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Russia, China squeeze US Arctic defense zone as Trump eyes Greenland
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EXCLUSIVE: After U.S. officials detected a sharp rise in Russian and Chinese military incursions near Alaska — including a growing number of joint operations — Sen. Dan Sullivan is warning that the Arctic has become an active security front. And he’s pushing Congress to accelerate icebreaker construction, reopen Cold War–era bases and bolster U.S. defenses in the region.
Sullivan’s warning comes as new data show foreign military traffic near Alaska climbing sharply, a trend he says has gone largely unnoticed outside the region even as Moscow and Beijing coordinate more closely. He argues the activity has exposed how thin U.S. Arctic capabilities have become and why Washington is now scrambling to catch up.
“Let’s just say the world’s largest fleet of oceanographic survey ships wasn’t off the coast of Alaska to ‘save the whales,’” Sullivan told Fox News Digital in an interview.
President Donald Trump’s ongoing friction with Denmark over Greenland reflects the growing importance of the Arctic for the administration, Sullivan said. As melting ice opens new shipping lanes, energy access and military routes, Alaska is becoming a front line in the contest for economic and strategic dominance.
TRUMP SAYS GREENLAND’S DEFENSE IS ‘TWO DOG SLEDS’ AS HE PUSHES FOR US ACQUISITION OF TERRITORY
Xi Jinping, left, and Vladimir Putin (Sergei Guneev/Reuters)
Plans to reboot far-flung military operations off Russia’s back door — recently revisited in Tom Cruise’s latest “Mission: Impossible” installment — along with crucial new port infrastructure and a major cash infusion to the U.S. Coast Guard are all efforts to demonstrate the only thing America’s adversaries respect, Sullivan said: “Power.”
Sullivan, R-Alaska, recently chaired a Senate Commerce Subcommittee hearing examining the U.S. Coast Guard’s Arctic presence and discussed a new U.S.-Finnish deal to secure crucial new icebreaker craft and funding from the recent tax-cut law funding for at least three USCG Arctic security cutters amid a record $25 billion total investment in Coast Guard prowess.
The U.S. currently has two, one of which is out of service, while the Russians have 54 icebreaker craft, “nuclear-powered and weaponized,” he said.
Sullivan shared data with Fox News Digital showing a sharp rise in Russian, Chinese and joint Sino-Russian military aircraft and maritime incursions into the U.S. Air Defense Identification Zone, or ADIZ, a security buffer stretching beyond 12-nautical-mile sovereign U.S. airspace where foreign craft are required to identify themselves.
Since 2019, there have been more than 100 Russian aircraft, four Chinese vessels and, most alarmingly, more than a dozen joint operations that have entered the ADIZ, Sullivan said.
Trump’s recent focus on Greenland underscored the urgency of Arctic national security, Sullivan said, echoing warnings from NATO commander USAF Gen. Alexus Grynkewich that China’s expanding “research” presence in the region is becoming increasingly aggressive.
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While the Russians identify with the Arctic, China’s self-moniker of a “near-Arctic power” is confounding and concerning, he added, pointing to its actual location on the globe.
Sullivan said the situation is reminiscent of Vladimir Lenin’s mantra that when you probe an enemy with a bayonet, “if you find mush, you push. If you find steel, you withdraw.”
The U.S., he said, must steel itself against these threats, and Congress must be on the front lines, ensuring the resources and defenses are ready and in service.
WHY TRUMP ZEROED IN ON GREENLAND AND WHY IT MATTERS IN 3 MAPS
Russia and China make joint air patrols near Alaska. (Russian Defense Ministry/Getty Images)
“The only thing authoritarian regimes that are our adversaries understand is power. That’s U.S. energy security, Coast Guard, military assets and infrastructure.”
As the chairman of the Senate Commerce Coast Guard subcommittee, Sullivan said he is working hard to ensure that is what Moscow and Beijing will see, noting the new Storis icebreaker vessel received funding to home port in Juneau, along with 16 more icebreakers and $4.5 billion in shorefront infrastructure.
In addition, a World War II-era base on far-flung Adak in the Aleutian Chain is on track to be reopened, Sullivan revealed.
