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Elton John Promotes New Oz Book Amid Intense AI Art Controversy | Celebrity Insider
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The pop icon, Elton John, has revealed the astonishing news about a forthcoming graphic novel called ‘The Lost Lands,’ in which he has provided the foreword that is originally meant as the first chapter of the Ultimate OZ Universe. This animation ushers in the extinction of L. Frank Baum’s original Oz tales, which John retells were his sources of inspiration during lonely childhood days in Pinner, England. However, the good news was soon getting mixed with thousands of comments that blamed the artwork connected with it for being done by a machine, thus triggering a heated debate about the meaning of art in the digital age.
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In his announcement, Elton John shared his personal tie to the Land of Oz. He described himself as a “very lonely” boy when he discovered Baum’s stories and the stories “multiplied” his own imagination and gave him “a wonderful life of storytelling, imagination, and creativity.” He expressed his wish that the public would be as fond of “The Lost Lands” as he is, presenting it as a great inheritance of Baum’s legacy declaring “the triumph of good.”
The comments were anything but pleasing. The very next hour the comments section had turned into a battlefield discussing whether the paintings had been created by human hands or AI. The detractors were pointing out anatomical errors that they were confident had come from AI and thus gave away its production. One person said, “Just take a look at the hands with your own eyes in the second image. One of them has 7 fingers and some of them have none.” Another person remarked, “In the second slide notice how short the guy’s arm is, he’s at the bottom in the middle. It’s AI.”
A few of the netizens were sorry for the situation, recognized John’s talent and help but were aware of the fact that he might be backing AI art. One user expressed, “It’s unfortunate that my favorite artist resorts to technology that is taking away jobs from other artists,” and added a crying emoji. Another user commented, “If you can’t afford AI, hire artists.” Also, some users shared their worries about the planet and one of them referred to it as “the water-wasting resource-burning climate-changing planet-warming AI slop.”
The discussion was getting hotter and at the same time, the defenders of the artwork were coming forward. A lot of comments were mentioning that the artist Mike Deodato was credited in the project. “The artist is literally mentioned in the post this isn’t AI!” a user insisted. Another said, “Those who see this as AI-generated are presumably the ones without brains THE ARTIST IS LITERALLY TAGGED IN THE POST and if you had more than two brain cells you would recognize that this is the work of a very talented artist.”
The skeptics responding to the defense right away argued that the use of AI by established artists raises an even bigger ethical question. “It’s not right when non-artists make ‘art’ with AI, but it’s even worse when established artists are doing that in their works,” one person said. Another remarked, “A name attached to it doesn’t change that. Just take a look at the hands in the second photo.”
The whole issue was ringing a bell of a very serious ethical question regarding disclosure and consumer rights. One enlightened user wondered, “If it is the case, is that at least being disclosed to buyers? People should know if what they are purchasing was made by AI or not, regardless of their opinion. The consumers should be able to make informed choices.” This point illustrated that the AI art debate is actually about the purity of art versus the legitimacy of the market.
Amidst the arguments, some supporters were rejoicing the project. The official Ultimate OZ Universe account posted, “It’s incredible and an honor to have Elton John be a part of our Ultimate OZ Universe graphic novel.” Another admirer commented, “I adored this book SO much, what a fantastic new take on Oz, which has always been my personal and preferred mythology.” John himself humorously questioned if anyone noticed “familiar faces in the artwork,” tagging his husband, David Furnish. This project also brings to mind his most ornate album cover ever.
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The magnitude of the reaction has highlighted the societal concerns about the impact of AI on the creative fields. What started as a sincere homage of Elton John to a character that inspired him during his childhood turned into an unintended battleground in the discussion about technology, art, and authenticity that is still going on. As the AI devices become more skilled and easier to access, the matter of distinguishing between human creativity and machine production becomes more complex. The passionate responses from both sides show that the separation is of utmost importance to many, whether they are pointing out the mistakes in a tin man’s hands or debating the very existence of art as we know it. This situation is reminiscent of Big Boi’s behind-the-scenes moment with Elton John and Janelle Monae, showing how artists collaborate across genres. The discussion also brings to mind Ozzy Osbourne’s final memoir and its success. Fans of Elton John’s retro Captain Fantastic ad will appreciate this new creative direction. Finally, Elton John’s reflections on his early career with Bernie Taupin show his long-standing commitment to artistic collaboration.
