Milwaukee, WI
Milwaukee Music Premiere: Diet Lite, ‘X-Ray’
Every week, the Milwaukee Music Premiere sponsored by Density Studios connects the city’s artists with our listening audience. If you’re an artist with a track you’d like us to debut exclusively on Radio Milwaukee, head over to our Music Submission page to learn how.
There’s a distinctly cathartic feel to the power-rock atmosphere that floats all over Diet Lite’s sound. With a constant switch-up of vocals, guitar and bass between Max Niemann and Kelson Kuzdas — backed by the hard-hitting rhythms of Evan Marsalli — the trio quickly became a staple in the Milwaukee scene. Shows that spilled out onto the crowd with a stage presence that’s equal parts jangly and sweaty earned them a rowdy reputation.
Diet Lite fill a packed room with a chaotic sound that remains pointed in its journey, but not its end, which makes sense for a band that radiates so much musical energy. It all has to go somewhere, right?
Today, it goes to the band’s new single, “X-Ray,” off their upcoming album Double Wide Yukon set to release next month.
There’s a clear layer in the band’s writing process that lets their individual perspectives flow into a natural whole. Musically, the song was written by Marsalli, while the lyrics were worked on by Kuzdas and Niemann individually. To no one’s surprise, the latter duo penned similar sentiments that represent, in the band’s own words, “the kinda feeling you might get when you find a fiver in a pocket while doing laundry, and it’s completely covered in hot tar.”
That sense of being thrown out of our day-to-day lives permeates “X-Ray.” The sense of self is gone; it’s just the noise now.
I push the button, and I know not how, but why
I got magic in the fingers and an unrelated rot in the mind
Lying patient in the presence of the prize
Sweet mother of invention, give me some kisses
Self-destructive creativity is a common theme for artists in general. The all-consuming act of creating anything becomes a problem in itself, for it quickly becomes the only thing an artist thinks about. Diet Lite personify this as an omniscient god that one must beg for grace.
Lying tall on our sad ivory stage
Won’t you take it, take it, take it, take it, take it, take it, take it, take it
I have it all and I can feel it sinking in
Now I have it all and I feel like swimming
There’s a salvation that comes from finishing a piece, but it’s a short one. The hit of dopamine that burns through you only burns for a short time. The only thing you can start thinking of afterward is what’s next. It blurs the lines between vice and opportunity that doesn’t necessarily need to leave you feeling better — just whole.
Sonically, the song mirrors the thematic pull of the lyrics, with sweat-soaked rhythms and virile guitar. It’s a rowdy batch of notes that pushes and pulls at the body, churning the insides until everything starts to boil. That’s what Diet Lite are all about: an unstoppable force with no clear end that just won’t stop going. “X-Ray” grabs the listener with no remorse for a little under two minutes and drops them off at another station with no rhyme or reason for how they got there.
If you want to go for a ride, listen to the song using the player at the top of the page or on the 88Nine airwaves throughout today (6:30 and 10:30 a.m.; 2:30 and 6:30 p.m.). Then stay tuned for when “X-Ray” releases this Friday, Oct. 17, followed by new album Double Wide Yukon on Nov. 14.
Jonathan Joseph is a Milwaukee-based multimedia freelance journalist who specializes in art and culture writing (and all things Milwaukee), with work appearing on Radio Milwaukee and in Milwaukee Magazine. Contact him via email or find him on LinkedIn.
Milwaukee, WI
Christmas Eve services in Milwaukee keep families connected
MILWAUKEE – It’s a day of family and faith. That’s what people at Milwaukee’s Eastbrook Church said as they enjoyed one of four services offered on Christmas Eve.
What they’re saying:
From music to prayer to scripture, it’s a special night for those who attend. Families said they wanted to celebrate faith through connection and Christ.
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“It’s just a time of joy and hope, and it’s fun for us,” said one churchgoer. “It’s just a special moment.”
Eastbrook staff said the Christmas Eve service is one of their biggest of the year. They expect up to 2,500 people to attend across all four services.
The Source: FOX6 News interviewed people at Eastbrook Church.
Milwaukee, WI
16 music and theater performances to see in Milwaukee in January 2026
Meet Jennifer Bouton, Milwaukee Symphony piccoloist and flutist
Meet Jennifer Bouton, Milwaukee Symphony Orchestra piccoloist and flutist. She’s trying to raise the profile of the little instrument.
During the performing arts season, arts editor Jim Higgins recommends promising music, dance and theater productions to see in the coming month. Look for these stories in the newspaper the final Sunday of the month. They post online the preceding week at jsonline.com/entertainment/arts.
In Milwaukee’s performing arts scene, the first month of 2026 brings the return of the 21st century’s revolutionary musical, plus a new stage work about Wisconsin artist Mary Nohl.
Also, it’s a good month for Mozart, both in the concert hall and on stage.
Here are 16 theater, music and dance performances you can enjoy in the Milwaukee area in January. I would never tell you that these are the only shows worth seeing here during that time period.
