Seattle, WA
Seattle’s first 2026 homicide stems from a shooting more than 50 years ago
The story of Joseph Garrett’s murder is more than 50 years in the making. His life ended on Jan. 4, making 71-year-old Garrett Seattle’s first homicide of 2026.
The shot that killed him was fired in 1973 outside of Garfield High School by a man who was never charged and who also is now dead, according to Seattle Police.
“We believe this is the longest delayed-death homicide that has happened in King County,” said Casey McNerthney, director of communications for the King County Prosecuting Attorney’s Office. “Delayed-death homicides, unfortunately, are relatively common. There are at least a few of them each year, but typically it’s [after] a few years or maybe even a decade.”
The only published account of the shooting that led to Garrett’s death is a short article from a newspaper that also no longer exists (at least in print) — the Seattle Post-Intelligencer. A four-paragraph story with the headline, “Fight Ends With Youth Being Shot,” published on Oct. 3, 1973, said Garrett, 19, remained in serious condition at Harborview Medical Center and was being treated for a bullet that lodged in his back.
The P-I account said Garrett got into a fight with an unidentified man who tried to hit him over the head with a handgun at the intersection of 25th Avenue and Jefferson Street, in front of the high school and less than a block from where Garrett lived.
According to the P-I, Garrett grabbed for the gun and, during the fight that ensued, the gun went off. The bullet hit him in the shoulder, traveled down his spine, and stopped in his mid-back, leaving him paralyzed.
It’s unclear whether Garrett was a student at Garfield at the time of the shooting. McNerthney said he could not find Garrett’s photo in Garfield High School yearbooks from the time. Archival and online searches reveal little information about who Garrett was or other details of his life before or after the shooting.
On Jan. 4, Garrett died after living his entire adult life paralyzed from the chest down. The King County Medical Examiner’s Office performed an autopsy and ruled the death a homicide as the result of his gunshot wound from 1973.
Detective Rolf Norton at the Medical Examiner’s Office offered no additional information, other than to say via email, “Those involved are deceased.”
Detective Brian Pritchard at the Seattle Police Department said the suspect in the incident had no arrest record, was not charged in connection with Garrett’s murder, and had died in 2009. Because he was not charged with a crime, police did not release the suspect’s name.
McNerthney praised detectives like Norton, who he said detests the phrase “cold case.”
“A lot of the cases that I think the general public might think are forgotten or ignored in the back of a vault somewhere are often on Rolf’s desk,” McNerthney said.
He brought up two homicides (one from 1994 and a second from 2015) that were forwarded to the prosecuting attorney’s office in November 2025, both of which resulted in charges, and another 1997 homicide involving a newborn found dead in a bathroom garbage can at a north Seattle gas station, which Nelson helped solve. That last case led to the conviction in 2023 of Christine Marie Warren, the newborn’s mother, for first-degree manslaughter.
McNerthney said advances in genealogy, forensics, and DNA technology make it more likely that homicides that appear to be at a dead end will eventually be solved.
“There’s no statute of limitations on murder,” he said. “A lot of times, people may think after a few years or even a few decades that they’ve gotten away with it, but they haven’t.”
Editor’s Note: If you knew or had interactions with Joseph Garrett and are willing to share more about his life, please email Stephen Howie at howie@kuow.org.
Seattle, WA
Safety forces say they’re ready for World Cup in one week
SEATTLE — With the first World Cup match in Seattle just one week from today, a coalition of federal, state, county, and local agencies says final security preparations are in place to keep fans and visitors safe during matches, festivals, and watch parties.
Officials described the effort as an unprecedented undertaking that has been years in the making, with intensified planning over the last two years. They said Seattle has handled major events before, including a Super Bowl parade and MLB’s All-Star Week, but the World Cup’s scale and duration present a new challenge.
RELATED | Seattle mayor explains decision to turn on CCTV cameras for World Cup: ‘Credible threat’
“We’re here to discuss the most complex, the largest sporting event not only in this nation’s history but in the history of the world,” said U.S. Secret Service Special Agent in Charge Trent Heinrichs, who is serving as the federal coordinator for the World Cup in Seattle.
Heinrichs said fans should expect heightened screening and security measures around venues and events.
“They’re going to see magnetometers, they’re going to see canines, they’re going to see explosive ordnance detection, there’s going to be robust air security. We’re going to have temporary flight restrictions in place,” Heinrichs said.