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The base, somewhat dramatized in “Mission: Impossible: Dead Reckoning,” which featured a counter-Soviet listening post on nearby St. Matthew Island, was key to Allied defenses as Japan bombed present-day crabbing port Dutch Harbor and invaded Attu and Kiska islands, events less remembered than the Axis’ other Pacific attack at Pearl Harbor.
Adak’s Base largely closed down in 1994 after the end of the Cold War.
Sullivan revealed he secured $115 million to begin rebuilding Adak, paired with $500 million to establish a deepwater port in Nome, one of the closest cities to both Russia and the Arctic Ocean.
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The state of Alaska matched that Nome investment and put $30 million of its own funds toward the new Adak project, Sullivan said. Gov. Mike Dunleavy separately told Fox News Digital that enhancing Alaska’s icebreaking capabilities and expanding the Coast Guard’s presence to safeguard the state’s coastline are key.
“[Further,] supporting life-saving missions and countering foreign influence in the Arctic are vital not only to our state but to the nation as a whole. Alaska stands ready to receive these icebreakers and leverage our geostrategic position to advance Trump’s America First agenda,” Dunleavy said.
Brent Sadler, a naval warfare expert and veteran at the Heritage Foundation, said the Arctic — and Antarctic — are also critical for space-based sensors detecting long-range missile attacks.
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“China and Russia have impacted our fishermen’s livelihoods with military exercises in our EEZ (exclusive economic zone) … (and) should be viewed as a threat. It needs to be deterred and pushed back on appropriately with an increased Coast Guard presence,” Sadler said.
Many of Russia’s incursions lately have originated in Anadyr, directly across the Bering Strait from Nome, and Adak sits just a few hundred miles east of Kamchatka, Russia.
Paired with Trump’s Golden Dome security initiative, Sullivan said now is the time to “plus-up” Arctic defenses as malign activity continues in his backyard.
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The “peace through strength” mantra is best served this way, he said, as each area targeted in the latest appropriation brings U.S. might right to Russia and China’s face, versus more populated but less strategic areas to build up like Kodiak and Anchorage.
“We’ve got to keep pedal-to-the-metal, and I give President Trump and his team a lot of credit. He was talking about Arctic issues and icebreakers and missile defense during his first term, and now we’re doing it,” Sullivan said.
“It’s important because the Chinese and Russians understand one thing: power — big flashy speeches without backing it up with military force don’t really mean anything.”
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As the nation prepares for its 250th Independence Day celebration, a decades-long California Fourth of July fireworks tradition that has raised millions for local children’s programs is going dark this year after the California Coastal Commission rejected a final effort to keep it alive, citing environmental concerns to protect the bay.
“We’ve raised over the past 14 years $2 million for kids programs here in Long Beach,” event organizer John Morris told Fox News Digital, adding the July 3 event is fully funded by the local community.
“This community pays for everything — everything. City fees, and the city doesn’t give us a break. We pay $20,000 to the city for police and fire, which I’m fine with, because there’s 100,000 people enjoying the fireworks,” said Morris, a Long Beach resident and business owner.
Morris, who owns the Boathouse on the Bay restaurant, had planned a scaled-up fireworks display this year to mark America’s 250th Independence Day.
CALIFORNIA BEACH TOWN BANS THE USE OF BALLOONS
Long Beach residents have enjoyed the fireworks organized by John Morris for over a decade. (Scott Varley/MediaNews Group/Torrance Daily Breeze via Getty Images)
In January, Coastal Commission staff rejected the proposal, and last week commissioners unanimously upheld that decision despite an appeal backed by local, state and federal officials.
Regulators warned Morris last year that 2025 would likely be the final year for fireworks at the event, as they continue pushing organizers to switch to drone shows they say are more environmentally friendly.
The decision stands in contrast to other approvals by the commission, including a permit granted to SeaWorld allowing up to 40 nights of fireworks.
“They get 40 nights in Mission Bay. All I’m asking for is 20 minutes — it doesn’t make any sense,” Morris said.
Morris, 78, also pushed back on the environmental concerns cited by the commission, pointing to years of testing around the event.
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Due to the lack of fireworks, Morris has decided to cancel the July 3rd celebration.
“We’ve had 10 years of environmental studies,” Morris said. “We test the water before and after the fireworks and send a robotic camera into the bay to check for debris — there’s never been any. It’s been spotless.
“We’ve also had eight years of bird reports to make sure we’re not harming wildlife. We’ve never had an issue. We’ve never been written up one time. So what is it really about?”
