Gigi Hadid and Sabrina Carpenter.
In “Delicate,” Swift sings of an unnamed “dive bar on the East Side.” Swifties believe this dark speakeasy on East Seventh Street is that bar. Fans also believe the song was written about Swift’s ex-boyfriend, the actor Joe Alwyn. The pair broke up in 2023; later that year she met Kelce.
This exclusive, members-only club in Lower Manhattan is frequented by plenty of celebrities, including Swift. The club bans photography and videos, as well as members of the media, and patrons are barred from identifying others in the room on social media or to the press.
Still, even with the privacy rules, there have been plenty of posts and photos documenting Swift coming and going from Zero Bond. There was a visit in 2023 with the actor Miles Teller and his wife, Keleigh, as well as a recent celebratory evening with the Haim sisters in June after the group watched the Knicks win at Madison Square Garden in matching shirts. There have also been multiple visits with Kelce over the years.
Swift spent part of her 34th birthday celebration at this rustic American restaurant on the Lower East Side of Manhattan. Wearing a black minidress bedazzled with a moon and stars — a nice nod to the visual themes of her “Midnights” era — she partied the night away at Freemans’ upstairs cocktail bar with guests including Jack Antonoff, Blake Lively, Zoë Kravitz, the Haim sisters, Sabrina Carpenter and her childhood best friend, Abigail Anderson Berard, who was immortalized in Swift’s song “Fifteen.” The pop star was also seen dining here with Gracie Abrams earlier that same year.
People line up for hours — yes, hours — to secure a spot at this restaurant in the Carroll Gardens neighborhood of Brooklyn. The brick-oven pizza spot, which is B.Y.O.B. and cash only, is a favorite of pizza connoisseurs — though not those at The New York Times — and celebrities alike. (Its owner has said he does not accept reservations.) Beyoncé, Jay-Z, the Beckhams and, of course, Swift have all been seen dining here, though unclear if they had to sweat it out in the line like us mere mortals. Swift, who once sent her dad to hand out pizzas, though likely not from Lucali, to fans camping out in New York to watch her perform on “Good Morning America,” has shared meals here with famous friends including Blake Lively and Selena Gomez, as well as a date night with Kelce.
The Brooklyn neighborhood where, if Swiftie lyrical interpretations are to be trusted, Swift left a now-infamous scarf at the home of one Maggie Gyllenhaal around 2010. Swift was dating Gyllenhaal’s brother, Jake, at the time and their relationship is believed to have inspired Swift’s “All Too Well,” a 2012 heart-wrencher of a song beloved by many fans, which Rolling Stone once ranked as her best song. “You keep my old scarf from that very first week,” Swift sings. In 2017, Maggie Gyllenhaal told Andy Cohen on “Watch What Happens Live” that she was “in the dark about the scarf.”
Swift later released an updated, 10-minute version of the track in 2021. A red scarf featured prominently as a thematic motif in “All Too Well: The Short Film,” which Swift also released that same year.
Lifestyle
DLTA’s former Ace Hotel is reborn as a ‘creative hub’ — and yes, you can still sleep there
The historic 1920s tower that once housed the beloved Ace Hotel is entering a new era just in time for the summer.
Two years after opening in the iconic Spanish Gothic building on South Broadway, Stile Downtown Los Angeles has unveiled its multimillion-dollar renovation and its expansion from a limited-service hotel to a full “creative hub.” The makeover adds a 24/7 membership-based creative lab with state-of-the-art music studios, co-working lounges, an updated rooftop bar called Somewhere Special, a restored theater and a curated retail shop for the community.
“We don’t really want to call it just a hotel — it’s more of a hub,” says Jaisun Ihm, CEO of AJU Continuum, the investment company that purchased the historic space.
Throughout the space are throwback touches — for instance, hotel guests can borrow a Walkman and browse the curated cassette library with titles like Sade’s “Promise,” Paula Abdul’s “Forever Your Girl” and the Isley Brothers’ “Between the Sheets.”
Behind the massive overhaul is South Korea-based AJU Continuum, which purchased the property in 2019 but didn’t change the name until 2024. The project marks the investment company’s first U.S. expansion.
“We don’t really want to call it just a hotel — it’s more of a hub,” says Jaisun Ihm, CEO of AJU Continuum, which is best known for its culture-forward Ryse Hotel in Seoul. With Stile, Ihm says their mission was to “connect L.A. to Seoul.”
Ryse, Ihm says, encapsulates today’s eclectic lifestyle hotel: “It’s grounded in street culture. We say it’s iconoclastic. It’s youthful in nature.”
AJU Continuum teamed up with L.A. architecture and interior design studio Design, Bitches — the group behind the chic Checker Hall in Highland Park and Verve Coffee Roasters in the Arts District. Ihm didn’t care that it was Design, Bitches’ first hotel venture. After working with several firms over the years, he was tired of seeing the same aesthetic everywhere and wanted to work with a team that would bring a “bold” perspective, he says.