‘The Godfather,’ Milwaukee Symphony Orchestra
Associate conductor Ryan Tani leads the MSO in performing Nino Rota’s Oscar-nominated score live to screenings of Francis Ford Coppola’s classic American film. 7:30 p.m. Jan. 2-3. Bradley Symphony Center, 212 W. Wisconsin Ave. Visit mso.org or call (414) 291-7605.
‘Cardboard Piano,” Renaissance Theaterworks
Hansol Jung’s drama, which opens in war-ravaged Uganda in 1999, takes on compelling conflicts about faith and homophobia. Jan. 9-Feb. 1, 255 S. Water St. Visit rtwmke.org or call (414) 278-0765.
‘The Fisherman’s Daughters,’ Milwaukee Repertory Theater
In singer-songwriter Katie Dahl’s musical, set in Door County, two sisters fight the state of Wisconsin’s attempt to take their land by eminent domain. Milwaukee Rep says this show is recommended for people 10 years and older. Jan. 9-March 1, Stackner Cabaret, 108 E. Wells St. Visit milwaukeerep.com or call (414) 224-9490.
‘Celtic Throne II – Psalter of Ireland,” Marcus Performing Arts Center
This all-ages Irish dance, music and theater show is built around the story of the mythological lawgiver Ollav Fola. 7 p.m. Jan. 15, Marcus Performing Arts Center, 929 N. Water St. Visit marcuscenter.org or call (414) 273-7206.
‘The Lehman Trilogy,’ Milwaukee Repertory Theater
The Rep’s second fully staged production in the upgraded Checota Powerhouse Theater is an epic story of immigration, economic ascension and financial collapse, running an estimated 3 hours and 40 minutes with two intermissions. It’s coming to Milwaukee from Minnesota’s Guthrie Theater. Jan. 13-Feb. 8, Checota Powerhouse Theater, 108 E. Wells St. Visit milwaukeerep.com or call (414) 224-9490.
‘Maybe We’ll Fly,” Milwaukee Opera Theatre
Milwaukee Opera Theatre is presenting staged readings of a new play by Wisconsin playwright Marie Kohler with music by composer Josh Schmidt. Subject: the life and passion to create of Mary Nohl (1914-2001), who transformed her Fox Point cottage and yard into an artistic environment. 6:30 p.m. Jan. 16, 1:30 and 4:30 p.m. Jan. 17, Florentine Leuders Opera Center, 926 E. Burleigh St. Visit milwaukeeoperatheatre.org.
‘Folk Songs,’ Trio Mediæval
Early Music Now presents this Norway-based vocal ensemble, in a concert of Norwegian and Scandinavian songs, including lullabies and tales of courtly love. 5 p.m. Jan. 17, St. Joseph Chapel, 1515 S. Layton Blvd. Visit earlymusicnow.org or (414) 225-3113.
‘Hamilton,’ Marcus Performing Arts Center
The 21st century’s most popular musical returns for its third visit to Milwaukee; it was last here in 2021, when Lin-Manuel Miranda’s hip-hop-infused look at the Founding Fathers reopened the Marcus Performing Arts Center following the pandemic lockdown year. Sixteen performances are scheduled for Jan. 20-Feb. 1 at MPAC, 929 N. Water St. Visit marcuscenter.org or call (414) 273-7206.
‘Amadeus,’ Skylight Opera Theatre
Peter Shaffer’s play pits Mozart, genius composer but vulgar human being, against his more ordinary rival Salieri. Skylight’s production will include a live chamber orchestra. Matt Daniels, Milwaukee Rep’s Scrooge, takes on the key role of Salieri. Jan. 23-Feb. 8, Broadway Theatre Center, 158 N. Broadway. Visit skylightmusictheatre.org or call (414) 291-7800.
Kerson Leong and Bernard Labadie, Milwaukee Symphony Orchestra
Soloist Leong performs Beethoven’s Violin Concerto, one of the peaks of violin repertoire. Guest conductor Labadie leads the orchestra in Hadyn’s Symphony No. 103 (“Drumroll”). 7:30 p.m. Jan. 23-24, Bradley Symphony Center. Visit mso.org or call (414) 291-7605.
‘I Am My Own Wife,’ Milwaukee Chamber Theatre
Doug Wright’s one-actor play won both the Pulitzer Prize for Drama and a Tony Award for best play in 2004. In Milwaukee Chamber Theatre’s new production, Jonathan Riker will perform all the characters in this story of famed German transgender figure Charlotte von Mahlsdorf. Jan. 23-Feb. 8, Broadway Theatre Center, 158 N. Broadway. Visit milwaukeechambertheatre.org or call (414) 291-7800.
‘Baroque Unbound’ Frankly Music
Harpsichodist Paolo Bordignon and piccoloist Jennifer Bouton join violinist Frank Almond and other musicians to perform music of the Baroque era by Vivaldi, Bach and other composers. 7 p.m. Jan. 26, Wisconsin Lutheran College Schwan Concert Hall, 8815 W. Wisconsin Ave., Wauwatosa. Visit franklymusic.org.
