Entertainment
Green Day whips through its decades of pop-punk hits at Coachella
Billie Joe Armstrong has invited enough audience members onstage to sing or play guitar with Green Day for a song or two that at this point you figure he’s developed a keen sense for what type of fan is likely to pull off the bit.
But it’s possible the frontman has never called on somebody as confident as the dude he picked Saturday night to help finish Green Day’s headlining performance at the Coachella festival.
Dressed in a black tank top and leather trousers, with a bedazzled belt buckle that glittered under the stage lights — “Ooh, he’s handsome,” Armstrong said as he made his way up from the crowd — the guy swung Armstrong’s guitar strap over his shoulder as though it were his own before coolly strumming the chords from “Good Riddance (Time of Your Life).” Then Armstrong sang the acoustic ballad while the fan played and mugged for Coachella’s cameras.
“Quit being so professional,” the frontman said with a grin.
Green Day performs.
(Allen J. Schaben/Los Angeles Times)
It takes one to know one, of course: Nearly 40 years after Armstrong and bassist Mike Dirnt founded the Bay Area trio in 1987, Green Day is as polished and reliable a rock band as any on the road these days. The group (which also includes drummer Tré Cool, who joined in 1990) whips through its decades of pop-punk hits with speed and precision, even when the size of the venues it visits — last year Green Day toured stadiums to mark anniversaries of 1994’s “Dookie” and 2004’s “American Idiot” — means it has to play to the cheap seats.
Here, as one of the rare rock acts to headline Coachella over the last decade or so, Armstrong and his bandmates knew just how to engage the giant festival crowd with call-and-response routines and crisp video production.
Yet as the group roared through oldies like “Basket Case,” “Holiday,” “Welcome to Paradise,” “Longview” and “Brain Stew,” you never forgot that you were watching a once-scrappy punk trio; Green Day still puts across the charming zeal that powered its mainstream breakthrough in the post-grunge mid-’90s.
Armstrong performs.
(Allen J. Schaben/Los Angeles Times)
As he’s been doing for years, Armstrong tweaked a lyric about “a redneck agenda” in “American Idiot” to protest “a MAGA agenda”; he also changed a line in “Jesus of Suburbia” to express his concern for “the kids from Palestine.”
Green Day doled out a few new tunes from last year’s “Saviors,” including “Bobby Sox,” which the frontman has described as a kind of queer love song. But for the most part this typically assured performance was about the hits — crafty, passionate, sometimes profane — on which Green Day’s enduring popularity was built.
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‘Clayface’ trailer teases DC Studios’ first proper horror movie
The DC universe is going full on body horror.
DC Studios released its first trailer for “Clayface” on Wednesday, giving audiences a glimpse of the gruesome origins of the shape-shifting Batman villain.
Set to an eerie rendition of the Flaming Lips’ “Do You Realize??,” the teaser flashes among various images of up-and-coming Hollywood actor Matt Hagen (portrayed by Tom Rhys Harries) before and after a violent encounter as the camera slowly zooms toward his haunted eyes and bloody, bandaged face as he is recovering on a hospital bed.
The clip also includes footage of Hagen’s clay-like, malleable face, which he appears to gain after some sort of scientific procedure.
According to the DC description, “Clayface” will see Hagen transformed into a “revenge-filled monster” and explore “the loss of one’s identity and humanity, corrosive love, and the dark underbelly of scientific ambition.”
“Clayface,” set for an Oct. 23 release, will be the third DCU film to hit theaters since James Gunn and Peter Safran took over DC Studios and reset (most of) its comic book superhero franchise. The studio’s upcoming slate also includes “Supergirl,” which will hit theaters June 26, as well as “Man of Tomorrow,” the sequel to Gunn’s 2025 blockbuster “Superman,” announced for 2027.
Who is Clayface?
Clayface is a DC Comics villain usually affiliated with Batman. The alias has been used by a number of different characters over the years, but they all usually possess shape-shifting abilities due to their clay-like bodies. Created by Bill Finger and Bob Kane, the original Clayface was a washed-up actor turned criminal who first appeared in a 1940 issue of “Detective Comics.”
Matt Hagen was the name of the second Clayface, who first appeared in an issue of “Detective Comics” in the 1960s. He was the first to have shape-shifting powers, which he gained after encountering a mysterious radioactive pool of protoplasm.
Other versions of Clayface have been introduced in various media since.
Who is in ‘Clayface’?
The upcoming film stars Tom Rhys Harries as rising Hollywood actor Hagen. The cast also includes Naomi Ackie, who is seen in the trailer, reportedly as the scientist Hagen turns to for help following his disfigurement. Also set to appear are David Dencik, Max Minghella and Eddie Marsan, as well as Nancy Carroll and Joshua James.
Who are the ‘Clayface’ filmmakers?
Director James Watkins, known for horror films including “Speak No Evil” (2024), is helming “Clayface.” The script was written by prolific horror scribe Mike Flanagan (“The Haunting of Hill House,” “Doctor Sleep”) and Hossein Amini (“The Snowman”).
The producers are Matt Reeves, Lynn Harris, James Gunn and Peter Safran. Exective producers include Michael E. Uslan, Rafi Crohn, Paul Ritchie, Chantal Nong Vo and Lars P. Winther.
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Miyamoto says he was surprised Mario Galaxy Movie reviews were even harsher than the first | VGC
Nintendo’s Shigeru Miyamoto says he’s surprised at the negative critical reception to the Super Mario Galaxy Movie.
As reported by Famitsu, Miyamoto conducted a group interview with Japanese media to mark the local release of The Super Mario Galaxy Movie.
During the interview, Miyamoto was asked for his views on the critical reception to the film in the West, where critics’ reviews have been mostly negative.
Miyamoto replied that while he understood some of the negative points aimed at The Super Mario Bros Movie, he thought the reception would be better for the sequel.
“It’s true: the situation is indeed very similar,” he said. “Actually, regarding the previous film, I felt that the critics’ opinions did hold some validity. “However, I thought things would be different this time around—only to find that the criticism is even harsher than it was before.
“It really is quite baffling: here we are—having crossed over from a different field—working hard with the specific aim of helping to revitalize the film industry, yet the very people who ought to be championing that cause seem to be the ones taking a passive stance.”
As was the case with the first film, opinion is divided between critics and the public on The Super Mario Galaxy Movie. On review aggregate site Rotten Tomatoes, the film currently has a critics’ score of 43% , while its audience score is 89%.
While this is down from the first film’s scores (which were 59% critics and 95% public) it does still appear to imply that the film’s target audience is generally enjoying it despite critical negativity.
The negative reception is unlikely to bother Universal and Illumination too much, considering the film currently has a global box office of $752 million before even releasing in Japan, meaning a $1 billion global gross is becoming increasingly likely.
Elsewhere in the interview, Miyamoto said he hoped the film would perform well in Japan, especially because it has a unique script rather than a simple localization as in other regions.
“The Japanese version is a bit unique,” he said. “Normally, we create an English version and then localize it for each country, but for the first film, we developed the English and Japanese scripts simultaneously. For this film, we didn’t simply localize the completed English version – instead, we rewrote it entirely in Japanese to create a special Japanese version.
“So, if this doesn’t become a hit in Japan, I feel a sense of pressure – as the person in charge of the Japanese version – to not let [Illumination CEO and film co-producer] Chris [Meledandri] down.
“However, judging by the reactions of the audience members who’ve seen it, I feel that Mario fans are really embracing it. I also believe we’ve created a film that people can enjoy even if they haven’t seen the previous one, so I’m hopeful about that as well.”
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