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Delta Cancels Minneapolis to Amsterdam Flight Amid Food Safety Issue, How?

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Delta Cancels Minneapolis to Amsterdam Flight Amid Food Safety Issue, How?


MINNEAPOLIS- Delta Air Lines (DL) on May 13, 2025, canceled a transatlantic flight from Minneapolis–St. Paul International Airport (MSP) to Amsterdam Airport Schiphol (AMS) due to an unexpected food safety issue.

Passengers had already boarded the aircraft before the situation escalated into a protracted delay, culminating in a late-night cancellation.

Delta Air Lines Airbus A330neo
Photo: Clément Alloing

Delta Cancels Flight Over Food Issue

The flight initially encountered a mechanical issue with the auxiliary power unit (APU), followed by extensive delays and ultimately a cancellation that passengers found both frustrating and confusing.

The airline cited compromised catering as the final reason, raising concerns about operational decision-making during late-night disruptions.

Passengers on the Delta Air Lines flight from Minneapolis (MSP) to Amsterdam (AMS) boarded as scheduled, only to be informed of an APU issue before departure.

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The auxiliary power unit is critical for providing electricity and air conditioning while the aircraft is on the ground. Although the crew initially anticipated a brief delay to repair or replace the component, delays extended into the early morning hours.

By around 2:00 AM, after multiple gate changes and conflicting updates, Delta officially canceled the flight, citing a “food safety” concern. This decision left passengers frustrated, as many questioned why the flight couldn’t proceed without catering, particularly given the late hour and closed terminal amenities.

Delta Air Lines Airbus A330Delta Air Lines Airbus A330
Photo: Clément Alloing

Why Catering Matters on Long-Haul Flights

Catering on transatlantic flights like MSP to AMS is not just about comfort—it’s a regulatory and safety requirement. Once meals are loaded onto an aircraft, they must be maintained under strict temperature conditions.

When a mechanical delay prevents the plane from departing, the onboard food can become unsafe for consumption after a certain period, often rendering it unusable.

Late-night operations complicate recovery. At hubs like Minneapolis, catering services may not run full-scale past midnight. With minimal staffing and limited access to replacement meals, Delta likely faced operational limits.

Furthermore, airline policy and contractual obligations require meal service not only for passengers but also for crew members, particularly on long-haul ETOPS flights where in-flight diversions are limited.

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While passengers may have been willing to fly without meals, airlines must consider broader implications. Food and drink availability is essential for passengers with medical needs and is factored into flight planning. More critically, pilots and crew must be properly catered under FAA and union guidelines.

Delta’s decision also reflects network-wide implications. Launching a severely delayed international flight without catering could lead to crew timeouts, missed connections, and scheduling conflicts. With few overnight recovery options, pushing the flight might have caused a ripple effect across Delta’s operations. Canceling and rebooking may have been the only option to contain further disruptions.

Though Delta’s handling of the delay, including inconsistent communication and late cancellation, drew passenger ire, the decision reflects the complex logistics behind long-haul air travel. Airports like MSP, even as hubs, may not maintain full support services 24/7. Catering staff, aircraft technicians, and gate agents often work on staggered or reduced schedules overnight.

While passengers may interpret delays as poor management, behind-the-scenes limitations like expired catering, unavailable maintenance crews, or union rules can dictate outcomes. Transparency and clear communication could have mitigated frustrations, but the safety-first approach remains paramount in aviation operations.

Featured Image by Clément Alloing | Flickr

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Minneapolis, MN

Fan behind Anthony Edwards’ orange bracelet has beaten cancer

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Fan behind Anthony Edwards’ orange bracelet has beaten cancer


The story behind Anthony Edwards wearing a bright orange bracelet since last season has received a positive development, after Timberwolves fans learned Luca Wright has beaten leukemia.

Anthony Edwards, Luca Wright connection

What we know:

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Last January, the 6-year-old Minnesotan met “Ant” for the first time following a game against the Detroit Pistons, proclaiming him to be his favorite player, and asking him to wear a bracelet that symbolizes leukemia awareness, resilience and support for those affected. During the interaction, the fan had created a sign with a to-do list: “1. Beat Cancer. 2. Be The Next MJ.”

Leukemia is a type of cancer that spreads throughout the bloodstream, infecting bone marrow and a person’s lymphatic system by rapid production of abnormal white blood cells that can’t fight infection.

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Since then, the Wolves’ MVP has worn a bracelet that proclaims, “Love Like Luca” on it for every game he has played, vowing to wear it “until he hangs up his sneakers.”

Ant has gone on to explain how the gesture connected with him given that he lost both his mother, Yvette, and grandmother, Shirley, to cancer when he was 14 years old. The No. 5 jersey he wears currently is a tribute to them both.

Luca bracelet latest

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Dig deeper:

More than a year later, Wolves fans have received the update they hoped for – now 7-year-old Luca has beaten his cancer.

What’s next:

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Ant has since responded to the news with his own social media video, calling it “God’s gift” and saying, “Let’s do this Luca.”

No word yet on whether he intends to keep wearing the bracelet, though he’s previously said he has a stash of replacements near the team bench should one ever be broken.