He said the Secret Service’s role includes supporting state and local partners in addition to protecting heads of state and government who may attend games.
“We haven’t dealt with anything of this size, but the collaboration gives me comfort,” said King County Sheriff’s Office Undersheriff Jeff Flohr.
The security footprint spans multiple agencies, including the Coast Guard, which will patrol waterways and escort ferries on match days, and FEMA, which has allocated $19 million to defend against unauthorized and dangerous drones.
“We’ve trained and rehearsed a range of scenarios, and we have identified staging areas in the event that we need to have life-saving teams come into this area,” said the FEMA Region 10 Response Division director during a news briefing on the Seattle Waterfront.
SEE ALSO | City leaders say Seattle ready for World Cup, despite concerns with surveillance, drones
FBI Assistant Special Agent in Charge in Seattle asks anyone who observes unsafe or improper use of a drone to please report it to the FBI tip line at 1-800-CALL-FBI or tips.fbi.gov.
The Seattle Police Department will run incident command and control throughout the event.
“There’s going to be a very strong police presence at both the stadium area as well as all of our fan celebration sites,” said SPD Capt. Dan Nelson.
Nelson said officers will be easy to spot in special neon green shirts and will be supported by officers from 11 different police departments. He also addressed the decision to activate CCTV cameras during the World Cup, a reversal by Seattle’s mayor Katie Wilson after she learned of “general but credible threats” to safety and security.
“We always support Mayor Wilson’s decision. I think it is a good idea. You know, major events have a lot of associated dangers with them because, unfortunately, we do have bad actors in the community who are looking to use large-scale crowd gatherings to further their own cause,” Nelson said.
Officials said the World Cup will affect more than just ticket holders.
On the six match days at Seattle Stadium, planners expect up to 65,000 people inside the stadium and another 30,000 outside at fan festivals and watch parties.
The King County Sheriff’s Office and Seattle police urged the public to manage expectations and plan for congestion, including street closures around the stadium on game days. Law enforcement and local and state leaders are encouraging fans, visitors, downtown residents, and workers to use transit and, if possible, work from home.
Extra bus routes and additional light-rail runs have been added, along with a free waterfront shuttle. The King County Sheriff’s Office said it will use two helicopters to patrol and will place deputies on light rail and Sound Transit trains, along with a heavy police presence in the area.
Officials also emphasized two key requests for the public: report suspicious activity and have fun.
Seattle, WA
Public Art Plays the Long Game for the World Cup in Seattle
On a stretch of sidewalk in downtown Seattle this summer, you might notice a small vinyl marker shaped like a drop of water. Scan it with your phone, and the street will begin to shift—plants might bloom across the pavement, animals crawl or slither, water cascades, and stories unfold. Follow the next marker, and the next, and you’re moving through a different kind of FIFA World Cup experience—one that turns the city’s streets into a stage for storytelling.
As Seattle prepares to host six matches at Lumen Field, the city is investing not only in infrastructure and fan zones but also in a wide-ranging slate of public art meant to animate streets, neighborhoods, and public spaces. Through programs such as the World Cup 2026 Community Celebrations and a series of downtown activations called We Still Dream a Future, the city has funded free festivals, installations, and performances designed to reflect Seattle’s cultural breadth.
The most visible of those efforts will unfold downtown and in Pioneer Square, where large-scale projects aim to meet visitors where they already are—walking, gathering, and exploring between games. One of the most ambitious is Future Arts Way, a 2.5-mile interactive route linking Seattle Center to King Street Station. Developed by the nonprofit Future Arts, the project uses augmented reality to layer digital storytelling onto physical sites, connecting visitors to local small businesses, Coast Salish histories, and color-splashed artworks along the way.
“This is truly an effort to bring important untold stories that have been living in this land for a very long time … back onto the land using technology,” says Future Arts executive director Yuliya Bruk.
The heart of the route is a major installation at Third Avenue and Pine Street. Titled Other Earth 2026, it combines large-scale vinyl, augmented reality experiences, and hand-painted murals to present hypnotic artwork inspired by perspectives that have traditionally been “othered.” Drawing on Coast Salish ecological knowledge, Afrofuturist design, and ethnobotanical research, the installation imagines a downtown landscape where water, plant life, and ancestral histories resurface through both physical and digital layers.