Joshua Smith, a spokesman for the California Coastal Commission, told Fox News Digital that permits are determined on a case-by-case basis, citing environmental concerns to “protect the bay.”
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Organizer John Morris said environmental studies are regularly conducted to measure the impact of the fireworks show on the bay. (Allen J. Schaben/Los Angeles Times via Getty Images)
Smith said Morris was approved for a permit to hold a drone show in lieu of fireworks. Morris told Fox News Digital such a show would cost about $200,000 — roughly four times more than traditional fireworks.
Smith confirmed that SeaWorld received a permit allowing 40 nights of fireworks. When pressed on the discrepancy, he reiterated that decisions are made individually and declined to provide further details.
Morris said the loss of the fireworks show will be felt across the community, from local businesses to families who have made the event an annual tradition.
Former Colorado Buffaloes stars Sebastian Rancik and Bangot Dak announced their transfer portal decisions on Sunday with Rancik committing to Florida State and Dak committing to Vanderbilt, per On3’s Joe Tipton. They join former Buffs guard Isaiah Johnson (now at Texas) as the third former Colorado player to leave the Big 12 conference as Rancik opts for the ACC and Dak heads to the SEC.
The trio of Johnson, Rancik, and Dak make up three of Colorado’s four most productive players with rising senior guard Barrington Hargress, and the Buffs are now tasked with replacing such production with Hargress as the only returner.
Rancik’s season ended prematurely with an injury, but he averaged 12.3 points and 5.6 rebounds per game for the Buffs. Dak was Colorado’s leading rebounder with 6.5 boards per game, scoring 11.5 points per contest as well.
While each player has his respective reasons for transferring, the most expected ones are for seeking better NIL deals or more development on a better team in a better league. The Buffs finished 12th in the Big 12, and the allure of the SEC was too strong for the program to hold onto key talent like Johnson and Dak.
Still, Colorado coach Tad Boyle proved his ability to recruit and build up a solid core, one that saw its headliners of Johnson, Dak, and Rancik all depart in the portal. Can he do it again?
Colorado Buffaloes Roster Outlook
Boyle and the Buffaloes did retain Hargress as well as three freshmen guards: Jalin Holland, Ian Inman, and Josiah Sanders.
As a freshman, Holland averaged 4.9 points and 2.7 rebounds per game as one of Colorado’s key pieces coming off of the bench. Meanwhile, Sanders appeared in 33 games as a constant presence in the Buffs backcourt, averaging 4.4 points and 1.7 assists per game.
Inman played the fewest minutes of the returning trio, but he flashed with a couple of double-digit scoring performances as a true freshman.
“When I think of those three together, I think of toughness. I think of the improvement they made over the course of the season and the togetherness they have. They’re great friends and have formed a bond during their freshman year. Their toughness, energy and work ethic, when you have those attributes to go along with talent, which they all have, you get a chance to have three really good sophomores next year that will take the next step,” Boyle said in a release announcing the return of the three freshmen.
With eight outgoing transfers to replace, the Buffaloes will certainly have a new look to them for the 2026-27 season.
Colorado has landed one transfer portal prospect so far in former North Dakota State foward Noah Feddersen. On the recruiting trail, Boyle and company are bringing in four-star forward Rider Portela as well as two prospects from the NBL in Australia: forward Goc Malual and guard Alex Dickeson.
The transfer portal for men’s college basketball closes on Tuesday, April 21, meaning players have to enter their names by then. Transfer athletes do not have to commit before the portal closes, though, so Colorado is expected to continue hosting prospects on visits while building out the roster.
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Hawaii
Kanakaʻole, Zane ʻohana transform Hawaiian cultural practices into captivating visual arts | Maui Now
This powerful new exhibition will feature the work of Nālani Kanakaʻole, Sig Zane, and Kūhaʻoʻīmaikalani Zane—a Hilo-based family of artists whose creative practices are deeply rooted in hula ʻaihaʻa.
Hula ʻaihaʻa is the low-postured, vigorous, bombastic style of hula that Kanakaʻole was known for as kumu hula of Hālau o Kekuhi. The hula springs from the eruptive volcano personas of Pele and her sister Hiʻiaka, characteristic of Hawaiʻi Island’s creative forces.