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The Source: Information provided by the Minnesota Timberwolves public relations department.

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Family of Minneapolis brothers killed by cousin says their deaths were preventable:

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Family of Minneapolis brothers killed by cousin says their deaths were preventable:


A Minneapolis family is struggling to make sense of a tragedy that has left them heartbroken. 

Family tells WCCO 14-year-old Xavier Barnett and 23-year-old Akwame Stewart were killed Monday.

The brothers were very different, but equally loved. Barnett was a good student and athlete. Stewart was a painter, creative and thoughtful. Two brothers, loved and full of promise, gone. 

Police say the accused shooter is their cousin, 23-year-old Eddie Duncan.

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Court records show Duncan was released on bail Monday on charges of fleeing law enforcement and possession of a gun modified with an “auto sear switch.”

Court records also show Duncan was ordered to undergo a psychological evaluation, but not until next month, on March 24.

Deasia Freeman, Barnett and Stewart’s sister, says this loss could have been prevented. 

“They all failed us. We got two innocent lives gone for no reason. Didn’t do nothing to nobody,” Freeman said.

Family members say the system and Duncan’s family let them down.

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Freeman says Duncan’s family saw the warning signs and still bailed him out

“If you knew this man was thinking like this, y’all should have kept him in there and he should not even have bail,” she said. 

The Hennepin County Attorney’s Office says they noted Duncan was a public safety risk and asked for a high bail, much higher than a typical request. 

“In Minnesota, there is a constitutional right to bail, and the bail amount is set by the Court. Our office noted a public safety risk with Mr. Duncan and asked the judge to set bail at $70,000, or $35,000 with conditions; both of which are higher than we would typically request in this scenario. The judge set bail in that amount. Mr. Duncan posted $35,000 bail with conditions of release, as is allowed under the Minnesota Constitution, and was released from custody. Our thoughts are with all those impacted by yesterday’s violence. This was a terrible tragedy for this family and our community,” a spokesperson for the Hennepin County Attorney’s Office said.

For Freeman and her family, the hardest part isn’t just the legal process but living each day without their brothers. 

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Even in the heartbreak, she says the memories of the good days, the laughter and love they shared will carry them through.

“I wish I could get just one more phone call from them asking me where I’m at,” Freeman said as tears rolled down her face. 

Court records confirm Duncan left the scene of the crime and fled to nearby Brooklyn Center. There, a search warrant says Duncan “fired a gun at officers, striking two squads,” when police arrived. That’s when officers returned fire, shooting and killing him.

Three officers have been placed on critical incident leave as the Minnesota Bureau of Criminal Apprehension leads the investigation into Duncan’s fatal shooting.

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First-of-Its-Kind Photography Festival Comes to Minneapolis | Minnesota Monthly

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First-of-Its-Kind Photography Festival Comes to Minneapolis | Minnesota Monthly


MODE by Flickr

The Twin Cities has long been a hotbed of creative inspiration and artistic storytelling—from world-class cultural institutions to large-scale art and film festivals that propel emerging makers and creators into the spotlight. But, for the first time, local photographers are primed to receive a multi-day that is uniquely their own—geared toward all things visual, digital, and candid.  

Today, global photo-sharing platform Flickr announced the launch of MODE by Flickr, a three-day photography festival set to take place Sept. 18-20—right in the heart of Minneapolis. A first-of-its-kind event, the inaugural lineup will gather some of the biggest names inartvisual media, from Emmy-nominated director and National Geographic photographer Keith Ladzinski to renowned culinary photographer Penny De Los Santos, as well as sponsorship support from global media companies including Fujifilm, HOVERAir, and more.  

Whether attendees are coming to network, learn, or simply, admire, MODE will feature a variety of welcoming spaces designed to foster a dynamic exchange of creative energy. Expect immersive workshops led by industry legends, hands-on demonstrations, mind-expanding exhibitions, and special programming designed by Black Women Photographers’ Polly Irungu and Inside Out Project.  

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“MODE is photography in motion—alive, interactive, and deeply rooted in community,” said Ben MacAskill in a prepared statement, President and COO at SmugMug and Flickr. “For more than 20 years, Flickr has brought the world’s photographers together online. Now, we’re bringing that spirit away from devices and connecting in the real world with a festival built for creativity and the future of photography and visual arts.”  

Designed around seven thematic pillars, MODE aims to bring the full spectrum of photography to life—uniting world-shifting storytelling, emerging tools, business insights, motion-driven media, cultural diversity, analog processes, and environmental responsibility. These seven pillars will float through each diverse experience, from live portrait shoots, tech demos, and editing workshops to photojournalism panels, film screenings, and instant-film activations. 

Flickr’s choice of Minneapolis as its launchpad feels telling of an overarching alignment of values—the city a mirror for MODE’s core mission of celebrating creativity and community while prioritizing diversity, inclusion, and accessibility. To support this mission, the festival will be equipped with accessible venues, thoughtful sustainability measures, diverse programming, and a careful artist selection process that prioritizes representation and artistic vision.  

Tickets are available now, starting at $300 for Flickr Pro members, and between $330 and $660 for general admission and VIP passes. For more information on ticketing, and updated programming announcements, visit modefestival.com. 





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