Connect with us

Culture

Meet the MIT physicist turned Marlins coach behind the ‘torpedo’ bats used by the Yankees

Published

on

Meet the MIT physicist turned Marlins coach behind the ‘torpedo’ bats used by the Yankees

NEW YORK — The New York Yankees’ bats were the story of the team’s franchise-record nine-home run day against the Milwaukee Brewers on Saturday. Then came the discussion about the actual bats used by some players in the 20-9 win.

The uniquely shaped lumber is the result of two years of research and experimentation with a former Massachusetts Institute of Technology physicist-turned-coach at the helm.

The question at its center?

“Where are you trying to hit the ball?” Aaron Leanhardt said in a phone interview Sunday morning. “Where are you trying to make contact?”

Leanhardt, 48, began his work when he was a member of the Yankees’ minor-league hitting department in 2022 and brought it to the major leagues last season when he was the team’s lead analyst, with some players, including shortstop Anthony Volpe, trying them in games. Now, as many as five Yankees will be using them in games at least early this season, according to outfielder Cody Bellinger.

Advertisement

The bats — with their torpedo-like shape — are custom-made to player preferences and are designed so that the densest part of the bat is where that particular hitter most often makes contact with the baseball, said Leanhardt, who became a field coordinator with the Miami Marlins in the offseason.

“Really,” he said. “It’s just about making the bat as heavy and as fat as possible in the area where you’re trying to do damage on the baseball.”


Anthony Volpe (holding a “torpedo” bat) congratulates Jazz Chisholm during the Yankees’ 20-9 win on Saturday. (Mike Stobe / Getty Images)

A Major League Baseball spokesman told The Athletic that the bats don’t break any rules. MLB Rule 3.02 states that a bat “shall be a smooth, round stick not more than 2.61 inches in diameter at the thickest part and not more than 42 inches in length. The bat shall be one piece of solid wood.” It also says that “experimental” bats can’t be used “until the manufacturer has secured approval from Major League Baseball of his design and methods of manufacture.”

Asked whether he was the inventor of the technology, Leanhardt said it was a group effort, the results coming from conversations with coaches, players, MLB and bat makers.

“Credit goes to those who take it,” Leanhardt said. “But if people want to ascribe credit to different people, then I’ll take some cut of it.”

Advertisement

A Yankees official, however, said Leanhardt deserves “a lot” of the credit. Retired infielder Kevin Smith, who spent parts of four seasons in the majors, also credited Leanhardt as the inventor.

Leanhardt took an unorthodox route to baseball.

He has a bachelor’s degree in electrical engineering from the University of Michigan and a Ph.D. in physics from MIT. He was a physics professor at the University of Michigan from 2007 to 2014.

Leanhardt began coaching in the Atlantic League in 2017 and coached at a Montana community college before joining the Yankees in 2018. In the majors in 2024, the club said he was its first “major league analyst” and “responsible for integrating the use of quantitative information with on-field performance and preparation.”

Advertisement

Why leave academia for baseball?

“I think that’s one of the cool things about sports is it’s very competitive,” he said. “Guys are willing to push the envelope. It’s just an opportunity to take my background to an area and find ways to innovate.”

Talking to players over the years revealed that their biggest concerns were twofold, Leanhardt said. They wanted to make more contact with pitches and they wanted to strike the ball more often with the bat’s “sweet spot,” or the densest area.

“They’re going to point to a location on the bat that is probably six or seven inches down from the tip of the bat,” he said. “That’s where the sweet spot typically is. It’s just through those conversations where you think to yourself, why don’t we exchange how much wood we’re putting on the tip versus how much we’re putting in the sweet spot? That’s the original concept right there. Just try to take all that excess weight and try to put it where you’re trying to hit the ball and then in exchange try to take the thinner diameter that used to be at the sweet spot and put that on the tip.”

Leanhardt said he didn’t see many drawbacks to redistributing the weight of the bat.