The Bishop Museum, the State of Hawaiʻi Museum of Natural and Cultural History, on Oʻahu is presenting “Ea Mai ʻEiwa: Patterns of Practice” in the J. M. Long Gallery beginning on Saturday, April 18, 2026.
The exhibition title references “Kūhaʻimoana,” a chant describing the migration of shark gods from Kahiki (ancestral homeland) to Hawaiʻi. “Ea Mai ʻEiwa” reflects the strength, resilience, and environmental knowledge embodied in these ancestral stories.
Bringing together new and existing works alongside botanical specimens and cultural treasures from Bishop Museum’s collections, the exhibition weaves themes of migration, community resilience, and environmental stewardship—offering insight and inspiration for today.
“This exhibition demonstrates that the gap between historic collections and contemporary art is actually a lot smaller than people think,” said Sarah Kuaiwa, Ph.D., Bishop Museum curator for Hawaiʻi and Pacific Cultural Resources. “Audiences will see how the artists use the same materials as pieces in Bishop Museum collections but in different forms. The resonance between the artist’s work with mea kupuna (ancestors) is what makes ‘Ea Mai ʻEiwa’ a uniquely Bishop Museum exhibition.”
Kuaiwa curated the group exhibitions along with co-curator, kumu hula Kauʻi Kanakaʻole, and Bishop Museum exhibit designer, DeAnne Kennedy.
The artists’ work across visual and performing arts is continually charged and sustained by hula. From Nālani Kanakaʻole’s art direction and choreography to Sig Zane’s photography and textile design, and Kūhaʻoʻīmaikalani Zane’s graphic design and immersive installations, each artist channels ʻike (knowledge, wisdom) carried through generations.
“Through repetition, deep study, and consistent practice, mastery is achieved. As practitioners of hula, the artists have continued to deepen their understanding of the natural and spiritual world, which has in turn inspired their art practices,” Kuaiwa said. “They aim to produce art in various visual media not only to educate, but to also be aesthetically celebrated and enjoyed.”
“Patterns of Practice” was suggested by Sig Zane as a way of representing how the artists hone their skills.
“‘Kūhaʻimoana,’ for me, has many layers to it,” Kūhaʻoʻīmaikalani Zane said. “On a first take, it’s a migratory chant that compares migrations to waves of ocean-navigating sharks. That metaphor sets out the tone of connectivity between our natural environment and the beings that inhabit it.”
“‘Kūhaʻimoana’ is an example illustrating metaphorical depth within Hawaiian poetry,” said Sig Zane. “The importance of navigation surfaces in day-to-day cultural practices. This archaic chant reveals nuanced content, giving us a peek into hierarchy, dualities, and familial belief systems.”
Kanakaʻole passed away in January this year, so Kauʻi Kanakaʻole hopes that “Ea Mai ʻEiwa: Patterns of Practice” reflects Kanakaʻole’s philosophy of practice and piques curiosity within people about others’ stories, history, and culture.
“She intentionally taught hula with depth of language, craft, and art form to encompass a full-on lifestyle commitment,” Kanakaʻole said. “This was her everyday; the way she learned, grew, and inspired.” “I would love for guests to leave (the exhibition) with a mixture of awe, appreciation, and curiosity.”
Highlights of the “Ea Mai ʻEiwa: Patterns of Practice” exhibition include:
- Nālani Kanakaʻole’s kite installation, “Kūhaʻimoana,” her last large-scale installation before her passing
- Botanical specimens from various locations across Hawaiʻi Island, chosen to represent their hula ʻahu (altar) and sources of inspiration the artists frequently draw from
- Uniquely colored kūpeʻe (sea snails) shells made into adornments, as well as adornments made to look like kūpeʻe shells
- Kapa (barkcloth) made from the 19th century with dynamic designs
- ʻAwa (kava, Piper methysticum) cups and kānoa (kava bowl) associated with the aliʻi
- New and archival sketches and rubylith artworks by Sig Zane from 1990 to present
- A collection of family photos from the Kanakaʻole ʻOhana
- Memorabilia and ephemera from the theatrical performance, “Holo Mai Pele” (1995-2000)
“Ea Mai ʻEiwa: Patterns of Practice” will be presented in both ʻŌlelo Hawaiʻi and English, and will be on view until Sept. 20, 2026.
For more information, visit bishopmuseum.org.
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