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‘Scream 7’ takes a weak stab at continuing the franchise : Pop Culture Happy Hour
Neve Campbell in Scream 7.
Paramount Pictures
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Paramount Pictures
The OG Scream Queen Neve Campbell returns. Scream 7 re-centers the franchise back on Sidney Prescott. She has a new life, a family, and lots of baggage. You know the drill: Someone dressing up as the masked slasher Ghostface comes for her, her family and friends. There’s lots of stabbing and murder and so many red herrings it’s practically a smorgasbord.
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Lifestyle
Smoke a joint and get deep with flowers at this guided floral design workshop in DTLA
Abriana Vicioso is the host of the Flower Hour, which takes place monthly.
(Jennifer McCord / For The Times)
Each flower carries a personal history. For Abriana Vicioso, the calla lily was her parents’ wedding flower — a symbol of her mother’s beauty. “She had this big, beautiful white calla lily in her hair,” Vicioso says. “I love my parents. They’re the reason I’m here. I’ll never forget where I came from.”
The Flower Hour begins with Vicioso announcing, with a warm smile: “Today is about touching grass.” The florist-by-trade gestures behind her to hundreds of flowers contained in buckets — blue thistles, ivory anemones and calla lilies painted silver — all twisted and unfurling into the air. “Tonight is going to be so sweet and intimate,” Vicioso says, eyeing the beautiful chaos at her feet. A grin buds across her face.
Moments before the workshop, participants sit at candlelit tables exchanging horoscopes and comparing their favorite flowers. A mention of the illustrious bird-of-paradise flower elicits coos and awe from the women. Izamar Vazquez, who is from Jalisco, Mexico, reveals her fondness for roses, which make her feel connected to her Mexican roots.
Vicioso hosts her flower-themed wellness workshop near the iconic Original Los Angeles Flower Market in downtown L.A. In January, the first Flower Hour event sold out, prompting her to make it a monthly series. Vicioso describes the event as a “three-part journey” where participants are invited to drink herbal tea, smoke rose-petal-rolled cannabis joints and create a floral arrangement. “The guide is to connect with the medicine of flowers,” Vicioso says.
Rose petal joints, tea and flower arranging are all part of The Flower Hour event’s offerings.
The event is hosted at the Art Club, a membership-based co-working space. “The Flower Hour is really beautiful. Everyone gets to explore their creativity while meeting new people,” says Lindsay Williams, the co-owner of the Art Club.
The idea for Flower Hour came to Vicioso during a conversation with her mother. “We joke all the time that flowers were destined to make their way into my life,” she says. She works as a florist and models on the side, even appearing in the pages of Vogue. Vicioso grew up in a Caribbean household, where flowers and offerings were part of daily life. “In my culture and religion, a lot of my family practices — an Afro-Caribbean religion — we build altars.”
Like many cultures, flowers carry sentimental value in her religion. “I’m Caribbean, so a lot of my family practices a Yoruba religion, which comes from Africa. In the Caribbean, it’s well known as Santería.”
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After a difficult year and a breakup, Vicioso wanted to marry her love of flowers with community building. Because Vicioso uses cannabis medicinally, the workshop naturally includes a smoking component. “My family has smoked cannabis for a lot of reasons for a long time. It’s a really healing plant,” she explains.
In the workshop, even the cannabis gets the floral treatment. Vicioso presents her rose-petal-wrapped joints on a silver platter at each table. She rolled each by hand. “If you’ve never smoked a rose-petal-rolled joint, the difference with this is it’s going to have roses that have a slight tobacco effect,” she announces.
During the workshop, Vicioso stresses the importance of buying cannabis from local vendors. The cannabis provided was purchased from a Northern Californian vendor. The wellness workshop aims to reclaim the healing ritual of smoking cannabis. “This is a plant that has been commercialized,” Vicioso says. “There’s a lot of Black and Brown people who are in jail for this plant.”
The resulting workshop is what Vicioso describes as “an immersive wellness experience that is the intersection of wellness, creativity, community and an appreciation of flowers.” The workshop serves as a reminder to enjoy Earth’s innate beauty in the form of flowers — including cannabis. “It’s this gift that the universe gave us for free and that I have this deep connection with,” Vicioso says.