Advertisement

“The bat speed should stay the same,” he said. “Maybe the bat speed can even increase a little bit depending on how you want to redesign the bat. But ultimately you’re getting a fatter barrel, a heavier barrel at the sweet spot. So in some sense, you can have your cake and eat it here too. You can get some gains without actually making sacrifices.”

Leanhardt said he didn’t want to talk about individual players’ experiences with the new bat. Yankees designated hitter Giancarlo Stanton told reporters earlier this month that it was “probably some bat adjustments”  last season that caused the ligament tears in both of his elbows that led to his current stay on the injured list, though he didn’t place specific blame on anybody. Then he added: “I don’t know why it happened.” Leanhardt declined to comment on Stanton’s situation.

“You’d have to ask the Yankees’ medical personnel about that,” he said. “I’ll defer all those questions to the Yankees’ medical guys.”

Leanhardt said it was “the nature of our business” that it took years for a radically new bat design to come along.

“People back in the day swung very heavy bats made out of hickory and then someone had this genius idea to swing something lighter, something like ash, and that was revolutionary back in the 1920s, ’30s, ’40s kind of in that transition, and then the industry kind of stayed the course for quite some time,” he said. “Ultimately, it just takes people asking the right questions and being willing to be forward-thinking.”

Advertisement

He got a kick out of seeing the social media fervor the bats caused Saturday. He said that while some players began to use them last season, “the entire industry kind of caught wind of it” and “it exploded in the offseason.”

“Which is why you see it in the hands of so many guys right now,” he said. “Obviously, (Saturday’s) performance threw a whole lot of attention to it.”

It took a lot of coordination for the bats to go from the design stage to being manufactured. Leanhardt said he would “guarantee” he’s on a first-name basis with officials at MLB who oversee bat regulation and “everyone who operates the lathe for every bat manufacturer in baseball.”

“You really just are communicating with each company and trying to find the person who really knows the wood and knows how to turn the wood on a lathe. You just build a relationship with those guys and convince them that this is something that’s in their best interest to produce for their players. They want their players to be as successful as possible. Some guys buy in and it gains traction,” he said. “That’s really how it got built up.”

(Top photo of Aaron Leanhardt, right, with Marlins manager Clayton McCullough: Jasen Vinlove / Miami Marlins / Getty Images)

Advertisement

Culture

Try This Quiz and See How Much You Know About Jane Austen

Published

on

Try This Quiz and See How Much You Know About Jane Austen

“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.

Continue Reading

Culture

Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

Published

on

Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

Advertisement

With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

Advertisement

By ‘A Lady’

Jane Austen’s House, Chawton, England

Advertisement

Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

Advertisement

Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

Advertisement

An Iconic Accessory

Advertisement

Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

Advertisement

Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

Advertisement

Tony Cenicola/The New York Times

The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

Advertisement

A Lady Unmasked

Advertisement

Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

Advertisement

Tony Cenicola/The New York Times

Advertisement

It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

Advertisement

Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

Advertisement

A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

Advertisement

Aunt Jane

Advertisement

Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

Advertisement

Steve Parsons/Associated Press

Advertisement

In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

Advertisement

During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

Advertisement

Tony Cenicola/The New York Times

You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

Advertisement

The Austen Industrial Complex

Advertisement

Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

Advertisement

Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

Advertisement

Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

Advertisement

Tony Cenicola/The New York Times

In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

Advertisement

#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

Advertisement

Peter Flude for The New York Times

Advertisement

For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

Advertisement

The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

Advertisement

Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

Advertisement

Austen 101

Tony Cenicola/The New York Times

Advertisement

Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”

W.W.J.D.

Advertisement

Tony Cenicola/The New York Times

When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?

Advertisement

Continue Reading

Culture

I Think This Poem Is Kind of Into You

Published

on

I Think This Poem Is Kind of Into You

Advertisement

A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.

The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.

And then it bursts into flame.

Advertisement

“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.

Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.

Advertisement

We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.

To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.

Advertisement

Louise Glück in 1975.

Gerard Malanga

Advertisement

But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”

That’s the kind of poem she wrote.

Advertisement

“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.

Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.

What happens next? That’s up to you.

Advertisement

Continue Reading

Trending