‘Encore,’ Milwaukee Ballet
Milwaukee Ballet performs a program of classical and contemporary dance in its intimate We Energies Performance Studio, a 172-seat venue. Jan. 30-Feb. 8, Baumgartner Center for Dance, 128 N. Jackson St. Visit milwaukeeballet.org or call (414) 902-2103.
‘Hellenika,’ Marcus Performing Arts Center
Playwright-composer Kyle Thomas Hanneken has been working for seven years on this large-scale musical about the Greek philosopher Socrates, his teacher Aspasia and the fate of democracy in Athens. While these performances are billed as public readings rather than a fully staged production, this is a big show with 20 performers and 30 songs. 7 p.m. Jan. 30-31, Marcus Performing Arts Center, 929 N. Water St. Visit marcuscenter.org or call (414) 273-7206.
Stephen Hough, Milwaukee Symphony Orchestra
Pianist Hough, a MacArthur “genius grant” awardee who’s also a composer and a significant writer about music, visits the MSO to perform Mozart’s Piano Concerto No. 21, which movie buffs know from its use in “Elvira Madigan” (1967). Guest conductor Jean-Marie Zeitouni leads a program that includes Mozart’s “Prague” Symphony and works by Ligeti and Kodály. 7:30 p.m. Jan. 31-Feb. 1, Bradley Symphony Center. Visit mso.org or call (414) 291-7605.
Julian Lage, Wilson Center for the Arts
A former child prodigy, Lage is a leading contemporary jazz guitarist and composer. His performance was rescheduled to this date from a previously planned summer concert here. 7:30 p.m. Jan. 31, Wilson Center for the Arts, 3270 Mitchell Park Drive, Brookfield. Visit wilson-center.com or call (262) 781-9520.
Milwaukee, WI
Judge Hannah Dugan’s clerk reprimanded for calling ICE agent a ‘fascist’
Dugan’s clerk on his testimony and calling an ICE agent a ‘fascist’
After his testimony, Alan Freed, Judge Hannah Dugan’s clerk, voices his opinion about calling an ICE agent a “fascist” and what he thinks of Trump administration.
Milwaukee County Judge Hannah Dugan’s clerk, who called a federal immigration agent “a fascist” outside a courtroom, was reprimanded for the comment.
Alan Freed testified at Dugan’s federal obstruction trial that he told Dugan the U.S. Immigration and Customs Enforcement agents were in the hallway outside her courtroom on April 18.
Freed testified he went into the public hallway and called one of the agents a “fascist.”
The agents were in the hallway outside of Dugan’s courtroom to arrest Eduardo Flores-Ruiz, who was wanted for illegally re-entering the U.S. after being previously deported.
In a split verdict, a jury found Dugan guilty of felony obstruction of agents, but not guilty of trying to hide the suspect, a misdemeanor.
Dugan’s defense team is seeking to overturn the jury verdict and will file motions by late January with U.S. District Judge Lynn Adelman.
Milwaukee County Clerk of Courts Anna Hodges said she couldn’t provide specifics about the situation with Freed because it is a personnel matter. But she added it is impermissible, under state Supreme Court rules, for court staff like Freed to express personal opinions on the job.
Clerks are key employee for judges, calling cases, determining available dates for next hearings and answering questions when the judge is not on the bench.
“People have their own personal opinions, but we need to be professional and appropriate in the courtroom setting,” she said. “Our job is to be impartial.”
Radio host Mark Belling first reported on Hodge’s concern about Freed’s conduct.
Hodges said her staff, including Freed, are well aware of the state Supreme Court rules on decorum because of required trainings.
In an interview, Freed said he is retiring Jan. 2, but said it was planned and unrelated to his reprimand. He is 70.
Freed said he received the “lowest level of write-up” for what he said on April 18. He said he didn’t back down when it was delivered, and added that it was his first reprimand in seven years as a clerk.
“I said, ‘I stand by my comments, and it’s political speech, and that’s that,’” Freed said.
Freed said the reprimand came before he testified. He said his supervisor approached him again after his testimony, but didn’t give him an additional write-up, because it was for the same thing, he said.
Freed said he was told by his supervisor that “language like that isn’t appropriate, especially in the public hallway, as you’re an employee of the county, and it doesn’t show good judgment.”
“I said, ‘It was on the spur of the moment, and a lot of us were outraged at what was going on. And I stand by my words.’”
Freed said he wasn’t aware of rules around decorum for court clerks.
“I’m not aware of that, but maybe (Hodges) has got some document but she hasn’t shared it with me,” said Freed, who was a disability rights lawyer before he became a court clerk.
Asked if he would have done anything differently on April 18, Freed said he may have tried to convince Dugan not to take Flores-Ruiz and his attorney out of an employee-only door into a private hallway.
At trial, Freed testified he had never seen a defendant use that door in thousands of cases. Dugan guiding the pair into that private hallway was a key part of the case.
“I might have spoken out and encouraged the judge not to do what she did, but you know, that’s her call,” Freed said. “It’s ultimately her courtroom.”
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