Conversation cards to generate discussion among participants (top, letf). The workshop serves as a “third space” for Angelenos to engage in tactile creativity and community building outside of traditional nightlife settings.
After enjoying lavender chamomile tea and smoking a joint, Vicioso introduces the flowers to the group before inviting them to pick their own. She emphasizes each flower’s personality traits, describing green dianthus as a “Dr. Seuss” plant. Then, there are calla lilies with their “main character moment.” It gets personal. “Start thinking of a flower in your life that you can discover,” she says. “If you’re feeling like you need inspiration, you can always remember that these flowers have stories.”
Vicioso infuses wisdom into her instruction on floral arrangements: There are no mistakes. Let the flowers tell you where they want to go, she urges. Intuition will be your guide — the wilder, the better.
“Hecho in Mexico” reads a sticker on a bunch of green stems. “Like me,” says Vazquez with a laugh. “They’re all doing their own thing. Like a family,” she says later, arranging stems.
The Flower Hour participants and Vicioso, center, chat as they build their own floral arrangements at the sold-out event.
Two participants — Vazquez and Rebeca Alvarado — are friends who run a floral design company together called Izza Rose. Like Vicioso, the friends have a connection to flowers through their Latin American culture. They met Vicioso in the floral industry and were overjoyed to discover her workshop.
“This is a great way to connect with other people,” says Vazquez.
Alvarado agrees, adding: “You’re getting to know people outside of going to bars. You can connect in different ways when there’s an activity.”
Vazquez uses flowers to stay connected to her Mexican heritage, adding that she prefers to support Mexican vendors. In recent months, the downtown L.A. flower market has struggled to recover from ongoing ICE raids. “Some are scared to come back,” says Vazquez.
Hand-rolled cannabis joints wrapped in rose petals are presented on a silver platter at The ArtClub (top, right). The Flower Hour aims to reclaim the healing rituals of cannabis and flowers.
Another participant, Barbara Rios, was attracted to the workshop for stress relief. “You can hang out with your friends, but it’s nice to do things with your hands,” she says. “I work a stressful job, and it’s nice to have that third space that we’re all craving.”
On this February night, the participants were predominantly women, save for one man. In the future, Vicioso hopes that more men learn to engage with flowers. “There’s a statistic about men receiving flowers for the first time at their funerals, and I think we have changed that,” she says.
To conclude the workshop, Vicioso encourages participants to build lasting friendships and incorporate flower arranging into their daily practice — even if it’s just with a small, inexpensive bouquet.
“Get some flowers together, go to the park, hang out with each other and hang out with me,” she says. Participants leave with flower arrangements in hand. In the darkness of the night air, it briefly looks as though the women carry silver calla lilies that are blooming from their palms.
Lifestyle
‘Wait Wait’ for February 28. 2026: Live in Bloomington with Lilly King!
An underwater view shows US’ Lilly King competing in a heat of the women’s 200m breaststroke swimming event during the Paris 2024 Olympic Games at the Paris La Defense Arena in Nanterre, west of Paris, on July 31, 2024. (Photo by François-Xavier MARIT / AFP) (Photo by FRANCOIS-XAVIER MARIT/AFP via Getty Images)
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This week’s show was recorded in Bloomington, Indiana with host Peter Sagal, judge and scorekeeper Bill Kurtis, Not My Job guest Lilly King and panelists Alonzo Bodden, Josh Gondelman, and Faith Salie. Click the audio link above to hear the whole show.
Who’s Bill This Time
State of the Union is Hot; The Tribal Council Convenes Again; A Glow Up In the Doll Aisle
Panel Questions
The Toot Tracker
Bluff The Listener
Our panelists tell three stories about a travel hack in the news, only one of which is true.
Not My Job: Olympic Swimmer Lilly King answers our questions about Lil’ Kings
Olympic Swimmer Lilly King plays our game called, “Lilly King meet these Lil’ Kings” Three questions about short kings.
Panel Questions
Cleaning Out The Cabinet; Bedtime Stacking
Limericks
Bill Kurtis reads three news-related limericks: Getting Cozy With Cross Country Skiing; Pickleball’s New Competition; Bees Get Freaky
Lightning Fill In The Blank
All the news we couldn’t fit anywhere else
Predictions
Our panelists predict, after American Girls, what’ll be the next toy to get an update.
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