When the creatives at Design, Bitches got the invitation, they were all in. “I’ve always wanted to do a hotel,” says RA Rudolph, the studio’s co-founder. “I love hotels and I have opinions,” she adds laughing.
For Angelenos who frequented the Ace Hotel, a maverick venue that helped revitalize downtown L.A. for a decade beginning in 2014, walking through Stile will feel both familiar and new. While the building’s bones remain intact — a requirement of its historic-cultural monument designation — the space has an industrial-modern twist inspired by L.A.’s creative spirit.
For example, the United Theater on Broadway, which was once the 1927 flagship movie palace for the influential United Artists collective (Mary Pickford, Charlie Chaplin, Douglas Fairbanks and D.W. Griffith), now features fresh carpet, modernized sound and stage equipment and roughly 125 new light fixtures inspired by the lobby’s original Spanish Revival-style chandelier. As a nod to the building’s legacy, where Hollywood’s earliest icons broke away from major studios to control their own work, AJU Continuum has launched its own in-house booking team for the live entertainment venue. Also, the giant neon “Jesus Saves” sign that has sat atop the building since its days as a church is still there — and the owners have no plans to remove it.
1. A clawfoot tub inside the Loft King Suite. 2. Lounge chairs inside the Loft King Suite. 3. Hotel guests lounge in the rooftop pool. 4. Adriana Castellanos and friends hanging out in the lobby bar. 5. Photos taken in the photo booth at the Somewhere Special rooftop bar.
Some of the most significant changes can be found in the hotel lobby, which features a curated convenience store called the Goodie Shop, which is adorned with throwback boomboxes. Located next to the front desk, which was significantly condensed, the store is filled with a selection of California-sourced snacks and beverages, lifestyle goods, Stile-branded merch and travel essentials (phone chargers, toothpaste, hair care, etc.).
On the opposite side of the lobby is SparkHouse, a private members club and creative hub for up-and-coming musicians and creatives. The two-story space features professional recording studios, podcast and video suites, co-working lounges and meeting spaces, which are slated to open by early next year once permits are approved, Ihm says. SparkHouse’s cafe and bar is open to the public and sells tea, coffee (try the honey matcha latte), wine, beer cocktails and small bites. Ihm says programming at SparkHouse will include listening sessions, live showcases and even a mentorship program for rising artists.
“I’ve always wanted to do a hotel,” says RA Rudolph, the co-founder of Design, Bitches.
The rooftop bar, which offers stunning skyline views of the city and a pool, is now called Somewhere Special. The design team removed about 90% of the plants that used to pack the area to maximize space for dancing and mingling. Also, the pool area, now painted in a playful shade called Carrot Orange, has more seating and a photo booth nearby.
All 182 guest rooms were given a fresh coat of dusty rose paint, new custom carpet, furniture and upgraded bathrooms. In each room, you’ll find Korean amenities like face masks, a custom robe by a local brand called Room Service Los Angeles and books from the former Los Angeles University Cathedral that occupied the space from 1991 to 2011. With the hotel motto being “stay by your own rules,” Rudolph says it was important for them to make the rooms adaptable to each guest’s needs and to prioritize comfort. The result is uncommon room layouts like the tri-suite king room equipped with two twin-sized beds and a king bed split by a privacy divider that doubles as a playful art installation. Rudolph, who used to travel often with her now-adult children, says that’s the type of room she always wished had existed.
Stile’s arrival comes at a precarious moment for downtown L.A. In recent years, the neighborhood’s once buzzy hospitality and nightlife scene has experienced dwindling foot traffic, slow pandemic recovery and increased vacancies. Some business owners say crime and neglect are driving away customers. Nearly 1,000 businesses left downtown in 2024. Launching a high-concept lifestyle hotel is a bold gamble.
The Goodie Shop, a new curated convenience store, is filled with a selection of California-sourced snacks and beverages, lifestyle goods and travel essentials.
But Ihm says he hopes that Stile will help rejuvenate the area and create an ecosystem that will support neighboring businesses as well. Rudolph says she’s already starting to see that change.
“It’s been nice to see that in the last year that I’ve been coming here to work on the project, it’s livened back up again,” she says. “Especially this block, it feels better.”
Lifestyle
How World Cup fans reflect America back at us : It’s Been a Minute
Inside the World Cup Cultural Exchange
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What does America look like to visitors?
We’re finding out in real time as fans and athletes from all over the world visit the United States for World Cup matches across the country. From Ranch dressing, to the wonders of all-you-can-eat buffets, tourists are getting a taste of all the USA has to offer, but how do we square the warm welcome for the World Cup with the United States’ recent stances on immigration? Brittany is joined by immigration reporter Jasmine Garsd, and NPR reporter Juliana Kim to find out.
Want more global perspectives on culture? Check out these episodes:
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This episode was produced by Liam McBain and Corey Antonio Rose. It was edited by Neena Pathak. Our Supervising Producer is Cher Vincent. Our Executive Producer is Barton Girdwood. Our VP of Programming is Yolanda Sangweni.
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