“We want visitors and residents to see a city that feels alive with possibility—where art, culture, and community are not just on display, but are happening all around them.”—Kate Fernandez, Downtown Activations Supervisor
Elsewhere along the route, visitors encounter smaller launch points—QR-coded markers that unlock location-specific artworks and narratives. The experience can be as brief or as immersive as one chooses, whether pausing at a single stop or walking the full path through Belltown, downtown, and Pioneer Square.
“Our goal is to put things out there that leave a lasting memory and leave someone changed,” Bruk says.
Future Arts Way is just one piece of a broader downtown effort. Earlier this year, the Unity Loop mural project unveiled two gargantuan-scale works to the city’s urban core. The blue-green waves of United Currents by Seattle artist Leo Shallat now grace a wall at Spring Street and Fifth Avenue, while two young figures in grayscale leap 17 stories at 1306 Western Avenue in the United by Nature mural by Greek artist INO. Produced by Street Art for Mankind, the works are designed to reflect themes of counterculture, human rights, and civic unity, positioning Seattle as both a creative capital and a welcoming global city.
Meanwhile, just outside Lumen Field, the 9-foot-tall Vital Spirit sculpture by Gerard Tsutakawa adds another focal point. The undulating bronze (one side jagged, one side gentle) represents “the coming together of the peoples of the world,” according to Tsutakawa. It’s designed to welcome visitors while reflecting the energy and movement of the surrounding stadium district.
“We want visitors and residents to see a city that feels alive with possibility—where art, culture, and community are not just on display, but are happening all around them,” says the city’s Downtown Activations supervisor, Kate Fernandez. “Whether it’s a large-scale installation, a live performance, or a spontaneous dance workshop, the goal is for visitors to feel that they’ve stepped into a shared civic experience—one that is imaginative, welcoming, and deeply human.”
Seeing double. A 17-story mural near Pike Place Market, United by Nature, by Greek artist INO, is part of Seattle’s public art Unity Loop, created in celebration of the 2026 FIFA World Cup.
MURAL BY INO, CURATED BY STREET ART FOR MANKIND
That same ethos carries into the many smaller, more intimate projects funded through the city’s We Still Dream a Future initiative. In Chinatown–International District, for example, writer and artist Taha Ebrahimi (author of Street Trees of Seattle) and Vanishing Seattle founder Cynthia Brothers are leading a series of free walking tours from June to September that weave together neighborhood history and urban forestry. Participants will learn about migration, displacement, and resilience through both first-person stories and the living landscape of notable trees, including what might be the largest loquat tree in the state.
“At its root, community is developed in person, locally,” Ebrahimi says. “As our city continues to grow and attract new people, we want to ensure a future that celebrates the people and places that came before us.”
That balance—between global attention and local meaning—runs through many of
the projects tied to the World Cup. While the event is expected to attract hundreds of thousands of visitors to Seattle, much of the art has been designed with a longer horizon in mind.
For Bruk, that future-facing perspective is essential. “We wanted to make sure Seattle showed up in the world’s eye as being grounded in technology that really uplifts cultural stories,” she says, “and that our community is left with something that we feel proud of afterward.”
If these efforts succeed, the legacy of the World Cup may not just be measured in attendance or revenue, but in something less tangible—how the city chose to tell its own story while the whole world was watching.
Seattle, WA
COUNTDOWN: With Arts-in-Nature Festival approaching, DNDA celebrates grant
(WSB photo)
Shannon Woodard, interim executive director of DNDA, visited Mechanics Bank in The Junction this week to accept a $7,500 grant that’ll help support the housing/art/community nonprofit’s work. One big event ahead: The Arts-in-Nature Festival returns on Saturday, June 27, 10 am-8 pm, at Camp Long (5200 35th SW). Admission will be free, and you’ll be able to wander the park to enjoy music, movement, and storytelling performances, as well as immersive art installations in the park’s rustic cabins. Accepting the grant, Woodard told Mechanics Bank’s Andrew Tento (pictured above with her) and Bob Livingston that though her role as interim executive director is new, she’s been on the DNDA board since 2015, and has worked in the housing sector, setting her up for leadership in DNDA’s housing work, too. “As well as providing affordable housing, we prove community,” Woodard noted – and that’s what the June 27 festival will be about, too.
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